"Authentic Balenciaga looks" released in video game Fortnite

Fortnite characters wearing balenciaga

Fashion house Balenciaga has collaborated with video game Fortnite to release a collection of in-game clothes and limited edition physical garments.

The digital clothes, which were informed by Balenciaga‘s previous collections, were created for four in-game characters.

A line up of the Fortnite Balenciaga collection
Balenciaga designed a range of digital clothing, which is available to purchase in Fortnite

Players of Fortnite, a battle royale video game developed by Epic Games using the Unreal Engine platform, are able to purchase the skins and accessories to customise playable in-game characters.

The collaboration followed the release of Afterworld: The Age of Tomorrow, in December 2020, a video game developed by Epic Games to showcase Balenciaga’s Autumn Winter 2021 collection.

A fortnite character is dressed in balenciaga
The collaboration includes designs from previous collections

“Our partnership with Epic didn’t start with Fortnite, actually,” said Balenciaga’s creative director Demna Gvasalia.

“It started with our own first video game, Afterworld, which we built using Unreal Engine to debut our Fall 2021 collection.”

A hoodie has fortnite printed across it
The Fortnite logo is placed across the front of a hoodie

“From [Afterworld: The Age of Tomorrow], we have continued to be inspired by the creativity of Unreal and Fortnite communities,” Gvasalia said.

“It made total sense, to me, that we collaborate further by creating these authentic Balenciaga looks for Fortnite and a new physical Fortnite clothing series for our stores.”

A fortnite character wears a digital sequin outfit
A striped one-piece from Balenciaga’s Spring 2020 collection

The digital clothes feature the Autumn Winter 2021 medieval, armour-style pieces, as well as shredded jeans with tracksuit lining, and an animal striped look from its Spring 2020 collection.

In game-weaponry was also given a high-fashion update in form of the brand’s iconic accessories.

Sock-style Speed trainers were transformed into a range of pickaxes and the brand’s Hourglass bag was modified to be used as a glider.

“Fashion has a long history in the Fortnite community, where players have the agency to show up however they want in our world,” said Epic Games president Adam Sussman.

“Self-expression is one of the things that makes Fortnite so unique, and there couldn’t be a better first fashion partner than Balenciaga to bring their authentic designs and trendsetting culture to millions of players around the world.”

Armoured balenciaga items can be purchased in-game
Clothing was given a Fortnite twist

A virtual store, that reflects the design of physical Balenciaga locations, will appear in Fortnite’s battle royale mode in a location aptly named Retail Row where players can purchase the garments.

A limited-edition run of physical garments will be available that feature the Fortnite logo across staple Balenciaga items of clothing including, hoodies, denim jackets and button-down shirts.

Balenciaga shoes are used as weaponry
Speed trainers were transformed into pickaxes

The in-game garments were created through existing 3D scans of Balenciaga’s designs. The Fortnite team then recreated and modified the garments for the game with a “Fortnite spin”.

The game engine developers behind Fortnite, Unreal Engine explained that virtual and physical worlds are becoming increasingly blurred.

“In embracing cutting-edge technologies, Balenciaga has been empowered to court a new digital-native audience, unconstrained by the limits of either world,” said Unreal Engine.

Balenciaga bag was turned into a fortnite glider
A Balenciaga Hourglass bag was redesigned to be used in-game

Earlier this year, Gucci released digital trainers that people can “wear” in augmented reality and in photographs for social media.

In 2019, Louis Vuitton released a video game titled Endless Runner which was informed by its Autumn Winter 2019 show.

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Lahoma Uses Parametric Modeling to Design Custom Furniture

“It’s like when you go into a restaurant and order a hamburger.”

Trent Still, the owner and director of California-based design studio Lahoma, says as he walks me through the process of how his line of custom furniture is made on-demand. “Every day, we check for new order tickets, and basically hit go.”

In most ways, Lahoma’s strikingly beautiful furniture is a world apart from something as humble as a hamburger, but there is something perfect about the metaphor. Both items are highly customizable yet rely on a fundamental structure.

The recipe for Lahoma’s furniture is a digital one. But as you look over their collection of heirloom quality tables and chairs, hewn from solid wood and machined brass, you’re unlikely to glimpse the math behind it all. Trent assures me, though, that each piece originates from parametric modeling in Autodesk’s Fusion 360. Parametric design allows Trent to automatically adjust Lahoma’s core pieces for every customer’s whim. “I’ve been making things professionally for 15 years, and there is not a single product that has democratized the future of making the same way that Fusion 360 has,” he says. “As a business owner, why wouldn’t I invest in something that democratizes my potential?”

Need a coffee table that’s just a little wider? A side table that’s just a few inches taller? The parametric designs of Lahoma’s Cove collection can be adjusted thousands of ways, automatically generating the appropriate amount of supports and hardware to service both the structural and aesthetic demands of the design.

