Point Supreme uses raw concrete to enhance "magical cave-like" feel of Athens apartment

Cave basement apartment by Point Supreme

Greek architecture firm Point Supreme has transformed a semi-basement storage space in Athens into a small one-bedroom home.

The apartment is located at the base of a typical Athenian polykatoikia – a concrete residential block with tiered balconies – in the suburban neighbourhood of Ilioupoli.

The apartment in Ilioupoli
The apartment is located in the semi-basement of a residential block

Daylight only penetrates into the sunken, 56-square-metre space from above on one side, giving it a “magical cave-like” feeling that Point Supreme wanted to retain.

“It’s very appropriate and pleasant given the warm weather and strong sun in Athens during most of the year,” said founders Konstantinos Pantazis and Mariana Rentzou.

“The goal of the renovation became to strengthen this feeling.”

Cork panelling behind the bed
Cork panelling features behind the bed

Key features of the space such as the steel windows and doors as well as the raw concrete surfaces of columns, beams and ceilings were retained.

An existing small toilet was extended to make space for a shower. But apart from this, no internal walls were added in order to make the space feel as large as possible.

Instead, floor finishes, furniture, sliding partitions, hanging shelves and curtains were used to separate the apartment into different zones.

Raw concrete walls in the underground space
The apartment’s raw concrete columns and ceilings were left exposed

“These create the illusion of depth,” said the studio.

“Coupled with different details and aesthetic choices, they create an especially pleasant and rich visual result.”

Point Supreme chose a tactile, warm-hued material palette to enhance the cavernous feeling of the apartment, from a timber screen with built-in bench seating at the apartment’s entrance to cork panelling and a sliding Corten-steel partition in the bedroom.

In the kitchen, custom-made red Formica and melamine cabinetry with plywood countertops sit alongside a rust-coloured table and the owners’ vintage chairs.

Custom-made red fomica and melamine kitchen
Red accents cabinetry features in the custom-made kitchen

The glazed Cotto tiles covering the floor of the main space were salvaged from storage. These kinds of ceramic tiles were popular in the 1970s, the studio said, when they were used to cover verandas and porticos in holiday homes throughout Greece.

In the apartment, they complement the rough texture of the raw concrete while adding a sense of warmth.

Point Supreme added blue accents to the bathroom
Blue tiles cover all surfaces in the bathroom

Blue is used as an accent colour on a curtain, a strip of floor tiles at the entrance to the bedroom and across all surfaces in the bathroom, where it creates the impression of being submerged underwater.

Point Supreme used a similar zoning strategy when refurbishing another apartment in Athens with a green-stained plywood storage wall.

Photography is by Yiannis Hadjiaslanis and Point Supreme. 

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Sou Fujimoto creates undulating virtual installation in London

A man walks through a virtual green installation

Visitors to this year’s London Design Festival can use mixed-reality glasses to manipulate their walk through Medusa, a virtual installation by architect Sou Fujimoto.

Created by the Japanese architect Fujimoto in collaboration with mixed reality studio Tin Drum, the virtual structure has been installed at the V&A Museum.

Up to 50 guests at a time can put on a pair of mixed-reality glasses and explore the experimental architectural forms designed by Fujimoto.

As they move through Medusa, the dynamic structure “changes and evolves based on the movement of its admirers”.

Virtual, floating structures of Medusa
Medusa responds to the movements of its audience

“Visitors will be able to simultaneously observe this piece of virtual architecture, floating and moving inside of the space that is confined by the gallery itself,” said Yoyo Munk, Tin Drum’s chief science officer.

“The structure is observing the entire group and changing itself based on what it’s observing about the audience behaviours, rather than any individual,” he told Dezeen.

“It explores the contrast between the individual and the collective.”

Visitors walking through a blue light installation
Tin Drum drew on the science of bioluminescence to inform the design

The installation takes its name from the mythological figure Medusa as well as the zoological term for a jellyfish, in a conflation of myth and science that sits at the core of the design.

“We liked the idea of a figure of life that finds this balance between something that is beautiful, attractive and dangerous,” explained Munk.

The studio also used the primal attraction to light and underwater bioluminescence to inform the evolving dynamic structure.

“We drew a lot of inspiration from natural light structures like the aurora borealis (also know as the Northern Lights) and our connection to light sources,” recalled Monk.

“When we look at an aurora borealis, we share some commonality with the neural circuitry that leads prey and so forth to be consumed.”

Medusa was designed to provoke individuals to play, interact and follow the lights as they walk through the virtual installation.

According to Monk, both Tin Drum and Fujimoto were most interested in the potential of using light as an architectural medium.

“What’s exciting for all of us is this idea that you could construct structures that had no physical form and existed only as light being projected into the eyes,” said Monk.

“We get the sense of a space that has a design structure that exists in a spatially explorable sense – that has the ability to change our perceived environment and the way that we feel and explore while having no physical form.”

