Two days left to enter Dezeen Awards

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With only two days left to enter Dezeen Awards 2021, it’s time to finalise your entry.

The deadline is looming, so here are some tips to help you submit on time:

Entry form: Read our terms and conditions before you enter, and see our how to enter page for FAQs. Still have questions? Drop us a line at awards@dezeen.com. Get your questions in early to ensure we can help you before the deadline!

Images: Images must be under 10MB. Your square hero image should best represent your project or studio and will be published if you get shortlisted. You can upload up to ten gallery images. Do not upload renderings or digital visualisations. Include architectural plans where appropriate.

Video: It’s a good idea to include a link to a video about your project in the relevant field on the entry form. This should be clear and informative. We recommend that it’s no longer than five minutes in length.

Entry text: You will need to provide a short and a long project description and explain why you should win a Dezeen Award. Entries that do not answer these questions will be at a disadvantage. Write your entry succinctly and clearly, sticking to the facts, and avoiding exaggeration.

Word count limit: These are stated in the entry form. Please take the word count limit into consideration when writing your entry.

Entering on behalf of the designer: Make sure to ask permission first when entering on behalf of the designer.

Editing your entry: You may return and edit your entry as many times as you like. However, once you’ve made payment, you cannot change your entry.

Keep a copy: Save a copy of your answers just in case!

Submitting your entry: Once you’ve paid, we will send you a confirmation email as well as a VAT receipt.

Enter Dezeen Awards 2021 today

If you have further questions, reach out to awards@dezeen.com. Start your entry now to meet the deadline at midnight BST on 2 June.

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Mounds of surplus soil form walls in Japanese house by ADX

Soil House by ADC architects

Architect studio ADX made a feature of the soil excavated from the building site of this Minamisōma home, Soil House, created for a client who was displaced by the 2011 Japan earthquake.

The owner of Soil House in Fukushima Prefecture had to move to temporary housing and manage the separation of his family after the Tōhoku earthquake in East Japan, which uprooted more than 300,000 people.

Exterior of Soil House by ADX architects
Soil House features walls made from surplus earth from the site

The owner’s former home had been immersed in nature, and although he decided to move to a more dense residential area after the earthquake, he wanted architects ADX to evoke that same connection to the earth.

Initially, ADX addressed this by designing the landscape first and then situating the single-storey home within it.

Trapezoid soil walls of house in Minamisoma
The soil is set with expanded polystyrene foam spray

The distinctive trapezoid walls of piled sand came about when the architects went to remove surplus soil from the site but discovered its removal cost was more than estimated.

It made them consider how the sand could be incorporated into the structure instead, in the spirit of further connecting the house with nature.

Dining room in Soil House in Minamisoma Japan
The main structure of the house is made of wood

It also led them to recall the joy of playing with sand as children, which inspired the walls’ shape and placement.

To bond the soil and make it structurally sound the mounds have been sprayed with expanded polystyrene foam.

Tree inside a house with soil walls
The owner wanted his new home to be connected with nature

ADX believes the soil walls add to the home’s peaceful and energising elements.

“This house is designed with the concept of balancing ‘staticity’ and ‘dynamism’ — ‘staticity’ to reflect in silence and ‘dynamism’ to get down to work,” said the architects.

“We wish this house will inspire people to think about themselves, their family, the region and society in a comfortable and peaceful way,” they continued. “Moreover, we desire this house built with local material to remain in their hearts as a symbol of the region.”

The main structure of Soil House is made of wood and the floor area totals 137 square metres.

Japanese house with soil wall
Mounds of soil can be seen in the house’s interior

To further the connection with nature, the house has windows that fully open along one wall, allowing views of the soil from outside and the garden from inside. Glass partitions within the home also create sightlines to nature.

The house has two bedrooms, plus a third room that can be used as a guest bedroom. This room is in the Japanese washitsu style with tatami flooring and sliding screen doors.

Landscape of Soil House by ADX architects
The landscape the house sits in was designed first

Another Fukushima house that honours the earthquake is local architect Cohta Asano’s own home, which features nine intersecting volumes that form open interiors.

This year marks a decade since the earthquake, which also triggered a tsunami and nuclear disaster. The architects behind 16 relief shelters built in the aftermath recently shared their thoughts on the buildings’ legacy.

Photography is by Nao Takahashi.


