Gradwatch 2020: Photographer Fabio Rovai, London College of Fashion

While studying BA fashion photography at London College of Fashion, Fabio Rovai created photo series and fashion shoots that freely blend digital and analogue formats. In 2018, the Italian photographer even earned an endorsement from fashion designer Jonathan Anderson, who along with a panel of esteemed judges chose to feature him in an exhibition and book spotlighting photography’s rising stars. 

Yet much of Rovai’s recent work extends far beyond the confines of traditional fashion photography, with his practice evolving to encompass photographic experiments with AI. While he thoroughly enjoyed his course – where he established close relationships with everyone from designers and stylists to tutors and industry leaders, he realised he wanted to stretch himself even further.  

Fabio Rovai AI

I always researched unconventional aspects of the photographic practice, which led me to achieve more with fine art students rather than fashion students,” he tells us. He began to experiment with sculpture and primitivism, and it’s this “contamination” of disciplines that he says defines himself and his practice the most. Looking at his portfolio, it’s clear to see the cross-pollination. 

The best piece of advice was given to him by his course leader Michiel Meewis: “Go for a digital outcome, that is the future.” Rovai was initially resistant, but he ended up adopting this mindset in his final year of study. “I was really focused on researching the work of Rosalind Krauss and Clement Greenberg and their idea of the medium (yes, I was trying to be the black sheep of photography, submitting pieces of sculptures for my deadlines),” he says. “I always thought about photography as a multisensorial experience, looking at sculptures and installations as my main medium. And then I found artificial intelligence. It was love at first sight.” 

3D human digitisation

Rovai’s AI artworks place fashion photography in close dialogue with technology. His work with 3D human digitisation transforms fashion photos into sculpted models that resemble a waxwork or a candle figurine atop a wedding cake. Meanwhile his photographic experiments with GANs (general adversarial networks) have produced twisted images fit for Aphex Twin. With skewed proportions, contrasting textures stitched together and an overall aesthetic that tiptoes between beautiful and unsettling, the results feel like 2020’s answer to collage. 

“I think I discovered a lot of myself working with AI,” Rovai says. “It has been an extension of my mind and my thoughts, allowing me to create really personal projects. It has always been hard for me to express my emotions, but collaborating with AI made it easy. Feeding the algorithm with images which provoke strong emotions generated representations of my feelings and my fears.” 


Fabio Rovai AI

Rovai is also aiming to demonstrate the “incredible potentiality of AI”, working with photographer and curator Jack Oat and data scientist Stylianos Kampakis to raise awareness around it. “We have a lot of points of contact and we are planning to push this concept further with a series of exhibitions and talks,” he explains. 

Although most graduates are understandably keen to establish a ‘style’ early on, Rovai’s work is multifaceted, assuming different forms and focal points from one project to the next. “I always followed my heart,” he says of his approach to his work. “I do not think I have a signature style, it’s more a general aesthetic which comes from experience in the fine art industry.” Instead, he is driven by a strong anarchy feeling. I always wanted to change and disrupt things. 

Of course, this year has been disrupted itself. “It was bad, really. We felt like university was finished six months earlier. It was crazy, I still regret thousands of things I could have done. And I miss the library a lot,” he says. “I will probably never get back to my old life, especially my old job as a gallery assistant, which I loved.

However, I had time to research AI and new technology, taking a lot of online courses on the subject. All this free time was fundamental to understand all the technical skills I needed for my AI projects. I was teaching myself coding and calculus six-ten hours per day, reading papers nonstop. During the pandemic, he has also been moved by the socioeconomic impact on northern Italy, and decided to create a project called Blastcorn to help sustainable businesses get to grips with AI. 

Looking ahead, Rovai’s dream project would be to collaborate with a leading tech company such as Google and a prominent gallery like the Serpentine. In the long term, he wants to continue growing and sharing his learnings around tech through creativity, and ultimately live up to his belief that “art has a tremendous and unexpressed society-changing potential”. 

Fabio Rovai AIFabio Rovai AI

Head here to see all our Gradwatch picks; fabiorovai.com; @rovaifabioartworks

The post Gradwatch 2020: Photographer Fabio Rovai, London College of Fashion appeared first on Creative Review.

Medical innovations that will revolutionize the future of your healthcare: Part 2

They say necessity is the mother of invention, so if there is one thing that has thrived in this quarantine period, it is medical innovations! There is no alternative for good health, we all know it, but some practices like the cast we use for a fracture are archaic in design. Just because a design provides a solution, it does not mean they can’t be improved and it is these improved designs featured here in the medical and healthcare field that, once implemented, are sure to change the face of caregiving in today’s world.

