Watch a live talk on the creative process with Benjamin Hubert and Andreu World

Dezeen has teamed up with Andreu World for a live talk with British industrial designer Benjamin Hubert, who features in a new book by the Spanish furniture brand about how designers work. Watch live from 3:00pm London time.

The talk coincides with the launch of Conversations About Work, a new book by Andreu World that takes an inside look at the working practices of eight renowned designers, including Hubert, Patricia Urquiola and Philippe Starck.

Hubert, who founded London-based design studio Layer, will appear on the panel alongside Andreu World’s CEO Jesús Llinares.

The pair will speak to Dezeen’s founder and editor-in-chief Marcus Fairs about the creative process and what it means to different designers.

The talk will also explore how Hubert approached his previous designs for Andreu World, including a bar stool collection named Hula and an upcoming collection called Triada.

Benjamin Hubert
Industrial designer Benjamin Hubert

Hubert is a British industrial designer and entrepreneur. He established an eponymous design studio in London in 2011, which he renamed Layer four years later. The studio has worked on projects with brands such as Bang & OlufsenAirbusPanasonic and Moroso, and start-up Nolii.

Previous projects by the practice include an electrical scooter that learns your regular routes through AI, and an anti-bacterial cinema seat designed for social distancing.

Layer has worked with clients including Nike, Pepsi, Herman Miller and Braun. Hubert also takes on not-for-profit projects like cancer charity Maggie’s, and acts as a mentor to young designers through Layer.

Jesús Llinares
Jesús Llinares, CEO of Andreu World

Prior to becoming Andreu World’s CEO in 2011, Llinares joined the brand in 2001 as an assistant to the brand’s general management, before becoming its general director in 2002.

Andreu World was founded in 1955 in Valencia, Spain. The company produces furniture designs for public spaces, hospitality, and work environments, as well as for the home.

Whilst under Llinares’ direction the company was awarded the National Design Award in 2007. Andreu World has showrooms across Spain, Europe, North America and Asia, and its furniture is stocked by shops in more than 90 countries.

Partnership content

This talk was produced by Dezeen for Andreu World as part of a partnership. Find out more about Dezeen’s partnership content here.

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Maximus easy chair by Johan Ansander for Blå Station

Maximus armchair by Johan Ansander for Bla Station

Dezeen Showroom: recent graduate Johan Ansander has designed Maximus, a lounge chair for Blå Station with the soft, bulbous forms of a cushioned seat but made entirely from wood.

The Maximus easy chair is carved from solid ash wood using CNC routers. Its seat, back and legs are made as separate pieces although their joins are hardly visible, giving the chair a continuous form.

Maximus armchair by Johan Ansander for Bla Station with natural wood finish
Maximus is an all-wood armchair available with a clear or coloured lacquer finish

Blå Station describes Maximus as a “playful departure” from rational furniture styles.

The brand approached Ansander after his graduation show at the Konstfack University of Arts, Crafts and Design in Stockholm, where he exhibited the chair as part of his master’s degree project.

Maximus armchair by Johan Ansander for Bla Station in green and purple finishes
The chair’s rounded forms are CNC machined

Ansander worked with a small sawmill just outside of Stockholm to realise the project, combining traditional craftsmanship with modern technologies.

“I have been inspired by theories claiming that we in the future, must find alternatives to global mass production and instead locally manufacture our everyday objects,” Ansander said.

Maximus is available with both clear and coloured lacquer finishes.

Product: Maximus
Designer: Johan Ansander
Brand: Blå Station
Contact: info@blastation.se

About Dezeen Showroom: Dezeen Showroom offers an affordable space for brands to launch new products and showcase their designers and projects to Dezeen’s huge global audience. For more details email showroom@dezeen.com.

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MVRDV slots red-walled courtyard into irregularly shaped French housing

The white exterior of Ilot Queyries

Architecture studio MVRDV has completed the Ilot Queyries housing development in Bordeaux, France, which folds around a large red courtyard.

Located to the east of the River Garonne, Ilot Queyries comprises a mix of social and private housing alongside commercial units and a rooftop restaurant.