Project credits:

Project manager: Kotaro Anzai
Engineer: Kenji Nawa
Construction: Tukuru

The post Mounds of surplus soil form walls in Japanese house by ADX appeared first on Dezeen.

Venice Architecture Biennale 2021: Nature as the Ultimate Architect

Many of this year’s participants looked to the natural world for their innovations

The 2021 Venice Architecture Biennale was destined to be a memorable event for a multitude of reasons. Perhaps the most obvious: it’s one of the first international events open to the public since the start of the COVID-19 pandemic. After so many months of lockdowns, forced closures and virtual viewing rooms, an occasion like this—meeting with new and old peers—was undoubtedly a strange and exhilarating experience. Partly for this reason, the year’s theme, “How will we live together?,” takes on a new, much deeper and emotional, meaning.

Since the Architecture Biennale was supposed to occur one year ago, walking through the exhibitions now, it is clear that many projects have naturally changed, grown and matured. It feels like a gigantic work in progress, or even part of a social experiment.

by Paolo Ferrarini

According to curator Hashim Sarkis, “together” includes human connections and our ties with nature. Although it is an architecture exhibition, this year’s Biennale boasts just a few buildings and purely architectural projects. Instead, the focus is on relationships rather than structures. And very often, nature is presented as a masterful architect that creates the strongest, most evocative relationship. At the two main locations, Giardini and Arsenale, the works on display illustrate many possible ways of living with and learning from nature—be it materials to structures, construction methods, balance and beyond.

by Paolo Ferrarini

Rotterdam-based Tomáš Libertíny’s Studio Libertíny aims to work side by side with bees, while also taking notes from the remarkable builders. For their project, bees produced honeycomb around pre-designed structures and the resulting forms were then scanned using computer tomography and replicated into large-scale installations, like arches and domes. Also displayed by the studio, at Arsenale, is a stunning replica of the famous Nefertiti bust, made with the help of 60,000 bees.

by Paolo Ferrarini

Vienna-based MAEID [Büro für Architektur und transmediale Kunst] installed “Magic Queen,” at Arsenale, an environment composed of organic and human-made materials. A moving robotic arm at the center feeds fungal flora, creating soil structures. Visual, auditory and olfactory sensors inform the robotic device, whose algorithms act according to how its surroundings behave.

by Paolo Ferrarini

With a somewhat similar approach, Doxiadis+ (an Athens studio that specializes in innovative landscape architecture) began collecting spores from the rooms of Arsenale months ago. Bringing them back to Greece, they grew them in a University of Athens lab. The result is “Entangled Kingdoms,” a mesmerizing fungi garden through which we can consider the beauty and the critical role of the humble but phenomenal mushroom.

Courtesy of ecoLogicStudio © Marco Cappelletti

London-based ecoLogicStudio‘s Bit.Bio.Bot installation is part exhibition, part science experiment and encourages viewers to taste freshly harvested algae. The project was developed over 10 years, with a steep acceleration during the pandemic. Through photosynthesis, domestic cultures of microalgae can turn pollution into food, clean water and even help purify air. Walls are “insulated” with algae at this exhibition, and the studio’s co-founder Claudia Pasquero tells us, “If we—collectively, daily and locally—contribute to transforming air pollutants and water contaminants into highly nutritious aliments, there will be fewer opportunities for unbalanced viral ecologies to exploit unsustainable food supply chains and polluted atmospheres to reach our organism and cause us harm.”

by Paolo Ferrarini

Achim Menges and Jan Knippers drew some inspiration from spiderwebs and beaver dams for their striking “Material Culture: Rethinking the Physical Substrate for Living Together,” which rethinks load-bearing structures made from fiber composites—namely carbon and glass fiber. The prototype on display aligns with the United Nations’ request for new building methods focusing on saving water, lowering costs while being durable and high resistance.

by Paolo Ferrarini

At the National Pavilion of United Arab Emirates, “Wetland” displays a structure made of 3000 modules in interlocking shapes that are reminiscent of ancient rural construction methods. However, it’s built with an experimental, environmentally friendly cement crafted from industrial waste brine—a common element in a country where water desalination is highly practiced. Visitors can walk through the structure, an experience that’s accompanied by a three-minute soundtrack explaining the process.

by Paolo Ferrarini

The 17th International Architecture Exhibition is open to the public through 21 November 2021. Since access is limited, we strongly recommend buying tickets and tours in advance at the official Biennale ticket office.

