Fox Johnston refreshes modernist SRG House in suburban Australia

SRG House by Fox Johnston

Local studio Fox Johnston has renovated a heritage-listed modernist home near Sydney, stripping it back to an exposed concrete shell to create bright, open living spaces.

SRG House is a conversion of one of two semi-detached homes designed in 1972 and once the home of Australian modernist architect Sir Roy Grounds – from which it takes its name.

SRG House by Fox Johnston
Fox Johnston renovated SRG House

Overlooking the Parramatta River in the Balmain suburbs, the 1970s building was based on a concept sketch by Sir Roy Grounds, which was then detailed by the architect and teacher at Sydney University, Stuart Whitelaw.

Originally a two-bedroom home with a later garage extension, the building has been transformed into a four-bedroom home for Fox Johnston director Conrad Johnston and his family.

SRG House by Fox Johnston
Two additional bedrooms were added on the ground floor

The zigzagging plan of the home encloses a series of small courtyard spaces, overlooked by a grid of timber-framed windows between the pillars of the concrete structure.

“The original grid set up a powerful rhythm. How we unlocked the design is by interweaving old and new,” said Johnson.

Living room in modernist house
A white brick extension contains a living space and two bedrooms

The poor condition of many of the finishes required the structure to be stripped back to its concrete frame, which has been left exposed and supplemented by a new palette of materials drawing on the original 70s fittings.

The fixed glass and rotted timber frames have been replaced with cedar-framed, high-performance glass, and the external timber cladding has been replaced with heat-modified Radiate pine, with new openings in the grid creating balconies over the courtyard.

SRG House by Fox Johnston
A large kitchen flows into a dining area

Improving the environmental performance of the building meant that a commercial-scale air conditioning unit on the ground floor could be removed, creating space for two new ground-floor bedrooms that look out onto the central garden space.

Above, half of the first floor is given over to a large kitchen that flows into a dining area and living room with a concertina glass door that allows it to completely open out to views of the river.

On the second floor, two large bedrooms sit at either end of the home, to the west overlooking the river with another concertina window and to the east looking onto a rooftop garden atop the new garage extension.

This extension sits atop a garage added in 1983, which has now been extended to create an additional storey of independent living spaces for Johnston’s extended family, clad in contrasting white brick.

Bedroom in modernist house
Two large bedrooms are located on the second floor

In the interiors, the rigid geometry of the home is contrasted by curved plywood elements such as a curved dining banquette, complemented by brass details.

“Working within that original geometry, we applied a softer edge in the form of curves. It’s more overt in the new apartment above the garage building, and less obvious in the main house,” explained Johnston.

Cork flooring has been used to add what the studio describes as a “retro texture and warmth”, while the bathrooms have been finished with red Japanese finger tiles in reference to the original tiles found on the site.

House overlooking Parramatta River
The house overlooks the Parramatta River

SRG House was recently shortlisted in the house interior category of the 2021 Dezeen Awards. Shortlisted in the same category is a cave-like house embedded in a hillside overlooking the Mediterranean Sea designed by Mold Architects.

Photography is by Anson Smart Photography.

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Ten apartments with adaptable and reconfigurable layouts

Apartment with sliding wooden partitions

For our latest lookbook, we’ve selected 10 adaptable flats from the Dezeen archive that can be reconfigured with moving walls or furniture.

Adaptable apartments use sliding partitions and smart storage solutions to divide spaces, or incorporate reconfigurable rooms so that they can serve multiple purposes.

These interventions are often used in smaller spaces and studio apartments to make the best use of limited space. Projects included in this lookbook feature fold-out furniture, storage that drops from the ceiling and furniture on wheels.

This is the latest roundup in our Dezeen Lookbooks series that provides visual inspiration for designers and design enthusiasts. Previous lookbooks include mid-century modern interiors, minimalist bedrooms and home libraries.


a mezzanine is pictured above a sliding partition wall

Apartment 402, Japan, by Hiroyuki Ogawa Architects

This studio apartment in Tokyo designed by Hiroyuki Ogawa Architects features a sliding wooden screen to divide the home’s interior in two.

The chevron-covered screen divides the main space, which can be used as living room, dining room or bedroom, from a secondary area containing the main bedroom, kitchen and half bathroom.