An aerial view of Ilot Queyries housing
Above: MVRDV has completed Ilot Queyries in Bordeaux. Top image: a giant red courtyard sits at its centre

It was designed by MVRDV with local architects Flint with a focus on the provision of outdoor spaces, meaning each apartment has a balcony and access to the central courtyard.

The courtyard, which is positioned one storey above ground, is filled with trees and is also used to disguise the residents’ parking, which is positioned below it.

The white exterior of Ilot Queyries
The scheme comprises a mix of social and private housing

“The Covid-19 pandemic showed everyone how valuable outdoor spaces close to their homes can be, and I hope Ilot Queyries can show that such amenities don’t require compromise,” said MVRDV founder Winy Maas.

“Every apartment is provided a balcony or loggia, while the green park space becomes a wonderful community amenity.”

The exterior of Ilot Queyries
The red courtyard is revealed through large openings around its edge

Ilot Queyrie is the largest building in a wider masterplan of four buildings that MVRDV has developed in collaboration with Joubert Architecture.

It has also been used as a testbed for MVRDV’s housing within Bastide-Niel, another neighbourhood nearby for which it is also overseeing the masterplan.

Once complete, Bastide-Niel will see 35 hectares of former barracks and railyards in the city transformed into a mix of irregularly shaped housing, public and cultural facilities similar to Ilot Queyrie.

A large residential courtyard
The courtyard is planted with a mix of trees and grasses

“This project served as preparation for the grander plan of the Bastide Niel development,” added Maas.

“With this project we were able to test some of our ideas, which resulted in a masterplan with more greenery in the streets, better cost optimisation for facades, and more open courtyards.”

The exterior of Ilot Queyries
The exterior of the housing features cream-coloured cladding

Ilot Queyries is animated by its irregular layout and roofscape, which has been carefully arranged by the studio to maximise natural ventilation and light throughout the site.

The slopes of the roofs vary between 14 degrees and 45 degrees, depending on their relation to the sun.

A facade covered in red stucco
The walls of the courtyard are lined with red stucco

The irregular forms of the housing also respond to the surroundings. For example, the south-eastern edge of the complex lowers in height to mirror the low-rises buildings next door.

In contrast, the northeast side of the development that overlooks the river reaches nine storeys in height to provide uninterrupted views of the water and the historic city centre beyond it. At the highest point, MVRDV has positioned the restaurant, which is enclosed by glass walls.

According to MVRDV, the irregular layout and roofscape of Ilot Queyries gave rise to “complex and interesting interior spaces”.

This helped the studio to develop a wide range of apartments, catering to the needs of a variety of future residents.

Balconies at the Ilot Queyries housing
Every apartment has a balcony

While the height and layout of the building vary on each side, its street-facing facades are all unified by a cream-coloured cladding that complements its surroundings.

In contrast, the courtyard-facing walls are finished in textured plaster with a bright red finish.

The restaurant is enclosed by glass at the highest point of the building

Red plaster was chosen to help enliven the courtyard area, in tandem with the 83 alder and birch trees and mix of grasses, chosen with landscape architect Sabine Haristoy.

MVRDV was founded by Maas, Jacob van Rijs and Nathalie de Vries in 1991. It is based in Rotterdam. Other housing projects by the studio include an enormous apartment building in the Indian city of Pune, which features a series of connected blocks with sloping roofs, and a proposal for a residential tower complex in Eindhoven, featuring plant-covered roofs.

The studio also recently hit the headlines for its design of Marble Arch Mound, an artificial hill built alongside London’s Marble Arch. The installation was greeted by criticism after it opened before it was ready.

The photography is by Ossip van Duivenbode courtesy of MVRDV.


Project credits:

Architect: MVRDV
Founding partner in charge: Winy Maas
Partner: Bertrand Schippan, Jeroen Zuidgeest
Design team: Nils Christa, Marie Saladin, Thomas Boerendonk, Roxana Aaron, Marco Gazzola, Adam Mierzwa, Florian Hoanen and Antoine Ceunebroucke
Client: Kaufman & Broad, ADIM
Co- architects: Flint
Landscape design: Sabine Haristoy

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Prefab Architecture that are the affordable + sustainable housing solutions we need in 2021!

