House of van Schneider designs minimal logo for NASA's Mars mission

Design studio House of van Schneider has created a visual identity for NASA’s Mars 2020 mission, which condenses the red planet, the Earth and the rover into three simple, flat shapes.

Designed to capture “the energy and legacy of space travel”, the logo and branding was created to mark the launch of NASA’s Perseverance robotic rover, which was sent to Mars on 30 July to find evidence of past life on the planet.

House of van Schneider‘s logomark is made up of three parts, including a red colour-block circle, which symbolises Mars, and a white geometric form made up of unevenly stacked blocks, designed to stand for the Mars rover.

The third element is a white star, meant to represent what the Earth would look like from the red planet.

The Brooklyn-based studio wanted the emblem to be able to work just as well on the rover itself as it would on the 191-foot-tall (approximately 58-metres-tall) rocket ship.

The logo’s simple, flat design ensures that it can be applied in all sizes across digital platforms as well as physical formats without compromising the clarity.

It is also featured on NASA products like badges and key cards, for instance, the latter of which are printed with a simplified, embossed version of the logo without its circular backdrop.

“Last year, a fairly well known space company reached out and asked us to design a logo for the Mars 2020 mission. Naturally, we complied,” said founder Tobias van Schneider in an Instagram post.

“We never had our work on a rocket, or sent to space, let alone on Mars. This was a first for the entire House of van Schneider team,” he continued. “It was a major bucket list project for us and we’re beyond thankful for the opportunity.”

The Perseverance rover, which is being operated by NASA and the Jet Propulsion Laboratory (JPL), is due to land on Mars in February 2021.

NASA also recently revived its “worm” logo, designed by Danne & Blackburn, for the first time since 1992. The emblem was previously phased out in favour of the original 1950s “meatball” design.

The worm logo was brought back to “mark the return of human spaceflight on American rockets from American soil”, as the Demo-2 flight to the International Space Station was launched.

House of van Schneider is one of many studios to adopt a flat design when creating logos. The style is particularly favoured among car brands, including Toyota, Nissan and BMW.

Other non-automotive companies to rebrand with flat logos include British condom manufacturer Durex, which tasked Creative agency Havas with creating a new brand identity that would challenge “repressive” sexual norms.

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The folding ruler gets immortalized with a beautiful all-metal construction

Designed by Makers Cabinet, the same people who brought us the exquisite IRIS circle-master with the aperture-inspired mechanism, the Stria is a reinterpretation of the folding ruler, crafted entirely out of steel or brass. The Stria builds on Makers Cabinet’s series of fine stationery, joining the IRIS circle-maker and Hovel pencil sharpener. With two metallic arms pivoted around a center, and a dovetail hinge for more precise movement, the Stria revives a classic, making it better, more long-lasting, and more of a collector’s item.

Available in a choice between matte steel and mirror-finish brass, the Stria comes with edge-to-edge markings for more accurate measurements and opens up to double in size, allowing you to create long straight lines. The metal build means lower tolerances, resulting in more precise control, and the dovetail hinge comes with its own thumbscrew to let you tighten or loosen the hinge’s movement. Open the Stria and the hinge intuitively snaps at 45° increments, giving you wonderful tactile feedback as you operate it, and the hinge itself is engineered to be highly durable and can be used for years before being passed down to younger generations, just like a finely crafted fountain pen.

Like all of Makers Cabinet’s stationery, the Stria is designed to last a lifetime, and to be the kind of stationery your hands and eyes will fall in love with, over and over again!

Designer: Makers Cabinet

Click Here to Buy Now: $75 $98 (20% off). Hurry, only 5/585 left! Raised over $95,000.

Stria Ruler – Unfolding Creativity

The Stria is an elegant portable folding ruler machined from solid brass or steel designed to last a lifetime. Sketch, draw and measure whilst on the move.

The Stria lays perfectly tight and flat on the page with its dovetail hinge with tactile feedback that’s flexible enough to use on various sized paper.

Folded or Open

Folded

Stria will always settle neatly as you write, measure or cut. When extended, it lies angled to your page for ease of use.