Fujimoto established Sou Fujimoto Architects in 2000. Although he is best known for his buildings, he has worked on a number of installations. In 2017, he created a series of abstract bookshelves made from thin steel rods for Design Miami/Basel.

For the fashion brand COS, Fujimoto used spotlights, mirrors and sound to create an immersive installation that responds to visitors’ movements.

London Design Festival 2021 takes place from 18 to 26 September. See Dezeen Events Guide for an up-to-date list of architecture and design events taking place around the world.

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This travel bottle has a multi-stage water purifier in its cap that kills germs, removes contaminants, and makes your water tasty


A perfect companion to your camping trips, outdoor excursions, daily commute, or just your in-home hydration, the WAATR’s 4D Purification™ turns water from any source into safe, great-tasting water. The magic almost entirely lies in the bottle’s cap, which comes with its modular purification system that uses UV light to kill germs, and swappable filter cartridges that let you choose between regular pure water, pure water that’s been mineralized for great taste, or pure water that’s slightly alkaline to help you hydrate faster. Just push the cartridge of your choice into the bottle cap and the WAATR becomes a handy little travel bottle that gives you pure water no matter where you go.

Designer: Rakesh Guduru

Click Here to Buy Now: $89 $99 ($10 off). Hurry, for a limited time only.

A winner of the TIME Magazine’s Best Inventions of the Year Award, the WAATR’s greatest innovation lies in its crown or its cap. Built into it is a multi-stage purification system that works in 3 dimensions (as the water passes through the filtration module), as well as the 4th dimension of time (since the Ultraviolet lights continue purifying the water the longer they’re on).

The dual UV lights automatically activate every hour, but can manually be toggled using a touch-activated button on the top, giving you the freshest drinking water ever. The UV lights run on an internal battery that can be charged by magnetically snapping the charging cable onto the contact points on the cap. RGB lighting around the edge of the cap lets you know when the battery’s full, or the UV purification status of your water, or just as a periodic reminder to stay hydrated.

In addition to the UV charging, the WAATR bottle also uses a set of interchangeable filters that let you choose the kind of drinking water you want. The state-of-the-art purification systems snap into the cap (right beside the UV module), and use a proprietary blend of coconut charcoal and ion-exchange resin to “super cleanse your water” while a 304 stainless steel mesh and ultrasonic non-woven cotton mesh trap any particles or contaminants.

The WAATR lid comes with three optional filter types to suit your needs – a Purist filter that gives you absolutely clear pure drinking water, the Alkaline filter which comes with an additional layer of Alkaline Zeolite that raises the pH of your tap water – which can often typically be less alkaline than recommended by the EPA guidelines.

A third Artesian filter uses an extra layer of natural minerals to make your water taste great while purifying it too. The filters also supply data to your smartphone, giving you an effective lab report of your drinking water (although it’s a paid service), and eventually letting you know when the filter needs replacing. Each disposable filter comes with a shelf life ranging between 30 to 60 days, although you could just as easily use the WAATR without the filter too, relying on just the UV purification system alone.

The WAATR bottle comes with a dual-walled container that works like a purifying thermos, letting you keep hot water hot, or allowing you to add ice cubes to your water to chill it down. The polished inner surface of the bottle helps effectively reflect the UV light to rapidly purify every molecule of water (and even obliterate the dormant germs in your ice cubes), while the exterior sports a powder-coating that feels luxurious to the touch, and comes in 3 sizes – a slimmer 25oz (740ml), an intermediary 32oz (946ml) or a larger 40oz (1180ml).

The purifier lids remain standard across all the WAATR bottles, with just the stainless steel bottle changing. The slimmest variant is narrow enough to easily slide into the bottle-holding mesh on your bags, and even though the larger bottles are wider in diameter, a robust loop around the lid lets you clip your WAATR bottle anywhere. The WAATR bottle (which has 6 color variants you can choose from too, and for $89 you get the bottle, the 3 filters, and a 10% lifetime discount on filters.

Click Here to Buy Now: $89 $99 ($10 off). Raised over $100,000.

This Alfa Romeo GTS coupe could be the brand’s latest shot at resurrection in 2021

With the brand’s future uncertain, the Alfa Romeo GTS is the perfect catalyst to set the chain reaction into action again. The coupe is a balanced mix of styling, aesthetics and everything an automotive enthusiast demands from a compact modern set of four-wheels.

Alfa Romeo is one automotive brand that is driven by the emotion of love. Car enthusiasts owned the Italian brand’s four-wheelers because they instantly fell in love, rather than their urge for the need to buy one. All this boils down to the jaw-dropping cars, the marque has produced over the years which holds the likes of Giulia Quadrifoglio gta, Montreal, Disco Volante Spider or Tipo 33 Stradale. While all these flashy cars set the tune for the brand, the GT series from the 60s and 70s is not overshadowed in any way.