Hero image courtesy of ecoLogicStudio © Marco Cappelletti

Bolon R made-to-measure rug collection by Bolon

A square mustard-coloured Bolon R rug by Bolon

Dezeen Showroom: woven vinyl flooring manufacturer Bolon has launched a collection of made-to-measure rugs called Bolon R that is suitable for high-footfall, commercial interiors.

The rugs are available in durable materials from all of Bolon‘s original collections and the Bolon by You range, ensuring a variety of options “for any environment or project”.

A pair of square mustard-coloured Bolon R rugs
Bolon has launched a range of made-to-measure rugs

Bolon’s aim for the collection is to offer more decorative flooring options for spaces where its wall-to-wall coverings are not suitable.

“We see big potential for our rugs, as we give the customers endless options to select just the right design, trimming and size for their specific project,” explained the brand’s head of product management Klara Persson.

A white room with long terracotta-coloured rugs
The rugs are available in a range of materials

The Bolon R rugs are available in sizes ranging from two by two metres to a maximum of four by eight metres. Sizes under and over this range are handled on request.

There are also eight options for edge trimmings. As with all Bolon flooring collections, the products are made using recycled materials.

Product: Bolon R rugs
Brand: Bolon
Contact: carmencita.lundsten@bolon.com

About Dezeen Showroom: Dezeen Showroom offers an affordable space for brands to launch new products and showcase their designers and projects to Dezeen’s huge global audience. For more details email showroom@dezeen.com.

Dezeen Showroom is an example of partnership content on Dezeen. Find out more about partnership content here.

The post Bolon R made-to-measure rug collection by Bolon appeared first on Dezeen.

Geoff McFetridge Sports Cap

Artist and designer Geoff McFetridge has collaborated with Norse Projects on a collection of apparel and accessories featuring his distinct figurative style. One standout is the cotton twill cap, which is available in four colorways—navy, rose quartz, thyme green or dark khaki. The theme for the collection, “The farther you go the deeper it gets,” is embroidered on the back of the cap.

The Top 10 cabin designs that are a breath of fresh air compared to traditional A-frame cabins!

Quaint and cosy cabins nestled in idyllic spots are my idea of an ideal vacation! Destressing and relaxing in the midst of lush greenery, while leaving behind all your urban woes, just sounds so tempting! We’ve seen our fair share of conventional A-frame cabins. They never go out of style, and they’re always so comfortable and homely to stay in. As great as a quintessential A-frame cabin can be, we’ve gone a step further and curated a collection of unique and unconventional cabin designs that will have you drooling over them! These innovative cabin designs will surely make their way to your must-visit bucket list. It’s time to start planning your post-pandemic vacation!

Algorithms helped design the shape of this Japanese holiday retreat! Designed for idyllic Hokkaido in Japan, the YEZO is a retreat that uses its dramatic landscape and an experimental design approach to create a sanctuary in nature. The YEZO’s overall design is a fusion of both aesthetics and algorithms, optimized for fabrication from one single mold to minimize ecological impact and reduce manufacturing cost and delivery time. It features a unique curved roof that not only creates a spacious interior but even provides a channel for the central chimney while creating a small terrace/skylight in the process. The wooden roof shell structure, clad with regional black slate, consists of sustainable GluLam (glue-laminated) timber beams suspended from a central concrete chimney. “YEZO’s curved GluLam beams are carefully shaped to operate in pure tension throughout, resulting in weight and material reductions of 90% compared to straight beams”, say Kristof and Julien, the designers behind the award-winning retreat. The YEZO Retreat is a winner of the Golden Pin Design Award for the year 2020.

Designed by Nestron,  Cube Two is a 263-square-foot home that is designed for the future and smart living. This modern compact home is a prefabricated structure that already comes fitted with the latest home appliances that can all be controlled by an AI assistant named Canny. The exterior has smooth curved corners that give it a friendly vibe and the interior offers enough space for a family of four to live comfortably with two bedrooms and an open living area. To make it feel roomier, there is a skylight that runs across the ceiling and floods the space with natural light, and also provides a wonderful frame of the night sky.

Constructed from concrete, glass, and metallic material, D-Pod is “based on the concept of lightness,” as Grafito Design Studio puts it, “where the separation of the ground is sought and lifted; its internal functional modules also use this concept of being ‘separated’ from the floor and ceiling.” In fact, D-Pod’s mono-volume nature makes it so that walls or dividers are unnecessary. Aiming to create an interior of spatial fluidity, the ‘rooms’ inside D-Pod flow into one another without the added impediment of walls or physical boundaries. With transparent, floor-to-ceiling walls enclosing the entirety of D-Pod, the dwelling’s interior expands the visual space, dissolving D-Pod’s only walls into the environment that surrounds it.