Expanded

Edge to edge markings makes precision measuring effortless. Stria is double-sided with a 30cm scale on one side and 11.8″ on the other. The scale includes 0.5mm measurements up to the 5cm mark.

Craft & Design

Stria consists of two arms that pivot around a dovetail hinge. The hinge is engineered to be highly durable, meaning you can count on passing down Stria for generations. It incorporates a grub screw to adjust the friction within the hinge, allowing you to set the perfect resistance for Stria. Tightening the hinge is done with the special thumb screw which comes with every Stria.

Opening Stria is gracefully smooth, paired with tactile feedback to intuitively click into place at 45° increments. Stria creates lines and angles with unmatched satisfaction.

Time Honoured Materials

Stria is available in two high-quality materials and finishes, both are refined and durable. The Brass Stria is mirror polished with sandblasted details and laser engraved markings which increase visual contrast.

The brass will oxidize with use, cultivating a timeline of your creative moments. Brass Stria can easily be returned to its original shine with a quick polish.

Stainless Steel offers unmatched durability with its stone-ground finish. Stainless Steel will not oxidise and is effortlessly maintained.

Click Here to Buy Now: $75 $98 (20% off). Hurry, only 5/585 left! Raised over $95,000.

Need ‘space’? You can now live in this lunar lander tiny house!

Do you want to absolutely leave this planet right now? Me too. Since we can’t really become qualified astronauts and get on a mission to get some ‘space’ from 2020, I found the next best thing – an off-the-grid stay in a lunar lander! Boat architect, Kurt Hughes, has designed a tiny home in Central Washington modeled after the lunar lander module and it is truly as close as us civilians can get to having a literal out-of-this-world stay.

Hughes handcrafted this tiny home to combine his love for houses and boats, and while we have seen many tiny homes having one that looks like a spaceship capsule is exciting! Why the lunar lander? Because it was a home and a ship. Obviously it is not as technically complex as a real NASA lunar lander, so living won’t require any special training and it will certainly be more comfortable. Unlike the real Apollo 11 module, this Lunar Lander is very spacious on the inside. The 250 square feet hexagonal pod weighs 3000 pounds and sits on the banks of Columbia river so you have a lot of open ‘space’. There is a small deck for the inhabitants to enjoy the view and Hughes tried to make sure the pod has a minimum impact on the environment around it.

The home has an open floor plan and two floors with a living area and a bedroom zone. Now you won’t have a crazy view of the cosmic world, but there is a beautiful geodesic skylight to give you a view of the night sky and allow plenty of natural light in. A staircase leads downstairs to the isolated cryogenic sleep chamber (also known as a bedroom by non-astronaut folks!). The lunar module home is complete with a functioning kitchen and bathroom. There is also a cozy coffee table nook which can be used for remote work as well as for intimate meals. To make it authentic, the house number is written in a font called American Captain Patrius that is the same one found on the original Apollo vessels.

The space nerd in my can’t help but countdown already…3…2…1…solid rocket booster ignition and liftoff!

Designer: Kurt Hughes

Greek islands inform design for Monastery Studio facial spa

Monastery Studio by Jacqueline Sullivan

A pale green lacquer table and dried plants are among the references to Greek architecture and “Californian freshness” in this spa in San Francisco designed by Jacqueline Sullivan.

Monastery Studio is a spa and retail space in San Francisco, founded by Athena Hewett, that offers a range of facial and body services.

The light-filled space is designed to take cues from Hewett’s Greek heritage and her time spent in the Cyclades.

Monastery Studio by Jacqueline Sullivan

“Monastery Studio is inspired by Athena’s Greek heritage and memories of summers in the Cyclades – sun bleached architecture, ancient pottery, soft stones, the salty sea, diffused sunlight,” Sullivan told Dezeen.

Monastery Studio by Jacqueline Sullivan

“Though the space has an old world feel it also has a distinctly Californian freshness and sensibility,” she added.

Walls and flooring in the space are painted white to provide a neutral backdrop for the custom-built furnishings, ceramics and dried floral sculptures.

Monastery Studio by Jacqueline Sullivan

At the centre of the shop there is a chartreuse-coloured lacquer table with chunky circular legs and rounded edges designed by Shin Okuda of Los Angeles furniture studio Waka Waka. The surface forms a display area for the spa’s range of oils and serums.