The screen allows the interior to be either fully opened up to form an open-plan living space or partitioned off for privacy.

Find out more about Apartment 402 ›


White wooden units rotate and spin

MJE House, Spain, by PKMN Architectures

Located on the Spanish coast, this apartment designed by PKMN Architectures contains moveable modular storage walls in the main living space.

These can be rotated to enclose different areas of the room so that they can be used as bedrooms. Each of the moveable partitions, which were constructed from steel and wood, incorporates a fold-out bed.

Find out more about MJE House ›


Didomestic apartment, Spain, by Elii Architects

Didomestic apartment, Spain, by Elii Architects

Spanish studio Elii Architects converted this loft apartment into a home that makes optimal use of its space and can be adapted for different activities.

Sliding pink partitions allow the floor plan to be opened up or divided into smaller spaces.

Concealed storage and furniture, such as a fold-out vanity built within the floor of the mezzanine, as well as shelving, tables and seating that drop from the ceiling provides the resident with a flexible and interchangeable home.

Find out more about Interior for Didomestic apartment ›


Susaloon, Spain, by Elii Architects

Susaloon, Spain, by Elii Architects

In this apartment, which is split by a translucent screen, traditional furniture has been replaced with foldout furniture hung from its walls.

The fold-out furniture means the space can be used for many purposes – dining, working, sleeping, or even for giving massages.

Find out more about Susaloon ›


sliding units divide different spaces

All I Own House, Spain, by PKMN Architectures

Madrid-based studio PKMN Architectures updated this single-storey apartment to create a series of adaptable living and workspaces.

The studio housed the kitchen, bedroom and storage spaces within a series of movable volumes, which were constructed using oriented strand board.

The volumes slide along tracks and can be moved to suit the needs of the users throughout the day.

Find out more about All I Own House ›


Flat 27A has furniture on wheels

Flat 27A, Hong Kong, by Design Eight Five Two

Design Eight Five Two incorporated sliding walls and adjustable furniture to maximise the use of the limited space in this apartment in Hong Kong.

The 51-square-metre home was fitted with concealed storage, sliding partitions and a dining table on wheels that can be moved to suit a range of daily activities.

Find out more about Flat 27A ›


A plywood volume conceals a bed and storage

Studio flat, Australia, by Catseye Bay

This 36-square-metre flat in Sydney is comprised of three rooms – a bedroom, kitchen and a bathroom.

Catseye Bay used birch plywood volumes to create informal space dividers to house wardrobes, bookshelves and a bed.

An upholstered seating bench in front of the bed can be softened by adding cushions, letting the space function as both lounge and bedroom.

The partitional volume was placed at an angle and aims to conceal each function from other areas within the room.

Find out more about the studio flat ›


Tel Aviv apartment, Israel, by Ranaan Stern

Tel Aviv apartment, Israel, by Ranaan Stern

Built for an artist, this studio-cum-living space was designed to be a place for working, living and displaying objects.

Architect Ranaan Stern placed a fold-out murphy bed within the large storage units that span the walls of the apartment. Storage drawers, cupboards and pegboards cover the walls to maximise space.

Find out more about Tel Aviv apartment ›


Furniture folds out from cupboards

Home and office, Italy, by Silvia Allori

Architect Silvia Allori updated this flat in Florence, Italy, to create a home that catered to everyday living and working.

The architect added folding furniture and concealed storage. A table drops from the wall to reveal a bookshelf behind, and a built-in unit houses sofas that can be turned into beds.

A gold metallic curtain was used to hide the worksurfaces in the entrance hall, which doubles as a kitchen.

Find out more about Home and office ›


A wooden volume on wheels can be used as a sofa or a bed

Interior for Students, Russia, by Ruetemple

Reuetemple created a cube on wheels that can be used for seating and sleeping within this apartment.

The modular furniture piece is comprised of three parts that can be arranged to form a long line of sofas, or placed in a cube formation so that it can be used as a bed or an enclosed room.

Find out more about Interior for Students apartment ›


This is the latest in our series of lookbooks providing curated visual inspiration from Dezeen’s image archive. For more inspiration see previous lookbooks showcasing shaker-style interiorsminimalist bedrooms and concrete living rooms.