Literally the size of a quarter, Adam Miklosi’s Dab is an unobtrusive Holter ECG/EKG that rests comfortably on your chest, constantly reading your heart’s movements. Designed to be minimal, non-invasive, and simple, the Dab tries to bridge the gap between medical appliances and wearables. Its tiny yet classy design sits on your chest via a gel patch, while the electrodes capture your heart activity. The Dab’s dry-electrodes allow it to be used and reused, while constantly measure one’s heart activity (requiring periodic charging via their wireless charging hub), and keep logs of accurate readings, quietly sitting on your chest while you absolutely forget that they’re even there in the first place!

The purME by Ann Song is no ordinary N95 mask. It was designed to be an N95 face-mask that you could carry in your pocket, wear for hours, breathe safely under, and easily reuse for months, if not years. Its form and material of choice are, in fact, directly inspired by silicone respirator mouth-cups that medical personnel use to administer oxygen to people. The silicone construction of the purME allows it to fit all types of faces easily as its soft body conforms to the curves of your face, creating an air-tight seal while feeling comfortable enough to be worn for hours. The silicone body makes the purME easy to reuse as well as disinfect too, and replaceable filters ensure your mask lasts you for years on end.

Scaled

Designer Natalie Kerres looked at nature for inspiration to come up with a solution and zeroed down on animals that physically protected from threats by skin, shells, or scales. She wanted to design a product that mimicked the natural protection and healing while allowing flexibility – that is how SCALED was born. The goal of her design is to investigate the potential of a controlled motion-limiting structure in preventing hyperextension joint injuries. Usually, with injuries, you may have a cast, a brace, or a crepe bandage you use but that restricts movement and also makes the body in that region stiff as you wait to heal. “Mobility is commonly a trade-off with protection and SCALED, therefore, presents a nature-inspired solution for a flexible protective wearable.” It uses a parametric design that allows the structure to meet a wearer’s exact needs and the restriction in motion can be regulated through set parameters.

Chicago-based startup Cast21, however, has designed a sleeve that fits over any hand. Cast21’s cast takes shape around your hand once it’s filled with a patented gel that hardens over time. Doctors select a sleeve-size based on whether the patient is a child or a fully-grown adult. The sleeve is slipped on, and filled with a patented mixture of resins that become a malleable gel after a while. The doctor can then adjust the gel to perfectly hug the limb, giving it the support it needs. Patients can even choose between gel-colors, opting for combinations and gradients, breaking the stigma that casts need to look horribly clinical. The resins harden through an exothermic reaction, providing soothing heat to the limb as the cast begins to take shape.

Amplify was created by Alice Tuner to give the hearing-impaired demographic an added value that made the hearing aid more than just a medical accessory. “In the ’60s, glasses were aids for a disability. Now, glasses have evolved into ‘eyewear’, a fashion statement, and an extension of your personality. This shift made me question why the main innovation in hearing aid design is developing technology to make them smaller and more hidden,” says the designer on her thought process behind starting the project. Using bone conduction technology, Amplify provides users with high-quality audio for a more comfortable and wholesome sound experience. This technology enables the device to decode sound waves and convert them into vibrations that can be received directly by the Cochlea so the eardrum is never involved. Amplify essentially becomes your eardrum!

There is a worldwide shortage of medical equipment, especially ventilators as traditionally they are expensive and time-consuming to produce at the rate this virus is moving. ODEK’s alternative costs less than USD 300 and it works on an automated mechanism that squeezes the common bag valve mask ventilation devices that are available in hospitals. This device is usually called an Ambu bag and the ApolloBVM can save the hours that healthcare professionals spend on manually pumping bags when there are no ventilators available. An exhausted human cannot pump air for extended periods of time with the precision of a machine, so with this device, it will be a lot easier to assist patients that need help to breathe. The device will also include feedback sensors that help fine-tune the flow of air to the lungs, as well as motors similar to those that power 3D printers for hours on end.

Designed to make one clinical procedure less scary, the Bean thermometer for children comes with a design that feels more like a toy. Designed by Peng Da, the thermometer has an anthropomorphic design, looking like a creature or alien of some sort. Its bulbous features give it a child-friendly appeal, and the range of colors it comes in is a complete deviation from traditional medical apparatuses that are usually white or light-colored. A screen on the back of the Bean’s ‘head’ displays the temperature, while controls on the ‘belly’ allow you to toggle through functions and even switch between temperature units.

Designed by the Division of Industrial Design & Department of Hand & Reconstructive Microsurgery, the Bend is a medical finger-splint with a revolutionary design. Fingerbone fractures can be painful, however, dislocations of bones aren’t just about pain, if not treated well, you could lose functionality of that finger for life. The bend makes use of a polymer’s tensile strength, and clever design to provide a medical solution that is not just effective, it’s non-invasive too. Deviating from current medical procedures that require surgery, the Bend just needs a long fingernail. A piece of thread is tied to the fingernail at one end, and the Bend splint at the other. The string is then wound around the splint, so that the finger is pulled into shape again, allowing the bones to align properly.