The Diamanten Cabin, which is positioned atop a cylindrical support pillar in Oppdal, Norway, was constructed within its mountainous, pre-existing framework. The architects with A38 Arkitekter centralized environmental harmony in designing their winter annex; adjacent log cabins punctuate corners of the valley where the diamond-shaped cabin perks. The final structure is visually enigmatic, but chameleon-like in its commitment to reinvigorating, yet respecting the community to which it belongs. Nestled nearby traditionally vibrant timber cabins, the Diamanten Cabin is unassuming in size, with a total of only a single, open room. However, The Diamanten’s artistry is found not in its size, but in the way it appeals to the landscape and vernacular structures that cradle it. The frame of the cabin is structured so that the roof cascades gracefully in the direction of the massive mountain that frames its larger community.

Imagine a cabin that envelops you in the landscape through its design – that is exactly the feeling Jorge Luis Veliz Quintana envisioned with his cabin design located on the edge of mountains in Cuba! It is an organic refuge for those who want to connect with nature and disconnect from the world. The cabin brings in panoramic views of the landscape while also visually blending in the natural setting with its carefully chosen CMF. The unique cocoon shape structures are perched on giant boulders and each cabin spans over an area of 150sqm. The curved wooden lattices sit on concrete platforms which match the grey tones of the cliff which makes it seem like the cabin is born out of the rocks itself and is levitating – I absolutely love it when designers pay attention to smaller details in their CMF which makes their concept truly one with the surroundings and it is visually soothing.

Designed to be a cozy private retreat that sits just a few feet away from your home, the Workstation Cabin gives you the advantage of a great working den that’s surrounded by nature. Its edgy, polygonal design looks great from both the inside as well as outside, as designers Hello Wood Studio (pioneers of the Hungarian cabin movement) constructed the 8-square-meter unique wooden house using wood panels and huge windows that let the natural light in. Made so that it can be the extra room your house needs (now that everyone’s stuck indoors), the Workstation Cabin is an insulated and soundproof room that can easily serve as a “workstation, a meeting room, a kids playroom, and a perfect hiding place if you are looking for a quiet space to read, relax and exercise”, according to the designers.

This cluster of prefab cabins is located in a Slovakian forest for Hotel Björnson but can also be stand-alone homes. The minimalist shelters have a Scandinavian aesthetic and give you an eco-friendly getaway with minimal environmental impact. Ark Shelter has also won a Cezaar award in the category Architectural Fenomena – a recognition for the most exceptional architectural achievements of the year. The modern retreat is made of 11 cabins and four wellness units that include saunas and relaxation rooms. The shelters are built in one piece, which gives the incredible mobility to reach your dream location. Every cabin rests on stilts to minimize site impact and has been carefully placed in between the trees to give you maximum privacy and maximum views!

This conceptual glamping pod is called Lara! The minimal circular cabin is a luxurious treat we deserve! One of Lara’s most exclusive features is a round patio complete with a jacuzzi and a lounging area. While the cabin is envisioned to be set amidst trees to provide privacy, the designer has added a handful of plants to brighten up the woody design of the patio. The white exterior contrasts elegantly with the lush natural location. The tiny cabin’s ground level hosts a sem-circular room with a modern fireplace – the ones where there is a slit in the stone for the flames! It also has a fully functioning bathroom, however, the provisions for a pantry or a small cooking space are missing for now.

Liyanage’s Cliff Cabin, as he calls it, suspends from the side of a mountain, hovering in midair. In his 3D conceptualization, Liyanage visualizes Cliff Cabin locked in place above four support beams that are bored into the cliffside to create a secure enough foundation for Cliff Cabin to rest atop. In addition to its bottom support, four high-tensile cables are attached to the cabin’s roof and balance the cabin by drawing it back away from the cliff’s edge, evenly distributing the weight of the cabin. Globular spheres lock the cables in place and add an elegant and tidy touch to the cabin as a whole. Cliff Cabin takes on a primarily triangular shape, with right triangle glass facades sharpening the cabin’s sides and protruding out to their center of convergence.