Monastery Studio by Jacqueline Sullivan

Bottles of products and other trinkets, including dried flowers, rocks and pottery, are arranged across the thin boards that comprise a massive built-in shelving unit.

To add texture to the space Sullivan installed a curving sculpture of brown and red plants that extends from the ground to the ceiling onto one of the walls.

Monastery Studio by Jacqueline Sullivan

“We played with shape, texture, colour and scale in a way that feels informed by the past but simultaneously very contemporary,” the designer added.

“Ultimately, we wanted the space to feel soft, special and thoughtfully considered, just like the Monastery oils themselves.”

Monastery Studio by Jacqueline Sullivan

Curved archways lead into the treatment rooms which are also painted white and flooded with natural light from a row of windows. The rooms are outfitted with a wood chair for patients, wooden stools and potted plants.

The exterior of the spa and store is clad with planks of black wood and fronted with three large windows.

Monastery Studio by Jacqueline Sullivan

Other facial spas include a skincare studio in Los Angeles with light pink accents designed by Proem Studio and a skincare store in England with cane and ash wood cabinets.

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These augmented reality glasses project a virtual running partner to help you crush your goals

Think of the Ghost Pacer as your own personal carrot on a stick. Nothing makes a person more competitive than seeing that they’re actually losing to a competitor. It’s why multiplayer games are infinitely more fun and fast-paced than solo gaming. The Ghost Pacer brings a similar sort of competitive-ness to the act of solo-jogging.

Designed as a pair of AR glasses you wear while running, the Ghost Pacer analyzes your running route and sets you up against a virtual runner who pushes your competitive spirit. The Ghost Pacer comes with an app that you feed your running route into, along with a time limit you want to achieve. It then uses that data to project a life-size runner who runs right beside you, often overtaking you in an effort to make you run faster. Seeing the projection running ahead motivates you to run faster than you would if you were on your own.

The 3D avatar built into the Ghost Pacer works on a pretty realistic model of a real-life runner. The avatar uses your phone’s GPS along with a proprietary IMU to make the runner behave in a natural fashion, leaning sideways as it makes a turn and even running slower when it’s going up or down an incline. It captures your own running data too, which not only helps the Ghost Pacer get better with time, but it also allows you to compete with yourself by running against any of your past laps. The app pools in data from all Ghost Pacer users, even creating a virtual scoreboard, so you could compete with real runners who go on the same route as you… or run against your friends by programming the virtual runner to emulate any of their previous runs!

On the hardware front, the Ghost Pacer is a relatively light piece of tech, weighing a mere 90 grams (3 ounces). It’s big enough to fit on your face even if you’re wearing spectacles, and the closed visor design gives you a larger field of view, allowing you to see the virtual runner out of the corner of your eye. The device comes with a 6-hour battery too, so you could even use the Ghost Pacer to train for marathons and longer runs. While the hardware’s pretty capable, the secret sauce lies entirely in the app, which does a pretty remarkable job of tracking your movement and accurately placing the runner in relation to where you are… WHILE both of you are moving forward. The Ghost Pacer currently works only for runs, but I imagine it would just take a software update to allow the virtual avatar to coach you into doing better pushups or yoga, dancing better, or engaging in a variety of competitive cardio exercises. Same stick, different carrot!

Designer: AbdurRahman Bhatti

Click Here to Buy Now: $229 $349 (34% off). Hurry, only 2/30 left! Raised over $110,000.

Ghost Pacer –  Your Personal Holographic Workout Partner

The Ghost Pacer is the world’s first set of mixed-reality glasses which projects a hologram you can race against outdoors in real-time.

The Ghost Pacer is always ready to join you on a run anywhere and at any time. It helps to push your pace, past your limits, and perform at your best.

Put on the glasses and watch the Ghost Pacer come to life. It maintains a realistic pace that takes into account uphills and downhills, distance and your own fitness level.

Using GPS and a proprietary IMU, the Ghost Pacer achieves a realistic projection that guides you on your entire run.