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This week the Stirling Prize shortlist was revealed

Cambridge Mosque

This week on Dezeen, RIBA revealed the shortlist for this year’s Stirling Prize, which includes a mosque, a bridge in Cornwall and a museum in the Lake District.

Alongside Cambridge Central Mosque (above) on the six-strong shortlist was 15 Clerkenwell Close, designed by Groupwork.

The building was a surprise addition to the shortlist as, unbeknown to its architect, it was withdrawn from consideration for the prize in 2018 due to a planning dispute between the studio and the council.

Speaking to Dezeen following the shortlisting, Groupwork’s founder Amin Taha said he was “speechless”.

Glenn Murcutt wins Praemium Imperiale
Glenn Murcutt wins 2021 Praemium Imperiale for architecture

Also in awards news, Glenn Murcutt was named the winner of this year’s Praemium Imperiale for architecture, which is awarded each year by the Japan Art Association.

Murcutt, who is the first Australian to win the prize, was described as an “architect ahead of his time” in the award’s citation.

Dezeen Awards 2021 public vote - vote now!
Dezeen Awards 2021 public vote opens today! Vote now

Following the announcement of the Dezeen Award shortlists last week, we have opened the voting for this year’s public vote.

You can vote now for your favourite projects, which will receive a special Dezeen Awards 2021 public vote certificate.

Colour of the Year 2022
Bright Skies named Colour of the Year 2022

In interiors news, paint brand Dulux revealed its colour of the year.

The brand picked an “airy, light blue” colour called Bright Skies as it “perfectly captures the optimism and desire for a fresh start that is the mood of the moment”.

BASE Milano exhibition at 2021 Milan design week
Low-key Milan design week shows that “less is better”

We also reflected on last week’s Milan design week, which took place in a reduced capacity due to the continuing coronavirus pandemic.

“It’s completely different to the other editions,” designer Luca Nichetto told Dezeen. “It’s totally another rhythm. I prefer it this way because you can actually speak more deeply.”

Filtered Frame Dock by Matt Fajkus
Matt Fajkus adds perforated steel screens to Austin boathouse

Popular projects this week included a boathouse in Austin with perforated metal facades, the renovation of a mid-century house in East Sussex that was informed by Sri Lankan architect Geoffrey Bawa and a concrete house in the Arizona desert.

Our lookbook this week focused on mid-century modern interiors.

This week on Dezeen is our regular roundup of the week’s top news stories. Subscribe to our newsletters to be sure you don’t miss anything.

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This off-road trailer upgrades your adventure experience without compromising on comfort or luxury

We’ve seen countless off-roading trailers in the past, but the Bruder EXP-8 all set to be released next month is a level higher than the rest. The travel trailer is built for the hardcore explorers who stop at nothing and appreciate the comfy interiors.

The best thing being, this off-road trailer brings a degree of luxury and comfort while doing all the hard work in unforgettable terrain. This is the Australian company’s biggest and the best-designed trailer yet. It brings a spacious interior, self-sufficient power capabilities and the ability to go long range without much hassle. The EXP-8 is based on the predecessor EXP-6 with the added weather-proof all-season promise and the complete off-grip capability. Some things from the EXP-6 have been omitted to bring a more robust design to the fore. There’s no pop-up roof, the outdoor side kitchen is missing and the washroom is now relocated to the front section. The trailer gets a full-sized kitchen (with a 12-bottle wine rack) and a dining room to the opposite side. It will be able to comfortably accommodate four people and with customization, six people can also fit in.

On the outside, the EXP-8 is a fortress with an insulated body and a waterproof chassis.  To take on any demanding terrain, the off-road trailer has an independent moving suspension system aided by the big 37-inch mud-terrain wheels. This means a stable ride inside, even though you’ll be treading the most demanding scalable landscape on the face of the planet. The rig will have its own water purifications system and a 1,600-W solar energy array on the roof connected to a 2.5kWh battery pack for electricity needs. For backup, there is a 5,000-W inverter as well. According to Bruder, the trailer will also have a reverse-osmosis system to purify water from natural sources, so that hardcore explorers never ever run out of drinking water.