The sporty coupe is right up there with the best Alfa Romeo models thanks to the highly appreciated timeless design. While the brand is jostling for survival, a fresh breath of air is infused by an automotive designer to hint at the future revival plan to resurrect the lost glory. Guilherme Neves Araujo has penned the Alfa Romeo GTS that looks to go the EV way for the mission. The concept has the allure of the 2000 GTA model with the infusion of a model element.

On the front, the vehicle looks straight out of the Alfa Romeo blueprint design wing. The overall dimensions remind me of the Polestar 1, another tell-tale sign that the GTS is an EV in the making. The wide wheel arches instantly trigger my brain towards the muscle car influence (a hint of Dodge Challenger and not necessarily Mustang), pointing to a performance-oriented beast underneath. No matter from where you glance at this ride, the balanced proportions are its forte. The rear is a bit subdued but it captures the overall appeal and wraps up the car’s flowing aesthetics nicely.

Alfa Romeo is still focusing on the SUVs in the house, and this kind of vehicle would certainly pump life back into the brand. When pushed to the wall, Alfa Romeo should go all-in for such bold designs and surprise the competitors. Too bad, the Guilherme’s design is just a concept for now, and I hope the universe conspires to bring this beautiful Italian four-wheeler to life. An Alfa Romeo GTS in the real world is what I want to see. Are the lead designers at Alfa Romeo listening?

Designer: Guilherme Neves Araujo

These ergonomic AR glasses are designed with a minimal interface to seamlessly blend into your life

A pair of intelligent AR Warp smart glasses created with the mindful intent of simplifying the user’s life without any strings attached.

Apple’s ambitious AR glasses could hit us anytime soon, Facebook just released their smart wayfarer glasses and Xiaomi dropped a surprise bomb in the form of smart glasses that are making waves on the internet. Logical wisdom tells me, augmented reality and virtual reality glasses are the exciting future everyone is going to follow and excel at. Just like the smartphone tsunami revolutionized the tech space. AR glasses are not everyone’s ball game as far as design and function go – they are darn hard to create for the commercial market!

While we brace for the towering wave of AR glasses to change the complexion of our everyday world, it’s time for a concept that will bear fruit in the coming future.  The cool creation is ideated by Fountain Studio, a design studio excelling in stirring us every time they muster up a cool creation. The augmented reality glasses are ergonomically designed keeping in mind the wearer’s desire for comfort, freedom and a non-intrusive interface.

Unlike other AR smart glasses, the AR Warp is designed to be worn on the forehead when not in use. The adjustable legs can be rotated according to the need, giving them usability for all situations. The glasses, therefore, sit at a slight distance from the face, not touching the nose bridge. Of course, they need to be lightweight so that the user can use these glasses for a longer duration of time – and that’s what they actually are.

The mixed reality HUD interface can beam information based on the time of the day and the user’s schedule. For example, in the morning he glasses put up weather alerts, text messages, important reminders and all the little telemetry like the battery level. By the evening, when it is time for physical activity, they send reminders of workout schedules and the screen is partly filled with illustrations motivating the user to get off their ass. After that, the glasses could shift to the relaxing mode, playing soothing music to calm down the mind and body.

The AR function of the smart glasses is actuated by the on-board camera and the UX is aided by the speakers which combine the visual stimuli with the audio input. Just like any other gadget, these smart AR glasses have their own storage case that wirelessly charges them up. This is a well-thought concept that gives us a glimpse of the things to come with the exponentially rising popularity of AR glasses.

Designer: Fountain Studio

Fig House by Stemmer Rodrigues appears supported by a natural rock formation

Fig House by Stemmer Rodrigues

Large stones conceal a single column supporting the upper level of this concrete house near Porto Alegre, Brazil, configured to protect the roots of a centennial fig tree.

Designed by local architects Stemmer Rodrigues, the Casa Figueira – or Fig House – is a modernist-style concrete house in Eldorado do Sul, a residential community that sits across the Guaiaba Lake from Porto Alegre.

Fig House by Stemmer Rodrigues
Fig House looks as if it is supported by natural stones

The home’s main feature is the overhanging second floor, which defines the driveway and forms a passage through to the back yard.

This windowless concrete volume is made to appear as if supported by natural stones that contrast the facade’s smooth finish.

Overhanging weathered steel canopy
Sliding glass walls offer views towards a nearby canal

This formation conceals a single column, which was placed to avoid disrupting the roots of a nearby fig tree that lends the house its name.

“The composition of the front facade is a harmony of contrasts between the rigidity of the concrete and the large rock that simulates the support of the volume and hides the pillar, paying homage to a strong element of the regional landscape,” explained Stemmer Rodrigues.

Minimal interiors inside Fig House by Stemmer Rodrigues
The features minimal interiors to complement its modernist form

The only other elements visible on the facade are the front door, which is marked by a curved concrete wall, and the wooden garage door.