Prefabricated architecture has been gaining a lot of popularity and momentum recently! It basically involves making buildings or building various components at a particular location, one that is better suited for construction, and then once completed, transporting it to the final site or location. Prefab architectural designs have a multitude of benefits – they keep costs down, ensure projects are more sustainable and efficient, and they also prioritize and pay attention to simplicity and modularity. And we have curated a collection of our favorite prefabricated designs for you – from cozy tiny homes to a sustainable home that looks like a cruise ship! These prefabricated designs are a part of a growing trend in modern architecture, and could be the future of it as well!

Developed from the Danish word Hyggee, Hüga was conceptualized, designed, and built over a span of 24 months, during which Grandio’s team of designers were able to produce a 45 m2 residence with space for a bedroom, living room, bathroom, kitchen, and dining area. The final results are these hüga units that are built with reinforced concrete and designed for minimal maintenance as well as reducing your energy costs. These compact homes can withstand all climates and adverse conditions, including earthquakes, wildfires, and hurricanes. Hüga homes are also mobile and modular so much so that you can extend your house in plan in just one day. Weighing about 55-Tn, Hüga requires a team and machinery for transportation but can be placed according to the prospective resident’s preference.

This prefab dwelling comes flat-packed in multiple boxes and can be assembled in 45 days without the help of heavy machinery. It uses extrusion-die aluminum framing that’s anchored with rebar to the ground or a poured concrete foundation. Just like a Lego set, there is a network of steel doughnuts that spans lengths of up to 30 feet to support the structure. The aluminum studs link seamlessly to joists and the exterior cladding is clipped onto the frame. It’s a method that could be extended to 45 feet which makes it modular and easier to expand in case the home belongs to a growing family. Pi House can be shipped anywhere, the system allows it to be the perfect structure for single-family homes as well as larger projects like social housing.

Exosteel comprises a group of modular steel homes that would be constructed using ​​a 3D-printed construction system that supports and distributes all the functional elements of the building. Mask Architects co-founders Danilo Petta and Öznur Pınar Çer felt inspired by Costantino Nivola’s sculpture work, in particular a travertine sculpture called ‘La Madre.’ Punctuating the terrain of a sloping mountainside in Sardinia, Exosteel is comprised of heart-shaped, white homes with center ‘energy towers,’ oriented in the same way as the head on Nivola’s ‘La Madre.’

If you are ever lost while trekking in harsh weather in Iceland, then you should pray and hope to find refuge in a glamping oasis like the Skyli Trekking Cabin. Skyli means “shelter” in Icelandic and it can provide shelter to 15 mountaineers at a time. The angular structure features four gabled roofs and resembles a tent but is actually clad in a steel facade to protect you from the weather. The bright blue color makes it easily visible in the rugged landscape while also paying homage to the architecture of the country’s capital. All components being pre-fabricated so that they could be transported flat, winched underneath a helicopter, and constructed in situ – a process Utopia Arkitekter estimates would take between two and three days.

Meet ARCspace, a modular architecture firm that is constantly creating innovative designs and material development to do its part in curbing the emissions for their industry using sustainable, affordable, prefabricated homes. All structures are prefabricated for highly efficient and quick builds which reduce emissions and minimizes waste. ARCspace reports the buildings are “spec-built from the ground up in 40-60% less time and cost than traditional construction.” Residents can fully customize their tiny homes or even scale up to the size of traditional homes and have a huge range of interior design details to choose from including optional elements that provide off-grid power and water. Some homes feature self-contained atmospheric water generators called Hydropanels that are grid-independent and pull a few liters of drinking water out of the air each day.

Sail House has a central structure called the main house with several guest houses bordering it and all nestled on the lush Bequia Island in the Caribbean – didn’t I say it literally brings a cruise home? Since the Caribbean is a notoriously difficult area to source building materials, the team made sure that the entire project – the main house and the guesthouses – were prefabricated offsite, flat-packed, and delivered in 15 shipping containers. This ensured minimal site impact to the sensitive ecosystem and was nearly zero waste which is important because otherwise, the construction waste would have had to be transported out of the island which would increase emissions.