Aalto is a self-injection device designed for use by patients suffering from a chronic disease that impacts their dexterity. The family of products that make-up Aalto each share the same geometric yet friendly forms that evoke a sense of trust. More significantly, they remove the stigma of medical devices and create a far more approachable product. This element of trust has been introduced to each aspect of the product, from the packaging through to the interface. By having these attributes projected onto each element, a far more considered and harmonized experience has been achieved. This design by Cambridge Consultants is just a beautiful example of a user-centered design.

CPR First Aider by Fang Di, Li Pengcheng & Yu Yuanyi aims at being able to increase those chances. Not only does it help people who don’t know CPR, it helps people who do know CPR to perform it efficiently. The CPR First Aider is an extensive kit that includes a breathing mask that automatically delivers oxygen while assisting the patient to breathe along with a CPR module that has 4 legs and chest straps to ensure stable, sustained and effective pressure to the patient. An LCD screen on the top guides you through the procedure, while also displaying the patient’s stats blood oxygen concentration and electrocardiogram in real time. Designed to fold into a compact device, the CPR First Aider could easily be stored anywhere a fire extinguisher could be placed.

For more marvelous Medical Innovations, check out our first part in the series!

The F1 3D Printer gives individuals and businesses the power to prototype from home

I’ve been pretty vocal about how 3D printing is the key to surviving the pandemic. Whether it’s instantly printing face-shields, prototyping respirators, or just relying less on overseas prototyping companies to supply you with prototypes, 3D-printers can help you ideate, test, and produce your designs faster… and it’s only a matter of time before they become an integral part of studios, schools, hospitals, and businesses. Norston Fontaine, the man behind Stacker’s F1 3D Printer agrees too.

Fontaine’s dedicated his life to perfecting his craft and designing 3D printing machines that are consumer-friendly, yet state-of-the-art. The F1 3D printer is just remarkably versatile in the number of filaments and materials it can handle, as well as incredibly accurate too, with a build quality that Fontaine prides himself in. Take a look at some of the F1’s prints and you’ll be surprised at the immaculate surface quality and detail, and the very visible lack of stringing, or blemishes caused by over-extrusion. The F1 3D printer comes with Stacker’s special hot ends fitted with Vanadium-alloy-coated nozzles that are guaranteed to last a lifetime. The F1’s hot ends are easily replaceable too, allowing you to effectively choose between different nozzle sizes as well as making maintenance easier. The hot ends use a direct-drive extrusion system that helps it achieve perfectly consistent prints every time, and a temperature-monitoring sensor immediately pauses the job if it detects any overheating – a feature that’s extremely useful during long print-cycles. The entire F1 is designed and manufactured in the USA, all the way from the controller-board and the firmware, to the actual printer frame itself that comes fitted with special vibration dampeners to increase the printer’s overall accuracy.

The F1 is just one part of Stacker’s innovation in 3D printing. The other part is what Fontaine likes to call his secret sauce – dry filament printing. Atmospheric moisture (even in small amounts) can end up having an effect on filaments by changing how they melt, extrude, and set. The F-BOX (which can be universally added to any existing 3D printer) is a special dehumidifying container that holds the filament reel. It comes with an industrial-grade desiccating agent that helps absorb atmospheric moisture to keep the filament as dry as possible. The desiccants change color when they’ve absorbed all the moisture they can hold – and once they begin turning from their bright orange to a dull green, they can simply be recharged by being popped in a food dehydrator or microwave (allowing you to use them infinitely). The F-BOX increases the potential of your filament, and can be mounted on or connected to any existing printer to give you better results. If you’re the kind to buy filaments in bulk, the Stacker team even offers the F-PAC, a large cartridge of desiccant that can be stored along with your filaments, keeping humidity away to increase their shelf-life.

With the F1, Fontaine hopes our futures will be more self-reliant when it comes to quick prototyping and fabrication. The F1 is an incredibly advanced printer that’s been calibrated and tested over time to produce consistent results, but at the same time, it’s just as easy to use as any consumer-grade 3D printer. The F1 even took a stab at the Autodesk/Kickstarter FDM print test and the results are impressive, to say the least. Along with the F-BOX and the F-PAC, Stacker’s F1 3D printer brings an entire prototyping station into your home. It was designed to accelerate the movement towards relying less on external sources and embracing the ability to ideate, prototype, and produce right from the comfort of your own workspace.

Designers: Norston Fontaine & Team Stacker

Click Here to Buy Now: $2100 $3000 ($900 off). Hurry, only 57 left! Raised over $240,000.

