This biophilic air purifier uses 100% fully biodegradable filters to combat landfill waste!

Olus is a compact, biophilic air purifier designed for those living in small city spaces and is stocked with 100% fully biodegradable filters to combat landfill waste.

In major cities, dealing with air pollution is a given. We check the AQI just like we check the weather. As soon as the AQI slips into the yellow and worse yet, red territories, that’s when our air purifiers start whirring. However, living in small city spaces makes dragging bulky air purifiers from the closet feel like a chore and when everyone’s using one, the waste produced from discarding used air filters becomes another problem. That’s why Louie Duncan created Olus, a compact, biophilic air purifier designed with 100% fully biodegradable air filters.

Breathing in polluted air is physically unhealthy and the mental strain that comes from dealing with its effects only amplifies the stress. Then, the waste produced as a result makes poor air quality that much more difficult to combat, garnering 6,000 tonnes of air filter waste every year, all of which ends up in landfills. Most air purifiers taking on a bulky build with a clinical aesthetic, so Duncan aimed to give Olus an inviting look with biophilic accents that warm up its personality to enhance the product-user relationship. A digital display panel also reveals the room’s AQI, temperature, and other data.

Taking to nature for inspiration, Olus features organic forms, patterns, and textures like a moss-covered exterior and abstract trims that resemble flower petals. The filter, fan, and motor encased inside Olus’s body operate the product’s purification method in a similar fashion to most air purifiers, except Olus only works with 100% fully biodegradable filters.

The two-stage air filtration process purifies the air in any room, with the interior fan drawing in air to push through a layer of dried moss that removes large pollutants before passing through a high-efficiency particulate air filter that removes 90% of fine particulate matter. The plant-based biodegradable air filters are made from polylactic acid, a derivative of corn plants, and can be sent to Olus following use where they’ll be composted.

Designer: Louie Duncan x Christian P Kerrigan Architecture

An interior look reveals that even the encased fan resembles flower petals.

The fan, filtration system, and motor are stacked inside of Olus. 

Dried moss coats the exterior of Olus with a preliminary filtration system. 

Users can easily replace the air filters by dissembling Olus into three parts. 

Duncan created Olus to have an air purifier on the market that produces zero waste while cleaning the air we breathe.

Rosa Linn + Kiiara: KING

The compelling debut track from 21-year-old Vanadzor, Armenia-based recording artist Rosa Linn, “KING,” finds the pop talent collaborating with renowned singer-songwriter Kiiara. “I want my music to have a message and as soon as I wrote ‘KING,’ I knew it had to be my first release,” Linn says in a statement. “It addresses the political undertones between Russia and America and I’m thankful to have Kiiara share her/the American perspective of what fame is like.” The release, which includes parts sung in Russian and English, is the first from the new music label Nvak Collective—which focuses on underrepresented voices globally.

Neutra's VDL II House hosts Built In group exhibition in Los Angeles

Neutra VDL II House in Silver Lake

A house designed by famed modernist Richard Neutra is both site and muse for an exhibition that sees artists, architects and designers create works that respond directly to the architecture.

Curated by Los Angeles gallery Marta with artist and writer Erik Benjamins, Built In is a site-specific group show hosted at the VDL II House.

Interventions including silk curtains in the penthouse
The Built In exhibition includes interventions to the VDL II House like silk curtains surrounding the penthouse by Misa Chhan (also top image)

This National Historic Landmark in the east LA neighbourhood of Silver Lake was first completed in 1932 by American architect Richard Neutra as an example of the International Style on the compact hillside plot. It was also Neutra’s own home for many years.

The original VDL Research House was destroyed in a fire, then rebuilt by Neutra’s son and architectural partner Dion between 1964 and 1968 with some significant changes.

Bespoke furniture in the living room
Furniture pieces such as a gingham recliner by LA Door and coffee table by Alex Reed are placed in the living room

Its legacy as a place for architectural experimentation is continued as part of Cal Poly Pomona College of Environmental Design, which offers public tours, and as an occasional gallery for exhibitions like this one.

The first at the house since reopening in the wake of the coronavirus pandemic, the show features interventions to the many built-in elements of its design.

Garments hung in a bedroom wardrobe
Leisure uniforms designed for the house by Nancy Stella Soto hang in a wardrobe

“Built In celebrates the possibilities inherent to residential programming by inviting exhibition participants to dialogue with various structures intrinsic to the residence,” said a statement from the curators.