This luxury cabin-style structure is located on the Dutch island of Texel in the Netherlands and is just a short walk to the North Sea. Designed by Rotterdam-based Orange Architects, the modern villa saves space thanks to its prefabricated construction and flexible layout. Yes, you read that right – it has a flexible layout which means instead of building separate rooms for different purposes that are divided by walls like a traditional home, the designers optimized the floor plan with prefab, multifunctional spaces that can be transformed or divided temporarily to create separate zones for different functions.

Modeled after the intricate paper folding art of Origami, the pod’s initial folded form can fit onto flatbed trucks for efficient and manageable shipping. Once positioned for assembly, the pod from Hariri & Hariri readily expands and unfolds to create a prefabricated and modular, single-story housing unit. Born out of a need for emergency shelter across the globe, the architects behind the pod note, “In the middle of a hurricane you don’t have time for a screwdriver.” With this in mind, the pod was designed to instantaneously unfold and build itself with the push of a button. Structured like a pop-up cardboard box, hinges and hidden panels strewn across the pod’s creases aid in the unit’s assembly process. Whether multiple emergency shelters are needed or if the pod is used as a luxury single home unit for a beachside vacation, the modular construction allows the pod to either be configured together with multiple pods to form community shelters or stand alone as a single prefabricated unit.

Studio Puisto collaborated with nature tourism entrepreneur Kari Vainio and installed the first prototype in the forest of Hyvinkää, Finland. One 1,205-square-foot, U-shaped villa is the core of the layout and consists of two accompanying studio units. All three units come with a keyless check-in system and ready-made furniture. Uni means “dream” in Finnish and it alludes to the dreams that aspiring hospitality entrepreneurs will be able to fulfill their own micro-resorts that won’t require the big capital investment that hotels do. This first Uni Villa even won the title of Best in Finland in 2020! Two courses were designed by Canadian golf course architect Thomas McBroom and are set in the most pristine environment between a natural forest and a lake.

Putting an absolutely new kind of spin on “Home Delivery”, Brette Haus’ prefabricated cabins are literally shipped to your location on the back of a trailer. In a matter of 3 hours, the home is placed on the site, unfolded, and secured in place, turning it from one weird wooden carton into a liveable cabin with anywhere between 22 to 47 sq. ft. of space (depending on the cabin’s variant). Each cabin takes roughly 8 weeks to fabricate and comes made entirely from carbon-neutral, weather-proof, and sustainable cross-laminated timber. There is no need for a permanent foundation… the cabins can easily be unfolded on any leveled ground before being secured in place using screw piles. The hinges on the cabin can survive up to 100 folding cycles.

Flora Hoop Earrings

Queens, New York-based designer Ashley Volbeda draws on antiquity, sculpture and a love of history to make the handcrafted jewelry under her label, Aveta Studio. The Flora Hoops are no exception. These wavy one-inch-long earrings reflect Volbeda’s enamor of playing with shape and form and come in two color options: sterling silver or brass.

Microsoft’s wireless mouse goes sustainable with 100 % recyclable packaging and waste ocean plastic construction



This ergonomic mouse by Microsoft is made out of the plastic waste recovered from the water bodies that are decimating our planet beyond comprehension. This is another example of mindful recycling effort plays a part in saving the planet from doom.

Microsoft is on course to fulfill its zero waste goal by 2030 and give up single-use plastics in packaging by 2025, as a part of the larger recycling and sustainably goal. Their latest creation in collaboration with Saudi Basic Industries Corporation (SABIC), a global leader in the chemical industry is a testament to their noble efforts. The Silicon Valley giant revealed the all-new sustainable Microsoft Ocean Plastic Mouse at the annual Surface event to mark the occasion.

This first-of-a-kind Microsoft consumer electronic product was initially planned with the aim of infusing at least 10 percent recycled ocean plastic. After formulating the prototypes, the final version’s exterior shell came out with 20 percent recycled ocean plastic. Way more than the initial goal set by Microsoft! The Ocean Plastic Mouse also has packaging made out of 100 percent recyclable material – recyclable wood and sugarcane fibers to be precise. The plastic shell mixed with resin and other materials starts its journey from the oceans and waterways – in the form of waste plastic recovered from these water bodies. The plastic waste is then cleaned and processed into recyclable plastic resin pellets to procure the raw material for the final processing.

