September Scotch: Malbec-Finished Royal Salute 21 Year Old Polo Estancia Edition

Bright, bold and delicious, a spirit that celebrates Argentina

Through our annual September Scotch series, we aim to chronicle noteworthy new additions (that we’ve tasted ourselves) to the ever-expanding and highly competitive whisky world. From a modern “lighthouse” and its limited release liquid to an 80-year-old single malt, this year provided many milestone expressions from Scotland’s distilleries. And one of the most flavorful of them all happens to be the first edition of Royal Salute‘s 21-year-old Polo Estancia—a delectable blend that’s been finished in select premium Malbec barrels as an ode to Argentina and its contributions to the prestigious horseback sport.

Royal Salute has nurtured a relationship with polo for a long time now. This new and nuanced liquid is a natural and ideological extension of that. Argentina is a nation that’s supported many polo players within estancias (private plots of land that were once farms), and one that’s helped bolster and develop the reputation of the Malbec grape, attributes began to emerge that could transform a story into a scotch. Ultimately, top-tier Malbec wine casks from the high-altitude “boutique terroir” in the Argentine town of Cafayate were selected to tell the tale. They were used to finish a meticulous blend (but not overpower) of 21-year-old Royal Salute spirit.

Though the story may be unlike any other in the scotch whisky category thus far, it wouldn’t matter if the resulting flavor profile wasn’t equally compelling. Fans of Royal Salute will not be disappointed; neither will spirits consumers desirous of something bold and bountiful. Not only does the liquid offer up a nose of tart berries, it also tastes of luscious jam. Baking spice notes (with a pronounced cinnamon inflection) give way to chocolate-covered ginger. The lengthy finish imparts a dry, elegant sweetness.

Sandy Hyslop, director of blending and inventory at Royal Salute, oversaw the creation of Polo Estancia. And although it’s a refined sipper than can be enjoyed neat, or on the rocks, Hyslop encourages consumers to try and number of Polo Estancia cocktails.

This isn’t Royal Salute’s only significant scotch debut this year. In fact, during London Fashion Week this September, the brand released the first whisky in their Couture Collection—a collaborative, collectable line of whiskies that celebrate creativity in fashion. Couture designer Richard Quinn is the first partner, and the 21 Year Old Richard Quinn Edition incorporates 31 malts to craft a lightly floral spirit that alludes to Quinn’s expressive prints of flowery interpretations. It’s another inspired release from a brand full of harmonious ideas.

Images courtesy of Royal Salute

Flat-packed Furniture that are the space-saving designs you need for your modern millennial home!

Flat-packed designs are really quite intriguing! They’re portable, easy to put together, and occupy minimum space. And, this innovative technology is now being introduced to almost all kinds of product designs…including furniture! From foldable chairs to pet houses, there’s nothing that cannot be flat-packed. These designs, not only rate high on space efficiency, but also eliminate the usage of heavier space-consuming designs. They are definitely functionally and ergonomically beneficial, but they also possess minimal and clean aesthetics, that allow them to harmoniously blend with any living space. Flat-packed furniture is also a major boon when you’re moving houses. You can easily ship all your furniture from one home to another, without having to do any heavy lifting and carrying. Flat-packed furniture designs are truly the future!

In the unfolded position, FLUP works like a conventional mat or rug on which we can sit or step without interrupting the movement of people through the space. It transforms from plane to volume, from floor to space while changing the function with its shape. In the folded position, it works as a piece of minimal furniture – it can be used as a pouf, an auxiliary seat, a footrest, a nightstand, etc. It is a perfect example of space-saving furniture. What makes it better is that there is no assembly required, it is a singular element that transforms with folds into another object like origami.

The Lu chair gives this simple and popular idea a modern makeover, make furniture foldable and transportable easily. And this is the best foldable chair I have seen so far! The Lu chair folds without effort and can be carried around very easily. A lot of designs we see are foldable but even after folding not easy to carry around or takes too much time to fold. Made up of plastic, this makes the mechanism work perfectly. As Lu explains, “Many times we find ourselves having to put away objects, perhaps to make room, perhaps to clean the house and sometimes even to take them with us, but above all for furniture of a certain level it is always very difficult.