Nestled within the mountainous terrain of Stowe, Vermont, a town known for its ski slopes and trails, is the Vermont Cabin. Built by Olson Kundig, the Vermont Cabin is a compact little home for a family that has owned property in this snowy region for generations. Occupying a humble space of 750-square-foot, Kundig designed the Vermont Cabin, keeping in mind that “The client brief called for a small, straightforward family cabin in the tradition of the Vermont cabins they grew up with.” Surrounded by white pines and maples, the intimate home has been divided into three levels. The lowest level is settled comfortably within the site, and contains a garage that also doubles up as a fun game room! A single bedroom and a powder room are also included in this level. The middle story consists of the main entry, two small bedrooms, and a bathroom.

dMFK Architects creates nostalgic office interior in former 1960s medical lab

Fitzroy Street for Derwent London by dMFK

London firm dMFK Architects has transformed a mid-century medical laboratory into a flexible office space with smoked oak joinery and a restored concrete staircase.

The office is spread over 550 square metres and located on the first floor of a fully-glazed 1960s building in the city’s Fitzrovia neighbourhood.

Wood-panelled meeting room with spherical pendant lights and wooden furniture in Fitzroy Street office interior
Meeting rooms are separated from the main space using smoked oak joinery

dMFK Architects was commissioned by property developers Derwent London to create an interior that was in keeping with the building’s heritage while incorporating the essential features of a modern co-working space.

Accessed from the ground floor lobby via the building’s original restored concrete staircase, the office features smoked oak joinery and bespoke family-style tables by British furniture brand Benchmark.

Spherical lights in wood-panelled office by dMFK Architects
Spherical pendant lights hang in the main open-plan office area

Paired with vintage lights and pieces of Swiss and Danish furniture, the overall scheme creates a homely environment that is reminiscent of the mid-century era.

The studio incorporated a wide range of spaces for different types of work including phone booths, focus booths, a choice of meeting spaces, shared flexible workbenches, a breakout area, dining spaces, showers and changing facilities.

“We aimed to design as many different workplace opportunities within one space as we could, to offer a potential tenant light and shade and a range of options,” said dMFK Architects.

“Materials were kept soft and neutral to appeal to as wide a range of tenants as we could.”

Open shelving and white couch in Fitzroy Street office interior
Open shelving helps to divide up the space

The architects also stressed the importance of offering different types of lighting to foster productivity.

“We wanted contrast, areas of light and shade, strong task lighting on the tables but dimmer lighting in other areas,” they explained.

“We also chose not to use linear strip lighting to create a less even quality of light, which we believe is less tiring and more interesting.”

Seating area and concrete staircase in Fitzroy Street office interior
dMFK Architects restored the building’s original concrete staircase

According to dMFK Architects, the project is representative of a growing trend for developers to create finished interiors within office spaces, rather than renting out empty shells.

The studio has previously designed 11 buildings for The Office Group and was responsible for renovating The Gaslight, a mixed-use development set within an art deco building in central London.

Photography is by Jack Hobhouse.

The post dMFK Architects creates nostalgic office interior in former 1960s medical lab appeared first on Dezeen.

This minimal wooden desk elevates your furniture functionality with a minimal all-black aesthetic!

Working from home has turned us all into desk connoisseurs if you will. We have a newfound appreciation for furniture design and this all-black wooden piece is the one we’ve been swooning over. The Ark desk was designed for a client who wanted to increase the functionalities of his traditional table/desk – a need we have all realized during this pandemic. Ark is minimal in its design yet maximizes its surface area.

The interesting thing about Ark’s design is that it can switch identities between the writing desk and the dressing table. The mirror is an optional feature for the desk, you can move its position based on what you are using it for. One of its sides is a downwards flanging cabinet included to increase storage. It provides a space for keeping cosmetics during dressing, books, or work-related files which ensures that the desktop space is clutter-free. The cabinet also keeps the items stored hidden from the front view which makes the overall visual of Ark a very clean and pleasing one!

Ark interprets the beautiful combination of function and form with a simple and neat modern shape. The all-black aesthetic is evergreen and works for all kinds of interior spaces. We love a good wood design!

Designer: Pengcheng Wang

Shoin sliding system by Lualdi among new products on Dezeen Showroom

Shoin sliding system by Lualdi

Lualdi’s system of glass sliding doors and panels informed by Japanese interior screens is among 14 new products featured on Dezeen Showroom this week.