“With Fusion 360, all of our pieces are confined parametrically,” Trent notes. “That means anytime we change one dimension, it’s referenced or linked to some other relevant information in the design.”

By creating a line of affordable, customizable, flat-pack furniture, using quality materials, Lahoma is carving out a surprising niche in a crowded industry. They’re finding customers who are ready for designer furniture that’s built to last but unwilling to spend a fortune on either off-the-shelf solutions, or the sometimes stodgy look of traditional, handcrafted designs.

It’s a market that has largely eluded furniture makers, if only for the simple reason that the talent and training of local woodworkers can’t scale to meet widespread demand while keeping prices down. Lahoma’s strategy is to use the tools and automation strategies typically reserved for the big guys. “I call it consumer driven manufacturing or consumer input manufacturing because we’re finally starting to get to this world where mass customization is actually attainable,” Trent says.

While it’s true that each piece of Lahoma’s furniture is finished by hand, Trent admits that the majority of the fabrication work is handled through automation. “Our business was built on Fusion 360 for a couple reasons. One, we saw a clear pathway for growth into new spaces, like ECAD or projects needing simulation. But the bread and butter comes from the design and modeling space and its parity and interoperability with the manufacturing space.” He’s also quick to dispel the notion that this automation leads to an inferior product. “It takes just as much effort and craft, and a real grasp of your process, to have parts come off a machine with a surface that’s ready for a finish to be applied.”

All this preparation and attention to process puts Lahoma in an enviable position, with a manufacturing formula that has the potential to scale in a way most competitors can’t. For now, though, Trent is proud to see that the level of automation afforded by designing and manufacturing with Fusion 360 allows him to create furniture he can be proud of, at prices that are attainable compared to established designer brands.

It’s a story that bears repeating to designers and fabricators in other industries. Using a similar approach, could Fusion 360’s parametric modeling and API enable customer-driven customizations for other products? Can small, agile studios like Lahoma drive a renaissance in domestic, custom manufacturing at competitive prices?

Time will tell if Lahoma’s recipe for success can be replicated across other industries, but it’s exciting to consider the possibilities — a more personalized future made possible by smarter tools. Learn more about the ways Fusion 360 can improve your design and manufacturing workflow here.

Dudet armchair by Patricia Urquiola for Cassina

A pink Dudet dining chair

Dezeen Showroom: Patricia Urquiola has created a dining chair called Dudet for Italian furniture brand Cassina that is recyclable and takes cues from 1970s design.

The Dudet chair has a curved form composed of just three elements: a padded seat and two legs that bend upwards to create armrests and a backrest.

A pink Dudet dining chair
Patricia Urquiola’s Dudet dining chair takes cues from 1970s design

Dudet was developed by Urquiola to complement her Sengu Table and to lend a playful 70s aesthetic to modern interior spaces.

All of the chair’s constituent elements can be recycled and reused to prevent waste.

The Dudet dining chair
The upholstery can be removed using a subtle zipper

Its hidden metal core was designed to be easily separated from the surrounding polyurethane foam padding while the fabric cover can be removed via a hidden zip.

Dudet can be upholstered in a variety of colours ranging from white to pink and blue.

Product: Dudet
Designer: Patricia Urquiola
Brand: Cassina
Contact: info@cassina.it

About Dezeen Showroom: Dezeen Showroom offers an affordable space for brands to launch new products and showcase their designers and projects to Dezeen’s huge global audience. For more details email showroom@dezeen.com.

Dezeen Showroom is an example of partnership content on Dezeen. Find out more about partnership content here.

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A Mechanical Engineer's Designey Take on an E-Bike

The latest designey, unlikely-looking e-bike is the Vinci, designed by Enzo Prathamesh Shinde:

“I am not reinventing electric bikes. There are plenty of them available in the market,” says Shinde, a California-based mechanical engineer. “But I didn’t want to have a lame electric bike with some electronics slapped on a regular bike or an older Bonanza mini bike frame. [So] I came up with a design that satisfies my requirements of style and comfort.”

Shinde claims the Vinci’s 48V 15aH lithium-ion battery will be good for a 35-60 mile range, and can top out at 35mph for those in a hurry. If it sees production the plan is to retail it for $1,250, though he’s currently attempting to Kickstart them for $999:

At press time the Vinci had about $11,000 in pledges towards an $111,200 goal, but there was still 58 days left to pledge.

Essential Car Accessories designed to help you escape dangerous situations and emergencies safely + securely!

Our personal cars are honestly very important! We need them to commute from one place to another, and in traveling to and fro different locations, I’m pretty sure we end up spending a substantial amount of our day in them. Hence, maintaining the health and safety of our car is quite crucial. But no matter how much care we take of our beloved cars, there’s always a risk of our car breaking down or encountering some issue or the other. In such scenarios, it’s critical to have a handy collection of tools that can come to our rescue. From EDCs to nifty accessories, these products will support your car in the best way possible. From a tiny EDC tool that helps you escape during in-car emergencies to an emergency light that can save your life-these nifty, portable, and highly functional designs will help you escape the trickiest emergency warning situations safely!

