Interior Space: A Visual Exploration of the International Space Station

Available for pre-order now, Interior Space: A Visual Exploration of the International Space Station comprises unseen, eerie images that photographers Paolo Nespoli and Roland Miller captured inside the empty space station. Described as an “in-depth portrait,” the book also contains essays by space archaeology scholars Alice Gorman and Justin St P Walsh, as well as words from the photographers and architect Jeffrey S Nesbit. Through fascinating words and captivating images, readers are treated to a virtual 200-page tour through one of the most important and mysterious places in the universe.

Watch this camper expand into a two story tiny house powered by solar panels!

I love tiny homes and cabin designs because they show how you can creatively optimize small spaces and still make them highly functional. The latest on my list is the Haaks ‘Opperland’ camper because it is something I haven’t seen before – an expandable trailer! This cool camper turns into a tiny two-story house!

This durable camper is actually a hidden tiny home that brings exceptional comfort and enhanced capabilities while you choose your views. The compact structure is capable of being transported on a flatbed truck so you can bring your home and turn it into a vacation home in any place you like. Flexible lifestyle goes hand in hand with pop-up home designs like the Opperland camper that offers a sleeping loft as well as a lower section open for meal preparation, dining, relaxation, and other activities. A triangular pop-up roof transforms the wood-clad camper into your tiny home with all amenities and appliances. There is a small bathroom at the back of the camper including a shower and the staircase opposite it that leads to the upper level where a double mattress fills the space illuminated by a whimsical triangular window located in the pitch of the roof. “With the push of a button, the camper extends its support legs, so that the car can be driven under it; this remains available for day trips. The module self-levels and the automatically retracting roof unfolds your sleeping area,” explains the team.

The cabin offers 45 liters of freshwater storage along with a wastewater tank and also features a Truma water heater along with a Victron inverter to provide essential amenities for inhabitants. It also has solar panels that provide the owners with endless power and let them travel for days. The tiny structure includes a kitchen with a sink, an induction cooktop, and an 81-l fridge/freezer. this is all powered by a 360-ah lithium-ion battery onboard. Large windows flood it with ample natural light and ventilation. The idea was to enable people to feel at home in the camper and make most of the gift of freedom that comes with it. “The Haaks camper is proof to me that durability, comfort, and beauty can go well together. A bold and innovative design that you want to be seen with,” says lberic Pater, Sustainability Manager at IKEA Netherlands.

Designer: Haaks Campers

Pictures of a Super Rare Comet

Le photographe Dan Zafra de Capture the Atlas a l’habitude de voyager dans des lieux exotiques pour prendre des photographies merveilleuses de notre ciel. Mais sa dernière aventure du week-end l’a conduit dans un nouvel endroit un peu plus proche de chez lui : les montagnes des Adirondacks. Situé dans la partie nord-est de l’État de New York, ce paysage magnifique est connu comme l’une des parties les plus sombres de la côte Est. Ici, il a pu photographier la Voie Lactée mais surtout, la rarissime comète de Neowise, qui passe uniquement tous les 6800 années dans le champ visuel terrestre.


Dan Zafra (2)


MUT Design's sculptural Roll chairs are informed by workout machines

MUT Design creates sculptural Roll chairs for Sancal

Spanish studio MUT Design took visual cues from the leg press machines found in gyms when designing the Roll chair for Sancal, whose true function is unclear upon first view.

The Roll chair is made up of two cylindrical cushion elements that function as a seat and backrest, and four steel tubes arranged in an X-shaped structure that create the frame and legs.

This simple configuration was designed to avoid any “superfluous ornaments” or details, reducing the conventional shape of a chair down to two basic elements.

MUT Design creates sculptural Roll chairs for Sancal

Though MUT Design took inspiration from leg press machines for the Roll chair’s form, it turned the equipment’s function on its head by adapting it to create a chair that invites users to rest and pause.

As the studio explains, the chairs are so lightweight that “they don’t seem to be there”, yet they simultaneously have a striking presence.

MUT Design creates sculptural Roll chairs for Sancal

The Roll chair was created for furniture brand Sancal as an industrial take on the trompe l’oeil art technique – a term that translates to “trick of the eye”, and is used to reference artworks and objects that use realistic imagery to create optical illusions.