Bruder EXP-8 is going to be launched in October, and at that time more details about its power-packed features are going to be revealed. Although you can expect to tow it on the back of your Land Cruiser to explore the not-so-common regions of the world. That said, the trailer is speculated to cost around $177,000 – a crazy amount for which you can get an off-roader camper van or truck!

Designer: Bruder

 

Samsung-inspired TV dangles like a jeweled pendant on your wall in desired orientation

Hanging a TV set like a picture frame on the wall may seem too risky at the first glance, but if you consider that it’s a design that’s pretty tested, and it opens up the TV for a range of use case scenarios, you’re instantly intrigued!

If you have used a Samsung Series 4 LED TV, you’d relate to the fact that they came with a metal string like this one predicted for the Pendant TV. It would rest on a pulley-like mount screwed into the wall, allowing the TV set to hang like a good old picture frame.

This way of mounting a TV, for me definitely, was a far better choice than the current day mounts. It was way sleeker and held the TV set closer to the wall, unlike the brackets now used with larger display-sized televisions, which tend to protrude from the wall leaving a sizable gap between the wall and the TV. We can give it for the fact that hanging the large displays this way would be a little dicey and unstable, but the entry-level sizes, maybe even up to the 43-inch odd, can still resort to this sleeker and convenient way of hanging TVs to the wall.

That said, Pendant TV is influenced but different from the hanging mechanism Samsung has executed. Considering this conceptual TV is a result of a workshop with Samsung, we can presume the design here is influenced by the South Korean tech giant. While the marketed hanging style from Samsung actually ensured the hanging sting hid behind the display; the clean hanging layout makes the fine fabric strap visible with the Pendant TV display.

Interestingly, the Pendant TV can be hung on the wall, using an eye-pleasing hook, in either landscape or portrait orientations – facilitating you to match the display to the sort of content you’re binge-watching – just like you’d with a smartphone. What really makes me intrigued is the kind of convenience it brings to the ultimate technology Samsung has been working on. You’d remember the Sero 4K OLED TV Samsung introduced at the CES 2020. The TV automatically tips between landscape and portrait orientations to match the content user’s playing.

With a TV set like the Pendant, you’d have to make some effort to get up from the sofa and change the orientation, but the humungous cost it’ll save you is going to be worth that long walk from the couch. Besides, the Pendant TV is also versioned with an attachable kickstand, which you can connect to instantly allow the TV unit to sit on the table in either orientation. Now that’s as convenient as picking the TV from the wall and placing it on the table – no installation, mounts, or any sort of help required.

Designer: il-seop yoon

This digital camera for globe trotters focuses on minimalism + taking things easy

Henry Smallbone’s FLANEUR digital camera bends the general notion of how a smart camera needs to look like and how’s one going to use it. The unique design and functionality are the USP of his creation, and I like the idea completely!

Taking things slow is associated with being wise – just like a tortoise. The FLANEUR digital camera is the result of this very philosophy to slow down and being considerate in the digital world. Just like the tortoise, the camera motivates the user to not just go berserk with clicking photographs (simply because it could be done) but take a slower approach to every aspect of everyday life. The camera stores 37 photos in its memory for that very intent – making the user mindful of limited clicks he/she has at her disposal.

In fact, “Flaneur” in French means a person who’s a stroller. This term was used in the 19th century by French poet Charles Baudelaire to denote an observer of modern urban life. Now, it has taken up the meaning for someone who meanders around observing things keenly. The camera’s design is inspired by this notion – hence, the very colorful, casual form factor that one can carry around. Henry gives the accessory a bold aluminum casing design with large buttons and dials, inviting curiosity by onlookers.

The smart camera has a powerful performance quotient – courtesy of the crossed section of closed lens that hide from plain sight in a series of plastic casings that move independently. Depending on the shot being taken, the lenses can be swapped with the push of a button. A telephoto for taking a portrait shot or a wide lens for shooting panoramic landscapes on a golden sun bathed evening.

The viewfinder can rotate in 180 degrees direction for portrait shots or 90 degrees for a wide shot without moving the camera instead. The functionality is also kept to the bare minimum to let you focus on capturing memories. The flash intensity is controlled via the large wheel, while the positional switches lend the option to toggle between colored or monochrome photos or videos.