The WYN Bullet  is one of those rare examples of EDC that was designed to save lives. Smaller than your finger, the WYN Bullet is a spring-loaded glass-shattering tool that helps you make a quick escape/rescue by instantly breaking a car’s toughened glass. Whether you’re inside your car trying to get out, or outside the car trying to save someone on the inside, the WYN Bullet’s one-push system can instantly shatter toughened glass panels, giving you swift entry into a locked car in emergencies . Toughened glass is exceptionally difficult to break through, by design.

The NUMBER ZERO’s design comes with a clever bit of consideration that’s often overlooked by other companies. The mount’s design was created to look good even there’s NO phone mounted on it. Rather than just use that opportunity to slap a massive piece of branding onto the mount’s design, the NUMBER ZERO comes with a neat little kinetic animation that’s powered by the wind from the AC. The mount comes with a variety of animations to choose from, all of which feature a rotating element that’s powered by the wind coming off the AC vent at the back. The air from the vent pushes a series of gears that then cause the kinetic animation to gently rotate, allowing the NUMBER ZERO to look eye-catching even when the phone isn’t mounted in place.

Issued as a limited release, Spotify’s Car Thing provides a bridge between your car’s speaker system and your favorite online streaming service. Available for free to a select group of applicants (you can sign up on Spotify’s Car Thing microsite), the Car Thing is a nifty little dashboard that brings Spotify to life in your automobile. It runs a version of the streaming company’s Car View, a simple interface that’s easy to use and navigate while driving, and while the device DOES have a touchscreen, it comes with physical dials and buttons that you can instinctively operate with your hand as you keep your eyes on the road. The Spotify Car Thing is built to be compatible with vehicles regardless of make or model and displays a home screen with a touch-sensitive navigation dial slightly overlapping the screen to make the device look visually dramatic.

Designed to be universal and customizable, the Zero Labs Platform is an electric base that can fit under the body of virtually any existing car, turning it instantly electric. Think of Zero Labs’ Platform as basically an electric skateboard. It comes with a base fitted with all the electrical components, a battery, and four wheels. Designed with an adjustable wheelbase and ride height, independent front and rear suspension, modular battery system, a 600HP dual-motor drive, regenerative breaking, the Platform can be customized to fit under any car. The car would need to be prepared for this transition, by ditching everything under the hood and hooking the steering controls and dashboard to the new electric drivetrain. The car would then be mounted onto its new platform and lo and behold, you’ve got yourself an old dog with new tricks… or as Zero Labs like to call it, “the Past, powered by the Future”.

The Jabra Drive in-car speaker blocks out all the other sounds on the road! It comes amped with noise-cancellation technology that eliminates disturbing noises from the road. Installing the speaker in your car is super simple and easy. There are voice-guided instructions to help you connect the device to your car! Moreover, you even get verbal reminders when the battery is low. You can use the Jabra Drive to make calls, stream music, and play GPS instructions as well.

Kono Corporation’s solution to the problem is a simple coupling of two words. Increased visibility. The S.Light, which should be as much of a standard carry-on accessory as a car-jack or lug-wrench, is a signaling beacon that allows drivers to know that there’s a broken-down vehicle ahead, from as far as 200 yards away, giving them enough time to react by either change lanes and avoiding a collision, or pulling up near you to help you out. The S.Light, which stands for Safe-Secure-Signal is a portable, flexible signboard that uses a rotating LED display for high visibility at night, and a collapsible reflector panel during the day. The emergency signboard comes with a strong, magnetic base and a flexible goose-neck upon which lies the rotating LED module.

A tiny, versatile multitool, the Gerber Armbar Drive packs 7 tools into its small, slick frame. The Armbar Drive’s frame integrates a prybar and bottle opener into its design, while the fold-out tools include a full-size plain-edge knife, an awl for making or enlarging holes, a scissor for cutting, and a 2.5” long screwdriver with a 2-sided bit that you can flip and use based on your need. Pretty useful for a multitool that ultimately folds down to the size of your index finger. The Armbar Drive even has a sister variant, the Armbar Cork, which features a corkscrew with a lever arm along with a can/package opener… but given that I haven’t seen a bottle of alcohol in over a month now, I’ll leave that be.

The primary responsibility of a walkie-talkie is to be a portable communication device. “Designed to be carried at any time, in many different ways,” this walkie-talkie can be used in any industry or organization where instantaneous communication between peers is required, and phone signals are unreliable. These would generally include security services, transportation industry, construction sites, manufacturing, and warehouse facilities amid a few other sectors. The fact is that walkie-talkies are easy to use and have grown beyond commercial use into the lives of the masses. Smaller versions are especially very popular among kids. As a more innovative way – to highlight its transport – Franco Calegari has designed a walkie-talkie with the bottom half of the device cut out into a hollow ring, which can be used to attach a carabiner or in a range of other ways.