This effect is amplified when the chairs are stacked on top of each other, forming a “sculptural figure”.

“They are chairs that look like something else,” said MUT Design founder Alberto Sánchez.

“Perhaps Roll chair’s complex simplicity may mislead you at first, as well as its inspirational concept,” the studio added. “Maybe this is the most ironic and contemporary design created by MUT.”

MUT Design creates sculptural Roll chairs for Sancal

The cushions can be upholstered in any of Sancal’s fabrics, and the chairs are available in 12 different lacquer finishes on the metal tubes.

The Roll chair – which is set to be launched at the next edition of Salone del Mobile in Milan – was designed as part of MUT Design’s A la Fresca exhibition that was held during the latest edition of Das Haus at IMM Cologne furniture fair.

The Das Haus show, which took place earlier this year in January, saw MUT Design create hybrid indoor-outdoor furniture prototypes for an installation that aimed to blur the line between exterior and interior, and architecture and nature.

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David Goldblatt’s images of Soweto capture 1970s township life

The images are the focus of Goodman Gallery London’s David Goldblatt Johannesburg 1948-2018 exhibition, which continues until the end of August. It’s the South African photographer’s first major solo show since the 80s, and brings together a lifetime of work, from early prints made in his dark room to more recent colour photographs.

Notably, the show features his 1972 photo essay of Soweto, shot four years before the uprising that would spread across the country, and fuel the anti-Apartheid movement. The images focus on commonplace events, depicting people sat in their homes with their family or children playing. Other photographs from the exhibition highlight the racial inequality of the time.

Top image: Cup final, Orlando Stadium, Soweto, 1972; above: George and Sarah Manyani, 3153 Emdeni Extension, Soweto, 1972
Anna Labako, a washerwoman from Soweto carrying the week’s laundry to a White suburban family, Harrow Road, 1961
Makana Tshabalala and Ntsiki Kabane, Dube, Soweto, 1970

According to Goldblatt – who died in 2018 – his trips to Soweto emphasised the divisions created by Apartheid. He describes the experience of driving from the cramped streets of the township back into the leafy suburbs of Johannesburg, saying “nothing in all of my life made me more sharply aware of the power of Apartheid and what it meant to be Black or White, than this simple transition.”

Goldblatt evidently had conflicting feelings towards Johannesburg, where he lived for 70 years, describing it as “not an easy city to love”. “From its beginnings as a mining camp in 1866, White did not want brown and Black people living among or near them and over the years pushed them further and further from the city and its White suburbs,” he said. “Like the city itself.”

The house-painter and his family, Pretoria Street, Hillbrow, 1973
Shop assistant, Orlando West, 1972
Cafe-de-Move-On, Braamfontein, Johannesburg, 1964
Bedroom, Soweto, 1977; all images courtesy Goodman Gallery London

The photographer also expressed difficulty at being able to capture these complexities on film, saying that despite documenting many different subjects, they remained “a fragment of a whole that I’ve never quite grasped”. Despite this, Goldblatt’s images of Johannesburg form an important visual record – one that feels perhaps newly relevant in the light of the recent Black Lives Matter movement.

David Goldblatt Johannesburg 1948-2018 is on display until 25 August 2020; goodman-gallery.com

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What Would I Change: Jo Arden, Publicis•Poke

As part of CR’s series exploring what creatives would change about their industry following this enforced period of lockdown and reflection, we speak to Publicis•Poke’s newly appointed chief strategy officer, Jo Arden

The post What Would I Change: Jo Arden, Publicis•Poke appeared first on Creative Review.

Sci-fi goes minimal in Penguin’s new book series

Penguin Classics has published a new series of ten sci-fi books that aim to give the genre something of a rebrand. The books included are written by authors from around the world and span the sci-fi spectrum, from satire to dystopia, yet they are unified by striking jacket designs that throw caution to the wind as far as mainstream sci-fi aesthetics are concerned.