The Atlas isn’t a conventional side-table. It comes almost with the proportions and shape of an easel, sporting an A-shaped frame. It comes with a slightly inclined design too, keeping the stand stable and preventing it from tipping over due to your bag’s weight. On top, two tiny hooks let you hang your backpack, bag, duffle, suitcase, purse, or tote, while a flat surface acts as a storage area for your phone, AirPods, sunglasses, etc. Its 6-part design is rather easy to set up and requires just two screws to hold in place. The entire stand ships flat-packed to you and can be assembled in well under 5 minutes.

Creation of industrial designers Yin-Yu Lo and Trinna Wu, this accessory takes flat packaging as the core idea for portability. I like the idea of having the option to carry a comfy sofa to the next camping trip or the leisurely beach day on the weekend. It can even be a good option for people who frequently move from one apartment to another or light up a dorm room with ease! The duo has designed the urban sofa using 3D weaving distance technology in the inflatable structure. This production method keeps the middle surface of the sofa flat with a stable supporting force that prevents eventual sagging with such inflatable products. It can be inflated instantly without much hassle, and the stiffness level of the seat and cushion can be adjusted as required. When it needs to be transported to another place, deflate Puffa and easily carry it public transit or store it in the car’s boot.

With laser-cut pieces of wood that simply interlock to create your design, staxxiom is building on IKEA’s DIY culture by making their furniture more efficient, more eco-friendly, and as simplified as possible. That last part works in staxxiom’s favor too, because the simplified design gives their furniture a unified, wonderfully minimal aesthetic, along with the added benefit of being ridiculously easy to build too. Try, for a second, to describe the parts of a table in the simplest way possible. You’ve got 4 legs and a tabletop surface, right? In reality, though, furniture is often much more complex than that. There are many more aspects, like glue, screws, bolts, threaded inserts, rubber feet, etc. that go into making a great table that you often forget to describe. staxxiom’s designs outright do away with these minor complexities by keeping their furniture designs as visually and physically simple as possible.

The Bridge builds on the increasingly popular idea of an open office and a collaborative workspace (as opposed to compartmentalized cabin spaces). It’s entirely made from plywood and can be flat-packed to a location and assembled on spot. It uses wooden joineries instead of metal/glue fixtures and can be assembled and propped onto any open desk, uplifting your current workspace with a neat touch of greenery. The channels are big enough to hold potted plants and they give you the freedom to add plants of your own choice. Since the plants sit in their own planters (instead of directly in the wooden channel), they can easily be watered too without worrying about wood-rot or exposing the plywood to excess water/moisture.

Accordio’s form drew inspiration from the designer’s niece who had a silicone bowl plate. “I was intrigued by its flexibility and portability. After some research, I found that silicone also has a fascinating collapsible feature, which was later adapted into a foldable house,” explains Seong. The unique pet house is a study in portable pet furniture. The silicone makes it super lightweight and gives it a distinct collapsible feature. Silicone not only makes it easy to carry along for outdoor activities or travel but is also very easy to clean. Accordio can be compressed into 1/6th of its full size by pushing both sides. The fabric cushion included conveniently fits into the collapsed form for portability.



This cardboard chair is 100% recyclable, biodegradable, and easy to assemble! The MC 205 Cardboard Chair can be flat-packed and requires no tools to put together – something better than puzzles for game night? There were 13 prototypes before the MC 205 was finalized and now the company has released MC 207 which has been tweaked to be more comfortable. The team has also built upon the chair by adding more furniture like couches, tables, and counters made with the same principle. Imagine this but in the shape of the Iron Throne!

chair1

Chair 1:1 was born after a rigorous 5-year long design process that gave us a mountable/demountable chair whose every piece was molded in one go. This optimized the mold size, speeded up production, and reduced waste drastically when compared to a traditional chair. “It is sold just as it comes out of the mold, bypassing several steps; it will be the buyer who will complete the process: this is what we call hyper-seriality,” says the designer duo. “When looking at the Chair 1:1, it is inevitable to have a blast from the past, remembering the boxed toy kits. There are no screws nor bolts: assembly is effortless + quick. Mounting an object makes a bond with it and makes you feel its full value; it builds an affection that stops you from getting rid of it.” The fastening elements of the individual parts are made to be easily producible and extremely resistant. It has been designed to be easily stored, shipped, and transported – 26 boxed up chairs take up only 1 square meter which is the key to increasing online sales as well as shipping sustainably!

