Reflecting pools, a small vineyard and an underground pub feature in this sprawling residence in northern California designed by American firm Olson Kundig.

The project, California Meadow House, is located in Woodside – an affluent town near Silicon Valley. Designed by architect Jim Olson of the Seattle firm Olson Kundig, the residence was created for a client who loves entertaining and social connectedness.

The house sits on a 3.5-acre (1.4-hectare) property that is divided into two parts: one suggests a human touch upon the landscape, while the other is meant to be wilder in character.

The home is approached via a curved driveway that passes by old-growth olive trees, a small vineyard and a garden.

Encompassing 17,000 square feet (1,579 square metres), the home consists of low-lying, rectilinear pavilions arranged in an L-shaped formation around outdoor spaces.

“Envisioned as a singular continuous, flowing expression, this family estate designed by Jim Olson links architecture, interior design, art and landscape into an integrated whole,” the team said.

Exterior walls are sheathed in stucco and aluminium panels. Trellis-style roof overhangs help shade patios, walkways and large stretches of glass.

“Trellises weave over these spaces, providing shade from the California sun and further blending the home into the landscape,” the team said.

At the core of the house is the public zone, including the main living and dining area.

“Unified around the central ‘home base’ living area, views radiate from this core in four directions across several reflecting pools to vistas into gardens and the nearby Santa Cruz Mountains,” the team said.

To the east of the public area is the private portion of the residence, including a main suite, office and three children’s bedrooms. This part of the dwelling opens toward a wild meadow.

South of the public zone are three auxiliary buildings. One serves as a two-bedroom guesthouse, while the others hold an outdoor living pavilion and a dining pavilion with an underground pub.

The auxiliary buildings are arranged in a staggered formation and echo the organisation of the adjacent vineyard.

Throughout the residence, the team incorporated ample glazing to provide a seamless connection to the outdoors. A U-shaped window in the dining pavilion lowers completely into the ground.

Earthy finishes were used indoors, such as granite and limestone flooring, cedar ceilings, walnut casework and reclaimed fir wall panelling.

In the subterranean pub, countertops are made of a repurposed wooden telephone pole. Similarly, a salvaged redwood slab was used to clad a bar in the outdoor living pavilion.

Olson designed numerous pieces of decor for the residence, including the dining and living room furniture, exterior lounge furniture, the main suite’s bed and nightstands, and several lighting fixtures. Steel, nickel, teak and leather are among the materials used to fabricate the pieces.

“Olson also helped to curate an international contemporary art collection for the owners of the home, complementing its architectural expression,” the team added.

The residence is designed to produce as much energy as it uses. The team incorporated geothermal and hydronic systems for heating and cooling, along with solar panels that cover over half the roof area.

“The result is a home integrated with nature, not only philosophically and visually, but from a practical perspective as well,” the architect said.

Founded in 1967, Olson Kundig is known for creating distinctive, modern-style homes in natural settings. Other projects by the firm include the Hale Lana residence in Hawaii, which is lifted above a lava bed, and the Wasatch House in Utah, which consists of pavilions connected by glazed walkways.

The photography is by Matthew Millman.

Project credits:

Architect: Olson Kundig
Project team: Jim Olson (design principal), Olivier Landa (project manager), Alivia Owens (project architect), Blair Payson (project architect), Christine Burkland (interior design), Angus MacGregor, Laura Bartunek, Daichi Yamaguchi, and architectural staff
General contractor: Barnett Company
Civil engineer: MacLeod and Associates
Landscape architect: Surface Design
Structural engineer: PCS, Structural Engineer
Mechanical engineer: WSP Group
Electrical engineer: Susanna Van Leuven
Lighting design: BHLD
Audio visual: Barker Company
Wine storage: Phil Finer Refrigeration & Air Conditioning

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I came across this “Tiny Walk” side table by Ideaco, a design firm that makes those objets d’art you typically see in design museum shops.

I was about to dismiss it as something a hipster with too much money buys, but the more I look at it, the more I see a potential use for it.

