Wright & Wright completes overhaul of Museum of the Home in London

A white-walled library with exposed wooden beams

Architecture studio Wright & Wright has completed a renovation and extension of the 18th-century Museum of the Home in London, UK.

The Museum of the Home, formerly known as the Geffrye Museum, is housed within Grade-1 listed almshouses built in Hackney, east London, in 1714.

They were transformed into a museum in 1914 after being bought by the city council.

The exterior of the Museum of the Home in London
Wright & Wright has renovated the Museum of the Home. Photo is by Jayne Lloyd

Wright & Wright was asked to create more public and exhibition spaces for the museum, while also reversing detrimental alterations made to it in the 20th century.

The studio achieved this by opening up the museum’s lower ground level, reinstating its first floor and adding two garden pavilions.

A museum side entrance
The overhaul involved adding more entrances

“The buildings are beautiful but had been destabilised by the original alterations, when the staircases, internal partitions and first floors were taken out, with openings cut through party walls on the lower ground floor in just the wrong place,” explained the studio’s partner Clare Wright.

“The original alterations meant that only one of the three floors was being fully used,” she told Dezeen.

A yellow-walled exhibition space
The lower ground floor was opened up for exhibits

The biggest change that Wright & Wright made to the museum was the opening up of the lower ground floor, which involved excavating the site by one metre.

As well as providing public access to this space for the first time in the building’s history as a museum, this also created 80 per cent more exhibition space for the museum’s collections, which span 400 years.

A white-walled library with exposed wooden beams
Its first floor was reinstated

Original details throughout the lower ground were preserved wherever possible.

“We saw that if we dug down just a metre in the lower ground floor, we could provide even more gallery space than the client asked for in their brief,” Wright said.

A staircase wrapped in a timber lattice
Circulation spaces were updated throughout

“We kept whatever original features we found – such as the curves of the brickwork on the lower floor, that was for lighting a fire and heating a copper pan for washing clothes,” she added.

The museum’s first floor was also reinstated and its roof space opened up, creating room for a new library, archive and study with views of the museum’s gardens.

The lower ground of the Museum of the Home in London
Original details in the lower ground were preserved. Photo is by Helene Binet

To ensure accessibility throughout the Museum of the Home, Wright & Wright made sure each space has level access and optimal lighting.

This forms part of a wider restructure of the museum’s circulation, for which Wright & Wright has also introduced two lifts and more flexible entry and exit points.

A garden pavilion
New garden pavilions provide extra public space. Photo is by Helene Binet

One entrance has been introduced directly beside the adjacent Hoxton Overground Station in a bid to help increase footfall.

Other external changes to the Museum of the Home include the introduction of the two new multi-purpose learning and event pavilions on either side of the museum.

A garden at the Museum of the Home in London
The garden pavilions are designed to be discreet. Photo is by Helene Binet

The pavilions are discreetly placed and designed to ensure they do not detract from the original buildings. One is clad in brick and the other larch, each with a grey-black colouration.

“We placed [the pavilions] carefully so they sit beyond the ends of the central range of the almshouses and are attached but visually separate,” said Wright.

A green roof was added to one pavilion to help enhance biodiversity across the site.

This green roof is part of the wider landscape design for the museum, in which the existing gardens have been replanted to showcase changes and trends in urban gardening since the 17th century.

A brick-walled garden
The gardens have been relandscaped too. Photo is by Helene Binet

Wright & Wright’s overhaul is complete with a new cafe and large reception area that contains toilets, cloakrooms and lunchrooms for visiting school groups.

The cafe, housed in a former Victorian pub next to the site, has a light-filled dining area and terrace that overlooks the new station-side entrance.

A garden at the Museum of the Home in London
The landscaping doubles as an exhibit of urban gardens. Photo is by Helene Binet

Wright & Wright is an architecture studio based in London that was founded by Sandy and Clare Wright in 1994. It was appointed for the Museum of the Home overhaul in 2014.

Elsewhere, the studio is currently developing the new home for the Lambeth Palace Library – one of the UK’s oldest libraries that has had a publicly accessible collection since 1610.

Photography is by Hufton+Crow unless stated.