With a newly detailed base that features a wide cross-shaped design, increasing its stability, the CrossJack is the same old jack in a slightly new but noticeably safer design, thanks to its stable base. The CrossJack’s design prompts one to wonder why car-jacks don’t already have wide bases. Its redesign is simple but effective. A collapsible set of plates sit at the bottom of the CrossJack that opens up into a wide cross, giving the jack a spaced-apart, four-point base. This wider footprint prevents the car from being accidentally knocked off the jack and landing on the ground, injuring anyone who may be working on it. The CrossJack’s tweaked design sports a base that’s nearly half an inch thick, and made of stainless steel, giving it a rugged sturdiness that makes the jack safer than most. When you’re done, the jack folds up to occupy exactly the same amount of space as any regular jack would.

3.5 times harder than titanium, the strongest metal known to mankind, Tungsten Carbide is akin to black gold in the EDC world. Give any gear a coating of Tungsten Carbide and it shines black like obsidian rock, with a unique metallic luster that’s glimmery in a subtle way… but more importantly, it makes them practically invincible, resisting any sort of external wear and tear. Pair it with Wingback’s series of exquisitely designed EDC and you’ve got the ideal combination of aesthetics and performance. Designed by Alasdair MacLaine, Wingback’s Black Steel collection sports three minimal-yet-functional products that are bound to be an unwavering part of your everyday carry. A bullet-sized Key Cache helps you store emergency money on your keychain, while a mechanical pen with its comfortable broad design promises to be the last pen you’ll ever want to use. Lastly, MacLaine’s 100ml hip-flask comes with the same cylindrical lathe-manufactured design as the other products in the series.

Hermès displays furniture in five boldly patterned houses

Colourful structures by Charlotte Macaux Perelman for Hermès

Interior designer Charlotte Macaux Perelman has created five colourful houses at Milan design week for fashion brand Hermès to exhibit a range of furniture, textiles and objects.

Each of the houses, which measure five by 10 by seven metres, have been built on top of a bed of sand and are covered in playful, geometric prints.

Hermes furniture inside a white doorway
Designer Charlotte Macaux Perelman created five houses for the fashion brand Hermès

The walls have been covered in a unique combination of colours, lines and shapes. One is replete with a chequerboard pattern of bright yellow and white squares, another has red pinstripes and others make use of dizzying lines.

“This scenography was inspired by the traditional architecture of houses from all traditional cultures covered with earth, lime or plaster and painted by hand completed by artisans from La Scala in Milan,” Hermès told Dezeen.

Three colourful house shaped structures
Each house is wrapped in a different colour scheme and pattern

The site-specific installation draws on the brand’s known affiliation with bright colours and distinctive patterns.

“Colours and graphism are essential at Hermès, specifically in our textile, porcelain and objects collections,” explained Hermès.

Structures covered in yellow and red stripes
The designer drew on the architecture of houses built with earth, lime and plaster

The houses form a “village” inside the Italian sports centre La Pelota as they are dotted along a continuous pathway or street. This creates what the brand sees as “a dialogue between volumes, colours and patterns”.

Inside, items including an armchair by Indian firm Studio Mumbai and a wicker bottle basket can be seen.

Perelman hopes that that vivid installation echoes the tangible nature of these items.

“It was important to express materiality and texture, to feel the hand of the craftsman in this installation, express graphism on an architectural scale by drawing geometric patterns on the facades,” the brand said.

“Now that our lives are seemingly more and more abstract, more remote, the new collection of decorative objects for the home explores the language of materials,” it continued.

“It brings a sense of physicality and texture and lifts the curtain on an even more vast, invisible world.”

A range of homeware items inside an installation
Furniture, textiles, porcelain and objects can be found inside each structure

The luxury fashion brand has previously worked with MVRDV to design its Amsterdam store which has a glass-fronted exterior.

Hermès called on French architecture studio RDAI for its Paris boutique which is located inside a 1930s swimming pool building.

Hermès’ installation was displayed at La Pelota from 5-10 September as part of Milan design week. See Dezeen Events Guide for an up-to-date list of architecture and design events taking place around the world.

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Nikken Sekkei's Ariake Gymnastics Centre celebrates timber construction

Ariake Gymnastics Centre by Nikken Sekke

One of the largest timber-framed roofs in the world spans 90 metres over the arena of the Ariake Gymnastics Centre in Tokyo, designed by Japanese practice Nikken Sekkei for the delayed 2020 Olympic and Paralympic Games.

The structure, located a short distance from Tokyo’s centre in Koto City, was originally unveiled in 2019 and has been the location for artistic, rhythmic and trampoline gymnastics as well as the wheelchair sport Boccia.

Timber-framed gymnastics centre
The gymnastics centre is located next to a canal in Koto City

Located next to a canal on the site of a former timber storage area, the centre is a celebration of wood and its centrality to traditional Japanese architecture. Around 2,300 cubic metres of sustainable timber are used throughout the building.