Not for eating or drinking off of; I’d find the handle obtrusive. But I often find myself fixing something outdoors where I’m bringing a couple of tools, some fasteners and a tin can to collect old rusty fasteners, and rather than have these sitting in a toolbox on the ground, I’d much rather have them up at waist level. Both to avoid constantly bending down, and to keep things out of mud or worse. I’d use the handle to move the thing around–say from fencepost to fencepost–and might occasionally remove the tray to clean it off, when working on dirty stuff.

I realize not everyone has a need to fix outdoor farm infrastructure, but I wonder if this wouldn’t also prove handy in suburban or indoor urban applications, when you’re fixing, installing or modifying something and want tools and fasteners up off of the floor.

A floating fish farm and a water-based Parliament for Bangkok in 2100 are included in Dezeen’s latest school show by students at National University of Singapore.

Also included is a project to repurpose telephone exchange buildings as infrastructures of counter-surveillance and a park with architectural inventions added to recreate the spatial language of cruising.

National University of Singapore

School: Department of Architecture, School of Design and Environment
Course: Masters of Architecture

School statement:

“The NUS M.Arch Show 2021 showcases the thesis projects of the graduating Master of Architecture students from the National University of Singapore; a collection of bold questions and propositions displaying the expertise obtained in architectural education. A year-long undertaking, the thesis is an arduous yet joyful journey, where conversations, critiques and references gently nudge students towards certain contemporary and relevant trajectories, organically converging into communities of practice where the works collectively resonate with one another.

“Convergence occurs along five discursive threads, which form the five clusters of the show: Critical Architecture, History & Heritage, Sociopolitics & Geopolitics, Technologies and Urbanism & Environments. Each cluster is uniquely positioned to probe the limits of the discipline, and to respond to the demands of wider society.

“Critical Architecture interrogates the discipline itself. The thesis work in this cluster seeks to identify and challenge architectural convention, forming propositions of design that provoke, satirize, or gently disturb the expectations of architecture and what the field encompasses.

“History & Heritage gathers sites and stories that were lost in the pursuit of rapid development and urban progress. The theses of this cluster anchor onto overshadowed historical and cultural artefacts; through this they consider a spectrum of strategies and positions that navigate the tricky entanglement between the oft-conflicting demands of the past and present.

“Sociopolitics & Geopolitics deliberates on architecture’s capacity to contribute to the public good, at the crossroads of policy, ideology and society. Fieldwork and research bring to light fissures in the built environment that emerge from manifold agendas. The theses take aim at these socio-spatial injustices. Alternative hierarchies, boundaries, notions of work, welfare, and education are imagined – potential futures in which these status quo might be destabilised through optimism and design.

“Technologies argues that architecture, entwined with making, doing and craft, cannot be divorced from the techie which influences it. Thus, technology, no longer mere device for representation, has become a tool for thinking, optimising and materialising ideas into form. The theses featured in this cluster capitalize on these advancements, offering a window into architecture’s future.

“Urbanism & Environments takes the position that architecture is inherently ecological, mediating an extensive network of relationships beyond our immediate, perceptible senses. The cluster recognises the need for new economies to emerge; its propositions suggest new ways of living amidst large scale forces such as increasing urbanisation, the pandemic and global warming.

“Moving through the five exhibitions of our show, the five threads intersect and overlap, creating a hazy cloud of interrelationships and connections that we find as interesting as the individual work themselves. As thesis projects turn into continuous research embarked by the authors, it is also paramount that these ideas flow and are made public, to be reinterpreted and to exist in the future work of others. Our show will gather people and audiences through several events for this purpose, and we hope that the conversations that avail will appeal and excite the community.”

How To Live With Another

“This thesis begins at home, with my grandmother and her helper Asri. It ends by testing the potentials of architecture – its epistemological and professional capacities to address the production of space speaking to social and class-based proximities.

“Three devices are conceptualized through household materials – bamboo laundry poles, used teabags, recycled magazines, and methods – knotting, weaving, sewing, crossing over from domestic chores into the architecture studio.

“Presented from occupants’ perspectives through photography and ethnographic videography, how to live with another is politically gendered in its concerns for architecture’s intersection with, and manifestation of, equity and voice.”