“Invitations to respond to these sites and phenomena that elegantly punctuate the VDL House have prompted a collection of alternately present and receding works, variously arranged among, sensitive towards, fitted atop, responsive to, informed by, encased in, suspended from, and rested upon these built-ins.”

Twenty-six individuals and studios from the Los Angeles area were selected to design furniture and artworks, which range in scale, style and function.

On the exterior, PapiBoyBabyBoy has replaced the house number with a brightly coloured, cartoon-style alternative.

Outdoor furniture and artworks
Works outdoors include a fountain by Charlap Hyman and Herrero

Also visible from the street are patterned silk drapes by Misa Chhan, which are hung around the floor-to-ceiling windows of the penthouse.

Chains made from cast aluminium shapes by A History of Frogs occupy another unused curtain track, facing the courtyard and reflected in an adjacent mirrored surface.

Fountain formed from an upturned shell
The fountain is formed from an upturned shell atop a stainless steel pole

The garden also hosts a series of ceramic pots that hold plants and feature brand imagery from Campbell’s soup, designed by Candice and Darren Romanelli.

Standalone furniture pieces include a padded recliner chair upholstered in yellow gingham by LA Door, and a reproduction of a Neutra-designed coffee table by Alex Reed, who added a puzzle built into its top.

Aluminium chain curtain facing the courtyard
Cast aluminium shapes by A History of Frogs create a curtain in front of the courtyard

More subtly, Brody Albert replaced the living room sofa cushions with versions that conceal electric heaters.

A fountain comprising a giant upturned shell atop a polished stainless steel pole was created by Charlap Hyman and Herrero.

Plant pots with Campbell's soup brand imagery
Plant pots decorated Campbell’s soup brand imagery were made by Candice and Darren Romanelli

Smaller items include Jason Lipeles and Janet Solval’s sculpture disguised as a bar of soap, and Emily Endo’s cast glass bowls that are fragranced to reflect the olfactory experiences on each floor.

The theme of smell is continued in BC’s stone scent diffusers, placed in the toothbrush housings in the main bathrooms.

VDL II House exterior with swapped address numbers
PapiBoyBabyBoy replaced the house number with a brightly coloured, cartoon-style alternative

Video installations, fashion designs, homeware, drawings and poetry are also scattered across the property.

Photography is by Erik Benjamins.

Built In takes place at the VDL II House in Los Angeles from 18 September to 7 November 2021. See Dezeen Events Guide for an up-to-date list of architecture and design events taking place around the world.

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This self-sustainable cloud server is powered by the energy of growing tomatoes indoor!

Picture a post-apocalyptic future where human beings don’t have the liberty of dependence on power stations. Self-sustainable systems are the norm and utilizing every ounce of available energy is vital for survival. A dystopian tech-infused future world where computing systems don’t have any external source of abundant energy. Straight out from that sci-fi futuristic scenario is the Warm Earth server system by Ilja Schamle, a Design Academy Eindhoven graduate.

The DIY cloud server system embodies the symbiotic relationship between technology and nature. This project is all about utilizing the renewable energy extracted out of tomato vines to solely run the cloud server. In turn, the energy produced by the heat dissipation is cyclically used to maintain the optimum temperature for the vegetables to grow. As concept-like this might seem, the project was a part of the Missed Your Call graduate exhibition at the Milan design week.

The DIY project houses the tomato plants within the server racks and the server is mounted on the exterior of the rig. The ventilation shaft equipped with fans, channels the hot air to the interior of the cabinet – essentially turning it into a greenhouse. Tomatoes power the server courtesy of the plant-microbial fuel cell technology developed by researchers at Wageningen University, Netherlands. This turns vegetables into batteries – literally!

Nothing goes to waste as the plants perform photosynthesis – turning sunlight into chemical energy, and storing the sugars and proteins. The excess nutrition is excreted via the roots as waste, where the bacteria break it down to release energy. This energy is then leveraged as electricity. Since the servers are indoors, the solar-powered grow lamps act as a source of sunlight. The electrons released by microbes are attracted to iron and the activated-carbon grid functioning as a conductor is placed at the bottom of the pot. For now, the system can produce energy to sustain a single website, and we can expect this to develop into a massive system with more research and development.

Warm Earth is a self-sustainable geeky mashup that not many could think of before this. According to Schamle, the amount of content consumed at present and in the future is destined to rise and the energy required to run such systems is going to be colossal. The artificial ecosystem will change the perception of data centers as being mere dungeons for hosting servers. They will become an important entity of future homes, where they aren’t kept hidden from sight!