“Based on the architectural concept of a wooden vessel floating in the bay area, timber is used wherever possible, specifically in the roof frame structure, facade, spectator seats and exterior walls, while carefully considering the characteristics of wood in each application,” said Nikken Sekkei.

The steel-ring supported concourse
Steel columns support the timber concourse

From its base, the centre’s inverted pyramid form sweeps upwards to shelter an external concourse below, expressing the shape of the raked seating within with a stepped cladding of horizontal timber planks.

Referencing a traditional engawa, a verandah-like space found in Japanese architecture, the concourse is defined by two rings of steel supports: one vertical surrounding the entrances in the centre and another angled supporting the edge of the roof structure.

Larch arch-shaped roof
Arch-shaped timber beams form the roof span

“By positioning the circulation concourse on the outside of the building and creating an open and broad approach space, the design attempts to avoid the impenetrable exterior typically found on large-scale sports facilities,” explained the practice.

The roof structure is formed by a series of large, arch-shaped glue laminated timber beams made using larch from the Nagano and Hokkaido prefectures, spanning a distance of 90 metres between the steel columns of the centre.

“We adopted a simple structure that uses single members of large glue-laminated timber with high heat capacity, rather than trusses containing a number of small members to achieve both fire resistance performance and structural stability,” Nikken Sekkei said.

Steel cables attached to this roof structure support the arena’s lighting rig, above the glulam stands that can accommodate 12,000 spectators. This number will reduce when the temporary seating is removed following the 2020 Olympic Games.

A corrugated steel roof covers the structure
A timber staircase leads to the seating area

A corrugated steel roof covers the structure, following the form of the timber beams below to create the arena’s distinctive undulating roof shape.

The centrepiece of the Tokyo 2020 Olympic Games, the Japan National Stadium by Kengo Kuma Associates with Taisei Corporation and Azusa Sekkei Co also incorporated an extensive use of timber, with its roof structure made from steel and laminated larch and cedar trusses.

Both of these structures and more featured in Dezeen’s roundup of the most architecturally significant buildings in the Tokyo 2020 Olympic Games, which took place during summer 2021 due to the coronavirus pandemic.

The images are courtesy of Nikken Sekkei.

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Jaeger-LeCoultre’s Time-Traveling Sound Maker Exhibition in NYC

A pop-up that presents the mesmerizing relationship between sound and time

The idiom “tick-tock” includes two sounds that many of us were taught symbolize the passing of time, as they allude to the mechanical inner-workings of watches and clocks of yonder years. These onomatopoeic words may be the most well-known of all sounds associated with time-telling, but they’re far from the only ones. To step into luxury Swiss watchmaker Jaeger-LeCoultre‘s The Sound Maker exhibition, open now in NYC through 5 October, is to understand the extent of the interwoven legacy of sound and time.

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Jim Lennon Photographer, Inc.
175-H2 Commerce Drive
Hauppauge, NY 11788
631-617-5872 jimlennon.com

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Upon entry, guests start down a time-traveling path lined with historic pieces that represent the evolution of chiming watches made by the maison—from the 1800s through 2020. This includes stunning antique minute repeaters (mechanical watches that chime on the hour or sometimes with the push of a button) through to the iconic Memovox alarm watch of the ’50s and novelties of the highest complication that were released only last year. Among these are pieces that have never been displayed to the public before.

Throughout the exhibition, a history lesson that is sure to appease watch lovers runs alongside a visual presentation of treasures that anyone with an eye for beauty can appreciate. The display truly highlights the preciousness of timepieces, and explains the technical inventions and patents (which occurred on such a small scale within watch cases) that brought us to where we are today.

A mesmerizing sound sculpture, commissioned by Jaeger-LeCoultre from Swiss contemporary artist and composer Zimoun, swirls at the heart of the exhibition and occupies an entire room itself. Composed of repurposed industrial components—including some watch parts, as well as other raw materials—the kinetic installation gives reason to pause, watch and listen. It takes time to observe the magnitude of the work.

Altogether, “this exhibition talks about the technical expertise of Jaeger-LeCoultre, as a manufacture for 188 years,” chief executive officer Catherine Rénier tells us after our walk-through. “We have mastered sound-making in watches.” Indeed, traveling through the decades represented by the collection reveals the brand’s milestone mechanical contributions to sound within timepieces—from classic centuries-old pocket watches to the retro-futuristic ’70s-era wristwatches.

Rénier adds, however, that the exhibit is “also about sophistication and style. You see this art piece made in collaboration with the Swiss artist Zimoun. This offers a whole new perspective regarding what watchmaking is about because it includes innovation and lifestyle, it’s also about history and emotion. That’s what this exhibition invites people to discover.” From the Zimoun installation to the rare and wondrous watches encased all around, the exhibition succeeds in telling the story of sound’s relationship to time over the years.