Run at your Ideal Pace

Easily set the pace of the Ghost Pacer as you work toward your target goal. Define a constant target pace. Pull up an old workout from the app and run against your own fluctuating pace. You can even run against your friends or anyone sharing runs on Strava.

Get immediate visual real-life running feedback as you run as Ghost Pacer helps you shift your performance to get back on track. As you slow down, Ghost Pacer will gain distance — and just like in a race, you’ll need to run faster to catch back up.

By helping you keep on pace, you’ll maximize the value of each run and improve results. Run after run. And with Ghost Pacer by your side, it will be that much easier to chase down your goals. One step at a time.

Train with your Favorite Runner

Expand your running horizons and set goals based on runners you know or even Olympic athletes. From sprints to ultra marathons, harness the power of Strava to get access to an endless library of real runs from across the globe.

The Ghost Pacer also features a pacing mode that shows you your live running stats. A quick momentary focus of the eye brings them into view instantly, without having to tilt your head or look away from what’s ahead of you.

Race with Friends

You can race your friends, even when you can’t both run at the same time. Just download their run, and race against an avatar that matches their route and speed from one of their previous workouts, giving you a competitive advantage.

A Closer Look at What to Expect

Some simple outdoor running shots as you would see them through the glasses.

Comparison Chart

Click Here to Buy Now: $229 $349 (34% off). Hurry, only 2/30 left! Raised over $110,000.

Link About It: This Week’s Picks

A “heartbeat” in space, an online database of 5,000 cookbooks, women-centric design and more in our round-up of the web

BlackStar Film Festival Celebrates BIPOC Filmmakers

From three drive-in screenings (Be Water, The Forty-Year-Old Version and Miss Juneteenth) at Philadelphia’s Mann Center to the online presentation of more than 90 films and live panels, the BlackStar Film Festival returns for its ninth installment from 20 to 26 August. Founded by Maori Karmael Holmes as a platform for independent work by Black filmmakers, the festival does more than screen groundbreaking work from BIPOC creators; it fosters an inclusive network of talent capable of creating necessary change in the industry. This year’s highlights are plentiful and feature 24 world premieres (including the debut screening of the highly anticipated documentary Unapologetic). The Still Processing conversation between podcasting journalists Wesley Morris and Jenna Wortham is certainly a standout, as well. It’s also another opportunity to see Sundance favorite Coded Bias. Day passes for the festival start at $5 and live panels are free. See the full schedule and find out more about the festival’s mission at the official BlackStar site.

Image courtesy of Unapologetic

The Sifter Catalogues 5,000 Historic Cookbooks

For more than 50 years, Barbara Ketcham Wheaton—now an honorary curator of Harvard University’s Schlesinger Library Culinary Collection—chronicled European and US cookbooks published over the last 1,000 years. With the help of a team of scholars (including two of her children), Wheaton launched this database—called The Sifter—in July of this year. This publicly available database isn’t a recipe collection; rather, it’s “a repository of entire texts,” according to Atlas Obscura, currently 130,000-items strong and incorporating “the ingredients, techniques, authors, and section titles.” Further, Wheaton and her team assembled the database like Wikipedia, allowing those who peruse to make it better. Read more about the epic endeavor and its ties to Julia Child at Atlas Obscura.

Image from the public domain

Cosmic Cloud Has “Heartbeat”

A decade’s worth of data from NASA’s gamma-ray space telescope has revealed a “heartbeat” at the center of a cosmic gas cloud which seems to be beating in sync with a neighboring black hole located 100 light years away. The revelation comes from the space agency’s study of a system called S 433, which is home to “a giant star that is about 30 times the mass of our sun as well as a huge black hole.” Every 13 days, the star and black hole orbit each other, resulting in the black hole sucking up matter from the star. This doesn’t result in the material disappearing, but rather it “shoots out at high speed in two narrow jets in opposite directions,” researcher Jian Li says. These two jets are on their own schedule too, and “sway over a period of about 162 days”—which proves to be the same rhythm as the cloud’s “heartbeat.” While there’s a connection, researchers cannot figure out exactly why. Li explains, “Finding such an unambiguous connection via timing, about 100 light years away… not even along the direction of the jets is as unexpected as amazing. But how the black hole can power the gas cloud’s heartbeat is unclear to us.” Read the full article at The Independent.