Student name: Anthea Phua Yi Xuan
Course: Masters of Architecture
Tutor: Assoc Prof Lilian Chee

Normal Architecture

“This thesis treats the banal practice of architecture as an aesthetic project. Through the simple set-up of a game, three scenarios in practice are played out, mainly focusing on the performance of client and architect in the design of a residential programme.

“Normal Architecture reveals the compromise, friction and fighting activity hidden behind the perfect facade of architecture. This performance is a simulation of practice, a team sport rather than an artistic activity, taking shape directly to impact form and aesthetics. By exaggerating these moments into strange details, the entangled stories of architects, clients, and engineers are told.”

Student name: Ong Chan Hao
Course: Masters of Architecture
Tutor: Prof Erik G L’Heureux

A Higher Calling

“A Higher Calling is an attempt to repurpose telephone exchange buildings as infrastructures of counter-surveillance. The improvement of telecommunication technology has led to the demolition of telephone exchanges despite their architectural rarity and heritage significance.

“While these infrastructures heralded in a new era of mass communications, they also expedited the onslaught of unwarranted and widespread surveillance. Building upon their characteristic architecture – island-wide geographical placement, visual inconspicuity, underground inter-connectivity, and windowless disposition – the thesis argues that networks of telephone exchange buildings should be conserved and repurposed as spaces of refuge and avenues for recourse, against an increasingly inevitable surveillance climate.”

Student name: Jonathan Yee Chenxin
Course: Masters of Architecture
Tutor: Adj Asst Prof. Ho Weng Hin

To Food, With Love: Architecture of an Intangible Culture

“Despite being intangible, hawker culture is indeed very much dependent on the spaces used to produce, distribute, prepare, and consume food. But what does it mean for the architecture when what is deemed as important heritage is not the building, but the activities contained within?

“Culture is not static, and neither is our culinary landscape made from just kitchens and dining tables. Yet we remain fixated on an idealised physical manifestation, the hawker centre, as the sole space of hawker culture, disregarding other spaces and processes. What then, is the scope and role of architectural design in conserving hawker culture?”

Student name: Sim Wen Wei
Course: Masters of Architecture
Tutor: Assoc Prof Chang Jiat Hwee

Transient Dormitories in Singapore Water

“The transient nature of workers housing and the growing demand for locally farmed fishes in Singapore provide temporal considerations to this architectural exploration. The co-location of worker dormitory and a fish farm on a floating platform is a hybrid architecture that capitalized on the coastal environment, mutualism as well as time-sharing arrangement of space to rethink better dwelling for the workers.

“As the demand for migrant workers in Singapore decreases in the future, spaces in these floating platforms can be transformed for fish farming or redeployed for other sea-based economic opportunities.”

Student name: Loo Quan Le
Course: Masters of Architecture
Tutor: Assoc Prof Cheah Kok Ming

Pleasure Fields: Negotiating Queer Space and Time

“The Pleasure Fields is a park that negotiates queer space and time in Singapore. Research into local cruising spaces concludes that the queer body’s existence depends on its spatial and temporal context. Thus, the project proposes a counterpoint to how the body is state-programmed to reproduce future citizens via the heteronormative family unit.

“On an urban scale, the proposal experiments with how architectural interventions could ally with the site’s trees and topography to gradually de-closet the queer body. Five architectural typologies then illuminate the spatial language of cruising through layering and appropriating spatial configurations previously known only to the cruiser.”

Student name:  Ahmad Nazaruddin bin Abdul Rahim
Course: Masters of Architecture
Tutor: Assoc Prof Tsuto Sakamoto

Deconstruction / Reconstruction : An analysis of architecture through the lens of Structural Optimisation

“Deconstruction / Reconstruction is a thesis that attempts to relook at architecture through the lens of structural optimization and digital fabrication. Reacting to the zeitgeist of the Fourth Industrial Revolution and Carpo’s Second Digital Turn – the thesis deconstructs architecture into its elements, applying breakthrough structural optimization methods to the process of their design.

“Through a study of Topology Optimisation, Evolutionary Structural Optimisation (ESO), Graphic Statics, and Stress Line Analysis through recent work by Block, Xie and Akbarzadeh – the thesis studies how current design processes could be augmented with these structural toolkits and fabricated using digital fabrication methods such as 3D printing with the aim of reducing the material utilized in construction.”