Aligning with the exhibition’s NYC opening, Jaeger-LeCoultre released the exemplary Reverso Tribute Minute Repeater—a timepiece (limited to 10 production models) that falls upon the 90th anniversary of their beloved Reverso wristwatch and the 150th anniversary of their first-ever minute repeater. This magnificent chiming watch—and its marriage of technical complexity and aesthetic grandeur—telegraphs the musical future of a brand committed to furthering the legacy it highlights at The Sound Maker.

Tickets for The Sound Maker can be reserved for free online.

Images courtesy of Jaeger-LeCoultre

Escape Kelim rug by Space Copenhagen for Massimo Copenhagen

Escape Kelim rug by Space Copenhagen for Massimo Copenhagen

Dezeen Showroom: Danish design studio Space Copenhagen has put a contemporary spin on the traditional kelim rug for Massimo Copenhagen, creating an accessory that adds texture to minimalist environments.

The Escape Kelim rug is handmade in India using the ancient flat-weaving technique that originated in the Turkish or Anatolian region, where the weft and warp threads are interwoven to create a flat finish.

A photograph of Escape Kelim rug by Space Copenhagen for Massimo Copenhagen
Subtle details such as contrast edges feature on the Escape Kelim rugs

Space Copenhagen’s take on the style harnesses its organic aesthetic. The rugs are available with a fringe or a contrasting edge.

“We have always been very fascinated by the beauty and understated elegance of ancient flatweave Kelim Rugs – the subdued colour tones and the natural feel,” said Space Copenhagen.

“Our wish has been to design a modern collection of minimal yet tactile and crafted rugs with subtle details – to support and enhance the warmth, softness, human layer and ambience in a modern space.”

A photograph of Escape Kelim rug by Space Copenhagen for Massimo Copenhagen
The rugs are made of undyed natural wool

The Escape Kelim rugs are woven from 100 per cent undyed natural wool, making them durable, easy to maintain and naturally biodegradable and fire-resistant.

They are available in eight design variations in neutral hues of light grey and beige. There are five sizes ranging from 90 by 250 to 300 by 400 centimetres.

Product: Escape Kelim
Designer: Space Copenhagen
Brand: Massimo Copenhagen
Contact: dominika@massimo.dk

About Dezeen Showroom: Dezeen Showroom offers an affordable space for brands to launch new products and showcase their designers and projects to Dezeen’s huge global audience. For more details email showroom@dezeen.com.

Dezeen Showroom is an example of partnership content on Dezeen. Find out more about partnership content here.

The post Escape Kelim rug by Space Copenhagen for Massimo Copenhagen appeared first on Dezeen.

The Dezeen guide to plastic in architecture, design and interiors

Recycled PET lego bricks

Thinking of using plastic in your project? Our latest Dezeen guide includes more than 11 types of plastic commonly used in architecture, design and interiors, with links to hundreds of projects for inspiration.

Plastics are among the most versatile materials in existence. Defined by their plasticity, they have long carbon chains called polymers at their backbone and can be moulded, extruded or cast into any desired shape from films to textile fibres.

They can be divided into thermosetting plastics, which never soften once moulded, and thermoplastics, which can be melted and reshaped, making them more suited to recycling.

Plastics “are a co-product of fossil fuels”

Although certain plastics – such as rubber, which is derived from the rubber plant – occur naturally, most modern plastics are synthetic and more than 99 per cent are derived from fossil fuels.

This helps to make plastics more affordable than most other materials and sees them used to create millions of tonnes of single-use items every year.

“Part of why plastics are so cheap is that they are a co-product of fossil fuels,” explained designer Charlotte McCurdy, who has created a bioplastic made from algae.

“Petroleum or natural gas is pumped out of the ground and at the refinery, it is broken up into different lengths of molecule and catalytically cracked into useful monomers.”

79 per cent of all plastic is dumped in landfills

This refining process yields not just fuels such as gasoline and kerosene but also chemical byproducts such as ethylene and propylene, which are the most important feedstocks used to create plastics.

Once discarded, 79 per cent of all plastic is dumped in landfills or in the environment, where it will remain for thousands of years. Although this contributes to pollution, it also helps to sequester the carbon contained in the materials and prevents it from entering the atmosphere.

But when incinerated, as 12 per cent of all plastic waste is, this carbon is emitted as carbon dioxide.

Taken together, plastic production and incineration were responsible for more than 850 million metric tons of greenhouse-gas emissions in 2019.

However, with growing efforts to decarbonise the economy, non-fossil alternatives are being developed in a bid to meet the ever-increasing demand for plastics in a more sustainable way.

Read on to find out more about the most popular types of plastic and their possible substitutes.


RIKR is a recycled plastic backpack by Groundtruth that can withstand Arctic conditions

Polyethylene terephthalate (PET)

PET is a strong yet lightweight thermoplastic, originally developed in the 1940s by combining fossil fuel-derived ethylene glycol and terephthalic acid.