A world away from the busy scenes and classic iconography many have come to associate with the genre, Penguin art director Jim Stoddart opted for line drawings to present the new series. “There is perhaps a tradition for science fiction books to illustrate unfamiliar conceptualised worlds on their covers. But when judging a book by its cover, even with all the best intentions, I really feel representational depiction often doesn’t do the writing justice, and perhaps unfairly ghettoises some amazing books which should have a much broader appeal.”

The refreshingly minimal line drawings were chosen to convey the human quality at the heart of the narratives. The covers also give a moment of respite rarely seen in sci-fi visuals, with the sparse designs and pared-back colour palette leaving breathing space for readers to construct their own imagined visions.




“The Penguin Classics Science Fiction series is the beginning of a collection of some of the most creative writing out there and it felt really important to turn a corner,” Stoddart explains. “These books are existentially mind-bending and the action best takes place in the imagination. It felt right to let the role of these covers be simply to allude to the pages held within, rather than illustrate them.

“The scope of eccentric worlds and vivid new concepts in these books is vast but the thing that unifies them is the human experience. The relatively minimal line drawings used on these covers express the essence of much more complex ideas,” he adds. “They have that sleight of hand that quick sketches manage to achieve when convoluted thoughts are still skitting around the mind.”

The eclectic series features books from the turn of the 19th century and across the 20th century. “This was the era that the representational arts lost their hold on the human imagination and blossomed – almost hand in hand with literary innovation – with the aim of finding new ways of articulating deeper ideas,” says Stoddart.

Some of the covers will be recognisable to readers, with designs showcasing works by Modernist masters like Picasso, Le Corbusier and Herbert Bayer.

“There is a vivid spirit of inventiveness in each of these drawings. For instance, Herbert Bayer’s extended field of vision diagram visualises so succinctly the multiple distractions thrown by the universe at the lead character in the Strugatsky brothers’ One Million Years to the End of the World,” Stoddart says.

“Yevgeny Zamyatin’s We is possibly the very first dystopian novel, where every person must live in unforgiving glass apartment buildings and is regulated in work, life and love by the state,” he explains. Stoddart channelled this on the cover using Le Corbusier’s Modulor drawing, which the painter and architect described as a “range of harmonious measurements to suit the human scale, universally applicable to architecture and to mechanical things”.

For the cover of The Cyberiad by Stansilaw Lem, the answer came from one of the most influential artists of the 20th century: “Picasso’s search for the limits of what makes us human chimes irresistibly with the very human relationship between the book’s two machine protagonists.”

Penguin Classics Science Fiction series is out now; penguin.co.uk

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Folkform bases ceramic tile mural for public swimming pool on Spånga town plan

Swimming pool mural by Folkform

Swedish design duo Folkform has installed a mural composed of over 1,000 individual glass and ceramic pieces in an indoor public swimming pool in Spånga, Stockholm.

The mural was commissioned as an art installation by Stockholm Konst, a municipal fund for public art works, and inspired by Spånga’s town plan.

Its pattern forms an abstract visualisation of the town seen from above and was created from a collage of different materials.

Swimming pool mural by Folkform

“The composition is reminiscent of a topographical map with its town square, a tree-lined avenue, the train track and train station,” Folkform co-founder Anna Holmquist told Dezeen.

The studio sourced different utilitarian materials, including glass brick, clinker bricks and ceramic tiles, for the mural, which is ten metres long and four metres tall.

Installed by hand over three weeks, the tiles and bricks were juxtaposed with pieces of handmade glass dating back to the 1950s that were sourced from the Orrefors glassworks in southern Sweden.

Swimming pool mural by Folkform

The pale pastel green, blue and beige hues used for the mural complement the subdued colours of the 1960s building, as well as the blue tones of the pool.

Folkform intended the installation to be an abstract artwork that people could rest their eyes on while exercising.

“All the different materials have a gentle white or transparent shiny finish, allowing reflected and refracted light from the windows to dance across the surface,” the studio said.

Folkform also aimed for the project to draw attention to the practice of reusing materials.

“Instead of manufacturing all new materials for the project, the glass represents a creative practice of reuse and the tiles and bricks are an instance of employing industrial ready-mades,” Holmquist said.