On the ground floor, Stemmer Rodrigues laid out an open-concept kitchen, living and dining room to face views of the tranquil waterfront beyond the edge of the property.

“The facade facing the street was designed to block the south wind, and the views are therefore turned to the opposite direction, maximising the contact with the canal water, energy efficiency, and privacy,” the architects said.

Two sides of this volume are enclosed with full-height sliding glass walls. Immediately outside of them, an overhanging weathered steel canopy avoids the sun directly hitting the glazed surfaces.

Landscaping leads down to a boat dock on the canal

The upper level runs parallel to the waterfront, and contains four bedrooms. The north side of the home, facing away from the street, is clad in ipe – a traditional Brazilian wood prized for its vibrant colour and durability.

A few steps away from the main building is a pavilion containing a secondary kitchen and dining area. This stone building is slightly lower than the rest of the property and is fronted by a walkway leading to a boat launch.

Fig House by Stemmer Rodrigues
The property’s two pavilions face each other across the garden

Porto Alegre is the capital of the Brazilian province of Rio Grande do Sul. Other projects in the area include a house for a yoga teacher also by Stemmer Rodrigues, and a house for a car collector featuring a glass-bottomed pool that offers views of the garage below.

The photography is by Marcelo Donadussi.

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Oxford Brookes University spotlights 11 student architectural projects

Oxford Brookes University

A workspace on the limestone coast of Majorca and the headquarters for the Wildlife Trust within a disused industrial site feature in Dezeen’s latest school show from students at Oxford Brookes University.

Also included is a council-funded facility for repurposing local waste and a co-living space informed by the design of high streets.


Oxford Brookes University

School: School of Architecture
Courses: BA (Hons) Architecture and BA (Hons) Interior Architecture
Tutor: Jane Anderson, undergraduate programme lead

School statement:

“Welcome to Oxford Brookes University’s School of Architecture. Presented is a compact showcase of our Undergraduate Students. It brings together student work from across all years and programmes. The main exhibition celebrates our students’ achievements this year. It is joyful, innovative, thoughtful and stunning.

“The School of Architecture is a vibrant community of staff and students located in the historical and culturally diverse city of Oxford. There is no house style at Oxford Brookes School of Architecture. Instead, you are encouraged to experiment and discover your own.

“Our undergraduate programmes include a RIBA part 1 BA (Hons) Architecture, ARB and LAM accredited course and a BA (Hons) Interior Architecture course. Both of our undergraduate courses have an affiliated association with the ACSA. Based in the historic city of Oxford, our BA courses will allow you to challenge, explore and develop not only you as an individual but also your portfolio. Our students are involved in many different live projects, from our OB1 live to designing an Innovation Hub at John Radcliffe hospital.

“Students explore both old and new challenges from around the world in their work. Here you can find our Live Projects that work with local communities, Architecture that explore tectonic and human relations through film and making, our crucial work in Emergency Practices and Resilience, as well as our expertise in Sustainability.
“Everyone worked so hard this year, and we’re so proud of what we’ve accomplished. The umbrella for all work is a sensibility towards place, people and planet. We hope you enjoy the show.”


Working Retreat by Helena Gatland

Working Retreat by Helena Gatland

“Working Retreat by Helena Gatland is a modest stone dwelling and workspace nestled into the strata of the limestone coast of Majorca. The stepping and terracing of spaces both inside and out encourage intimate relationships to the landscape and informal semi-outdoor living and working.

“In Unit A, we have a continuing fascination with the landscapes, the climate and the material of place. Throughout the world, the various intersection of these elements generates unique building cultures, distinct vernaculars and local character. Be it the city outside our doorstep or a far-flung island, we find these basic factors to be elemental drivers for architecture.”

Student: Helena Gatland
Course: BA (Hons) Architecture
Tutor: Tom Randall-Page and Theo Molloy


Wildlife Trust by Luke Anderson at Oxford Brookes University

Wildlife Trust by Luke Anderson

“Luke Anderson has designed a new headquarters for the Wildlife Trust on a disused industrial site situated on the banks of the Thames in Oxford. The biophilic scheme aims to bring users closer to the environments and wildlife they are trying to protect. “

Student: Luke Anderson
Course: BA (Hons) Architecture
Tutors: Aditya Aachi and Nathan Breeze


The Herbal Apothecary by Gabe Edyvean-Heard

The Herbal Apothecary by Gabe Edyvean-Heard

“The power of stories can transform the world. They bring us into contact with worlds unknown to us and open our eyes to possibilities not yet imagined. For us, as designers, compelling ways of telling tales are the tools we use to powerfully communicate our ideas.

“As architects, we are storytelling dreamers, we imagine a building, and then we will see it into the present through our drawings, written words, spoken words, sketches and hand gestures. Our students, like Gabe Edyvean-Heard, tell stories through their architecture.”

