This siphon coffee maker uses its analog mechanisms to bring home the joy of a café



Cosie is a siphon coffee maker designed to bring the emotional experience of watching your coffee brew at a cafe into the comfort of your own kitchen.

Now that brewing your own cup of coffee is considered a survival skill, finding the right coffee maker should be at the top of our priority lists. Since quarantine dragged us out of coffee shops, when it came to making coffee, we were left to our own devices, literally.

Missing that special barista touch when cafes were temporarily closed during the pandemic, a team of designers created a siphon coffee machine called Cosie that brings the faithful analog experience of big coffee shop machines to the comfort of your own kitchen.

Going to the coffee shop is not only a prerequisite for starting the day, it’s an emotional experience. We look forward to few things like we look forward to our first cup of coffee in the morning. In an attempt to capture that emotional experience and incorporate it into an at-home coffee brewer, the team behind Cosie built their machine with double-layered glass canisters that allow users to watch as their coffee is extracted and brewed.

Since Cosie is a siphon machine, the coffee inside the canisters is extracted through steam pressure generated by boiling water, a process that users can watch while brewing their own coffee. The integrated siphon also makes the general upkeep and management of Cosie much easier to keep up with. After spooning in their desired amount of coffee grinds into the machine’s top compartment, users need only fill the main cartridge with water and turn its handle clockwise to kickstart the brewing process.

From there, the water boils and generates steam pressure to extract the coffee in the machine’s top canister. During this entire process, Cosie makes fine adjustments to the amount of steam released, ensuring that your brew won’t be too strong or watered down. Once you’ve reached your coffee quota for the day, you can clean Cosie easily by filling its cup with only water and let it go through a single brew cycle.

Designers: Juhee Park, Jihee Kim, and Myungji Jung

The two-layered glass canister allows you to watch your coffee brew. 

Find more information on the bottom of Cosie. 

Intuitive controls make brewing coffee as simple as ordering it.

Check on your coffee throughout its brew.

Alerts tell users what their Cosie needs to function.

The main cartridge doubles as a siphon control and mug. 

Press Cosie to start.

When you want to clean Cosie, simply fill its canisters with water and press start.

The double layer of glass makes the extraction and brewing processes transparent.

Cosie’s sleek appearance fits into the modern kitchen.

Nine wooden cabins from Lake Annecy Cabin Festival

A wooden cabin perched over a lake

Festival organiser Philippe Burguet picks nine of his favourite wooden structures from this year’s Cabin Festival, including a Japanese-style cabin and a playful teepee-shaped cabin with a swinging hammock.

The Cabin Festival is held annually around Lake Annecy, a preserved area in Haute-Savoie, France that is internationally renowned for its scenic landscape and high water quality.

For this year’s event, the organisers put out an open call for cabin designs around the themes of territory and settlement.

Entrants were asked to create a cabin made from wood that measures less than six square metres overall. They were also required to construct the cabins from wood types found in the surrounding Savoyard forests.

The winning cabins float, perch and balance on stilts or are hidden between the trees in the nearby forest.

“The hut as a built building represents only a point of view, a milestone, a punctuation mark, a landmark that gives the stroller the opportunity to be located within a larger landscape,” Burguet told Dezeen.

“It is the camera focused on a chosen point of view,” he added.

Read below for Burguet’s selection of stand-out cabins from this year’s festival:


Onna–Ji by Iris Jacquard and Maud Laronze

“Delicately placed on its site, it melts into the vertical matrix of the forest, with its structure inspired by Japanese temples. Ropes stretched in hemp tend to sketch at first a closed volume, then as the approach progresses, the ropes open up to let the landscape show through. The boundary between interior and exterior is blurred.

“Onna-Ji is a small sanctuary that calls for an introspective journey. The walker is invited to enter the interior and sit facing nature.”


Les Voisins by Julien Fajardo and Vincent Brédif

“This project is a perfect example of a good understanding of the context. Hidden between the trees, virtually invisible, it feels like it has belonged in this landscape forever.

“Its leaning structure disappears in the multiple lines drawn by the trees. Its sculptural design creates a fragile balance that makes it gently swing whenever someone decides to climb on it. Its movements resemble the flexibility of the trees.