Project credits:

Architects: Wright & Wright Architects
Construction: Quinn London Ltd
Exhibition design: ZMMA
Exhibition fit-out: Elmwood Projects
Structural engineering: Alan Baxter
Environmental and services engineering: Max Fordham
Quantity surveying and project management: Gardiner & Theobald
Living rooftop design: Dusty Gedge
Brand and wayfinding: Dn&co

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This outdoor 4-in-1 grill barbeques + makes pizzas in the summer, and keeps you warm in the winter!



Temperatures are rising up, and it really does feel like summer’s around the corner! With summer in the air, there’s also a lot of excitement brewing up. Because summer means barbeque season! And, with COVID-19 basically shutting us in our homes, an intimate barbeque session with our close friends and family, in our backyard seems like the best idea ever. But the number one criteria for hosting a successful barbeque party is to have a foolproof barbecue grill! In 2019, the Noori’s V01 grill basically won all our hearts. It became the go-to grill option for barbeque lovers! And this year, Noori is back with their latest V02 AIRY model! Excited much? Me too.

Boasting an enameled steel construction, the Noori V02 AIRY is a multifunctional outdoor grill, pizza oven, rocket stove, and a fire pit – all in one! Not to mention, it’s probably one of the best-looking grills I’ve seen in a long time, it’ll be the perfect visual accessory to your backyard. The grill consists of six refractory concrete internal plates. These plates + an AIRY cylinder make up the grill’s innovative AIRY system (which also gives the product its name). This basically means that to set up an open fire, you simply need to remove a few refractory plates from within the AIRY cylinder, which instantly exposes the flames, creating the mesmerizing flame dance we all love to watch in an open fire! Much like its predecessor the Noori V02 AIRY also features a pizza disc, allowing you to not only bake up some pizzas but bread as well. The disc also supports roasters, and containers suitable for ovens. The upper half-moon grill and the lower orbital grill come together to support your cooking. However, the lower grill has a few additional uses – it centralizes the tube of the Rocket system in the refractory body, and also holds the coal you use for barbequing. A built-in thermometer displays temperature readings in both Celsius and Fahrenheit, aiding you in cooking accurately. A removable lid with a reclaimed wood and steel handle comes in handy when you want to cover up the grill and cook up some pizzas and bake.

One of the most convenient features of the Noori V02 AIRY Grill is its portability! With four wheels built from carbon steel, side handles, and the fact that you only need one person to assemble it, this is the kind of grill you can carry with you on your outdoor adventures as well. This one-of-a-kind grill is ideal for any kind of barbeque session – whether it’s in your backyard or the great outdoors!

Designer: Noori

Click Here to Buy Now!

Atelier Right Hub replaces corners with curves in cavernous Hangzhou spa

Soul Realm SPA House by Atelier Right Hub

Chinese studio Atelier Right Hub created a cave-like spa in Hangzhou, China, with a network of interconnected, circular rooms and walls finished in white clay.

Located on the 13th floor of a commercial building by the Qiantang river in downtown Hangzhou, the Soul Realm Spa offers spaces for massage and meditation.

The interior of the Soul Realm Spa has a neutral palette
Curved walls lead visitors through the Soul Realm Spa

Local studio Atelier Right Hub was invited to create a calming interior within the building’s rectangular, 220-square-metre floorplan.

This was achieved by inserting a sequence of circular treatment rooms with curved ceilings into the centre of the plan.

A blue sofa is located at the waiting area of Soul Realm Spa
A curved blue sofa faces a semi-circular window

“If we observe life carefully, we will find that straight lines are mostly found in man-made objects while natural objects are mostly curved,” the studio told Dezeen.

“Whether it is mountains or rivers and streams, they are curved and full of changes and they have more charm and vitality than straight lines.”

The sofa is sunken into the floor at Soul Realm Spa
The walls are finished in white clay

According to Atelier Right Hub, the circular plan was informed by the shape of traditional Tibetan singing bowls – a type of inverted bell used for meditation.

The walls, ceilings and floors are made from white clay and blend seamlessly together. They have a textured finish, which the studio likens to “walking barefoot on earth”.

“China used to be a country dominated by farming culture,” Atelier Right Hub explained. “Farmers mostly farmed barefoot in the fields and children often played barefoot as well.”

“These memories are both unfamiliar and longed for in modern cities. Only when you feel the earth barefoot will you let go of your defences – this is also a way we hope spa guests could enjoy real relaxation.”