Designer: Ilja Schamle

Bloom Basketball

Chance’s Bloom Basketball—a vibrant lilac, covered in large multicolored flowers—recalls the blossoming of spring and the beauty of growth over perfection. While eye-catching, it’s more than a positive prompt and is made from premium rubber material intended for indoor or outdoor use. Its pebble pattern offers stronger grip control and a Butyl bladder locks in air, ensuring optimal ball pressure and consistent bounce.

The Detroit Design Incubator Honors the Creativity of Motor City

Design is in Detroit’s DNA. Called “the cradle of American design,” the city has given birth to icons ranging from Herman Miller to the Ford Motor Company and was once the stomping grounds of prolific creators like Florence Knoll, Eero Saarinen, Minoru Yamasaki and Howard Sims and Harold Varner, Detroit’s most prominent 20th century Black architects; Charles and Ray Eames met at the city’s legendary Cranbrook Academy of Art, considered the birthplace of American Modernism. More recently, in 2015, Detroit became the first (and only) U.S. destination to receive the UNESCO City of Design designation for its use of creativity as “a driver for sustainable and equitable development,” honoring its legacy as an innovation hub. Driving the push for UNESCO recognition, and at the forefront of the next generation of Detroit talent, is the local nonprofit Design Core. This dedicated organization fosters the city’s creative community through mentorship, business development, and ambitious programming, including its annual September Month of Design celebrations, which brings thousands of global design professionals to the Motor City.

Last spring, Design Core partnered with Kickstarter to create the first-ever Detroit Design Incubator (DDI), a four-month program offering a diverse cohort of homegrown creators direct training and strategic support to learn the ins and outs of securing funding for their creative venture. The Incubator is the latest in Kickstarter’s support of Detroit creators. In the past, the platform has seen the launch of sustainable furniture company Floyd, cycle-makers Detroit Bikes, the Astrohaus Freewrite Distraction Free Typewriter, and Genusee, an eyewear brand that specializes in upcycling Flint Michigan’s plastic water bottle waste into chic glasses.

“With this Incubator, we hope to recognize and honor the entrepreneurial spirit of Detroit, as well as our commitment to supporting its dynamic and evolving talent,” says Laura Feinstein, Kickstarter’s Senior Design & Tech Editor, who spearheaded the program. Feinstein will also lead an online open house to present selected projects Thursday, September 23.

Read on for a preview of designers featured in the Incubator.

Design Core

Supporting Detroit Through Design

Much of the programming chosen for the Incubator focused on community-building, including AKOMA Detroit, a space for the city’s women artists to work cooperatively and share resources, run by Mandisa Smith. “AKOMA is a collective of black women artists and makers in Detroit who come together for the purpose of helping one another to excel in our respective crafts, while at the same time, striving to make a positive difference in our community through art,” says Smith, who frequently hosts workshops for members, as well as low and no-cost events for all ages.

Smith is currently developing a Kickstarter campaign to expand and sustain AKOMA for the future. “Through this campaign, we hope to raise needed funds for art materials for our community workshops, instructor fees, infrastructure needs for exhibit space upgrades, and a studio redesign,” she says, explaining that AKOMA’s community art workshops will be open to all, regardless of race, gender, orientation or ability to pay.

Refuge For Nations

Refuge for Nations (RfN), another Incubator cohort participant, provides career training by way of sewing skills to recently arrived immigrant and refugee women, and has been planning a campaign to expand their educational programs and sewing centers. They’ll be seeking funding to create an accessible fashion manufacturing hub for both up-and-coming and established fashion designers in Detroit where these women can assist with small-to-medium run production.

TruckTruck

Architect Lisa Sauve’s design firm Synecdoche is taking community-building on the road with TruckTruck, a mobile design lab housed in a converted food truck. Equipped with 3D printers, hand tools, and art supplies TruckTruck will be a traveling educational resource, providing pop-up workshops on craft and maker skills for community youth and a mobile retail space for local entrepreneurs. “Something powerful happens to a person when they realize their own ability to physically make something in this world,” says Sauve explaining that, since first running a woman-owned architecture studio and fabrication shop, she has realized “it’s amazing to see other women making and designing with craft in mind.” Sauve notes that DDI’s workshops have helped her to refine her messaging, particularly in terms of understanding “the critical aspects to get started vs the broader goals that we can incrementally work towards in the future.”