To take the sustainability efforts further, Microsoft is also offering a free mail-in program in select regions. Here you can send an old mouse to be recycled with help from Microsoft’s contracted partners. The best thing, this eco-friendly mouse can be pre-ordered right away for a price tag of $24.99.

As for functionality, it has got all the relevant functions of a Bluetooth wireless mouse with an average AA alkaline battery cell life of 12 months. Apart from that Microsoft touts its super responsive left/right-click buttons, fast-tracking sensors, and precise navigation. It also gets the three customizable buttons and the Swift Pair technology for quick pairing with your machine.

Designers: Microsoft and SABIC

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Atang Tshikare, India Mahdavi and Nendo reinterpret Dior's Medallion chair

Ma Yansong Medallion chair

Seventeen designers have presented their own versions of fashion house Dior‘s Medallion chair, including chairs in glass and polyurethane as well as a seat designed to also be appreciated by people with visual impairments.

On show for Maison Dior as part of Milan design week, the chairs were showcased wrapped in the mist from a smoke machine in a basement room, as well as in the garden of the 18th-century Palazzo Citterio in Milan’s Brera district.

Dior Medallion at Palazzo Citterio in Milan
Above: the 17 chairs were shown at the Palazzo Citterio. Top image: Nendo reinterpreted the chair in curved glass

The 17 designers who took part in the Dior Medallion exhibition created furniture pieces that span from true-to-form interpretations of the Medallion chair to wilder designs with intertwined legs and backrests that looked as if they had been blown back by a stiff wind.

 

 

Among the designers showcasing their chairs was Atang Tshikare, who created Dinaledi, a chair decorated with beadwork that was handmade by a group of women from the Xhosa people in Cape Town, South Africa.

Atang Tshikare's Dinaledi chair
Atang Tshikare’s chair is made from debossed leather and beads

It also features a seat and backrest made from thick vegan tanned leather with debossed celestial designs, which were chosen as stars were symbolic for both Dior founder Christian Dior and Tshikare himself.

“Basically, there are two different patterns,” Tshikare told Dezeen. “On the backrest is the northern hemisphere, and the other is the southern hemisphere. They’re both celestial patterns that are seen at the beginning of spring.”

Dior Medallion chairs
Tshikare’s chair, right, was shown next to a chair by Linde Freya Tangelder

The designer hoped that the stars on the chair, which took over six months to make, would also allow the chair to be viewed by visually impaired people.

“I wanted to emphasise that as artists and designers, we don’t always include everyone when it comes to experiencing our work,” he said.

“I realised that some people don’t see the stars physically, because they’re visually impaired in some way. This debossing would help bridge the visual gap and, in a way, help people actually feel the stars.”

Dior Medallion exhibition in Milan
The Medallion chairs were displayed in a dark room lit by spotlights

French architect India Mahdavi also looked to local craft techniques for her five Medallion chairs.

Each was made using Indian craft techniques from Kashmir and together “form a united tribe despite their individuality.”

Chairs in Dior Medallion exhibition
India Mahdavi’s chairs were made using Indian craft techniques

While Mahdavi and Tshikare’s designs keep the recognisable oval shape of the Medallion chair – a symbol of Louis XVI style and the chair that Christian Dior used to seat fashion show guests – other creatives designed more unusual takes on the chair.

Japanese studio Nendo reinterpreted the Medallion chair as a “graceful fusion of modernity and tradition.”

The resulting chair is made from curved glass sheets that have been immersed in potassium nitrate molten salt at 450 degrees Celsius and then chemically hardened by cooling.

An oval cutout in the back of the chair is an almost ghostly reminder of the original chair, as it’s shaped like the classic Medallion chair backrest.

Nendo chair designs for Dior
Nendo’s glass chairs came in different colours

Ma Yansong, founder of architecture studio MAD, also reimagined the shape of the Medallion chair for the show.

His two 3D-printed polyurethane chairs, called Meteor, aimed to transport the chair into the future.

“Traveling through time, the chair is caught in motion,” the studio said of the pieces, which look like they have been caught in a breeze.

Ma Yangsong chairs for Maison Dior
Ma Yansong designed his chairs to look like they were “traveling through time”

Designer Sam Baron also branched out, interpreting the chair as an outdoor swing and double rocking chair as well as a group of stylised seats connected to each other by their entangled backrests.