A spa bed is located in the centre of a treatment room at Soul Realm Spa
Private treatment rooms have a circular design

Each massage room features a brass garment hanger and storage tray suspended from the ceiling, where clients can store their clothing and jewellery during treatments.

Curved clay walls also wrap the perimeter of the floor plan to create a curved corridor where the studio has positioned resting areas, a lobby and the foyer.

“The interior space is similar to caves,” said the studio. “The curved ceiling, streamlined walls and the visual axes that revolve around the twists and turns form a fuzzy space-time context that is difficult to synchronize with the outside.”

A glass door leads to a walk-in shower
Showers are fitted within a circular alcove

A series of large, geometric windows punctuate the corridor, including an arc-shaped window that illuminates a small resting area and reveals expansive views of the city’s downtown area.

Its form is echoed in the semi-circular sunken lounge with green banquette seating next to the window.

Walls and ceilings seamlessly blend into one
The spa was designed to have a cave-like look

Other cavernous spas around the world include the Europhia Spa by DecaArchitecture, which is carved into the base of a mountain in Greece, and a subterranean spa in Brooklyn, New York.

Photography is by Studio FF and Studio RH.

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The Moon Lamp that went viral on TikTok now comes with a magnetic levitating design!



If you’ve ever tried photographing the moon with your smartphone camera, you know what a terrible job it does. Smartphones, as incredible as they are, just aren’t good for long-distance shots like the moon… which is why TikTok users have apparently taken to using Moon Lamps instead. A Moon Lamp is much easier to photograph since it’s closer to you, and with a little visual trickery, it can look exactly like the real deal! Besides, when you’re not photographing away at it, it serves as a neat ambient room light too!

Dim the lights and switch the Gingko Smart Moon Lamp on and it quite literally looks like you’ve got a supermoon inside your home! Its gravity-defying levitating design completes the illusion, creating a pretty remarkable-looking prop that’s great for decor as well as photography! The floating moon comes 3D printed from translucent PLA, complete with craters and undulating surface details to make it look like the real thing, and it floats on its base too, gently rotating as a planetary object would. 140mm (5.5 inches) in diameter, the moon floats on a wooden base made of dark walnut or light ash wood, suspended in place by a strong rare-earth magnet. It comes with built-in LEDs that give the moon its signature glow, with 3 light temperatures to choose from – warm white (3500k) and white (5000k), and a special yellow warm (2700k) for that rare blood moon effect!

Each Smart Moon Lamp comes with its base and a 12V- 1A AD adapter to power the entire experience. Plus, Gingko offers a cool 2-year warranty that should quite literally send you ‘over the moon!’

Designer: Gingko Design

Click Here to Buy Now: $175.5 $195 (10% off with coupon code “GINGKO-YD”). Hurry, sale ends May 31 and for YD readers only!

Levitating Smart Moon Lamp

This gravity-defying moon lamp seems to magically ‘float’ above a walnut or white ash wood base and slowly rotates just like the real elliptical orbiting moon.

American Walnut base

Made with safe PLA material, this 3D printed full moon even has a textured surface just like the moon’s own craters and glows an ethereal-like light as it emits its cool white light.

White Ash base

Suspended by a strong built-in magnet it creates a fascinating and life-like illusion of the real thing.

How to Set-up the Moon Lamp



Click Here to Buy Now: $175.5 $195 (10% off with coupon code “GINGKO-YD”). Hurry, sale ends May 31 and for YD readers only!

Innovative Product Designs to kickstart your morning with a flawlessly clean bathroom experience!

We may not pay attention to our bathrooms very often, but the truth is they’re the little alcoves we spend a substantial amount of our time in, carrying out our personal activities. It’s probably the only time we’re ever truly alone, and bathrooms are like our own personal zones. Hence amping up our bathroom with essential accessories and handy product designs is quite important. These little products can make a huge difference in our everyday bathroom experience. They not only help us carry out our personal and grooming activities even more easily, but they also help us take care of ourselves a little better! From an electric flosser that flawlessly cleans your teeth in 30 seconds to a mold-proof and water-tight rolling shower screen – we’ve curated a whole collection of innovative and functional bathroom accessories for you!