Created using merino felt wool and birch wood,  the Wool Lodge is a safe haven of sorts for your pet. You can arrange and form the flat-packed structure by yourself easily. The lodge features merino felt roof, with the rest of the structure being made from wood. Defleur’s lodge basically has two functions. Spacious enough to fit your cat’s litter box, the lodge shelters the box within its structure. Your cat can sneak away, and pee or poop in privacy, away from any prying eyes. On the other hand, you can install a soft cushion or mattress instead of a litter box in the lodge. This creates a personal space for your pet, it could be a cat or a doggo on the smaller side! Whenever your pet wants to simply relax and get away, they can hop into the shelter, safe from any external noises or extreme temperatures.

Retro Leather Heavy Punching Bag

Each of these one-of-a-kind punching bags is handcrafted with 100% cowhide leather which means it comes with its own scuffs and scars. The brand Modest Vintage Player takes the uniqueness of this design one step further with customizable features, including choice of leather type (from heritage brown and executive black to deluxe tan and legacy cream), size options from three to six feet and embossed logos and images (applied with either natural heat, color print or gold foil). Suitable for heavy training, home gyms or as display, this bag is a stunning and durable addition.

See who's ahead in the Dezeen Awards 2021 public vote design categories

With less than two weeks left to vote in the Dezeen Awards 2021 public vote, here is an update on the current votes across the design categories.

The public vote, which closes on 11 October, allows readers to vote for projects and studios shortlisted in the architecture, interiors, design, sustainability and media categories, as well as architects and designers in line for the studio of the year awards. Winners will receive a special certificate.

Voting is open for another two weeks so get started today!

Click here to vote ›

Public vote winners announced in October

Public vote winners will be announced 18-22 October. The public vote is separate from the main Dezeen Awards 2021 judging process, in which entries are assessed by our panel of professional judges. We’ll be announcing the Dezeen Awards 2021 winners online in late November.

Who’s in the lead?

With 40,907 votes received so far, here is a snapshot of which projects and studios have received the most support. There’s still time to influence the results so keep voting!


Dezeen Awards 2021 public vote furniture design

Furniture design

36 per cent – Soda by Yiannis Ghikas for Miniforms
25 per cent – TT_01 by Poesenvanhiel
16 per cent – Pegg Furniture by Michael Buick for Pegg Furniture
10 per cent – Mod Media Furniture by Noo.ma
Eight per cent – Plint by Cecilie Manz for Takt
Five per cent – Brise by Wonho


Dezeen Awards 2021 public vote seating design

Seating design

38 per cent – Ermis Chair by The New Raw
25 per cent – Core and Remnant by Note Design Studio for Sancal
24 per cent – Puffy Lounge Chair by Faye Toogood by Faye Toogood for Hem Design Studio
Seven per cent – Gamar Chair & Stool by Spacon and X
Six per cent – Evo-C by Jasper Morrison for Vitra


Dezeen Awards 2021 public vote lighting design

Lighting design

25 per cent – OBJ-01 by Manu Bañó
19 per cent – Alis by Potemine
18 per cent – Dune by LZF Lamps
17 per cent – Sunne by Marjan van Aubel Studio
11 per cent – Daylight by Dean Norton
10 per cent – Origine by Davide Groppi


Dezeen Awards 2021 public vote architectural lighting design

Architectural lighting design

32 per cent – Open by Flint Collective NYC
25 per cent – Maggie’s Leeds by Light Bureau
17 per cent – Apple Marina Bay Sands by Foster + Partners
13 per cent – Harrods Dining Hall by Lighting Design International
13 per cent – Nancy and Rich Kinder Museum Building by L’Observatoire International


Dezeen Awards 2021 public vote homeware design

Homeware design

33 per cent – CArrelé by Nature Squared
28 per cent – The Ellipse Collection by Armadillo
12 per cent – The Misused by Studio Liang-Jung Chen
10 per cent – Rug collection Lutetia and Juno by Studio Agne
Nine per cent – Super Circular Department Store by GoodWaste
Eight per cent – Chromarama by Kukka


Dezeen Awards 2021 public vote workplace design

Workplace design

38 per cent – Modus by Bunkholdt&Kirkestuen
22 per cent – Kite by Stellar Works
17 per cent – OE1 Micro Packs by Industrial Facility
12 per cent – Drehgriffel by Paperlux Studio
11 per cent – OE1 Nook by Industrial Facility