Shoin sliding system by Lualdi

Shoin sliding system by Lualdi

Italian brand Lualdi has created a system of glass sliding doors and fixed panels called Shoin. The panels are designed to act as clear walls and entryways in order to delineate spaces and create welcoming environments.

The panels are made from six-millimetre-thick tempered glass fitted into an aluminium frame that comes in various woods, metals and matt lacquered colours. The glass panels are available in an array of styles such as fluted grey and extra-clear.

Shoin was featured on Dezeen Showroom this week, alongside products including a low-seated table with legless chairs and a hybrid chandelier with integrated greenery.

Read on to see the rest of this week’s new products…


Aayutha low dining table with Kelir chairs by Magari

Aayutha dining table and Kelir chair by Amitha Madan and Agrim Singhal for Magari

Designers Amitha Madan and Agrim Singhal have created the Aayutha dining table and Kelir chair for Indian furniture brand Magari. The collection is informed by Tamil script’s distinctive fluid and geometric style.

The low-seated table is composed of a polished black-slab tabletop that sits atop roughly textured granite legs. The chairs feature brass details and a woven leather and paper cord backrest.

Find out more about Aayutha and Kelir ›


Lynderup chair by Børge Mogensen for Fredericia

Lynderup chair by Børge Mogensen for Fredericia

Lynderup is a light, stackable chair created by Danish modernist designer Børge Mogensen for design brand Fredericia.

The chair, which is named after Mogensen’s beloved farm, is composed of a tubular metal frame that comes in either black or chrome with a plywood seat and backrest.

Find out more about Lynderup ›


Pavilion AV16 and AV17 desks by Anderssen & Voll for &tradition

Pavilion AV16 and AV17 desks by Anderssen & Voll for &tradition

Pavilion is a slender-framed desk created by Oslo-based design studio Anderssen & Voll for Danish brand &tradition.

The desks have a rounded tabletop that comes in lacquered walnut or oak, while the frame is made from tubular steel.

Find out more about Pavilion AV16 and AV17 ›


Combine Evolution kitchen by Piero Lissoni for Boffi

Combine Evolution kitchen by Piero Lissoni for Boffi

Combine Evolution is a kitchen comprising two islands and a dining table designed by Italian architect Piero Lissoni for Boffi.

The two kitchen islands are united by a large table made of solid wood staves. The units have integrated features such as washing, cooking, food preparation sections, storage compartments and a hidden downdraft hood with a metal bar for hanging utensils.

Find out more about Combine Evolution ›


Circ pendant with planter hanging in an office meeting room

Circ pendant light by Nahtrang Studio for Estiluz

Circ is a lighting collection that features a hybrid chandelier with greenery by Nahtrang Studio for Spanish brand Estiluz.

The lighting is composed of iron rings that support spheres of light dotted around it. The second metal ring is designed to hold natural-looking artificial plants, which hang decoratively below the lighting.

Find out more about Circ ›


Baia table by Zanellato/Bortotto for De Castelli

Baia table by Zanellato/Bortotto for De Castelli

Baia is a table informed by the movement of water through a lagoon by design duo Zanellato/Bortotto for Italian brand De Castelli.

The table features two wide copper columns and a curving tabletop with a mottled green and blue finish, which is created by combining different pigments through fire and oxidation.

Find out more about Baia ›


Sixties Shapes tile collection by Togama

Sixties Shapes tile collection by Togama

Sixties Shapes is a mosaic tile collection made from recycled glass created by Spanish tile manufacturer Togama.

The tiles have a hexagonal shape and come in a wide range of hues and finishes, including pearl, mustard-yellow, iridescent or matt. They have an anti-slip finish that is resistant to harsh chemicals, scratches and varying temperatures.

Find out more about Sixties Shapes ›


Oripura by Colebrook Bosson Saunders

Colebrook Bosson Saunders has designed an ergonomic laptop stand called Oripura, which can be folded and easily transported.

The stand, which can be used with laptops ranging from 11 to 16 inches, is designed to ease neck, back and eye strain to aid users in achieving healthier posture.

Find out more about Oripuras ›


Shift towel hook by VanBerlo for Geesa

Shift towel hook by VanBerlo for Geesa

Bathroom accessories brand Geesa launched five products from its Shift bathroom range designed by VanBerlo, including the Shift towel hook.

The hook has a simple parallelogram shape with smooth edges and is available in many finishes and patterns, including ones with three-dimensional geometric patterns.