Student name: Lee Lip Jiang
Course: Masters of Architecture
Tutor: Assoc Prof Rudi Stouffs

Rebirth 重生计划

“The project tackles the issue of the emerging ‘Useless Class’ in China. The Useless Class, coined by Yuval Harrari, are low-skilled factory laborers that are being replaced by robots and AI. The project proposes a new way of spatial and social design approaches that helps the ‘Useless class’ to embark on a new beginning in life.

“Instead of monetary gains, the residents accumulate social credit through participating in game-like e-waste recycling quests which gradually help them to rebuild their sense of purpose and fosters community bonding.”

Student name: April Zhu Weijie
Course: Masters of Architecture
Tutor: Ar Chaw Chih Wen

The Water Parliament – Bangkok City 2100

“The thesis is built around a fictional realm of the inhabitable landscape of Bangkok city in the year 2100 where a new Water Parliament is situated at the ancient Rattanakosin Island that pertained to the commons of water and subjected to the groups of people living on the island that represents the culture and people of the Thai city.

“It celebrates a different aspect of water and engages the traditional water culture with more advanced technology and infrastructures. It demonstrates that the environmental crisis of sea-level rise is potentially a new opportunity for them to reshape the city through participation.”

Student name: Tyler Lim
Course: Master of Architecture
Tutor: Adj Assoc Prof Khoo Peng Beng

The Material Field: Recycling Infrastructure for Indeterminate and Emergent Material Practices

“This thesis originated from an investigation of assemblages in informal cardboard collecting – culminating in a study of how material assemblages gradually reconstituted themselves across different scales. Expressed architecturally as a recycling centre, the thesis seeks new emancipatory findings and possibilities for man, architecture and informal recycling through object-oriented perspectives.

“Specifically, studying how these objects exist, aggregate and affect the body across different scales yields new understandings and approaches to architecture as a mediator between body and object. It suggests a direction to look at architecture from the material itself first, rather than asking first how it serves us.”

Student name: Valarie Yap
Course: Master of Architecture
Tutor: Assoc Prof Tsuto Sakamoto

Partnership content

This school show is a partnership between Dezeen and the National University of Singapore. Find out more about Dezeen partnership content here.

The post Ten architecture projects from National University of Singapore master’s students appeared first on Dezeen.

Many who regularly wear facemasks have opted for permanent cloth ones, rather than the disposable kind. Healthcare professionals have no such option, so hospitals are stocked with disposable facemasks (when they’re in stock). That means facemask dispensers are needed.

A perusal of medical supply websites shows that these have received a minimum of design attention, and their doesn’t appear to be any standard (nor standout) design:

Only a couple of dispensers even take the packaging they come in into account:

And I did find one bizarre design that resembles a Xenomorph from the Alien franchise:

Is it just me?

A simple yet highly functional chair designed to bring home multifunctional furniture to modern living while being easy to use!

The multifunctional nature of any furnishing unit comes down to the design of the individual modules. The individual modules can be easy or challenging to put together – and even though we buy the design with great plans, we end up not using the multiple diversities it offers (I’m talking about that fold-out couch that always stayed tucked in). Unlike most multifunctional furniture, which is bulky or too complicated, this vibrant chair is a pretty unique solution.

Designed by Xue Song, the multifunctional chair christened Dysta looks simple yet has a multitude of uses – ideal for any city apartment, your bedroom, or the backyard. By simply turning it around in a specific orientation, the function of Dysta changes dramatically. It goes from a high stool to a normal chair and then into a low seating in the blink of an eye.

The chair transforms – it can turn into a swing lounger when you need to relax and don’t have a rocking chair on your porch. Such is the design simplicity of the chair; it will fit into any section of your home, lifestyle, or interior.

The designer’s motivation to create the multifunctional chair is to create interactive spaces for happy and relaxed moments when desired. The use of colors also adds a pop – have just the right fun while balancing your vibe.

Xue created Dysta by welding four steel pipes together and then laser cutting the multiplex boards. This cool chair is the perfect example of achieving a functional design that will become an integral part of the user’s daily regime.

Designer: Xue Song