Swimming pool mural by Folkform

“It is utilising old ornamented vintage glass and new pressed glass prisms that were going to be discarded, bringing them back to life,” she continued.

“It’s important to inspire this practice within such a public setting, as it prompts people to think about the practice of creative reuse and recycling in their own lives.”

Folkform was founded in 2005 by Holmquist and Chandra Ahlsell. The studio and has previously designed bookcases to make physical books more desirable.

Photography is by Erik Lefvander.

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Folding polycarbonate wall reveals earthy interiors of São Paulo wellness space Dois Trópicos

Dois Trópicos by MNMA

Brazilian studio MNMA has designed a spiral concrete stair and folding polycarbonate doors in this botanical store, yoga classroom and restaurant in São Paulo.

Dois Trópicos has a calming earthy palette featuring local materials and crafts that MNMA chose to complement the functions of the wellness hub.

Dois Trópicos by MNMA

“The concept of the project is a hybrid space, there is no determination or boundaries. We want a space that integrates gastronomy, the practice of yoga and botany,” MNMA explained. “Where people can feel in every way the importance of spending time in the chaotic city of Sao Paulo to take care of themselves, slowly and with pleasure.”

“A commercial space that creates a homelike hosting experience, using nostalgia and natural matter, crafted by artisan hands that desire to achieve not perfection but real environments,” it added.

Dois Trópicos by MNMA

Translucent polycarbonate doors set in aluminium frames front the exterior to contrast the earthy aesthetic, and allow natural light and cross-ventilation.

“By contrast, the facade is technological, drafted and executed with precision, thought to allow sun and wind in, to avoid artificial air conditioning systems,” the studio explained.

Dois Trópicos by MNMA

“The general purpose is to create a contemporary element that, when opened, would bring back some lost time of ancient forms of construction, a slow passing of time, an earthy place… it feels like ‘home’.” the studio continued.

Dois Trópicos by MNMA

Slender terracotta-coloured bricks made by local craftsmen cover the flooring and form structures for washbasins, while textured soil-based render is applied by hand to the walls throughout.

Dois Trópicos by MNMA

“We don’t use conventional paint to colour the walls, we literally use earth (like clay) to give this colour, the walls and ceilings are natural earth colours, we don’t use anything chemical,” MNMA said.

“The soil reacts allegorically to the sunlight movement along the day, turning walls, ceilings and the floor not into limits or boundaries, but into canvases for the light to express itself gradually in various forms,” it added. “As it is possible to enjoy comfortably great and authentic food, full of flavours.”

Dois Trópicos by MNMA

A spiral staircase at the entrance has a rendered banister and concrete treads with a marked underside that was built using leftover wood on the construction site. It leads up to an open studio space for yoga and massages.

“The shape was made with materials reused from demolition,” it explained. “The experience was more important than the performance of the technique, so the drawings that are usually super strict gave voice to the empiricism of the local artisans workers,” the studio added.

Dois Trópicos by MNMA

A circular door punctured in the rear wall to provides access to stairs that lead down to a restaurant on the lower level. Granite gravel is laid the floor of the outdoor areas to allow for drainage of water. A glazed roof partially covers the restaurant and bar – which is also made from the pale bricks.

Founded by André Pepato and Mariana Schmidt, MNMA has used a similarly pared-back aesthetic for a number of spaces in São Paulo. They include a retail space for Brazilian women’s clothing store Egrey and a store for shoe company Selo.

Photography is by Andre Klotz.

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Ditch those dirty cloth masks, this reusable UV-C face mask makes it easy to breathe 99% clean air

Here’s a classic example of necessity being the mother of invention. Mask design has seen such blitzscaled innovation in the past couple of months, it’s truly remarkable how designers, engineers, and medical professionals have convened so passionately to tackle this pandemic. In just the past few months we’ve seen masks that are transparent, masks designed with miniature air-purifiers in them, and now the UV Mask, a mask that actively uses UV-light to filter the air you breathe, giving you an unparalleled total filtration efficiency of 99.99%.