The Everloop Toothbrush from NOS uses a recycled plastic handle and disposable bamboo bristles. Taking on a unique cradle-to-cradle approach, the brush comes with a plastic handle that is, in fact, made from recycled toothbrushes. At the very end is a clamping mechanism that allows you to attach 100% natural bamboo bristles to the toothbrush’s head. The idea is to retain the plastic handle and periodically replace the bamboo bristles every few months. The bamboo bristles have absolutely no plastic in them, allowing them to easily be disposed of, or composted in a way that doesn’t harm the environment.

JoyFous takes the existing shower curtain and gives it a much-needed design upgrade. Made for 3-walled bathtubs (where the 4th wall is usually occupied by a curtain), JoyFous is a nifty, slim, retractable screen that’s easy to pull out and retract before and after your bath. It’s a much more convenient alternative to the shower curtain that’s clumsy and doesn’t stop water from leaking out onto the bathroom floor… and it’s a whole lot cheaper than those frosted glass partitions, and it isn’t breakable or fragile too! Working much like retractable blinds that you pull downward, JoyFous operates sideways, creating a neat privacy-partition while you bathe or just laze in your bath-salts solution with some candles and bubbly… and its unique water-dam feature keeps the water inside your bathtub, so you don’t step out onto a soaking wet and slippery bathroom floor.

Designed to be the world’s first eco-friendly electric flosser, Flaüs is a hand-held toothbrush-shaped device with a replaceable flossing head. When powered on, Flaüs gently vibrates at 12,000 sonic vibrations per minute – it’s enough to safely remove all the food and plaque stuck between your teeth without hurting the most sensitive gums. Given that it’s about as easy to use as an electric toothbrush, Flaüs makes flossing your teeth quick, easy, and effective. Moreover, each replaceable floss-head is designed out of biodegradable materials and can even be composted after use… leaving your teeth and the planet as clean as they can be!

Kohler seems to have taken a massive liking to bathroom singers with its new showerhead. With a halo-shaped design, the Kohler Moxie Showerhead allows you to fit a wireless speaker into its negative cavity, giving you a luxurious Kohler-worthy shower with handpicked (or rather voice-picked) tunes to accompany you as you bathe. Now the Moxie isn’t a new product. Kohler released the quirky showerhead+speaker combination in as early as 2012, but the new update (to be showcased at CES2020 next week) allows Moxie to communicate with Amazon’s Alexa voice AI, allowing you to ask it to play songs (or karaokes), brief you on the news, or order you some more shampoo. The Moxie speaker is detachable and docks right into the torus-shaped showerhead using magnetic action.

Lucere mimics that perfect vanity-lighting experience without racking up an electricity bill. It features a pair of portable lights that attach directly to your bathroom mirror to give you bright, bi-directional light without casting sharp shadows. The Lucere comes with a mount that adheres to your mirror, allowing you to magnetically snap the lights on or off whenever you need them. Both the lights come with touch-sensitive on-off switches and the ability to set them at your desired brightness using simple +/- controls. The lights charge via a standard MicroUSB cable and last for 3 hours on medium brightness.

BASE is a conceptual sterilizer that is aimed at providing the maximum level of oral hygiene and safety to you. Toothbrushes hold more than 10 million bacteria which is more than a toilet seat so it needs more than a plastic cap to stay clean and protected. UV rays at 253.7 nm wavelength are used as a bactericidal and within 5 seconds BASE kills 100% of the commonly found germs. In a complete 40 second cycle, it also kills 90% of spore-forming bacteria and it is recommended to sterilize the toothbrush for a full 2 minutes for the highest level of hygiene. The device encloses the toothbrush just enough to contain the UVC radiation to the area required (bristles, head, and neck of the toothbrush) while also allowing the right amount of convective airflow to help dry the toothbrush.

Designer Geraldine Tong wanted to change our perception of toilet cleaning tools while also solving related issues like its environmental impact and the clutter it creates in our bathrooms. Her goal was to create a brush that didn’t cause more landfill waste, took minimal space, reached the narrow areas, and of course, look visually appealing – so she designed BrushPro in collaboration with Lam Soon Singapore, and the mission was accomplished. This redesigned toilet brush lets you switch out brushes while reusing the main body which reduces a lot of toxic waste. BrushPro is extremely convenient to use compared to its forerunners. The extendable handle allows you to reach narrow spaces without having to perform advanced yoga poses on the floor and minimizes your direct contact with the dirty brush.