Designer: Henry Smallbone

Dezeen wins four prizes at AOP Digital Publishing Awards 2021

Four AOP Digital Publishing Awards won by Dezeen

Dezeen has been named Best Small Digital Publisher of the Year and scooped three other prizes at the Association of Online Publishers‘ annual awards ceremony.

Dezeen also claimed the Best Digital Publishing Innovation award for Virtual Design Festival (VDF) and the Best Content Marketing Campaign award for our Out of the Box collaboration with Samsung, while our sales team was named Sales Team of the Year.

The wins mean Dezeen walked away from the ceremony with more awards than any other company.

Dezeen praised for “turning disaster into innovation”

Judges for the AOP Digital Publishing Awards praised Dezeen for “turning disaster into innovation” in the wake of the coronavirus pandemic. “Dezeen created new products and brands that attracted big audiences and strong reviews,” they said.

One such innovation was VDF, the world’s first online design festival, which was conceived and delivered in the first few months of lockdown.

“This company was honest about the challenges it faced, pivoted at speed, created a property that will have real value, and executed its strategy really well,” the judges said.

Dezeen's Wai Shin Li, Rupinder Bhogal and Benedict Hobson at the AOP Awards 2021
Dezeen’s chief revenue officer Wai Shin Li, director Rupinder Bhogal and chief content officer Benedict Hobson collected the awards

The judges also praised Dezeen’s sales team for its role in making VDF a commercial success “when faced with significant adversity” and commended the Out of the Box competition for being “impressively creative and innovative”.

Latest awards for Dezeen

Dezeen director Rupinder Bhogal, chief revenue officer Wai Shin Li and chief content officer Benedict Hobson collected the awards on behalf of the Dezeen team at a ceremony in London hosted by comedian Maisie Adam.

The four accolades follow Dezeen’s success earlier this year at a pair of awards programmes organised by the British Society of Magazine Editors (BSME).

Dezeen’s founder and editor in chief Marcus Fairs took home prizes in the Specialist Editor of the Year and Independent Editor of the Year categories at the BSME Awards, while Dezeen’s in-house creative studio Dezeen Studio was named Best Video Team at the BSME Talent Awards, which recognises teams and individuals without an editor title.

Earlier this year, Dezeen also won a People’s Voice Webby Award for the Out of the Box competition with Samsung, which challenged contestants to create objects for the home by repurposing television packaging.

It means Dezeen has now matched the six awards that it won in 2020, which along with record traffic contributed to our best ever year.

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HA+MA designs CS2 teaching facility for Los Angeles golf course

CS2 by HA+MA

Alaskan cedar and handmade Danish bricks are among the materials used by Californian firm HA+MA to create a golf performance centre set within an undulating, grassy landscape.

Nestled within a gently sloping site, the CS2 facility sits on a golf course in an undisclosed neighbourhood in central Los Angeles.

Teaching facility by HA+MA
Alaskan cedar clads portions of the CS2 golf centre

The project was designed by HA+MA, a local studio led by Eric Hawkins and Scrap Marshall.

The overall design intent was “to craft a structure that utilises and exploits its surrounding and immediate environment” while also offering a flexible interior space, the architects said.

One of the project’s two volume is used for teaching and relaxation

The 2,000-square-foot (186-square-metre) building is composed of two rectangular volumes. One serves as the main structure for teaching and relaxation, while the other holds restrooms. The volumes are situated around a garden with a lone pine tree.

“The building is composed around a courtyard garden, creating quiet, naturally ventilated spaces,” the studio said.

A lone pine tree outside
The structures are positioned around a garden featuring lone pine tree

The exterior consists of concrete and Alaskan cedar, along with Petersen bricks that were handmade in Denmark. The structural system comprises four steel posts and glue-laminated beams.

“All the hidden joints and connections were custom designed and fabricated by us in LA,” the architects noted.

Interior finishes include limestone flooring and white oak cabinetry.

Large stretches of glass usher in daylight and provide a strong connection to the outdoor environment.

Two volumes make up the project
Shadows are formed across the exterior by a slatted roof

A large pivot door marks the formal entrance, while another side of the building has sliding doors that enable the interior to merge with a patio.