Dezeen Awards 2021 public vote wearable design

Wearable design

38 per cent – Convertibles – Clothes That Kids Can Make by Almaborealis
21 per cent – Aether Audio Eyewear by Aether Eyewear
17 per cent – Petit Pli – Adaptive Womenswear by Petit Pli
14 per cent – Elvie Curve by Elvie
10 per cent – Scaled by Scaled


Dezeen Awards 2021 public vote product design

Product design

32 per cent – My Football Kit by Nendo for Molten Corporation
28 per cent – Forest Crayons by Playfool
19 per cent – Volta Zero by Astheimer Design
17 per cent – The Pickup Truck by Canoo
Four per cent – InstaSwab by OPT Industries


Dezeen Awards 2021 public vote graphic design

Graphic design

21 per cent – Moholy-Nagy Foundation identity by Pentagram
21 per cent – The Complete Short Stories: Philip K. Dick by The Folio Society
19 per cent – The Norwegian Landscape – The New Norwegian Passports by Neue Design
18 per cent – Bicycle parking garage The Hague by Silo
12 per cent – Stories in Sounds by Nord Id
Eight per cent – Magic Canvas: Helping children to express themselves by Magpie Studio


Dezeen Awards 2021 public vote exhibition design

Exhibition design

38 per cent – Faith and Liberty Discovery Centre by Local Projects
27 per cent – V&A Fashioned From Nature at the Design Society by Studio 10
19 per cent – Backstage by Tinker Imagineers and Danish Architecture Centre
Eight per cent – Re-Source by LANZA Atelier
Seven per cent – No Show by Youssofzay + Hart


Dezeen Awards 2021 public vote installation design

Installation design

50 per cent – Entry Portals, Expo 2020 Dubai by Asif Khan
19 per cent – Secret Sky by Alibi Studio
13 per cent – The Plywood Protection Project by Worthless Studios
10 per cent – Drawing Fields by Outpost Office
Seven per cent – Remembering a Brave New World by Chila Kumari Burman


Dezeen Awards 2021 public vote sustainable design

Sustainable design

27 per cent – Common Sands: Forite Tiles by Studio Plastique, Snøhetta and Fornace Brioni
27 per cent – Aquastor by Zihao Design
16 per cent – Alive by The Living
14 per cent – Ptacek Home Chunk Line by Thomas J Ptacek
Nine per cent – Notpla by Superunion
Eight per cent – Honext Material by Honext Material

The post See who’s ahead in the Dezeen Awards 2021 public vote design categories appeared first on Dezeen.

Volvo latest car brand to reveal flat logo

A black circular Volvo logo with an arrow

Swedish car manufacturer Volvo has revealed a flat, less colourful version of its longstanding Iron Mark logo.

According to Volvo, the redesign is a “modern” reinterpretation of the original logo that aims to maintain its essence.

The new logo is an all-black, flat design that retains the same circular shape and upward-pointing arrow first used by the brand in 1927.

Volvo is the latest car manufacturer to ditch a 3D logo in favour of a flat design. Recently Nissan, MINI and Toyota have all adopted flat logos.

A silver and blue Volvo logo
Top: Volvo has revealed a new flat logo. Above: the brand’s previous logo was 3D with silver and blue colours

Named Volvo Iron Mark, the logo is the same shape as both the male symbol and the scientific symbol for iron.

“The iron badge on the car was supposed to take up this symbolism and create associations with the honoured traditions of the Swedish iron industry: steel and strength with properties such as safety, quality and durability,” a statement released by the brand explained.

First rebrand in seven years

Alongside the move to a two-dimensional design, the banner which typically runs around the middle of the logo has been removed.

The revamped logo also has a slimmer circle than previous designs, which adds to its streamlined look.

This is the first time in seven years that Volvo has given its logo a major change. The last update saw it produce a three-dimensional logo with a silver circle and blue banner.

The logo was designed in collaboration with Volvo Group and Volvo Car Group, the owner of Polestar, Volvo’s electric performance car brand.

Volvo latest company to reveal flat logo

It will be used on all new Volvo models in the centre of the steering wheel and the wheel hubs. It will also appear in all marketing and social communication materials.