Designed as a two-part stool, the stuul occupies a fraction of its intended space when not in use, and transforms into two foot-stools when you’re on the John. Using stuul helps elevate your legs in a way that resembles the squatting posture that’s clinically proven to make the job easier. stuul’s design helps position the legs at the desired angle to help promote a healthy bathroom routine and prevent diseases like IBS. With a design-conscious approach, the stuul is styled less like a clinical product and more as something fitting of being in your well-decorated bathroom. The two tripod-stools fit together into each other, becoming a single form that’s easy to stash somewhere for later, while its faceted design gives it a decidedly premium feel.

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Why shouldn’t your bathroom scale do more than just tell you your weight? The PEBBLE was designed with this question in mind and provides an innovative solution that might just make you wonder why this doesn’t already exist! After showering, you can step on the scale and it will air-dry your feet and sanitize with infrared light. The upward-facing fans help you dry off faster and ensure you don’t carry excess moisture which can result in a number of unwanted health scenarios. Synced with the PEBBLE app on your smartphone, it will automatically upload and track your weight stats and give you daily, weekly, and monthly status updates to maintain a healthy BMI.

chrome_bath_suite_layout

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Imagined for the OXO brand, the Chrome Bath Suite aims to elevate the average person’s washroom with an easy-to-use, seamlessly integrated collection of bath items. Consisting of a soap holder, wall mirror, shower shelf, and towel hook, the set has everything one needs to keep things tidy and organized. Better yet, none of the units require any tools to install. Instead, a thoughtfully designed suction cup mechanism grips onto vertical surfaces before the various elements are attached. An elegant chrome finish rounds out the look and brings each unit together in one cohesive collection.

This retro-styled electric cruiser motorbike ranges 300 miles while sporting interesting wheels!



If you thought Zero SR/F or any of the custom designs of the electric bike were hard to rival, then Zaiser Motors has got you hard-pressed. The Colorado-based startup is working on an electric motorcycle that can churn 300 miles on a single full charge. They call it Electrocycle – a 2WD cruiser bike with a traditional retro charm. The spiky-ish fins on the rear evoke a sense of gangsta influence, along with the large rear fender. 

The rear gives this electric cruiser a fat appeal. Only one question though, why the thin rear wheel? It looks absolutely out of place in terms of aesthetics, even though it might help with efficiency. That irk is ever so evident since all of the other bodywork carries a lot of mass.

That said, the bike has a long wheelbase and a comfortable bench seat. On the inside, the ride is powered by two hub motors – translating power to both wheels. The result can go from 0-60 mph in around 3.6 seconds and achieve a top speed of 120 mph. Dual hub motors have a downside as well, they tend to overload the suspension system due to the unsprung weight. Zaiser aims to achieve the 300-mile range with a 17.5 kWh battery, which will be tough even if they shed weight. Yes, it is achievable in city driving, where regenerative braking is also going to assist. But on a long highway at high speeds and wind resistance in the play, you can achieve 200 miles at best with that battery capacity. For reference, the Zero SR/F has a realistic figure of 161 miles with its 14.4 kWh battery.

Zaiser says the bike will have removable batteries so that you can charge them easily if you live in a high-rise apartment. Bear in mind, though, batteries are quite heavy, and you need to be in top shape. So, best of luck with carrying the load now and then. The bike’s dashboard looks relatively modern, with all the telemetry and the navigation system right on point. For safety, the Electrocycle gets advanced LiDAR sensors and haptic feedback in the handlebars. According to Zaiser, the bike will have” other accident avoidance technologies, never before been present on one singular vehicle in this way.”

The Electrocycle electric cruiser bike will debut in 2023, once the initial testing and production design are finalized. The estimated price of the cruiser is going to be somewhere between $20,000 – $25,000. The question is, would bike enthusiasts be able to ignore that slim rear wheel? I hope the production model has more giant wheels, and Zaiser reduces weight and increases the battery capacity to offset the effect!

Designer: Zaiser Motors

This biodegradable razor let’s lead a ‘cleaner’ & more sustainable lifestyle!

Disposable razors are made of plastic and contribute heavily to waste and pollution. In fact, as per the report Award Catalogue 2020 of BEYOND PLASTIC, about 5,000 billion disposable razors are used per year globally – can you imagine that many razors in front of you for a second? That is an island-worth of waste and we are constantly looking for designs that remake sustainable versions of daily objects so that we are a step closer to solving this problem. Oquari is a biodegradable razor with comes with interchangeable heads that aim to provide a sustainable alternative that can help reduce the burden on the environment.