“Climbing on it becomes a playful game, in which you have to reconnect with your childish confidence to beat your fear of falling. This is architecture with a strong narrative that allows movement and flexibility to create a complete experience of discovering.”


Clant by Tristan Narcy and Arthur Lemaire

“This intervention cleverly uses parts of the site to integrate itself into its landscape. A simple structure built detached from the ground is dressed up with driftwood picked up from the riverbed.

“The numerous branches hanging from the roof create the sensation of a full and floating volume from the outside, hiding the void remaining in the heart of the cabin. Walking inside requires weaving in and out between the curtain of driftwood, filling the space with the sound of its encounter.

“This shelter is an invitation to focus on the sounds of the site – the murmur of the river, the birdsongs, the rustling of the trees – creating and integrating its own sound in this place.”


Le Banquet du Belvedere by Takumi Goto and Austeja Judzentyte

“This project grows roots in an existing use of the place: meeting, gathering, appreciating the beauty of the view. The materiality of the hay wall offers an invitation to animals to join the meeting.

“The cabin creates two distinct, opposite spaces. Inside, the closed and protected space makes you feel safe and at home. The open space at the top is where we feel more vulnerable, enabling a new understanding of the reality of the void next to the lookout point.”


L’Oratoire de la Chaise by Alice Delattre and José Roldan Ballesteros 

“This project proposes a definition of a cabin as a simple roof. This essential, sober, and simple approach creates a space defined by a slender and sharp roof standing above ground on thin pillars.

“From a close distance, the entrance of the shelter is quite low, and the visitor must bend down to enter. This effort brings the body closer to the ground, creating a new perspective to admire the river.”


Mille Lieux (°) by Eric Gendre and Vincent Bernet Rollande

“The constructive principle of this hut takes birth in the imagination of childhood. A simple rope stretched between two trees constitutes the primary framework that supports a series of wooden slats. The weight of the slats naturally deforms the rope to give it a beautiful sensual curve inviting the visitor to discover its interior.

“Enter in this place, lie down in the hammock, let your senses carry you and abandon yourself to a little nap.”


Champs du Vent by Philippe Paumelle and Anna Marin

“The project is inspired by the wind that blows through the leaves of the tree.

“A true architectural reinterpretation of the figure of the tree, the trunk is the main frame and the branches are the secondary one. In true craftsmanship, the ‘tavaillons’ – a material local to the region –  are sewn by hand onto the branches to allow the wind to give this architecture life.

“The curious lift the wooden sheets and observe the landscape as if through a keyhole. An opening frames the church tower, which also rings. If you look up, you can see the shadowy lines that pass through the wooden foliage.”


Le Clocher by Julie Boirin, Anouck Jacquet, Anaïs Jeantils, Eléonore Mougel and Marine Pigal

“The light wood structure draws its shape from far away. Its thin structure and elegant proportions perfectly integrate in the raw panorama. It stands in the fields, ringing its bells in concert with the cows grazing around. The strength of the project lies in its simplicity and absence of superfluous.”


L’Ombre by Samuel Thibault de Chanvalon, Pierre Fortunel, Maël Garnery and Thibaut Servier

“As its name suggests, it is to the colour shade that this construction celebrates. The two openings create a shadow in which the visitor merges, which he crosses to finally find the light.”

Photography is by David Foessel.


Le Festival des Cabanes 2021 is open until November. See Dezeen Events Guide for an up-to-date list of architecture and design events taking place around the world.

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Snøhetta organises Pangaea co-working space in Tokyo around "super furniture"

Wooden super furniture in Pangaea co-working by Snøhetta for Digital Garage

Huge ribbons of wood provide desk surfaces in this co-working space in Tokyo, created by architecture firm Snøhetta for Japanese tech company Digital Garage.

Snøhetta developed both the interior design and the visual identity for Digital Garage’s new co-working brand, Pangaea.

Wooden super furniture in Pangaea co-working by Snøhetta for Digital Garage
The wooden furniture is made from Japanese cedar

The company plans to open workspaces in its various office locations around the world.