The resulting polymer can be blow-moulded to form single-use bottles, stretched into a film for food packaging or spun into fibres to create polyester fabric, which accounts for more than half the world’s synthetic fibres.

Designers often make use of PET for its translucent finish, with Marjan van Aubel turning it into solar panels that resemble stained glass windows while Beyond Space created a cavernous interior in an Amsterdam office using a kilometre’s worth of semi-sheer polyester.

PET is also the most widely recycled plastic, at which point it is called rPET and can be used to create everything from backpacks (above) to Emeco’s Navy chair.

See projects featuring PET ›


Trash to Chair by Peggy Gou and Space Available

High-density polyethylene (HDPE)

HDPE is a variation of polyethylene, the most common type of plastic in use today. While its low-density equivalent LDPE is used to make plastic bags, HDPE is sturdier and more rigid, lending itself to everything from milk jugs to packaging for cleaning products and toiletries.

The material is also used to create plastic bottle caps and even when brands such as Evian claim they’ve created bottles from “100 per cent recycled plastic”, their lid is generally made from virgin HDPE to guarantee durability.

However, the material can ultimately be recycled after use, with architecture firm Bulot+Collins using the waste plastic to form 1,400 thermochromic tiles for a floating diving platform while Space Available and techno DJ Peggy Gou turned 20 kilograms of HDPE collected from Bali’s beaches into a chair.

See projects featuring HDPE ›


Overtreders W and Bureau SLA Music Pavilion at Sint-Oelbert Gymnasium with Pretty Plastic cladding by Overtreders W and Bureau SLA

Polyvinyl chloride (PVC)

Derived from chlorine and ethylene, PVC makes up about 20 per cent of all plastic produced. Due to its strength and durability, the material is commonly used to create pipes, gutters and window frames, which designers have variously recycled into flower vases and cladding (above).

With the addition of a phthalate plasticiser, PVC can be turned into flexible vinyl and used to form flooring, shower curtains and imitation leather. Swiss studio Bureau A made use of the material’s pliability to create an inflatable nightclub while Formafantasma played with its translucency in a “deconstructed” stage design for fashion label Sportmax.

Due to additives like phthalate, vinyl is among the least recyclable plastics and has been linked to a number of health concerns. But latex made from the sap of the rubber tree can offer a renewable, plant-based alternative.

See projects featuring PVC ›


Bell Chair by Konstantin Grcic for Magis

Polypropylene (PP)

Polypropylene is derived from propylene gas, a byproduct of the gasoline refining process, and is commonly used to form more rigid, hardwearing items such as Tupperware, kid’s toys and outdoor furniture.

Designers began experimenting with the material in the 1950s to create monobloc chairs, injection moulded and formed from a single piece of material. Among the most notable designs are Verner Panton’s Panton chair, the Air-Chair by Jasper Morrison and more recently the recycled polypropylene Bell Chair by Konstantin Grcic for Magis, which is manufactured in less than a minute.

The thermoplastic can also be spun into fibres to create surgical masks, which South Korean designer Haneul Kim has recycled to create a series of stackable stools, or used as a 3D-printing filament as in the performance sports tiles on Yinka Ilori’s Bank Street Park basketball court.

See projects featuring PP ›


Au Gré des Champs by La Shed

Polycarbonate

Polycarbonate is a thermoplastic with carbonate groups in its chemical structure, making the material exceptionally resistant to impacts and temperature changes.

Often used to create bulletproof windows, it can be engineered to be almost as clear as glass while being lighter and up to 250 times stronger.

Polycarbonate sheets are popular among architects and interiors designers for their ability to maximise natural light while maintaining privacy, as well as improving a building’s thermal insulation.

Francesc Rifé Studio used the sheeting to divide an old textile factory into offices for the team behind Michelin-starred restaurant El Bulli while La Shed Architecture clad an entire barn (above) in the translucent material to give cows “a better quality of life”.

See projects featuring polycarbonate ›


ElectroDermis by Carnegie Mellon University

Polyurethane (PU)

Polyurethanes are a diverse class of plastic polymers derived from isocyanic acid. Most commonly, PU takes the form of a flexible foam used for mattresses and upholstery while a more rigid variety is turned into trainer soles for brands from Adidas to Allbirds.

As a coating, lacquer or varnish, it can waterproof fabrics and protect wooden furniture as well as helping leather alternatives such as Piñatex withstand wear and tear.

Design studio Layer made use of PU’s adhesive qualities to create a heat-sealing tape that bonds textiles without the need for stitches. And spun into fibres, it forms the main ingredient in spandex, which is used to make sportswear as well as more boundary-pushing items such as fabric-cast concrete moulds and wearables that can be stuck to the body like plasters (above).

Polyurethanes are not easily recycled and can contain potentially carcinogenic compounds that irritate the skin and respiratory system.