Noir Design Parti

Reframing the City’s Design Legacy

While names like Frank Lloyd Wright and Mies van der Rohe are often associated with the Midwest’s architectural legacy, racism and institutional suppression have often left the region’s notable Black architects out of the history books. Seeking to change the narrative, designers Saundra Little and Karen Burton co-created Noir Design Parti, an organization which documents and shares the legacy of trailblazing Black architects in Detroit. For an upcoming Kickstarter campaign, the pair are writing and publishing a book celebrating the work of underrepresented Detroit design icons like Sims, Varner, and Roger Margerum, based on tours the two women have led for years. “Throughout our careers, Saundra and I both heard people remark that they weren’t aware of any black architects in Detroit or Michigan,” says Burton. “This book will complement our tours, discussions, website and exhibits, reaching a wider audience to share the work of African American architects who have shaped the landscape and skyline of Detroit.”

Action Level Toys

What Will the Future Look Like?

It’s been said that early childhood education—and play—is the key to unlocking creativity and building thriving, engaged adults. Chinonye Akunne explores this concept with Action Level Box , which offers “educational and joy-igniting activity kits” meant to increase children’s critical thinking, motor skills, and interest in STEM-related career paths. Each kit will include the tools necessary to tinker and learn about a new area, from mixing paint pigments to the science of aromatics.

Loopy Products

Also looking toward the future is Kylee Guenther, creator of Loopy Products, whose commitment to sustainability inspired her to create a range of glasses made from coffee waste. “Coffee grows in a fruit, but all we want is the tiny bean inside to make coffee,” laments Guenther, noting that this leaves behind 30-50% of the plant to be tossed. “That waste, however, can be upcycled into a sustainable material used to make products.” Guenther, who also runs the environmentally-friendly engineering company Pivot Materials, named one of the top 50 Clean Tech Companies to Watch Globally by CleanTech Group, believes a better path is upcycling plant waste into sustainable alternatives to traditional plastics.

“During the Detroit Design Core Incubator, I learned that you can utilize a Kickstarter campaign to bring awareness to a cause that you are passionate about. For me, that is reducing plastic waste and finding environmentally friendlier ways to create the products we use daily.”

For now, the Incubator cohort is closing out Detroit Month of Design by strategizing their next steps and refining their campaigns, with many planning to launch next spring. They are part of a riveting new chapter in the city’s storied design history—much of which is still being written.

To learn more about the Detroit Design Incubator and meet the creators themselves at the Detroit Design Incubator Open House, Thursday, September 23, 4PM EST. RSVP here.

This puffer jacket is filled with single-use masks and shows the pandemic-related environmental issues!

The pandemic has led to a huge lifestyle shift and in the bid to stay safe, the environment is suffering from the excessive use of plastic to wrap items, chemicals to sanitize, and the millions (or billions) of single-use PPE that eventually contribute to pollution. There are photographs of medical masks floating in the ocean with the animals and washing up on beaches is a heartbreaking sight. To bring this issue to light, designers Tobia Zambotti and Aleksi Saastamoinen created Coat-19, an icy blue puffer jacket made of discarded single-use masks, organic wool, and transparent recycled laminate.

The designers are based in Iceland that still has a mask mandate. Icelandic winds can be very strong so masks that aren’t carefully discarded blow from the streets into the otherwise pristine environment. To prevent this from happening they collected around 1500 light-blue masks from the streets of Reykjavík, thoroughly disinfected them with ozone gas, and shipped them to Helsinki where they became an unusual filling for “Coat-19” – a modern puffer jacket that highlights this absurd pandemic-related environmental issue.​

Most of the disposable masks available in the market are made with a thermoplastic called polypropylene which is also used to produce poly-fill, the most common acrylic stuffing for cheap down jackets – same material, same function, different look. Some of the light-blue masks were partly filled with organic cotton wool in order to create the puffy silhouette of the trendy oversized jacket.

The outer layer is a semi-transparent breathable and waterproof laminate based made from bio-sources that let the disposable masks be visible.​ There are about 1500 masks that make the filling along with organic cotton wool. While the sight is jarring, it is a reminder we all need to practice safety sustainably. We may come out of this pandemic or learn to live with it, but the climate crisis is not something we can solve with a shot. This is a plea to use alternatives if possible so that your safety in the present doesn’t compromise on the future of the planet.