The other designers taking part in the Dior Medallion Chair exhibition were Nacho Carbonell, Pierre Charpin, Dimore Studio, Khaled El Mays, Martino Gamper, Constance Guisset, Joy de Rohan Chabot, Linde Freya Tangelder, Seungjin Yang, Jinyeong Yeon, Tokujin Yoshioka and Pierre Yovanovitch.

Sam Baron Dior Medallion chairs
A sofa consisting of cojoined chairs, a rocking chair and a swing were among Sam Baron’s designs

This year’s Milan design week saw a number of brands return to Milan for the first Salone del Mobile and design week since 2019.

Among the designs on show were Kengo Kuma and OPPO’s Bamboo Ring installation, a collaboration between Muji and ÉCAL, and a collection of candleholders created by contemporary designers for a charity project.

Designers and exhibitors taking part in the design week this year said it offered a calmer, more meaningful experience reminiscent of the event’s early editions.

Photography is by Alessandro Garofalo.


Dior Medallion Chair was shown on 5-10 September as part of Milan design week. See Dezeen Events Guide for an up-to-date list of architecture and design events taking place around the world.

The post Atang Tshikare, India Mahdavi and Nendo reinterpret Dior’s Medallion chair appeared first on Dezeen.

This brand is making minimalist flat-packed furniture that’s eco-friendly and easier to assemble than IKEA furniture


Although their motto is “No tools, no hassle”, the most defining characteristic of staxxiom’s furniture is that it’s so visually simple, you don’t even need a manual. With laser-cut pieces of wood that simply interlock to create your design, staxxiom is building on IKEA’s DIY culture by making their furniture more efficient, more eco-friendly, and as simplified as possible. That last part works in staxxiom’s favor too, because the simplified design gives their furniture a unified, wonderfully minimal aesthetic, along with the added benefit of being ridiculously easy to build too.

Designers: Richard Langone & Leilei Peng

Click Here to Buy Now: 25% off sitewide with exclusive coupon code “YANKO25”. Hurry, sale ends September 30th, 2021.

Try, for a second, to describe the parts of a table in the simplest way possible. You’ve got 4 legs and a tabletop surface, right? In reality, though, furniture is often much more complex than that. There are many more aspects, like glue, screws, bolts, threaded inserts, rubber feet, etc. that go into making a great table that you often forget to describe. staxxiom’s designs outright do away with these minor complexities by keeping their furniture designs as visually and physically simple as possible.

The table’s design is just a 3-part assembly, featuring two wide interlocking leg panels and a surface on top… along with tiny coupling blocks that plug into the gaps to hold the design together. staxxiom’s shelves and stools work the same way too – with parts that just interlock together, and coupling blocks that fill in the gaps. More often than not, you don’t even NEED a manual because even a child could assemble it, and the assembly process is about as time-consuming as making a paper plane.

This unique approach to designing furniture benefits all the stakeholders in the product’s cycle. For staxxiom, furniture’s extremely easy to produce as pieces of wood just need to be CNC-cut, flat-packed, and shipped. For the user, assembly becomes a breeze, but at the same time, you can disassemble and reassemble your products too if you plan on shifting houses (the press-fit coupling blocks are equally easy to remove, allowing you to pull apart your furniture when you want).

The third (often unnoticed) stakeholder is the environment, which stands to benefit because the furniture has a lower carbon footprint because it flat-packs while shipping, is durable enough to last long, and can easily be pulled apart and recycled when discarded. All of staxxiom’s furniture comes made from HDF or High-Density Fiber, a robust composite made from compressed sawdust, further reducing its environmental impact while increasing its lifespan – HDF is much more durable than particle board and has a lifespan of over 20 years.

staxxiom’s current collection includes a variety of stools, side tables, coffee tables, and cabinets. The number of parts for each design range between 3 and 5, which makes them incredibly simple to assemble while giving them a minimal aesthetic that comes to life with the furniture’s vibrant palette of colors. The wooden panels are CNC-cut, giving them incredibly precise tolerances while reducing waste. The HDF boards are designed to be incredibly good at load-bearing too, allowing even the smallest stools to support up to 500lbs. staxxiom’s even won the highly coveted Good Design Award for their intuitively simple, minimal, tool-free, and eco-friendly furniture!