However this one, located on the 10th floor of a new building complex in Shibuya, will serve as the testbed for ideas.

Lighting in Pangaea co-working by Snøhetta for Digital Garage
It incorporates desks, seating area and a reception desk

The name, Pangaea, was the starting point for the design – Pangaea was a supercontinent during the late Paleozoic and early Mesozoic era that broke up to create today’s continents.

Digital Garage wanted to create a space that encourages people of different cultures and backgrounds to come together and collaborate.

“As a boutique office space for digital nomads, the space commemorates a time and place where geographical, political, and national constructs were not an obstacle,” said Snøhetta.

Desks and seating in Pangaea co-working by Snøhetta for Digital Garage
Overhead, 534 hanging lights create undulating patterns

This concept led the designers to fill the space with “super furniture”, rather than adding individual tables or desks.

Two large wooden objects curve through the entire space, serving various different functions. They incorporate both seating areas and surfaces, so they can be used by numerous people simultaneously.

Wooden super furniture in Pangaea co-working by Snøhetta for Digital Garage
The wooden furniture gives the room a natural scent

“Constructed as a metaphor for both tactility and fluidity, the super furniture encompasses all core functions of a co-working space: a reception, an amphitheater, phone booths, meeting spaces and individual workspaces,” said Snøhetta.

“The furniture also prompts its users towards a greater vision through daily interactions with the co-working space and one another.”

Reception desk in Pangaea co-working by Snøhetta for Digital Garage
The co-working space in located on the 10th floor of a building in Shibuya

Both elements are crafted from Japanese cedar, a material chosen to give the room a natural scent.

Otherwise, the room is kept very simple, with only a few other furniture elements. Seating is provided by chairs and stools that match the dark tone of the flooring, while 534 suspended light bulbs give a topography to the ceiling.

The space is framed by linoleum-fronted cabinets and acoustic textile wall panels, which together create an abstract image of Mount Fuji as a backdrop.

Exterior of Pangaea co-working by Snøhetta for Digital Garage
It is the first of several Pangaea spaces planned

While Snøhetta is best known for its architecture projects, which include an underwater restaurant and the Oslo Opera House, the firm has worked on numerous interior design and branding projects in recent years.

Other examples include physical and digital retail spaces for fashion label Holzweiler and Oslo pop-up A Better Place to Think.

For Pangaea, the studio also designed a set of logos that are used on the facade, for signage and wayfinding inside the building and on the website.

Photography is by Nacasa & Partners.

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Oclean unveils its latest cordless water-flosser with a sleek design and 4 interchangeable nozzles for the best oral hygiene



Encased in a sophisticated, minimalist design that won the Red Dot Product Design award this year, the Oclean W10 cordless water flosser lets you clean your teeth and gums quickly and effectively, no matter where you are. It sports a cordless design with a 200ml water tank, a maglev motor that shoots the water in gentle pulses, a 30-day battery, and four interchangeable nozzles that let you reach every corner of your mouth – even if you’re wearing braces.

Designers: Liting Yang, Max Song & Erik Hu

Click Here to Buy Now: $59.99 $79.99 (25% off). Hurry, sale ends September 30th, 2021!

The W10 comes with a clean all-white design and a translucent water tank below that lets you see the water level. A colorful silicone strap on the side lets you easily hold the water flosser while using it, and right above the strap sits a flip-top opening to refill the water tank. The flosser’s equipped with a single button interface that lets you toggle through its 5 modes – Intensive, Standard, Gentle, Pulsating, and On-Demand, and its internal maglev motor runs at up to 38000 RPM, shooting a stream of water mixed with air that dislodges any food particles stuck between your teeth and gums.

The cordless flosser even has interchangeable nozzles to cover a variety of scenarios, from a standard nozzle to clean between your teeth, to a periodontal nozzle to effectively clean the lining of your gums, a tongue scraping nozzle that leaves your breath fresh, and a special orthodontic nozzle for people with braces. The nozzles come with a tinted design, just like the strap and water tank, giving the W10 that colorful contrast it needs to stand out while the white design blends into your bathroom’s decor.