Image courtesy of DESY, Science Communication Lab

NYPL’s List of Essential Reads on Feminism

On the 100-year anniversary of the 19th Amendment (securing some women’s right to vote in the USA, though it’s crucial to note that Black women would have to wait almost 50 years), the New York Public Library (NYPL) has released their list of Essential Reads on Feminism. With books and essays for kids, teens and adults, the lengthy selection includes “first-hand accounts and histories” that trace the achievements and serious limitations of suffrage, as well as more contemporary pieces that explore feminism’s intrinsic links with “race, class, education, and LGBTQ+ activism.” From well-known books like Susan Faludi’s Backlash to works by Hida Viloria, bell hooks, and L.H. Stallings, the list includes biographies, poetry, historical non-fiction and more. There are also plenty of resources for further reading on the NYPL site.

Image courtesy of NYPL

MoMA Design Store’s “Design Innovations for Women” Collection

MoMA Design Store’s newest curated collection comprises products designed for women, by women. The Design Innovations for Women section spans several categories—from reproductive and sexual health to sport, apparel and accessories. “This is an opportunity to recognize just how far these products have come in terms of quality and to celebrate the fearless female entrepreneurs, designers and innovators who have changed the game,” Chay Costello, the store’s Associate Director of Merchandising, says of the launch. Shop personal massagers, lubricants, smart accessories, bike seats and more at their site.

Image courtesy of MoMA

Kandi Electric Car Priced Under $10K for US Launch

An important milestone for the Chinese electric car manufacturer (and EVs in general), Kandi’s K27 and K23 have had their prices reduced even further for their US launch. This deal applies to the first 1,000 pre-orders for each model. Thanks to incentives in the form of a $7,500 federal tax credit, the cost of each car has been drastically reduced: “originally priced at $19,999 MSRP, the K27 is now listed as $17,499,” so after the tax credit it will be $9,999; while “the K23 is discounted from $29,999 MSRP to $27,499,” bringing that cost down to $19,999. With various states offering their own incentives, the price of these cars could drop even further. Find out more about each car at Electrek.

Image courtesy of Kandi

Link About It is our filtered look at the web, shared daily in Link and on social media, and rounded up every Saturday morning. Hero image courtesy of DESY Science Communication Lab

Beautiful Paintings of the Amalfi Coast

Si cet été vous avez opté pour des vacances près de chez vous, les dessins de Roberto Pagliarulo pourraient tout de même vous emmener loin. Lumineux, colorés, romantiques, remplis de rêverie, ces tableaux nous transportent dans la côte d’Amalfi.
Comme les artistes Peter Doig et David Hockney, Roberto peint le paysage avec nostalgie, avec un réalisme magique et comme expression de son identité. Au cours des cinq dernières années, il a été particulièrement attiré par la côte amalfitaine : « Amalfi est une expression exacerbée de la beauté de l’Italie » il confie au site Creative Boom. « Une vue grandiose sur des courbes sinueuses, des falaises, la mer, toujours là en arrière-plan, avec des citrons, des fleurs, des tomates et des arbres au premier plan qui poussent les yeux dans le bleu et le vert des paysages méditerranéens ».







Tômtex is a leather alternative made from waste seafood shells and coffee grounds

Tômtex is a leather alternative made from waste seafood shells and coffee

Vietnamese designer Uyen Tran has developed a flexible bio-material called Tômtex, which is a leather alternative made from food waste that can be embossed with a variety of patterns to replicate animal leathers.

The name tôm, meaning shrimp, references the discarded seafood shells that are used to create the textile, alongside the designer’s own waste coffee grounds.

According to Tran, the resulting material is durable while remaining soft enough to be hand-stitched or machine-sewed, as well as biodegrading over the course of a few months.

Tômtex is a leather alternative made from waste seafood shells and coffee

“I grew up in the city of Da Nang, where leather textiles were predominantly manufactured,” she told Dezeen.

“Leather is used in so many applications across different industries but people around the world are suffering from the pollution that the industry causes.”