Student: Gabe Edyvean-Heard
Course: BA (Hons Architecture)
Tutors: Hannah Durham and Tom Sykes


The Green Line by Dassa Shalev

“The project emerged from deep analysis of the culturally contested context in the Old Town of Nicosia and aims to unify the Cypriot communities by bringing agriculture and farming into the city centre.

“This includes a residential complex: private apartments shared living areas and a greenhouse for the farmers and their families. By encouraging bi-communal living and working, the project aims to break down barriers and misconceptions between the communities.

“The bridge supports an infrastructure of planting, potable water and electricity, that can be extended throughout the buffer zone and across the island, whilst physically reconnecting the two sides.”

Student: Dassa Shalev
Course: BA (Hons) Architecture
Tutors: Melissa Kinnear and Rob Goacher


Treasure Yard by Ole Sund

Treasure Yard by Ole Sund

“This proposal looks at developing a Council-funded facility for repurposing local waste in public use workshops. Industrialisation has left us big cities, factories, canals and railroads. Post-war global capitalism has added high rises, airports, highways and glass fibre cables.

“The Westway in Notting Hill is an excellent example location to explore what infrastructure we will leave behind. Europe’s biggest purpose-built flyover is currently under review. Our aim is to design the supporting infrastructure needed to make the Westway area more healthy, accessible, and resilient for the immediate and long term future.”

Student: Ole Sund
Course: BA (Hons) Architecture
Tutors: Margit Kraft and Anastasia Glover


Lichen Sinus Clinic by Patrick Kotowski

Lichen Sinus Clinic by Patrick Kotowski

“This project is an accumulation of lichen, smell, water, minimalist design and health. One of the most underappreciated luxuries we have is the ability to smell. Some people don’t, either through Covid-19 or another condition.

“The Lichen Sinus Clinic is the symbolic reflection of the multi-organism, lichen. It has the ability to purify the local condition for optimal biological growth and is a sign of ideal conditions.

“Heating local, freshwater to create steam indoors allows the patient’s blocked sinus to open once again, or for the first time, through the experience of a ‘clean line’, symbolic architecture.”

Student: Patrick Kotowski
Course: BA (Hons) Architecture
Tutors: Delfina Bocca and Amelia Vilaplana


Dionysian Indulgence by Marco Nicholas at Oxford Brookes University

Dionysian Indulgence by Marco Nicholas

“Continuing Unit G’s fascination for unexpected stories revealed by intense observation and iterative design, the projects explore the extraordinary in the ordinary. Concepts that inspire joy and delight while considering how architecture carries a narrative beyond utility to reflect, respond, laugh, cry, shout, rage, sing, or protest at our times and society.

“On the surface, Marco Nicholas’ ‘Dionysian indulgence’ is a departure lounge for passengers of Oxford’s Gloucester Green bus station. But once inside, the architecture encourages visitors to overindulge, become increasingly detached from their reality and routines, succumb to their Dionysian impulses and miss their bus!”

Student: Marco Nicholas
Course: BA (Hons) Architecture
Tutors: Toby Smith and Mike Halliwell


The Self Build CoOp by Fergus Adam Smith

The Self Build CoOp by Fergus Adam Smith

“The Self-Build CoOp is a new typology of co-living specific to the high street, inspired by the functions of a public house. The CoOp playfully creates new social habits and more diverse uses along the high street whilst also delivering on housing demand in the city.

“Unit H is focused on the city as a never-ending conversation, a place of conflict and resolution, where people’s ideas are tested and nurtured, adopted and displaced. Not a place to be rationalised, but a tangled dialogue that architects can learn to negotiate.

“This year, we investigated the role architecture and design can play as the mediator between local eccentricities, idiosyncrasies and perceptions, in conflict with national/global trends. Driven by the emergence of the experience economy, we explored how an architectural ecology of ‘amusement’ could begin to take priority in our cities.”

Student: Fergus Adam Smith
Course: BA (Hons) Architecture
Tutors: Felicity Barbur & Gareth Marriot


Amphibious Hydrological Dwelling by Oli Rash

Amphibious Hydrological Dwelling by Oli Rash

“Rash’s mechanical brewery project provides an intelligent and highly sensitive response to the local historical, physical and social context of Norwich, located by the River Wensum and within an ex-industrial area of the city. His proposal draws upon the brewing history of the local area, intricately connecting the processes of making lambic beer and fishing.

“In addition to providing an educational environment in which these processes are made visible to the public, and local communities, his intensely detailed and exceptionally well-researched proposal engages with the wider ecology of Norfolk, where local farmers share their growing, fertilisation and harvesting procedures in exchange for spent grain, a byproduct from the brewing process, which can be used for animal feed.”