Click Here to Buy Now: 25% off sitewide. Use exclusive coupon code “YANKO25”. Hurry, deal ends September 30th, 2021.

A sleek Nintendo Switch Bike like this would tempt the gamers to step out and play!

A Nintendo Switch-inspired electric bike that carries the definitive design language of the popular handheld gaming console – signaling the imagined form of Nintendo’s automotive character, if ever the company decides to take that road.

Handheld gaming consoles and Nintendo are synonyms that keep the nerdy crowd engaged for countless hours of fun. With the portable gaming console market size projected to touch 16 billion by 2026, it is destined to make up the major chunk of the overall gaming industry. Nintendo’s handheld gaming console commands an advantageous position in the fight for supremacy in the portable console market – and why not – it is designed well and comes with a unique collection of gaming titles!

Taking inspiration from Nintendo’s core beliefs and the radical design philosophy, product designer HTH Han has mustered up the idea of a Nintendo electric bicycle. Christened the Nintendo Switch Bike, this two-wheeler is modeled around the handheld gaming console’s core vision. A belief that what if Nintendo expands into the sports and outdoor market. Han uses the disoriented element of the Switch’s Joy-Con to create the frame of the bicycle. Frankly, this design element looks very nice.

Battery placement is one of the prime considerations in any electric bike, and this one accommodates it smartly in the frame. The lower section of the neon blue-colored frame to be precise, and it can be taken out for recharging with the push of a button. This increases the balanced styling approach of the hubless wheel electric bike as well. Han adapts the comfortable ergonomics, simple aesthetics, intuitive placement of buttons and keys, and the symmetrical interface of the controllers as the designing roadmap for the Nintendo Switch Bike.

The bicycle’s pedal comes with tactically placed LED lights on the outside face for driving safety at night. On the top of the pedal is a light indicator denoting the battery status to the rider for a quick glance at the information. Just like other electric bicycles, the front and rear have bright LED lights to keep the driver safe on the road from the road rage of other motorists. On the front, the flat panel display shows the map, current time, weather and battery status.

Designer: HTH Han

The alien-inspired Orb clock by MB&F blossoms open and stands on its four petal-shaped feet

If you think about it, the art of telling the time has always had an element of performance to it. Whether it’s the sundial, which displayed the time through dancing shadows, or the cuckoo clock, which used mechanical chirping birds to indicate the time, the best clocks always have their signature flair… The MB&F x L’Epée 1839 Orb has its signature flair too – although, on a scale of 1-10 for visual drama, the Orb ranks a solid 20.

The Orb, created as a creative collaboration between MB&F and L’Epée, can be placed in closed or open orientations to display the time and the complex physical movement that powers the clock. The clock comes with an orb-shaped design comprising a circular face on the front and four petals (or elytra, given the Orb pulls inspiration from beetles) that give it its spherical eyeball-esque shape. When closed, the orb looks like, well, an orb that sits on a dock (to prevent it from rolling over). You can manually open out the Orb’s elytra, making it look like a beetle in flight, and even have it stand vertically, with the clock facing upwards. In this open orientation, the Orb also showcases its mesmerizing 1839 movement, designed and manufactured in-house by L’Epée.

Designed to be more like a sculptural jewel that tells time, the Orb’s uniquely interactive aesthetic allows you to really put it up on display as a centerpiece. The clock comes with a choice between a white and a black exterior and can be placed in a variety of orientations – as a circular orb, as a blossomed clock, or vertically, with the elytra serving as the clock’s legs. The clock’s state-of-the-art 1839 movement comes with a striking hour, which when enabled, allows it to chime every hour like a grandfather clock. The hour mechanism doesn’t just chime the passage of the hour, but rings multiple times to indicate the actual hour, like a church clock. This function can be repeated on demand or turned on and off. The movement also comes with an 8-day power reserve, and needs to be manually wound each week – which sounds like a bit of a drag if you ask me, but if you’re going to pay upward of $33,100 for an Orb of your own (yes, that’s how much it costs), you can surely afford to hire a butler who will wind the clock every week!

Designers: MB&F & L’Epée