Designer: Tobia Zambotti and Aleksi Saastamoinen

Architect Liam Young’s City Concept Can House The Population of The Entire Planet

In his latest experiment, speculative architect Liam Young designed a city that can house 10 billion people—the estimated population of the world in 2050. This “Planet City” constructs a regenerative future—one in which the city, occupying 0.2 percent of the earth, sustains space to restore nature, returns stolen lands, staves off climate change and fosters a new myriad of cultures. While this experiment is not an urban planning proposal, Young views Planet City as a call for collective visualization. The new global perspective, gained from this visual inquiry, acts as a lens to reflect on real cities (their structures, politics and prejudices) in order to work toward constructing a better one thoughtfully. Tour this science-fiction city in Young’s TED Talk.

Image courtesy of TED

Womb Lamp series by Jan Ernst via Galerie Revel

Womb Lamp series by Jan Ernst de Wet via Artskop

Dezeen Showroom: sold via Galerie Revel, the Womb Lamp series by designer Jan Ernst is inspired by the South African landscape and intends to bring a “primeval energy” to table lighting.

Jan Ernst based the white stoneware Womb Lamp and red terracotta Womb Lamp II on the mountainous terrain of the Cederberg region, located two hours outside of Cape Town.

A photograph of the Womb Lamp series by Jan Ernst
The Womb Lamp series is inspired by the mountain landscape near Cape Town

The area is known for its sculptural rock formations in shades of terracotta, amber, and ochre.

“Walking these ancestral grounds evoke a feeling of mystery and reverence for the people who once inhabited the interleading Stadsaal Caves [Townhall Caves],” said Jan Ernst.

“Enormous voids and cracks shaped by the natural elements created a sanctuary for the first humans inhabiting these spaces.”

A photograph of the Womb Lamp series by Jan Ernst
The lamps create a warm, indirect glow

When designing the lamps, Ernst wanted to “evoke feelings of ‘the primal'” and celebrate life and birth through illuminance, which gave rise to the Womb Lamps’ organic, enfolding shapes and indirect light.

The lamps are said to emit a soft glow, reminiscent of a campfire. They are presented unglazed but can be glazed on request.

Product: Womb Lamp
Designer: Jan Ernst
Brand: Galerie Revel
Contact: info@galerierevel.com

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Philippe Starck and Lualdi create intelligent door system for hotels

Welcome by Philippe Starck and Lualdi

Dezeen promotion: French creator Philippe Starck has teamed up with Italian brand Lualdi to create Welcome, a system of door accessories that turn a hotel-room door into a smart device.

Lualdi’s system includes a series of connected objects: a handle, a light, a room number panel, and a smart screen with integrated facial recognition.

Together, they can offer a range of guest services that include checking in, adjusting conditions in the room, and contacting hotel staff.

Welcome by Philippe Starck and Lualdi
Connected objects create an intelligent door system

Starck sees the project as a step towards the future of the hospitality sector.

“The doors of the future will become so intelligent that they will communicate with each other,” he said.

“They will be set up to manage the home through artificial intelligence.
 The doors will certainly be smarter than us.”

Welcome by Philippe Starck and Lualdi
The system includes a handle, a light, a room number panel and a smart screen

The creator likens the system to the intelligent doors in Philip K Dick’s sci-fi novel, Ubik.

“Interactive and connected, the collection of Welcome doors answers a range of services: recognise people, heat a home, send messages, become a screen, in order to both welcome and protect us,” he said.

As the Welcome range was developed especially for hotels, the smart accessories are available in different finishes, meaning they can be easily customised for different brands.

Welcome by Philippe Starck and Lualdi
The elements are designed to resemble smooth pebbles

These elements are designed to resemble smooth pebbles, giving them a clean and contemporary feel, and they integrate a backlighting system that emphasises the three-dimensionality of the form.

The system combines with a flush-to-wall door that is also available in a wide range of finishes, including wood, aluminium or matt lacquer, making it easily customisable for different hospitality brands.

“The hotel sector is very challenging,” said Pierluigi Lualdi, contract manager for Lualdi, “because it requires an exceptional ability to customise the product, a service we have long been renowned for.”

Welcome by Philippe Starck and Lualdi
The smart screen integrates facial recognition, for increased security

Other products in Lualdi’s collection include Shoin, a range of sliding glass doors that take cues from Japanese design, and Altaj, a swing door with a gridded, three-dimensional profile.

Welcome is the brand’s first collaboration with Starck, the designer known for iconic products like the Juicy Salif lemon squeezer and the Louis Ghost chair.

“With Philippe Starck, we have established a rewarding collaboration,” added Pierluigi Lualdi. “We love his witty spirit and his skill in creating objects with original shapes.”

To view more of Lualdi’s products visit its website.


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This article was written by Dezeen for Fakro as part of a partnership. Find out more about Dezeen partnership content here.

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