In a bid to kill two birds with one stone, Tran developed a substitute using an abundant, natural resource – food waste.

Every year, up to eight million tonnes of waste seafood shells and 18 million tonnes of waste coffee grounds are generated by the global food and drinks industry.

“The world is running out of raw materials, so why I want to repurpose these wastes into a new, accessible bio-material for everyday life to help people better understand the problem and contribute to making a change,” Tran explained.

The New York-based designer works with a supplier in Vietnam, who gathers waste shrimp, crab and lobster shells as well as fish scales, to extract a biopolymer called chitin from them.

This is found in the exoskeleton of insects and crustaceans, rendering them both tough and pliable at the same time. Combined with waste coffee from Tran’s own kitchen and from local cafes, this forms the basis of Tômtex.

Tômtex is a leather alternative made from waste seafood shells and coffee

The mixture is dyed using natural pigments such as charcoal, coffee and ochre to create a variety of colour options.

“After mixing all the ingredients, the bio-material can be poured into the mould where it is air-dried at room temperature for two days,” said Tran. “The process doesn’t require heat, therefore it saves more energy and reduces carbon footprint.”

Crucially, rather than leaving the material to cure in a perfectly smooth mould, the designer crafts her own from clay or using a 3D printing process.

This allows her to create her own finishes, which are able to mimic the look of snakeskin or crocodile leather as well as more abstract embellishments.

Tômtex is a leather alternative made from waste seafood shells and coffee

“Tômtex can replicate any textural surface, so there are endless possibilities for pattern design,” said the designer.

“It also can be customised to be either leather-like, rubber-like or plastic-like by adjusting the formula and the way of production. So the possible applications go beyond fashion to packaging, interior or industrial design.”

The resulting material is also naturally water-resistant, a feature that can be enhanced by adding a coating of beeswax on top.

When a Tômtex product has reached the end of its life, Tran claims it can be either recycled or be left to biodegrade.

“The recycled Tômtex bio-material has the same high performance and quality of the original, so it maximises the product’s life cycle while minimising the negative impact on the environment,” she explained.

“Beyond that, I don’t believe in designing something that lasts forever. If Tômtex ends up in the landfill, it will fully biodegrade in the natural environment in a few months and can act as a fertiliser for plants.”

Tômtex is a leather alternative made from waste seafood shells and coffee

Previously, chitin derived from the exoskeleton of crustaceans or insects has mainly been used to create a variety of harder, more structural bioplastics.

A group of students from London’s Imperial College and the Royal College of Art turned seafood waste into a single-use plastic alternative, for use in everything from blister packaging for medication to food-safe carrier bags.

Meanwhile, Dutch designer Aagje Hoekstra used the armour of dead Darkling Beatles to create her Coleoptera bioplastic.

The post Tômtex is a leather alternative made from waste seafood shells and coffee grounds appeared first on Dezeen.

Ten translucent buildings with see-through exteriors

Karlsruhe Institute of Technology by Behnisch Architekten

A laboratory, a tennis pavilion and a kindergarten are among these ten translucent buildings with exteriors made from polycarbonate or glass that showcase their internal structure.


Karlsruhe Institute of Technology by Behnisch Architekten

Karlsruhe Institute of Technology, Germany, by Behnisch Architekten

This timber and concrete laboratory at Germany’s Karlsruhe Institute of Technology is encased in translucent polycarbonate panels, echoing the industrial buildings that surround it. Inside, exposed concrete and chipboard panels create a functional, airy space.

The polycarbonate exterior allows a consistent amount of daylight to brighten the laboratory’s test areas and creates a lantern-like glow from the building in the evenings.

Find out more about Karlsruhe Institute of Technology ›


ICA at VCU by Steven Holl

Institute for Contemporary Art, Virginia Commonwealth University, US, by Steven Holl

Steven Holl‘s exhibition and performance centre for Virginia Commonwealth University is made from irregularly shaped blocks that slot together, covered in translucent glass panels and pre-weathered zinc.

A double-height atrium connects three of the galleries in the building, which forms the gateway to the university’s campus.

The architect reduced the need for artificial lighting inside by adding skylights and placing both them and the windows strategically to make the most of the natural light, which also streams through the glass walls.