We’re only half-way through 2020 and it seems like the virus still has tricks up its sleeve. With multiple scientists presenting evidence to WHO that the COVID-19 virus isn’t particulate-borne but rather is an airborne virus (which makes it much more difficult to deal with), it’s time our masks did more than just trapping particles. The UV Mask, unlike your conventional N95, doesn’t just trap microorganisms… it neutralizes them too, breaking down the genetic materials of coronavirus in milliseconds.

The UV Mask comes with a dual filtration system that delivers the cleanest air quality of any existing face-mask. A preliminary replaceable N95 filter blocks 95% of particles like dust, dirt, debris, up to 0.3 microns. Microorganisms smaller than 0.3 microns then enter the UV-C Sterile Vortex, a helix-shaped filter that blasts microorganisms with UV-C light to destroy 99.9% of the remaining 5% on a DNA level, to give you air that isn’t just clean, it’s medical-grade, sterile-clean, bringing total filtration efficiency to 99.99%.

The UV Mask scales down active UV filtration tech to a wearable level (it’s the only existing mask to do so). Its patent-pending design uses a combination of a CE-FFP2 (EU standard same as N95) filter and two powerful UV-C LEDs to actively sterilize the air you breathe. Even during exhalation, the air you breathe out is sterilized and filtered too, effectively protecting asymptomatic people from infecting others around them. The UV Mask comes with a silicone outer-ring to create a comfortable airtight seal, ensuring effective protection from air pollutants, as well as preventing what I personally call ‘foggy-spectacle syndrome’. Multiple strap styles let you secure the UV mask around your head or even around your ear, based on what suits you best. The mask comes with a removable outer hard-shell that lets you access and replace the filter after weeks of use, while the UV-C lamp itself has a usage life of 10,000 hours, and the UV Mask’s internal battery runs for 6 hours on a single full charge. The UV Mask comes with an optional carrying-case for securely storing the mask when not in use, and a pack of 10 replacement filters sets you back just $12.

Built with a 1-year warranty and 30-day satisfaction guarantee, the UV Mask is a state-of-the-art medical-grade air sterilization system made portable. Delivering an unmatchable 99.99% clean and sterile air, the UV Mask forms an incredibly effective line of defense against particles and microorganisms from entering your respiratory system. After all, like the video above says… Breathing air is natural, but breathing clean air is essential.

Designer: UM Systems

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UV Mask – Real-Time UV-C Filtration & Purification Face Mask

The UV Mask equipped with UV-C purification is an antiviral, anti-pollution face mask that filters dust, pathogens, and allergens (like pollen & leaf mulch) from the air you breathe.

Equipped with a passive air filter, and a patent-pending Sterile-Vortex active protection, it filters and purifies 99.99% of air 10x faster than you can breathe. The UV-C light is sealed within the Sterile-Vortex, as you breathe, the air is sent through the vortex and purified under two 25,000μW/cm2 UV-C LEDs.

Dual Filtration – Beyond purifying, UVMask also filters air through a high-efficiency filter that blocks all air pollutants, dust, pollen, tobacco & bushfire smoke.

Daily Use Cases

UV Mask is designed to provide exceptional protection to those who are most at risk, whether due to increased environmental exposure or preexisting conditions.

Bars and restaurant staff.

Daily commuters and travellers.

Hairdressers.

Taxi and rideshare drivers.

Industrial workers.

People with allergies.

Family outdoor activities.

UV-C LED Purification

Consumer-grade UV-C light has never been practical. The light intensities and time required have been too impractical to purify effectively at the speed we breathe. Until now. UV Mask is the first-ever face mask to effectively integrate UV-C tech with the true power to purify the air in real-time.

As glass components reduce UV-C light transmission, UV Mask’s Sterile-Vortex uses the highest quality Sapphire crystal optics and high precision chip manufacturing to power each UV-C light.

Independently Certified by SGS-Lab

UV Mask has been independently tested and certified by the FDA-approved and ISO 17025 accredited SGS Labs.

The CE-FFP2 (EU Standards N95 equivalent) passive air filter has been tested according to the EN 149-2001+A1-2009 standards, receiving a 0.3-micron filtration efficiency of 99%.

The UV-C active protection has been tested against E. coli and Staphylococcus to have an average efficacy rate of 99.93%.