“A series of glass planes open up and slide away, blurring the boundaries between the sheltered interior and the surrounding landscape,” the team said.

Gently sloping golf course
The centre is nestled into a gentle slope

Other projects on golf courses include a clubhouse in Australia by Wood Marsh that features blade-like concrete walls, and a Montreal clubhouse by Architecture49 that is covered with a massive wooden roof.

The photography is by Lance Gerber.

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The fact that a sofa’s design could be inspired by corrugated paper shows that inspiration can be found anywhere

Corrugated Sofa by Johan Kim

There’s a sense of familiarity when you look at the Corrugated Sofa’s design and its familiar brown color. You’re instantly reminded of corrugated paper, and while the sofa isn’t really made out of paper, it’s easy to draw the parallels instantly by looking at it.

The work of Johan Kim, the Corrugated Sofa actually started off as a tiny model made from a sheet of corrugated paper, which he then decided to translate into scale. The final sofa, conversely, is clad in brown tanned leather, with a foam interior to give it its bulbous volume.

Corrugated Sofa by Johan Kim

Corrugated Sofa by Johan Kim

Corrugated Sofa by Johan Kim

Corrugated Sofa by Johan Kim

The sofa’s design makes it an ideal accent piece for any room, and can be used individually or paired along with another Corrugated Sofa. It seats one, and comes with a wide backrest that travels all the way to the sides, turning into armrests. The pleated design gives it its brown corrugated paper-like appearance, and the pleats carry all the way to the back, giving the chair an interesting visual detail.

You can scroll down to the bottom of the article to see Johan’s corrugated paper experiments.

Designer: Johan Kim

Corrugated Sofa by Johan Kim

Corrugated Sofa by Johan Kim

Corrugated Sofa by Johan Kim

Corrugated Sofa by Johan Kim

Mass bird deaths in New York City caused by skyscraper collisions

New York City skyline at dusk

Hundreds of migrating birds have died this week in New York City after crashing into glass skyscrapers, according to local organisation NYC Audubon.

On Tuesday morning, 14 September, a volunteer at the NYC Audubon found over 200 dead birds dotted on pavements around the 3 World Trade Center and 4 World Trade Center skyscrapers alone.

By the end of her shift at the World Trade Center site, volunteer Melissa Breyer said she found 226 carcasses, though many more were “inaccessible, or too mangled to collect”.

“When you have 226 dead window-struck migratory birds from one morning, it’s hard to get them all in one photo,” she wrote on Twitter.

That day, the Wild Bird Fund rehabilitation centre in New York also received more than 70 injured birds, including 30 found by Breyer.

City lights and glass facades to blame

A combination of stormy weather and artificial night-time lighting in cities are to blame for Tuesday’s mass bird death, reported the Audubon network.

This is because both city lights and storms can confuse birds in nocturnal flight, leading to exhaustion from disorientation and in turn, building collisions.

However, Breyer added that some of the migrating birds that died had collided with the towers in the daytime, after confusing reflections in the glass facades for open sky.

“Lights can be turned off, windows can be treated. Please do something,” she pleaded.

Silverstein Properties, the developer of 3 and 4 World Trade Center, provided a statement to NYC Audubon that said it is now “actively encouraging our office tenants to turn off their lights at night and lower their blinds wherever possible”.

New York considered among most dangerous cities for birds

While this week’s death toll was particularly high, glass towers in New York long been considered dangerous to birds.

Volunteers with NYC Audubon regularly patrol the streets during the spring and autumn migrations to document bird deaths, previously reporting that over 90,000 birds collide with buildings in the city every year.

Another study published by Cornell Lab of Ornithology in April 2019 ranked New York as one of the most dangerous for birds in the US, alongside Chicago and Los Angeles.

“Building collisions, and particularly collisions with windows, are a major anthropogenic threat to birds, with rough estimates of between 100 million and one billion birds killed annually in the United States,” the report said.

For this reason, New York passed a bill in December 2019 to ensure all new glass buildings are safer for migratory birds. This requires structures over 23 metres (75 feet) to be patterned to make them more visible to birds.

More recently, the US House of Representatives agreed to limit the amount of glass used across federal buildings. This was also in a bid to protect birds from death by collision.

The main photo is by Jonathan Roger via Unsplash. 

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