Find out more about Institute of Contemporary Art ›


Headquarters for glass company Lasvit in Nový Bor, Czech Republic, by Ov-a Architekti Studio

Lasvit headquarters, Czech Republic, by Ov-a Architekti

The office of glass company Lasvit received fitting new headquarters designed by Prague studio Ov-a Architekti. As well as restoring a group of existing timber buildings, the studio added a black house and a white house clad in translucent glass tiles.

Its form is a reinterpretation of the Česká Lípa region’s traditional slate-shingle-covered houses, with a facade made from 1,400 glass tiles. The glass company developed the glass stencils that cover the mantle and roof itself.

Find out more about Lasvit headquarters ›


Helsinki Central Library Oodi by ALA Architects

Helsinki Central Library, Finland, by ALA Architects

The Helsinki Central Library, made from locally-sourced spruce, is topped with a reading room with an undulating roof and translucent walls.

The room contains the library stacks and its full-height glazing offers readers views over the entire city. “The serene atmosphere invites visitors to read, learn, think and to enjoy themselves,” ALA Architects said.

Find out more about Helsinki Central Library ›


Au Gré des Champs by La Shed Architecture

Au Gré des Champs, Canada, La Shed Architecture

La Shed Architecture chose polycarbonate for some of the walls of this barn in Québec, in order to expose the internal structure of the building and blur the boundaries between the interior and exterior.

The studio and the client, an organic cheese farm, wanted natural light let in through the sheer walls to enhance well-being and productivity.

Find out more about Au Gré des Champs ›


Nová Ruda kindergarten by Petr Stolín and Alena Mičeková

Nová Ruda kindergarten, Czech Republic, by Petr Stolin Architekt

Petr Stolin Architekt wrapped a double-skinned translucent facade of fibreglass around this Czech Republic kindergarten, located in the town of Liberec.

The kindergarten consists of an inner building with a wooden frame clad in fibreglass, and an outer shell that wraps around it made from steel and fibreglass. The gap between the inner building and the outer shell creates a terrace space.

Find out more about Nová Ruda kindergarten ›


Garden Tennis Club of Cabourg by Lemoal Lemoal Architectes 

Garden Tennis Club, France, by Lemoal Lemoal Architectes

This half-timbered changing pavilion in northern France was designed to be a contemporary reinterpretation of the traditional half-timbered buildings found in Normandy but with a modern update.

A second wall is set back behind the timber structure, made from a double skin of translucent polycarbonate that both acts as the rain screen and turns the building into a glowing box at night.

Find out more about Garden Tennis Club ›


Deformed Roofs of Furano by Yoshichika Takagi

Deformed Roofs of Furano, Japan, by Yoshichika Takagi + Associates

The dramatic renovation of this 1974 house outside Furano, Japan was named for its intriguing asymmetrical roof. The architects also removed its clapboard facade and replaced it with black sheet metal on three sides, while the fourth side was covered in translucent corrugated plastic.

This created a greenhouse-style space that opens up the entire front of the house, enabling its residents to enjoy the light coming into both the children’s area at ground level and the adult’s rooms, above.

Find out more about Deformed Roofs of Furano ›


Garden Room by Indra Janda from courtyard

Garden Room, Belgium, by Indra Janda

Atelier Janda Vanderghote co-founder Janda created a garden room at her parent’s home in northern Belgium from translucent polycarbonate shingles. The small building was designed to replace an earlier structure that was close to collapsing.

Janda said she wanted to make the shingles, which are normally used for cladding small garden structures, feel more special. “We wanted to give the material a new vibe,” she told Dezeen.

Find out more about Garden Room ›


Studio Rain erects translucent flat-pack sauna on banks of Yarra River

Atmosphere: A Revival, Australia, by Studio Rain

This prefabricated, flat-pack sauna with walls made from polycarbonate cladding is located next to the Yarra River in Melbourne and was designed to be built, disassembled and reused without the use of heavy machinery.

Its translucent walls and ceiling let the natural light in. “When the sun is out, the material also allows for a natural intensification of the temperature in the space,” said Studio Rain co-founder Rachel Mackay.