Student: Oli Rash
Course: BA (Hons) Architecture
Tutors: Emma-Kate Matthews and Kirsty McMullan


Students from Oxford Brookes University designed the projects

Reimagined Institute for Contemporary Arts by Francesca Adorni Braccesi Chiassi

“One of the most significant innovations in eighteenth-century leisure was the pleasure garden: a dedicated outdoor space for entertainment. London’s pleasure gardens defined the city’s night-life in the 18th and 19th centuries.

“They were sites for music, dancing, eating and drinking, regular fireworks, operas, masquerades and illuminations. Approaching Vauxhall, Unit K was seeking to unearth the layers of the lost city as well as the living one, and re-establish a space for public celebration, starting by collectively designing structures for an open-air performance, and later developing it into a new kind of cultural or performance venue or institution.”

Student: Francesca Adorni Braccesi Chiassi
Course: BA (Hons) Architecture
Tutors: Marko Milovanovic and Nichola Barrington-Leach


Oxford Brookes University students

A Co-Living Sanctuary-Designing for Spiritual Wellbeing by Holly Moroney

“This project is a conversion of two semi-detached houses in Jericho, Oxford into Co-Living shared accommodation.

“The brief aims to appropriate a relatively new housing typology (Co-Living) in the context of a deliberate rehabilitation of existing housing stocks. The transformation should substantially increase the density of occupation while providing a suitable alternative approach to living arrangements with its blend of private and collective spaces structured around shared activities.

“Domesticity, in this case, is explored as a tool to reach a higher level of spiritual wellbeing. The technical considerations and design strategies aim to provoke a higher level of wholeness and enriched lifestyles between the users. The concept of ‘mindful moments’ interprets into the design as spaces to contemplate, rest, and re-connect to the present; alone or with others.”

Student: Holly Moroney
Tutors: Andrea Placidi & Orit Sarfatti
Course: BA (Hons) Interior Architecture


Partnership content

This school show is a partnership between Dezeen and Oxford Brookes University. Find out more about Dezeen partnership content here.

The post Oxford Brookes University spotlights 11 student architectural projects appeared first on Dezeen.

This food storage concept features an intuitive control design so we can always keep our leftovers!

ODNY.BOX is a food storage concept with an intuitive control dial and a minimal aesthetic for users to store any type of leftover, from hot baked cookies to cold Greek yogurt.

What would life be like without leftovers? There’d be no post-Thanksgiving triple-decker sandwiches, no cold pizza, sadly baked ziti for breakfast would have to go too, and no more half-soggy, half-crunchy nachos. In a few words, life would be a slow death without leftovers.

Okay maybe not, but I’d need a second to bounce back. Outfitted with an intuitive layout and glossy aesthetic, ODNY.BOX is a food storage concept from Yoonji Park designed so we’ll never have to consider what life would be like without leftovers.

Inspired by the bulbous shape that water makes when it drops on flat surfaces, the glass lid of ODNY.BOX comes together as half of a globe and almost curls under the platform where food is kept to ensure sealed storage. The seasons have an effect not only on the food we eat but also on how that food is kept for tomorrow. During the winter months, the hot food we order or cook at home is subject to cold temperatures, while during the warmer months, perishables like produce are the first to go bad.

Park aimed to build ODNY.BOX with an intuitive control panel so that a plate of lasagna could be just as easily stored as a bowl of fresh fruit. Comprising just one single dial, the control on ODNY.BOX gives you three options for storage: room temperature, cool, and warm. When users would like to store food items like bananas or breakfast croissants, turning the dial to its room temperature setting would suffice. Then, when a bowl of ice cream or a side of french fries needs some storage, users can adjust the dial to its cold or hot settings, respectively.

The inner platform where food is stored also detaches from the base to function as a free tray for transporting plates of food or just keeping dishes steady on a flat surface. The overall design of ODNY.BOX is clean and minimal, considering even a micro organizer for the product’s wire to tuck into and stay out of the way.

Designer: Yoonji Park

Link About It: This Week’s Picks

Mapping coral reefs, transforming taxis into vegetable gardens, tracing Harlem’s legacy as a style hub and more

Scientists Globally Map Coral Reefs For The First Time

Under the direction of Arizona State University’s Center for Global Discovery and Conservation, more than 450 teams of scientists have succeeded in creating the first continually updating map of the world’s shallow coral reefs, an undertaking that required 2.25 million satellite images covering about 100,000 square miles. As one of the most biodiverse ecosystems on the planet, coral reefs are an important home for marine life—but they remain endangered. The Allen Coral Atlas, already in use by 14 countries, will help track climate change’s effects on the habitat and inform future oceanic projects to save the reefs. Read more about this historic accomplishment at Hyperallergic.