The razor is made with PBS Bionelle as well as stainless steel blades as part of a regenerative approach and it degrades in aquatic environments. Its design is specifically geared at reducing manufacturing processes and facilitate the separation of its elements at the end of its life so that it becomes an accessible, attractive, and economical product without being recognized as “disposable” which the team refers to as  ‘monstrous hybrid’ – a term coined by Michael Braungart and William McDonough for a product, component, or material that combines both technical and organic nutrients in a way that cannot be easily separated, thereby rendering it unable to be recycled or reused be either system. Most monstrous hybrids can only be thrown out and contribute to the waste stream and cannot be reused and therefore it is important to not view Oquari as a ‘disposable’ razor but rather as a sustainable alternative to the disposable razors.

“This is why we wanted to focus on a product that most people use while creating a dramatic environmental impact on our planet. Disposable razors, this kind of product has specifically a combination of plastics and elastomers. Which is rarely restore or recycled because of how difficult and expensive is. As part of our brief, we establish sustainable objectives that follow 7 of the 11 Rs of the R-Ladder: refuse the combination of monstrous hybrids, redesign better detachable pieces, rethink the concept of a disposable razor, reduce the use of plastic, reuse the razor for a long time, remanufacture materials for its use in other industries and recycle the package when disposed,” says the team,

Oquari creates a positive social-environmental impact because of the reusable handle that spreads awareness about the plastic waste problem. It encourages you to apply waste recollection strategies while generating more active learning and participation. Fairtrade is also ensured for users from socioeconomic sectors C and D because Oquari is made to be affordable. In addition, the constant consumption of blades ensures fixed income to the company. “Because our handle is reusable, raw material production and manufacturing costs are reduced. Likewise, waste decreases and benefits other industries by recycling discarded blades,” the trio elaborates. A sustainable lifestyle shouldn’t e a status symbol but rather an accessible choice so we can create a larger impact much faster.

Designer: Karla Valencia, Guillermo Miranda, and Erik Rodríguez

Key Operation clads Kannai Blade Residence with narrow concrete fins

The building has a gridded exterior

Tokyo studio Key Operation has completed an apartment building in Yokohama covered with thin concrete panels that create a random pattern of light and shadow across the facades.

Key Operation designed the Kannai Blade Residence to replace a four-storey office block on a corner site close to Yokohama’s Kannai Station.

The Kannai Blade Residence is located on a corner plot
Top: the building is wrapped in black concrete fins. Above: it stands 11 storeys tall

The 11-storey building contains 94 privately owned studio flats with floor areas ranging between 22 square metres and 47 square metres. The compact units are designed for single occupants or couples without children.

The architects wanted the new building to complement the post-war structures that give the neighbourhood its distinctive character. The robust but open appearance of these low-rise concrete buildings is translated into the facade treatment of the Kannai Blade Residence.

“Our strategy was to emphasise the concrete floor slabs in order to amplify and echo the area’s horizontal linearity,” said Key Operation. “We also used the paper-thin concrete fins to break the monotony and introduce playfulness.”

The fins are irregularly placed across its facade
Concrete fins have a 40-millimetre thickness

Vertical concrete panels with a thickness of 40 millimetres are placed randomly across the building’s facades to break up the overall visual mass and create a decorative pattern that conceals the distribution of the apartments.

The depth of the panels varies between 200 millimetres and 900 millimetres, with some forming a brise soleil that shields the apartments from direct sunlight in summer, and others functioning as dividing walls between the units.

The panels are made from hybrid prestressed concrete (HPC) that uses carbon cables instead of steel rods to reinforce the material. The mix also contains polypropylene fibres so it can be used to make extremely thin panels that are also very strong.

The exterior of Kannai Blade Residence is dark grey
The fins shade the interior of the building

“When you look at the entire building from the front elevation, these concrete fins appear as sharp as a Samurai’s sword cutting through the air,” the architects said.

“If you look at the building from the side, however, you can begin to appreciate the texture of the exposed concrete, which changes its appearance with the intensity of the light.”

The HPC panels are also used to create a decorative lighting feature in the building’s lobby. Acrylic rods cast into the dark concrete replicate the appearance of a night sky when illuminated from behind.