Volvo’s logo redesign is part of a trend that has seen multiple car brands switch from 3D to flat designs for their logos. This includes Nissan, which released a 2D logo last year. The simplified logo has basic, block lines and a refined font.

British car manufacturer Vauxhall similarly moved to a flat, minimal logo design, opting for a smoother and more modern design without the classic griffin’s wing.

The post Volvo latest car brand to reveal flat logo appeared first on Dezeen.

Es Devlin creates UK Pavilion to represent "culturally diverse Britain" at Dubai Expo

UK Pavilion at Dubai Expo 2020 by Es Devlin

British designer Es Devlin has unveiled her cross-laminated timber Poem Pavilion, which is the UK’s contribution to the Dubai Expo 2020.

Named the Poem Pavilion, the timber pavilion has been designed to display a series of AI-generated poems during the international event, which opens in Dubai this week.

Poem Pavilion at Dubai Expo
Es Devlin designed the Poem Pavilion for the Dubai Expo 2020

Constructed from cross-laminated timber, the cone-shaped pavilion has a circular facade made from protruding slats.

Poems created from words submitted by visitors and generated by AI will be written in English and Arabic using LED lights on the facade.

UK Pavilion at Dubai Expo 2020
The pavilion’s facade displays AI-generated poems

“Shaped like a giant wooden conical musical instrument, the Poem Pavilion gathers words donated by each visitor,” Devlin told Dezeen.

“It uses an advanced machine learning algorithm to generate the cumulative collective poem which illuminates its twenty-metre diameter facade.”

Poem written on Es Devlin's Poem Pavilion
The poems ob the facade of the pavilion will be written in English and Arabic

The structure, which is the first UK pavilion designed by a female designer since the first Expo in 1851, aims to draw attention to both the growing importance of algorithms and the diversity of the UK.

“Algorithms are among us, they are an ever-growing part of our culture, their output is based on what they are trained on and who trains them,” said Devlin.

“The pavilion is at once an expression of the ideal of a culturally diverse Britain that I grew up with, tempered with our growing awareness of the part algorithms play in shaping the future of our culture.”

Inside the UK Pavilion at Dubai Expo
There is a curved void inside the pavilion

Within the pavilion, there will not be an exhibit. “The building is the exhibit”, explained Devlin.

Instead, there is a curved void with walls covered in LED tiles that will also display donated words. This will be paired with a soundscape drawn from choirs from different ethnicities all over the UK.

Inside the UK Pavilion
There is no exhibit inside the pavilion

Devlin hopes that the pavilion will project a sense of the UK’s openness to the 25 million visitors expected to the expo.

“A sense of Britain as a place that’s open, welcoming, questioning, uncertain, contradictory, inconsistent, fallible, sometimes nonsensical, majestic, comical, beautiful, and accessible to all,” she said.

Interior of Es Devlin's Poem Pavilion
Poems will also be displayed on the inside of the pavilion

The pavilion was designed with structural engineer Atelier One, environmental design consultant Atelier Ten, executive architect Veretec and creative agency Avantgarde.

It was built from cross-laminated timber rather from concrete or steel to reduce its environmental impact.

“The pavilion is an act of European and international collaboration: its cross-laminated timber is thoroughly European: grown and assembled in Austria and Italy,” said Devlin.

“The LED tiles were engineered in Belgium and manufactured in China, the algorithm was engineered in California, the list goes on…”

UK Pavilion at Dubai Expo
The pavilion will open to the public in Dubai from 1 October

The pavilion is the UK’s contribution to the Dubai Expo 2020, which opens to the public on 1 October.

It follows Wolfgang Buttress’ beehive-inspired UK Pavilion at the Milan Expo in 2015 and Thomas Heatherwick’s Seed Cathedral, which was created for Shanghai Expo 2010.

Devlin sees her pavilion as sharing similar ideals to these two past pavilions.

“The poetry has a tentative, provisional, vulnerable and inquisitive quality – I think both Wolfgang Buttress and Thomas Heatherwick successfully avoided any trace of national bombast in their beautiful works for Milan and Shanghai and I have very much tried to continue their thread.”

Photography is by Alin Consstantin, courtesy of Es Devlin.

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This sleek superyacht with its hollowed out center challenges and revolutionizes the luxury automotive world



Yachts are a synonym with luxury and flight of the fancy, and this incredible-looking concept yacht is all of that with something special that has never been seen in the past. A large void right in the middle just like a hole in the needle.