Using the W10 is as simple as filling up the water tank, mounting the nozzle of your choice, and hitting the power button. The water shoots out in tiny jet streams, dislodging food particles and plaque in places where your toothbrush can’t reach. Using the W10 for a minute (in 15-second intervals) after brushing provides the perfect conclusion to your daily oral hygiene regimen, cleaning your teeth, gums, and even tongue. An internal battery provides 30 days of power, and can easily charge via a Type-C port on the front. To cap things off, the Oclean W10 is IPX7 water-resistant too, which means you can easily rinse out the gadget every few days to keep it clean.

Click Here to Buy Now: $59.99 $79.99 (25% off). Hurry, sale ends September 30th, 2021!

Kitchen Appliances designed to transform your cooking experiments into MasterChef-worthy delicacies!

The pandemic birthed a lot of home chefs, who discovered a deep and profound love for cooking! Surprisingly, I was one of them. Before the pandemic took place, cooking was a chore I completely avoided. But now, I honestly find it quite therapeutic! The pandemic, and all the free time that came along with it, somehow awakened my inner chef. To encourage and motivate all the inner chefs that came to life during the pandemic, we’ve curated a collection of kitchen appliances that promise to transform cooking from a Herculean feat to an enjoyable and fun process! From a food storage appliance that features an intuitive control design to a sustainable underground fridge that keeps your food naturally chilled – these kitchen products promise to transform your disastrous cooking experiments into MasterChef-worthy delicacies! These products can reduce your prep time in half, make the little cooking tasks much easier, and help you with tedious and complicated techniques. They make cooking effortless and easy. Enjoy!

That plastic kettle sitting on our kitchen counter probably looks like something from a time capsule compared to all the other appliances that have gotten design makeovers. Finally, it is the kettle’s turn and the B POINT shows it all off. It features a touch interface that instantly gets the appliance up to speed with others and lets the user form a more organic connection with it. The circular display has two rings – the outer ring shows the temperature and the inner ring shows the water level inside. Countdown starts after setting the water temperature and will beep once it is ready! The choice of CMF really elevates the simple appliance into an aesthetic product that you can display proudly on your kitchen counter.

Providing leverage for one-handed users, Moray is built with an assortment of chamfers, angled surfaces, and curved edges that hold dishes in one place while they’re getting washed. In refining her universal kitchen sink, Baltazar identified the obstacles faced in the kitchen for one-handed dishwashers and sought to solve them with Moray. Following a series of indirect observation and ideation periods, Baltazar learned that it’s less so about introducing new tools and more about redesigning the sink from the basin up.

ODNY.BOX is a food storage concept with an intuitive control dial and a minimal aesthetic for users to store any type of leftover, from hot baked cookies to cold Greek yogurt. Inspired by the bulbous shape that water makes when it drops on flat surfaces, the glass lid of ODNY.BOX comes together as half of a globe and almost curls under the platform where food is kept to ensure sealed storage. The seasons have an effect not only on the food we eat but also on how that food is kept for tomorrow. During the winter months, the hot food we order or cook at home is subject to cold temperatures, while during the warmer months, perishables like produce are the first to go bad.

A 2021 winner of the Red Dot Design Award, the Gevi rubbishes the notion that a coffee machine needs to look like a large, bulky, boxy appliance. With its cylindrical design that branches out into the cantilevered coffee-grinder and brewer, the Gevi capitalizes on visual drama, looking almost sculptural, like a ballerina on a single leg. While that description maybe a little too artistic for what’s essentially a coffee machine, it drives home a point… that even a mundane kitchen appliance can be designed to look beautiful.

Cellars have been used across the ages to store food or even act like bunker houses in case of natural disasters. Groundfridge takes that design one step further by adding fresh food refrigeration to the game. The trick used by Groundfridge is by utilizing the natural insulating capacity of the ground and the cooler night air temperatures. The balance of this design allows you to store your vegetables, fruits, cheese, and even wine throughout the year. Ventilating this project uses a fan with a timer that replenishes the cool air during the night. Too hot for comfort? An additional cooler can be used to power it during the hottest summer days.