Find out more about Shift towel hook ›


Shift glass holder with shelf by VanBerlo for Geesa

Shift glass holder with shelf by VanBerlo for Geesa

The Shift double glass holder with shelf is also part of the wider Shift collection, which is available in a wide range of finishes and colours so that “the vision of the designer can be translated exactly into the final product of the bathroom that will be realised.”

The items are based on the signature monobloc form of the Shift collection in order to give them a cohesive identity.

Find out more about Shift glass holder ›


Shift toilet roll holder by VanBerlo for Geesa

Shift toilet roll holder by VanBerlo for Geesa

Also part of Geesa and VanBerlo’s collection is the Shift toilet roll holder, which is customisable in a range of styles, finishes and patterns.

The item comes in four options including a single holder with or without a shelf and a double holder with or without a shelf.

Find out more about Shift toilet roll holder ›


Shift 60-centimetre towel rail by VanBerlo for Geesa

Shift 60-centimetre towel rail by VanBerlo for Geesa

The Shift 60-centimetre towel rail is available in an array of finishes including chrome, brushed stainless steel, brushed gold, brushed metal black or matt black.

The collection is intended for architects and interior designers working on contract projects such as hotel chains, cruise ships and villas that require a unified identity across bathroom accessories.

Find out more about Shift 60-cm towel rail ›


Shift 45-centimetre towel rail by VanBerlo for Geesa

The Shift 45-centimetre towel rail is designed to be fixed perpendicular to the wall.

It is intended to hold small towels and is recommended for placement beside a basin.

Find out more about Shift 45-cm towel rail ›


About Dezeen Showroom: Dezeen Showroom offers an affordable space for brands to launch new products and showcase their designers and projects to Dezeen’s huge global audience. To launch a new product or collection at Dezeen Showroom, please email showroom@dezeen.com.

Dezeen Showroom is an example of partnership content on Dezeen. Find out more about partnership content here.

The post Shoin sliding system by Lualdi among new products on Dezeen Showroom appeared first on Dezeen.

Forest and Whale designs edible Reuse food containers made from wheat husks

Food container made from wheat

Design studio Forest and Whale has created Reuse, a container for takeaways made from packaging that can be eaten or composted once the food is finished.

The Singapore-based studio, founded by Gustavo Maggio and Wendy Chua, created the vessel in an attempt to help cut down on the usage of single-use plastic.

Gif of edible salad bowl
Forest and Whale’s Reuse container is made from wheat husks

The studio’s Reuse container is made from wheat husks.

“The wheat husk is ground into smaller pellets and then, with the addition of a small amount of natural binder and water, pressed within two metal moulds at high temperature,” Maggio told Dezeen.

“This gives shape to the final container, which is then ready to use.”

Edible container
The Reuse container was designed for takeaways

The resulting container can be used to hold any food but is most suitable for salad, as it can’t withstand moisture for too long.

“It can hold a salad with dressing for a couple of hours, but it will slowly start softening and losing rigidity,” Maggio said. “The ideal use is for takeaways, where you eat within two to three hours.”

Edible salad container
Parts of the container can be broken off and used to eat with

The Reuse container is meant to be used only once and can be eaten after it’s been emptied, though Maggio says it’s not the tastiest.

“The closest reference I can think of in terms of taste is bran sticks, but it is not particularly tasty to be honest,” he said.

The bowl was designed with four small precut lines that enable the user to tear off pieces of the container to use as a tool to eat with.

“The design of this salad bowl came from observing and analysing eating rituals and trying to find the ideal use for this material,” Maggio said.

“In many cultures, salads are accompanied by a slice of bread or breadstick that acts as a tool to help eating and also gives a contrasting texture to the salad ingredient.”

Multiple salad containers made from wheat husks
Both the container and the lid can be composted, but the lid is not edible

If the user doesn’t choose to eat the container, it can be placed in a regular composting bin where it will decompose in about 30 days.

The lid for the container is made from polyhydroxyalkanoates (PHA), a bacteria-based composite with properties similar to plastic.

This is not edible, but it can also be composted in regular compost bins, where it will decompose in less than six weeks. It will fully biodegrade in nature and if it were to go into the ocean, it would decompose within three months without leaving microplastic behind, the studio said.

Forest and Whale is currently prototyping the Reuse container and hopes to bring it to the market this year.

Images courtesy of Forest and Whale.

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