Lazzarini Design is known for its eccentric future-forward creations, superyachts in particular. Founder Pierpaolo Lazzarini pushes the envelope of design, modeling and engineering with every concept design of his – the latest one being right up there with his best concept ideations. Christened “The Shape” this superyacht breaks all the fundamental rules of sailing and yacht design that we’ve seen so far. It has a gaping hole right in the middle (just like the ones in modern skyscrapers) that serves as the sun deck and a never-before-seen unique visual attraction. How it will address the turbulent seas when the weather is hostile, is a question for another day!

The beastly concept is 69 meters long and having a draft of 3.90 meters yacht offers a living area of 35 meters past the void. It has three decks hidden in the colossal structure – the first floor having the suites, the second one being the shared living space, and the command center on the third. There will be three small pools on the aft deck and a normal-sized beach club if ever it makes it to the real world. Just above the gaping hole is the glass-bottom swimming pool which will be another eye-popping lure on-board.

There’s not much space to give the yacht enough room for things like a big nightclub, cinema room or an expansive gym – but then the huge deck could be used for socializing or enjoying the open view on a sun-baked day or starry night. The Italian design studio doesn’t provide much information on the propulsion system but we assume it is going to be a hybrid propulsion system that is in part powered by the solar panels on the sundeck.

Everything said “The Shape” superyacht will be the preferred toy for billionaires who want to enjoy the calm waters with their close ones. A machine that is good-looking and made for magazine covers – the perfect recipe for people who like to be in the spotlight of things!

Designer: Lazzarini Design

Black Lives Matter Protest through the Lens of Mel D. Cole

Mel D. Cole est tout simplement l’homme derrière toutes les meilleures photos d’artistes rap et hip hop des dernières décennies. De Drake à Kanye West, en passant par Rihanna, Erykah Badu, Mos Def, The Roots, Wu-Tang Clan, A Tribe Called Quest, Mobb Deep et beaucoup d’autres. Mais pendant la pandémie, Cole s’est penché sur ce qu’il se déroulait sous ses yeux, bien loin du monde pailleté du show business : il a suivi les manifestations Black Lives Matter à compter du printemps 2020 en immortalisant l’un des mouvements sociaux les plus importants de l’histoire américaine. Cole a photographié sa première manifestation, une marche à New York en 2014. Il s’agit de sa deuxième expérience de la photographie de protestation, qui l’a amené à parcourir les rues pour capturer les visages et les émotions du mouvement 2020.

« Photographier le mouvement Black Lives Matter est le travail le plus important de toute ma vie. Cela a représenté le monde pour moi de documenter et de faire ce service. C’est ce que j’ai, c’est ce que je peux apporter à la table, et c’est mon œil, ma plateforme pour raconter les histoires. » rapporte le photographe. Un livre tiré de la série, titré American Protest. Photographs 2020-2021, est désormais disponible sur le site de la maison d’édition Damiani.









Asif Khan, Mariam Kamara, David Adjaye and Theaster Gates to redevelop Liverpool waterfront

Canning Dock in Liverpool

Architects Asif Khan, Mariam Kamara and David Adjaye and artist Theaster Gates have been chosen to transform Liverpool‘s Canning Dock in a project aiming to bring the history of the transatlantic slave trade into the public realm.

The team was unanimously chosen as the winner of the Canning Dock competition by a jury of local representatives and industry experts, beat competitors including architecture studios BIG and OMMX.

The Waterfront Transformation: Canning Dock project, which is part of National Museums Liverpool‘s 10-year plan to transform the city’s waterfront, will encompass the area between the Royal Albert Dock and Mann Island as well as all waterfront facilities.

It intends to revitalise the complex site, which was used in the 18th century to serve and repair ships including those used in the transatlantic slave trade.

Project “explores the power of architecture as a storytelling tool”

Together with Plan A Consultants, Prior + Partners, The Place Bureau, Hara Design Institute, Akt II and Arup, the winning studios will redevelop the site’s buildings including the Dr Martin Luther King Jr building, which will sit at the centre of the International Slavery Museum.

The museum, which houses exhibitions that explore and investigate the legacies of the transatlantic slave trade, will also be given a “dramatic” new front door as it does not currently have its own entrance.