Find out more about Atmosphere: A Revival ›

The post Ten translucent buildings with see-through exteriors appeared first on Dezeen.

This week, architects designed innovative public toilets for Tokyo

Public toilets in Tokyo's Yoyogi Fukamachi Mini Park and the Haru-No-Ogawa Community Park by Shigeru Ban for the Tokyo Toilet project

This week on Dezeen, we featured three unusual restrooms designed for the Tokyo Toilet project, including Shigeru Ban’s colourful, transparent design.

As well as Ban’s restroom, whose transparent walls become opaque when the toilets are in use, designs include Wonderwall’s concrete toilet that references primitive Japanese huts, and Fumihiko Maki’s “squid toilet” which is located in a park known as the Octopus Park.

The project is being run by the not-for-profit Nippon Foundation and will see 17 toilets being built in total.

Revit software costs “reasonable” says Autodesk president and CEO Andrew Anagnost

The CEO of American software maker Autodesk, Andrew Anagnost, replied to criticism from leading architects about the rising cost and lack of development of its Revit application.

Though he admitted improvements “didn’t progress as quickly” as they should, he called the expense of Autodesk software “certainly reasonable for tools that are at the centre of the daily work of architects.”

Harikrishnan inflatable trousers
Harikrishnan’s blow-up latex trousers go on sale with “do not overinflate” warning

Fashion blew up this week, as Harikrishnan’s inflatable trousers went on sale – just six months after the designer showed them at his graduate show – with a warning to “not overinflate” the shiny latex garments.

Spanish artist SiiGii took the concept one step further with their wearable, inflatable latex lilo, which enables the wearer to float in the ocean without worrying about sun exposure.

Phineas Harper
Architecture “is more elitist than the most elite university in the world” says Phineas Harper

Open House and Open City director and Dezeen columnist Phineas Harper inspired a passionate discussion in the comments after accusing architecture of rampant elitism.

In a Twitter thread, the former Architecture Foundation deputy director compared the percentage of architects from non-state schools in its New Architects 3 publication with the percentage of state school students who went to Cambridge las year.

“[W]e *need* to start talking about the impact of private schools on architecture,” Harper said.

Dodington Park Art Gallery
Dyson family to make art collection public in home gallery by Chris Wilkinson

James Dyson, vacuum-cleaner entrepreneur and the UK’s wealthiest person, and his wife Deirdre are set to open their private art collection to the public in an art gallery that WilkinsonEyre‘s founder, Chris Wilkinson, has designed for their UK home.

In Ireland, O’Donnell + Tuomey unveiled a timber and concrete pedestrian bridge, which was built over the River Lee to improve connections to University College Cork. The bridge gives students direct access to an area of green space across the river from the university.

Henning Larsen proposal for Theodore Roosevelt Presidential Library
Snøhetta, Studio Gang and Henning Larsen unveil designs for Theodore Roosevelt Presidential Library

Competing designs for the Theodore Roosevelt Presidential Library, which will be built in Medora, North Dakota, were presented by SnøhettaStudio Gang and Henning Larsen.

Proposals include a scheme composed of four angular volumes topped by grass, a building composed of three horseshoe-shaped structures, and a library topped with a huge, curved roof that acts as an extension of the landscape.

BiodiverCity masterplan by BIG for Penang Island
BIG reveals masterplan for “urban lilypads” off coast of Penang Island

In other architecture news, Dutch studio MVRDV announced its plans to turn a deteriorating concrete factory in China into a creative office space with a maze-like garden on the roof.

Denmark’s BIG unveiled its masterplan for BiodiverCity Penang, a series of islands in Malaysia that will be connected by a car-free autonomous transport system.

Step House extension in London by Grey Griffiths Architects
Step House extension built around perforated birch-ply staircase

Popular projects on Dezeen this week include the Step House extension with its plywood staircase, Worrel Yeung’s industrial artist studios in historic Brooklyn factory buildings, and Ridgewood, a renovated California house that pays homage to its “flamboyant” modernist architect.

This week on Dezeen is our regular roundup of the week’s top news stories. Subscribe to our newsletters to be sure you don’t miss anything.

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