Instant Cooking Pot with Lantern

Meet WAMP, an instant cooking pot made from ultra-durable duralumin material, ideal for campers who value multiple uses of things they stuff in the backpack. Although a pretty basic utensil, this solves a very useful purpose. You can put it on top of any oil lantern to employ the heat dissipated to good use. Case-in-point, heating or keeping the food warm without expending any extra energy. Be it cooking piping hot canned food or preparing energy-boosting tea on a long trip to the mountains.

OTOTO‘s Tea Trap puts a fun spin on the art of brewing tea. Unlike those boring metal infusers, the Tea Trap models itself on a carnivorous plant that chomps down on your tea leaves. Once the Tea Trap’s stomach (or mouth) is full, just dunk it in a cup of hot water, and the tea begins infusing through the perforations on the sides of the infuser. Use the Tea Trap’s elongated handle to stir it around till your tea reaches the right color, and when you’re done, the Tea Trap will very kindly spit out the tea leaves into the waste-bin, because nobody likes eating tea leaves… not even carnivorous plants!

Designed as a portable bottle that lets you instantly carbonate your water or beverage whenever you want, the Bottle+ comes with a puck-shaped carbon dioxide chamber, contained in an adapter that screws onto the base of the bottle. Once filled with CO2, the chamber lets you fizz up your beverage with the push of a button. The little chamber, contained within what’s called the Spark Adapter, lets you carbonate your water up to 15 times no matter where you are without any batteries. Once the Spark Adapter is out of CO2, it refills via a home refilling station that sits on your kitchen countertop.

This outdoor grill balances design aesthetics with the robustness of lightweight tubular frame construction to take on any abuse from the off-road environment coming it’s way. It has practically designed dual-zone, high-output BTU propane burners with easily cleanable aesthetics. The Forge 15 grill boasts a fold-out prep table for easy stowing, an easy-to-read temperature gauge, a big steel handle, a removable grease tray, a built-in bottle opener, and a weatherproof cover. While tucked in the vehicle’s tailgate while traveling, the pivoting swingarm moves the grill away from the car for cooking when it’s time to set up camp.

Noticing that people have a harder time removing the water bottle’s lid and holding it while they drink, the designers made Loop so that users can slide the lid over the bottle’s neck when taking a drink. The shape of Loop’s neck was specially designed to double as a storage method for the water bottle’s lid, providing a convenient and sanitary place to carry the cap. Expanding on the design of the Loop, the designers note, “The inside of the loop is gently curved and is an identical match to the bottle’s contours; allowing a tight friction-fit that prevents it from sliding while the user is drinking. Further, the lid doubles up as a convenient carry handle and attachment-point for hanging from bags.”

LEGO just dropped a Spotify album… and it’s filled with hours of soothing ASMR soundtracks made using LEGO bricks

Contrary to popular belief, the album isn’t filled with “Everything Is Awesome” on loop.

Titled LEGO® White Noise, the album explores a unique aspect of the LEGO experience – their sound. While the bricks are incredibly visual, tactile, and versatile, they also have a uniquely vast and engaging auditory experience. By experimenting with over 10,000 brick combinations, the designers at LEGO have unveiled a 6-track album, featuring 30-minute long audio tracks of just sounds using LEGO bricks, from the familiar rattle of rummaging through a carton of bricks, to actually clipping bricks together to make sculptures/models. The tracks have an incredible ASMR quality to them, and honestly make for perfect background audio while you work, play, code, read, etc. I can’t understate exactly how therapeutic the sound of the LEGO bricks being clinked together are, but just mere minutes into the first track, I feel like a 10-year old child again.

The album was designed to help listeners relax and unwind. The sounds trigger a part of the brain associated with meditation and relaxation, given that our mind associates LEGO with those very attributes too. Just the way the smell of cinnamon and pumpkin get you feeling ‘autumny’, the LEGO White Noise tracks instantly transport you to a place of being happy and carefree. Once again, the folks at LEGO have shown us that their bricks truly have unlimited potential!

You can check out the Spotify Album by clicking here. Definitely give a listen to the track titled “The Waterfall”, for the absolutely exhilarating sound of LEGO bricks being dumped one on top of another!

This adaptable food bowl for dogs was designed with a customizable stand to match your dog’s height!