Canning Dock in Liverpool
Top image: A team of three architects and one artist will revive Canning Dock, above

“The Canning Dock transformation is a chance to explore the power of architecture as a storytelling tool to bridge the gaps in knowledge that exist about the history of Liverpool as well as this significant site,” Atelier Masomi-founder Kamara said.

“The NML Waterfront Transformation is an opportunity to pull on the threads that make up the history of the transatlantic slave trade – from Africa, across the Atlantic to the US and back to Liverpool – to bridge gaps, to exhume memories and ultimately bring to the fore an exciting space for the public to explore and engage with the history of Liverpool while firmly facing towards the future.”

Team to design new bridges and redevelop dry docks

The team’s redesign will focus on the public realm of the project and will encompass new bridges from the Pump House to Mann Island, as well as a transformation of two dry docks into an “educational and cultural experience.”

“Our collaborative team composed of technical architects, planetary architects and an artist envisions the NML Waterfront Transformation as an opportunity to powerfully reformulate the history of Liverpool through re-invigorating the diverse social, civic and environmental context of the city,” said Adjaye.

Dry docks in Canning Dock
Two dry docks will be turned into cultural spaces

The project intends to use “compelling, yet sensitive” designs to bring the history of the slave trade to the forefront and will work together with Liverpool’s Black communities.

Khan said that for the team, this is more than just a project.

“For National Museums Liverpool we have formed a different kind of design team – not simply to deliver a project, but to steward a significantly meaningful one into being,” he explained.

“This new piece of history will welcome voices from across Liverpool and globally from the places and people connected with Canning Dock.”

Transformation will include public art strategy 

Part of the development will include creating accessible recreational routes in the area, including pedestrian links to the Canning Dock. The new design, which aims to realise the complexity of the site, will also include a public art strategy.

“Commemoration and memorial making are some of the most important acts a nation can be involved in – especially commemoration around racial complexity and social ill,” Gates said.

“Canning Dock represents one of the most important racialised sites in the UK and it gives me tremendous honour to work with this team to realise the complexity of the site.”

Arup, BIG, DSDHA, OMMX and Shedkm were the other teams shortlisted for the project, which was managed by Colander Associates and supported by £120,000 of funding from the Liverpool City Region Combined Authority (LCRCA), as part of their Race Equality Programme.

In a live talk streamed on Dezeen last year, Adjaye spoke of how a lack of memorials and monuments dedicated to the victims of slavery is leading to ignorance and memory loss.

The Liverpool waterfront and docklands previously held UNESCO World Heritage status, but the city was stripped of the honour earlier this year due to recent developments on the waterfront.

Images are by Gary W Smith.

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This hanging wire shelving is designed to showcase each plants individuality and unique purpose!

REN is a flagship plant store committed to revitalizing dying plants and showcasing each plant for its individuality and unique needs.

Whenever we want to bring some life to our rooms, filling them up with mini indoor gardens usually does the trick. However, taking care of plants comes with its own list of challenges–keeping tabs on the amount of sunlight and water required for certain plants to thrive can get overwhelming. Sooner than we know it, our favorite plants are dying and we’re back at square one. In Mita, Tokyo, social advocacy design studio Nosigner opened REN, a flagship ornamental plant store whose aim is to bring life back to dying plants.

Under close leadership from Nobuaki Kawarhara, fourth-generation Tokyo Ikebana, REN is operated by a team of plant caretakers who specialize in the Japanese art of Ikebana, or the art of flower arrangement. Considering the launch of REN, Nosigner suggests that our love for ornamental plants dates back to our primitive memories of living in forests. Once towns and cities became popularized in the 19th-century, our close proximity to forests and plant life to replaced with city infrastructure and paved roads. Since then, we’ve been craving the presence of greenery in our rooms and day-to-day lives.

REN is a flagship store focused on revitalizing our relationship to plants, noting that, “Ornamental plants brought in to create a pseudo-natural atmosphere in indoor spaces are not adapted to the environment and are therefore weak and often die. While we need ornamental plants, we also have a distorted relationship with them as part of our ecosystem.”

In designing REN’s interior space, Nosigner aimed to look at the room as a single vase to accentuate the beauty of each plant. Swapping out the number of plants for quality, Nosigner built a moveable wire shelf that weaves throughout the entire store, providing individual shelves where each plant is showcased for its vitality and unique personality.

Designer: NOSIGNER