The apartments each have a narrow floor plan with a width of just 2.9 metres. Kitchen and utility areas are incorporated alongside the entrance hallways and sliding doors are used to provide privacy without requiring additional space.

Concrete covers the walls of the interior of Kannai Blade Residence
The fins were used to create decorative lighting

The living areas open onto balconies incorporating concealed escape ladders that are a requirement in many Japanese apartment blocks. The balconies also discreetly accommodate services including boilers and air-conditioning units.

Internally, the apartments feature a minimal palette of wooden floors and surfaces finished in shades of white, black and grey. The balcony ceilings, handrails and external walls are also painted black to complement the grey concrete surfaces.

The apartments at Kannai Blade Residence have wood floors
The interiors of apartments have a bright feel

Key Operation is an architecture and design studio based in Tokyo, founded in 2005 by Akira Koyama. The firm’s broad portfolio includes a raw concrete apartment block, a cedar-clad warehouse at a cemetery and private house designed around the clients’ pet cat.

Photography is by Toshiyuki Yano.


Project credits:

Client: Tohshin Partners
Architect: Akira Koyama + Key Operation Inc.
Architects contractor: Fujiki Komuten
Structural engineer: Delta Structural Consultant
Service engineer: Comodo Service Planning
HPC consultant: Jin Hosoya Architects

The post Key Operation clads Kannai Blade Residence with narrow concrete fins appeared first on Dezeen.

This glass terrarium encases biologically inactive moss to create an indoor garden without the upkeep!

While decorating desks and coffee tables with plants and potted greenery does help to liven up our rooms and offices, taking care of them can sometimes get messy. Water spills and loose soil have a habit of muddying the spaces where potted plants reside, creating more trouble than the plants might be worth. Creating a means for people to adorn shelves and counters with greenery, without the stress that comes with the upkeep of potted plants, TerraLiving designed Vertex Zero, a geometric preserved moss terrarium that requires no sunlight, water, or upkeep for that matter.

Requiring no water for maintenance, Vertex Zero is a terrarium that encases real, biologically inactive moss, cultivated in TerraLiving’s own greenhouse and preserved in labs, inside museum-grade geometric glass containers. Live mosses are grown and cultivated in TerraLiving’s greenhouse dubbed the “Moss Lab,” before reaching the peak of their health and preserved for encasement. Using proprietary advanced preservation technology, each patch of live moss is stripped of any water content in low-pressure zones and subzero temperatures to freeze their proteins and biological components, rendering them inactive, but frozen in time.

Before reaching the gilded gates of their terrariums, each moss cell is first pumped with chlorophyll dye, plant fluid, nutrients, food, and cosmetic grade preservatives to help make the contained moss look more alive. As varying mosses populate the inside corners of their terrariums, the makers at TerraLiving curate each glass container to appear almost as a miniature moss-ridden forest. Requiring no light or water for nourishment, the creators behind Vertex Zero advise against storing the terrarium in direct sunlight and warn users to not water their terrariums as this could lead to mold or condensation within the terrarium.

Designer: TerraLiving

Each moss configuration is hand placed for a one-of-a-kind terrarium.

The glass containers used for each terrarium are museum-grade for the ultimate preservation and viewing experience.

Lightweight, yet sturdy by design, the terrariums were built for beauty and convenience.

When placed together, the hand-placed moss-ridden interior resembles a miniature forest.

Users can feel and smell the inside of Vertex Zero, but Terra Living advises against eating or consuming the moss.

Grown and harvested inside TerraLiving’s Moss Lab, the collected moss is hand-picked when they reach the peak of their health.

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Art for Myanmar, concept aircraft, candy-colored basketball courts and more from around the web

Karen Washington Wants to Revolutionize America’s Food System

Bronx-based Karen Washington fights injustice and inequalities in the US food system in various ways. An activist and urban farmer, Washington is also the founder of Rise and Root farm and co-founder of Garden of Happiness, La Familia Verde Garden Coalition, Black Urban Growers and Black Farmer Fund. Coining the phrase “food apartheid” (as opposed to “food deserts”), she says that the country’s food system is designed to deny people of color access to healthy, affordable food; farming and land; and various other opportunities within the food and agriculture industries. She explains to Nina Lakhani at The Guardian, “The food system is not broken nor does it need to be fixed. It’s a caste system doing exactly what it’s meant to be.” Washington’s overarching hope is for a new system in which (predominantly white-led) food banks aren’t needed, and communities have all the resources necessary to “put power back into the hands of people who have been marginalized for so long.” Read more about her decades of work and predictions for urban farming at The Guardian