Image by Greg Asner, courtesy of Allen Coral Atlas

New Pop-Up Exhibit Explores Harlem’s Legacy as a Fashion Hub

55 years ago, fashion pioneer Lois K Alexander Lane founded the Harlem Institute of Fashion and later, the Black Fashion museum, to show the world how the Black community was and is instrumental to American style. Today, Souleo and Beau McCall’s latest exhibit at the Schomburg Center, Showing Out: Fashion in Harlem, pays tribute to these institutions (which closed in the 2000s), Alexander Lane’s legacy and trailblazing Black designers. The show—which runs between 9-16 September—showcases archival footage of the Alexander Lane-led Harlem Fashion Week from the ’80s to ’90s, as well as clothes and photos from the shows. Together, the exhibit honors the thriving fashion community that Alexander Lane was instrumental in cultivating. Read more about the exhibit at Refinery 29.

Image courtesy of Souleo Enterprises

Idle Taxis Repurposed as Vegetable Gardens in Bangkok

Bangkok’s Ratchapruk and Bovorn Taxi cooperatives joined forces and transformed the roofs of their currently unused cabs (idled because of a lack of demand during the pandemic) as vegetable gardens. With “black plastic garbage bags stretched across bamboo frames” as the garden bed, the plots are growing everything from string beans to cucumbers and tomatoes. But this installation is also a statement, as the cooperatives only have 500 cars in use around the city right now, with 2,500 sitting idle—a massive hit to their business and employees. As Thapakorn Assawalertkul says, “The vegetable garden is both an act of protest and a way to feed my staff during this tough time. Thailand went through political turmoil for many years, and a great flood in 2011, but business was never this terrible.” Read more at the Associated Press.

Image courtesy of AP Photo/Sakchai Lalit

NASA’s New Rock Samples Could Prove Life Existed On Mars

According to NASA scientists, the rock samples taken from the Jezero Crater on Mars could indicate that life previously existed on the planet. The samples, taken by the rover Perseverance (which first drilled into Mars on 6 September and then again a few days later) have been identified as volcanic in origin. To the scientists’ surprise, these samples also contained salts—likely calcium sulphate or calcium phosphate—indicating water alteration and thus, raising the likelihood that life once existed on Mars. Find out more about these minerals at BBC.

Image courtesy of NASA/JPL-Caltech

Alexandre Family Farm Is Pioneering Regenerative Agriculture

This year, California’s Alexandre Family Farm was the first dairy in the US to become Certified Regenerative. It took the fourth-generation dairy operators, Stephanie and Blake Alexandre, over three decades to perfect their sustainable farming practices, but their work paid off. With their compost—made on the farm from cow manure, along with other local waste—and pioneering rotational grazing practice, their system restores wetlands, bringing a bounty of wildlife, including the once-endangered Aleutian Geese. As a dairy that manages thousands of cows and acres, Alexandre Family Farm proves that regenerative agriculture is possible on a large scale—and without the help of corporate backing. Find out how the Alexandres are leading a sustainable movement within the agriculture industry and what this entails for the future at Civil Eats.

Image courtesy of Alexandre Family Farm

Didformat Studio’s Valley Residential Bridge Concept

Envisioned by architect Amirhossein Nourbakhsh, founder of Didformat Studio, the Valley Residential Bridge concept runs upward along the chasm of a cliff face in British Columbia. Three segments compose Nourbakhsh’s structure, which intends to impart the least amount of damage to the surrounding nature: a top level that crosses the ravine, a secondary tier that offers a scenic overlook of the waters below and a final residential structure built of levels that work with the curves of the rocks. Underneath, Nourbakhsh incorporates space for boats to pass through. See more conceptual imagery at designboom.

Image courtesy of Amirhossein Nourbakhsh

Discovery in Moroccan Cave Suggests Humans Made Clothes 120,000 Years Ago

In the Contrebandiers Cave in Morocco, Dr Emily Hallett and her colleagues discovered animal artifacts that indicate early humans in Africa were making clothes 120,000 years ago. The 62 bones and tools from the excavation (including sand fox and wildcat bones, as well as spatulate-shaped instruments and other specialized devices) lead scientists to believe that homo sapiens from the cave made fur clothing, smooth leather and perhaps even windbreakers—garments that go far beyond simple scraps of hides. While the original appearance of these outfits remain unknown, these findings could prove clothing is a hallmark of human behavior. Read more about the discovery at The Guardian.

Image courtesy of Contrebandiers 

Link About It is our filtered look at the web, shared daily in Link and on social media, and rounded up every Saturday morning. Hero image courtesy of AP Photo/Sakchai Lalit

Tiny Home Interiors that will be the major inspiration you need to create the tiny home of your dreams!