UV Mask Comparison Chart

Forget Foggy Glasses

The unique sideway air-intakes also stop saliva from spilling out or inside the UV Mask, as well as preventing your glasses from fogging up, unlike traditional cloth and surgical masks.

The Problem We Are Facing With Current Masks

In order for a face mask to be effective in protecting you from dust and particulates, it needs to be well sealed, and dense enough to filter out tiny particles as small as 0.1μm. While large amounts of pollution are visible to the naked eye (eg. smoke), they are still present in harmful quantities when not visible.

How Does UV Mask work?

With both a filter pad (95% filtration efficiency against 0.3μm particulates) and UV-C Sterile-Vortex (99.9% purification rate), UV Mask guarantees protection with 99.99% total filtration efficiency. At UM, the team spent years researching the ideal engineering and mechanism of UV-C purification technology that’s compact enough to fit into a face mask yet powerful enough to purify 99% of the air you breathe in real-time.

Replaceable High-Efficiency (95% Air Filtration). All air you breathe is filtered through this first layer of protection. The advanced filtration system uses CE-FFP2 air filters to block >95% PM0.3 particles, including air pollution, dust, VOCs, and other microscopic particles up to 100x smaller than a grain of flour. The UV Mask filters offer 40-50 hours of protection before filtration efficiency starts to drop.

Light-Sealed UV-C Sterile-Vortex with 99.9% Purification. The safest UV light for humans since it has the least penetrative capabilities through human skin, making it ideal for purification.

– Engineered and Manufactured in Japan
– Designed in the USA
– Double 25,000μW/cm2 (Lab Tested Actual Intensity) UV-C LEDs
– 1,000x+ More Powerful than the Competition
– Extra Safe Light-Sealed Design
– Low Heat Emission
– 10,000 Hours Life-Time

UV Mask’s Sterile-Vortex system uses two pure 265nm 25,000μW/cm2 Ultra-High Intensity UV-C lights, making it powerful enough to purify the air in less than 0.1 seconds. In 1 second, it can effectively purify between 6-10 liters of air. To put that into perspective, your average breath is 0.5 liters.

UV-C Intensity Test

Since most materials block UV-C, UM uses a patent-pending material and precision-engineered vortex design to allow the maximum time and surface exposure to UV-C while air flows in and out of the UV Mask. Exposure time and air-surface are two critical factors in purification effectiveness. Since UV-C purifies by breaking down genetic material, the smaller the organism, the faster and more effective.

Inhale & Exhale: Dual-Way Air Protection

UV Mask purifies both the air you inhale and exhale, increasing safety for both yourself and others around you. This is especially useful for asymptomatic individuals.

Breath Naturally

UV Mask’s skin-soft medical-grade ergonomic silicone hugs your face. 100% airtight, it ensures any air you breathe is passed through its 2 patent-pending dual-way filters.

Built for Comfort & Durability

UV Mask’s hardcover front shell is resistant to drops and scratches, protecting the filter and Sterile-Vortex within. With its hardcover and tightly sealed design, you can safely use your UV Mask in the rain. Certified to IP54, your UV Mask’s filter and interior components are protected from environmental water and moisture, as well as dust and airborne particulates.

Two 1,200 mAh Li-Po batteries allow for up to 6 hours of continuous use on a single charge. And with its fast-charging enabled USB-C port, you’ll be ready to go again in under 90 minutes. Even if you run out of charge, your UV Mask’s passive air filter will still protect you from pollution, dust, pollen, and other particles larger than 0.3 microns.

Rigorously Tested For Safety

Filtration Efficiency Tests – On top of the Sterile-Vortex technology that purifies 99.9% of the air, UV Mask also provides a 95% high filtration efficiency against 0.3 microns particulates (PFE≥ 99% | BFE ≥ 95% | VFE ≥ 95%) through its removable filter pad.

Airtight Seal Fit Tests – A reliable face seal is critical to achieving high levels of protection. UV Mask’s fit factor according to the FDA-approved Portacount 8030 test achieved an average of fit factor higher than 100 — the level required for NIOSH certification.

Click Here to Buy Now: $99 $247 (60% off). Hurry, only 2/4700 left and less than 5 days left! Raised over $2,400,000.