Image courtesy of Ali Smith / The Guardian

Kelekona’s 40 Passenger eVTOL Concept Aircraft

NYC-based startup Kelekona has debuted a new, first-of-its-kind eVTOL (electric vertical take-off and landing) vehicle concept. Whereas most concepts (and prototypes) in the category propose or accommodate two people, Kelekona’s envisions 40 passengers, along with a pilot, for each flight. Utilizing four banks, each containing two very large ducted fans, the blimp-shaped aircraft would purportedly be able to travel 330 miles per charge at a speed that’s equivalent to an hour between LA and San Francisco. Read more about the technology behind the concept at Slash Gear.

Image courtesy of Kelekona

Turning Concrete Buildings Into Large Batteries

Though the technology needed to transform a concrete building into a rechargeable battery has existed since the early 20th century, new research from Sweden’s Chalmers University of Technology affirms that it’s possible to implement right now within many of the world’s pre-existing concrete buildings. According to Luping Tang of Chalmers and Emma Zhang of engineering and technology company Delta of Sweden, embedding carbon fibers (among other things) would allow concrete to conduct and store energy, possibly from solar panels. This would enhance the benefits of the world’s most used building material and lend an environmentally friendly attribute to the notorious infrastructure material. Read more about the tech and its benefits at Fast Company.

Image courtesy of Struffel/Blendswap, Simon_M/Blendswap

Yinka Ilori’s 3D-Printed, Candy-Colored Basketball Court

British-Nigerian artist and designer Yinka Ilori has created a public, half-sized basketball court intended to inspire optimism in London’s Canary Wharf. The court—designed for three-on-three games—eschews traditional materials in favor of 3D-printed polypropylene tiles called Traction² made by Hampshire’s OnCourt. The first public basketball court in the neighborhood, it boasts one hoop, a plethora of colors and patterns, and the slogan “Be the best you can be.” Ilori tells Jennifer Hahn at Dezeen, “I didn’t want people to put too much pressure on themselves and instead just celebrate being alive and being around family and friends because not everyone made it through the year. It was about trying to inject this sense of hope and positivity into the space. All you can do is give your best—I think that applies to everything that we do in our lives.” Read and see more at Dezeen.

Image courtesy of Matt Alexander and Sean Pollock

Ocean Radiation Could Predict Tsunamis

In an effort to better predict tsunamis, researchers at the University of Athens are working on underwater radiation-detecting drones as part of a project called RAMONES (RadioActivity Monitoring in Ocean EcoSystems). Understanding that seismic activity on land releases “small quantities of radon, a naturally occurring radioactive gas, into soil in the days before earthquakes happen,” scientists are developing a way to do the same on the sea floor. “Radioactivity itself is largely unknown in the marine environment, despite its importance,” Professor Theo J Mertzimekis—who is leading the just-started, four-year project—tells VICE’s Matt Allinson. Since traditional equipment used on land cannot be placed on the sea floor (most obviously because of the water, but also due to pressure, currents, winds and waves), the team will develop drones, “computers and types of AI that can do the job with the lowest electricity demands possible.” Read more at VICE.

Image courtesy of Jeremy Bishop / Pexels

Migrate Art’s “Raising for Myanmar” Project

With new editions released today, Migrate Art’s “Raising for Myanmar” initiative sells prints by well-known and emerging artists, with profits going to Mutual Aid Myanmar. Each poster (including designs by Richard Mosse, Tacita Dean, Guerilla Girls and Bart Was Not Here) sells for £50, and Mutual Aid Myanmar promises that every cent they receive goes directly to those in need: over 750 civilians have been killed and more than 250,000 have been displaced due to the military coup. Countless people in Myanmar are standing up and putting themselves in harm’s way to defend democracy, and purchasing one of these prints helps support them.

Image courtesy of Bart Was Not Here

Link About It is our filtered look at the web, shared daily in Link and on social media, and rounded up every Saturday morning. Hero image courtesy of Matt Alexander and Sean Pollock