2020 was a major wake-up call for the world, and since then everyone’s been aspiring toward’s eco-friendly and mindful ways of living. As a result, tiny homes have been taking over the architectural world and they continue to grow popular by the day. What started off as a cute little trend is now turning into a serious option for home spaces. And one thing is for sure – tiny homes are here to stay! And just because they are tiny in size, does not mean they cannot be beautifully done! This collection of tiny home interiors are major inspiration goals, proving big things come in small packages. Warm, peaceful, and organic – these interiors will have you drooling over them! If you’re planning to shift to a tiny home, these designs are all the major inspo you need, to build the tiny home of your dreams.

The interiors of the Banjo Tiny House by Little Byron are super warm and homely! Wooden flooring, bar stools, and a cozy bed, nestled next to stairs that lead to an intimate chilling spot, make it a space that may be tiny but still extremely fulfilling. An abundance of windows makes it an open and free-flowing space!

Elsa comprises 323-square-feet of living space while an exterior 85-square-foot trailer attachment that keeps a pergola-covered porch, attached swing, and even a greenhouse. Echoing the exterior’s natural wood personality, white-painted shiplap line Elsa’s inside walls and are brightened by natural sunlight that pours in through fourteen windows on the home’s first floor. The white-painted cedar shiplap continues throughout the home, rising even to the top floor loft bedroom where a queen-size bed is framed by six more windows.

A micro-kitchen and living area fill out the cabin’s first floor, while the second floor keeps the bedroom and extra storage space. Meaning “bird’s nest” in Italian, Nido is the ideal cabin getaway for the snowbird in each of us who just wants to get away from it all and hide out in the woods. The interior’s Nordic-inspired color scheme is brightened by the natural sunlight that pours in from the home’s large windows.

Inside Gawthorne’s Hut, rich and textured timber panels stretch over the walls and ceilings, giving the home a cozy, nesting atmosphere. Gawthorne’s Hut’s micro floor plan of 40m2 feels larger than its measurements thanks to an open floor plan that extends throughout the home, with the one exception being the WC. Throughout the tiny home’s interior, repurposed bricks and rich timber panels line the walls, ceiling, and furnishings. The king-sized bed’s head post, for example, was handcrafted from recycled brick leftover from the lot’s previous building.

Mini Blok is a freestanding, simple cabin with a footprint of 21.6m2 that doesn’t require a permit to build or own. Wood paneling and warm lighting give Mini Blok an elegant feel and refined look. Fully glazed, sliding glass doors build one facade of Mini Blok, dissolving the barrier between outdoor and indoor spaces. Darker interior design elements are worked into the bathroom’s design through shadows and minimal paneling.

House in Chamois is highly modular which makes it adaptable to different lifestyles and settings. It comes with integrated furniture and warm interior details that are a contrast to this dark exterior cladding. “With its minimal shapes and spaces full of light, the house shows incredible attention to details, lines, and materials. The layout of the rooms, furnishings, and technical systems are fully integrated to give life to spaces where one can fully express their personality and live in harmony with their surroundings,” explained the architects.

Casa Ojalá blurs the boundaries between interior and exterior in the most organic ways. The build, aesthetic, and CMF has all been inspired by sailboats. The cylindrical structure operates with a manual mechanism made with ropes, handles, pulleys, and cranks. The compact 27 sqm cabin can be configured with rollable walls that let guests create different open and closed spaces. One of the coolest features is how Bonzanigo has optimized the floor area by hiding two beds hidden underneath it. I can only imagine the serene evening hangouts on the roof that can be accessed with a ladder but to be honest, I would probably choose to relax in the large bathtub instead while soaking in the panoramic views.

While the home’s black-and-white stucco exterior will look just the part for the backyards of Los Angeles, each unit’s interior finds warmth from natural sunlight that floods through the home’s pitched roof, mellowing out the unit’s soft palette of plywood and colorful pops of marble tile work. Upon entering Bonner’s Lean-to ADU, residents find communal spaces like the living, dining, and cooking areas on one side while a bedroom and working area finds space on the other side. Separating the communal areas from the private spaces, the unit’s bathroom and utility closet is contained in a center rectangular volume. Outside, native California plants comprise a geometric garden outlined in wavy metal edgers to complement the Lean-to ADU’s cubic form.

The Rammed Earth House in Slovenia merges traditional rammed earth building techniques with modern solar energy production methods to reinterpret the early 20th-century farmhouse for today. Windows are also strategically placed around the house to allow cross-ventilation throughout the home and changing seasons. The green roof also holds an array of photovoltaic panels to power the home with harnessed solar energy and a rainwater collector for water recycling and an integrated septic tank system. Inside, each living area is appropriately situated to benefit from the passive heating and insulation methods. The house’s north facade, for example, features fewer windows than the west facade to decrease potential heat loss during colder months.

Cabin Anna is built with multiple layers of glass and wooden trusses, that peel away and slide back together when necessary or just for fun. The natural finish of Cabin Anna gives it an organic, cozy feel especially come night. One of the many amenities included with Cabin Anna is a spa in the home’s center, where layers of the framework can peel away to reveal an exposed centerpiece.