See projects featuring PU ›


Fibreglass

Also known as glass-reinforced plastic or GRP, fibreglass is made by taking thin glass filaments, either loose or woven into cloth, and encasing them within a petrochemical resin.

The composite material is lighter and stronger than steel while being cheaper and more flexible than carbon fibre. As a result, fibreglass is used to create products where performance is key, including skis as well as the rotor blades of helicopters and wind turbines.

Architects have made use of the material to create tall, lightweight structures such as BIG’s 2016 Serpentine Pavilion (above), which was formed from 1,900 translucent blocks, and a tubular installation designed by Neri Oxman and erected by a swarm of autonomous robots.

See projects featuring fibreglass ›


Soil House by ADC architects

Polystyrene

In its original form, polystyrene is a hard, solid resin used to make disposable cutlery. But when solid beads of the plastic are exposed to hot steam, they puff up like popcorn to create expanded polystyrene (EPS) foam, mostly known by its brand name Styrofoam.

The rigid, closed-cell foam is 98 per cent air and has a low thermal conductivity, making EPS a widely used packaging for fragile items as well as for hot foods and drinks.

Once discarded, designers have been able to repurpose this packaging into sculptural chairs and beckoning cats, as well as melting it to create moulds. In architecture, it can be used for insulation or more experimental applications as in ADX’s Soil House (above), which features walls of loose soil fixed in place with a foam spray.

See projects featuring polystyrene ›


Sky Pool at Embassy Gardens in Battersea by HAL

Acrylic

Acrylic is a catchall term used to describe a range of different resins derived from acrylic acid. These can be suspended in water to create paint or spun into fibres that can be used to make clothing or as precursors for carbon fibre.

When cast into sheets, the thermoplastic is known as plexiglass and used as a low-cost, shatter-resistant alternative for glass due to its exceptional optical clarity. This application was pioneered during the second world war when it was used to form fighter jet windows and submarine periscopes.

More recently, English architecture firm HAL used giant plexiglass panels to form a 35-metre-high swimming pool bridge connecting two buildings in London (above) while designer Christophe Gernigon turned the material into suspended hoods for socially distanced dining.

Furniture made from acrylic can reflect light or disappear into its surroundings, as demonstrated by the see-through counter that Yota Kakuda created for Bake Kitasenju brasserie and Say Architects‘ ghostly interior for the Lika Lab boutique in Hangzhou.

See projects featuring acrylic ›


Phan Thao Dang transforms sewage pipes into graphical furniture items

Acrylonitrile butadiene styrene (ABS)

Acrylonitrile butadiene styrene, much like polystyrene, is a hard thermoplastic derived from a clear, liquid petrochemical called styrene. In ABS, this is combined with butadiene rubber to create a stronger, more durable material that can withstand compression better than concrete and has been injection moulded to form billions of hardwearing Lego bricks since 1963.

Due to its low melting point and the fact that it can be easily painted and glued, the plastic is also one of the most common additive manufacturing filaments and was used to form the world’s first 3D-printed gun.

Extruded ABS pipes are more resilient than their PVC counterparts, making them suitable for constructing sewer systems and being repurposed into a corrugated seating collection by designer Phan Thao Dang (above).

See projects featuring ABS ›


Nylon

As the first fully man-made fibre, created in a US lab in the 1930s, nylon spawned an era of innovation in synthetic fabrics.

Although initially synonymous with stockings, the term nylon has since expanded to include a whole family of plastics composed of polyamides. These can be found in toothbrush bristles, films for food packaging and moulded components in cars and electronics.

However, the material’s primary application remains in fibres, with SO-IL using nylon webbing to form a colourful hammock around 130 trees and Studio Drift crafting it into a kinetic sculpture for the Dutch National Touring Opera (above).

In recent years, a number of fashion brands including Prada have moved from virgin to regenerated nylon, also known under the brand name Econyl, in a bid to mitigate the material’s environmental impact. Rayon can offer an alternative that is based on plant-based cellulose fibres rather than fossil fuels.

See projects featuring nylon ›


Plastic alternatives

With growing concerns around pollution and efforts to create a circular economy not reliant on fossil fuels, architects and designers are increasingly looking to substitute virgin and petroleum-based plastics for more sustainable alternatives.

This includes recycled plastic, which presents a huge source of untapped potential as only nine per cent of the 8.3 billion tonnes of plastic waste produced across the world have so far been turned into new products.

The material can be sourced from recycling plants or companies such as The Ocean Cleanup and Parley for the Oceans, which are fishing marine plastic from our oceans and waterways before teaming up with brands to turn it into sunglasses, trainers and more.

Bioplastics that use natural materials rather than crude oil as feedstocks present another possible alternative. Polylactic acid (PLA), the most common type of bioplastic, is generally made from corn starch or sugar cane while others are derived from algae or chitin.

Many are designed to be compostable or biodegradable under specific conditions to reduce the amount of plastic waste in the environment, although some experts have raised concerns that this could ultimately lead to soil and water acidification.

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