Nest Bowl is a food and water bowl designed for dogs with an optional, silicone-lined stand that elevates the food bowl so that your dog won’t have to strain their necks every meal.

Pet food bowls aren’t the most adaptable products on the market. As our dogs grow older, straining their necks to meet low-rising food and water bowls might make eating and drinking feel like a chore. It’s important that dogs can eat and drink comfortably when the need arises. Seoul-based creative design studio found / Founded conceptualized a food and water bowl for dogs called Nest Bowl that integrates a removable stand to provide some leverage for your pup when they’re thirsty or hungry.

Designed with a hexagonal shape to keep the food in place better than a round bowl, dogs can really lick their bowl clean with Nest Bowl. Coming in two different sizes, Nest Bowl’s elevated stands are included to elevate the food bowl so that it meets your dog’s height, allowing your pup to eat without having to strain their neck. In addition to its customizable height, users can choose a dual-tone color scheme to match their dog’s personality and home decor.

Each Nest Bowl stand is also lined with a silicone band that wraps around the interior hexagonal shape to ensure that the food and water bowls do not slip. Finally, the bottom of each food stand comes with silicone foot grips to remain in one position on your kitchen floor even when your pup is chowing down and making a mess of lunch.

As dogs grow older, lowering their necks to meet their food and water bowls becomes a strain. It’s for this reason that a taller food bowl is often recommended for aging dogs. With Nest Bowl, your dog’s food bowl will adapt as their physical needs change. With a removable stand, Nest Bowl will rise to meet the changing physical needs of your pup.

Designer: found / Founded

Coming in an array of colors, Nest Bowl can match your kitchen and dog’s personality.

MUNYA: Tonight, Tonight (Smashing Pumpkins Cover)

Singer-songwriter and producer MUNYA (aka Josie Boivin) has released two lovely tracks from her upcoming debut album, Voyage to Mars, and now the French-Canadian songstress delivers an unexpected but sublime cover of the 1995 Smashing Pumpkins song, “Tonight, Tonight.” The original—with its soaring 30-piece string section—lends itself to MUNYA’s folk-tinged synth-pop, but the two renditions are vastly different. The dreamy element in this cover makes sense, considering MUNYA was introduced to the song through its iconic Jonathan Dayton and Valerie Faris-directed video, which was inspired by Georges Méliès’s silent film A Trip to the Moon. “My sister shared the ‘Tonight, Tonight’ video with me at a very young age, I vividly remember feeling certain emotions for the first time: longing, sadness and a hopeful melancholy,” she says. “In a weird way it was also my introduction to exploring space and the infinite possibilities that humans can achieve if they embrace the urgency of now. With everything that has happened I felt like it was time to share my love for this song and hopefully inspire a new generation to realize life is a galaxy of endless possibilities when we don’t hesitate and act now.”

BLUE Architecture adds rectangular coffee shop to red brick building in China

1402 coffee shop in Aranya

Beijing-based BLUE Architecture Studio has inserted a rectangular volume down the middle of an existing building in China to form a cafe that juxtaposes old and new.

1402 Coffee Shop is a cafe in the Aranya community, which is located in Changli County in China’s Hebei Province.

Coffee shop in Aranya from the outside
1402 Coffee Shop was inserted into an existing building

BLUE Architecture Studio renovated an existing one-storey red brick building with a sloped roof by adding a boxy rectangular volume to the inside of the building, which forms the coffee shop.

The volume is flanked by large glass windows, which include folding sections that open out at each end and connect the interior to its surroundings.

BLUE inserted a rectangular volume to an existing red brick
Folding windows open either side of the new addition

“We wanted to create a new space in the existing space,” BLUE told Dezeen. “Part of the new box comes out of the existing facade and becomes the attraction of the cafe.”

According to BLUE, the studio’s design process involved working out how to combine the necessary functions of the cafe into the rectangular volume, such as a seating area, a bar and a kitchen.

The cafe is designed to be social
BLUE Architecture aimed to fit all of the cafe’s functions within the rectangular volume

“The indoor corridor is like small lanes of a city with benches on each side,” said the studio. “You can sit on the couch, buy coffee at the bar, browse small products and chat with the coffee makers.”

“It’s very much like taking a casual walk on a little street. We want the interior to be an extension of the Aranya community. Streets and a nearby square are all visible from inside the cafe through big folding glass windows,” continued BLUE.

Solid oak interiors
Alcoves form seating areas for customers

Dagu cement, a traditional Chinese material, was used to form the rectangular volume, which complements the light grey exposed aggregate concrete floors that surround it.

Solid oak is the primary material in the cafe’s interior, while stainless steel seats are scattered around the outdoor area, which was also designed as part of the project.

Made up of four sections, this seating area includes large planters that are positioned between minimal blocky tables and bars, which enhance 1402’s more contemporary elements.

Outdoor seating area with blocky furniture
An outdoor seating area was also created as part of the project

BLUE explained that the aim of the coffee shop is not to merge old and new architecture together. Rather, the studio hopes that the project highlights differences between the rectangular volume and the existing red brick building, which was built between five and six years ago.

“We created the rectangular volume in an abstract form to contrast with the building’s existing sloped roof,” said the studio.

1402 was designed in colours similar to the existing red brick
The architects aimed to contrast old and new architecture

Despite these contrasts, BLUE sought to blend the coffee shop with the appearance of the Aranya community by choosing a neutral colour palette similar to the red brick structure.

BLUE Architecture Studio was founded in 2014 by Japanese architects Yoko Fujii and Shuhei Aoyama. Similar projects by the firm include the addition of a U-shaped glass box to a Shanghai coffee shop.

The photography is by Zhi Xia

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Painter Alexandre Lenoir’s “Trois Rivières” Solo Exhibition at Almine Rech

A color-saturated study of memories, at the acclaimed international gallery’s NYC outpost

Click to view slideshow.

A study of characters that have been crystallized in moments from someone else’s memories, Alexandre Lenoir‘s Trois Rivières solo exhibition, on now through 23 October at Almine Rech in NYC, finds the almost impressionistic painter transforming old black-and-white and sepia-toned photographs that belong to his grandmother into large-scale acrylic and oil paintings. Lenoir, who graduated from Ecole des Beaux-Arts in 2016, maintains a studio in Paris, though he’s lived in Morocco and spent formative years in Guadeloupe, where his grandmother resides.

Lenoir has never met most of the dreamlike figures that he portrays in this series—though, the images from which they were drawn are emblazoned into his memory, having decorated his grandmother’s house in Guadeloupe for as long as he can remember. Lenoir makes them his own with an overwhelming spectral beauty.

This is Lenoir’s first solo show in the US and the renowned gallery owner Almine Rech Ruiz-Picasso had a direct hand in its inception. “A close and longtime friend of Alexandre’s put a bit of pressure on me to visit the studio in 2019,” Ruiz-Picasso tells us. “When I arrived, Lenoir showed me works from two years prior, and others from just a year ago that he had kept in the studio. I was interested, but I was really impressed when he pulled out very recent paintings he had just finished. I could see that his work was evolving and maturing quickly. I knew that he would open door after door. He works from memories, from his Caribbean youth, and you can tell so clearly his paintings reflect such strong, personal emotions. Both the artist and the work are very charismatic and authentic. It’s quite rare. I left the studio thinking we had to do a show together!”

The unearthly, expressive body of work—with ghostly figures with faces like film negatives, and verdant, otherworldly backgrounds—leads to questions of technique. In fact, Lenoir’s physical method is akin to printmaking in some ways and involves applying tape to the canvas before painting. Lenoir then paints a layer, re-tapes and layers again. Some paintings contain as many as 100 coats of paint. This is all in addition to the fact that Lenoir modifies the canvas with solvents.

Lenoir adds, “My process is completed in a meditative mindset, and through meditative painting gestures, in order to represent something that goes beyond the image. This work is inspired by my family’s old photographs and memories. I paint in many layers using very small stencils. My unconscious energy overflows out of my body and onto the canvas, and fixes ancient memories.” A ruminative concept, Lenoir sees it through with dreamlike wonder.

Images by Dan Bradica courtesy of Almine Reach