STACKER F1 3D Printer – The Essential Office Machine

Built for every type of business, school, or organization, the F1 is a true industrial grade printer, so this means it’s perfect for work groups big and small. It’s also ideal for print farms and maker spaces. The F1 is a high performance printer with advanced safety features. This means it’s safe enough for hospitals, research labs, schools, offices, and of course, your home.

Why the F1? Safety, Print Quality & Reliability

Safety – Many users run their printers unattended. That’s why they built a printer with unmatched safety features.

Advanced thermal runaway protection. What’s thermal runaway? Basically, it’s when your hot end keeps heating up and won’t shut down until you cut the power. This can happen if your controller board fails, the temp sensor fails, the temp sensor gets dislodged from the heater block, or your firmware freezes and fails to reset.

Most printers on the market today only rely on firmware to protect against thermal runaway. Software is not good enough. To make matters worse a lot of cheap printers didn’t even enable these basic software protections, even though they are built into the firmware. In the vast majority of cases firmware protection works well at protecting you. However, no firmware is going to protect you if it crashes or if you experience a controller board or temp sensor failure.

The F1 solution. That’s why the F1 incorporates redundant specialty electronic power cut-off circuits. These specialty circuits are completely independent from the firmware or other software controls. In other words, a bad transistor or crashed firmware is not going to prevent the specialty safety circuit from doing its job. The F1 also uses two temp sensors for added security. That’s right, two temp inputs, and each input is run through its own specialty circuit. If the circuit reads a temp higher than 325 C it will cut the power to your hot end. Please see the illustration below.

Better temp sensors, mounted better. The F1 uses PT100 temperature sensors made from Platinum, so they are extremely reliable. Furthermore, we designed our hot end to specifically prevent the temp sensors from dislodging during use. First, we use TWO temp sensors to add redundancy, as mentioned above. Second, we use multiple fastening points to retain the sensors. Third, our temp sensors are potted into metal cartridges, which allows us to attach them more securely. Finally, we engineered the cable management of the hot end wires to further prevent the sensors from coming loose.

Special hot end heat break and heat sink. We also use a special Bi-Metallic heat break sourced from Slice Engineering to keep the heat in the heater block instead of migrating upward into the rest of the hot end assembly. Not only does this improve the printing process, it makes the hot end safer overall. Finally, we designed our own heat sink to bleed off any excess heat that rises from the heat break.

The filament drive and hot end mount uses UL approved flame retardant materials for an extra level of safety. The hot end heat sink and heat break were designed to bleed off the heat before it can rise and damage the other components on the print head.

Insulated and guarded heater block. The stainless steel guard around the heater block helps reduce severe burning. It still gets very hot, so be careful!

All connectors are genuine MOLEX brand, not some cheap offshore knockoff found on many 3D printers. Moreover, we selected connectors that are rated to carry at least double the circuits required amperage. If that wasn’t enough, we only use glow wire rated connector housings. This means that if you take a hot iron (the glow wire) and pushed it into the connector, the connector would just melt instead of burning up.

Special Z rod guards protect your hair and fingers from getting pinched or wrapped up. Each Z Axis lead screw gets its own guard. This also keeps the lead screws cleaner and reduces maintenance.

Advanced firmware. The F1 uses a modular firmware by Repetier that includes the standard thermal runaway protections found in other firmwares, but it also includes a watchdog system that helps identify firmware crashes. If a crash is detected it resets the printer to rectify the situation.

F1 Print Quality

How do you achieve best-in-class print quality? You do it by getting rid of resonance, zero crossing moire patterns, ringing, z wobble, thermal banding, and other artifacts that show up in your prints. This requires engineering, proper selection of components, and lot’s of testing.

Engineering. We started by making the F1 frame and gantry system as strong and rigid as we could. The frame is then perfectly squared during assembly, and will stay that way for the life of the printer (unless you drop it off your desk onto a concrete floor!). Next, we engineered a simple but effective chassis dampening system using visco-elastic polymer because it has a very high dampening coefficient. It combines shock absorption, good memory, vibration isolation and vibration damping characteristics. Cheap rubber feet would have saved us a lot of money, but that’s not what the F1 is about.

Next, we designed the best filament drive and hot end we could. Our filament drive uses our special filament drive gears and gear reduction design for increased power and precision. The drive gears are hardened steel and the reduction gears are stainless steel, not plastic. The F1 hot end is all metal and carbon fiber ready. The key to making a high performance hot end that works with a large spectrum of filament types is to use a heat break that has the highest temp gradient you can find.

Accuracy: 3D printing is about more than just creating “perfect” and pretty looking prints. Best-in-class print quality is also about parts that are accurate, and fit together. Parts that have sharp corners and no over extrusion.

The F1’s firmware incorporates a hot end pressure balancing feature that reduces the extruder movement precisely as needed before the hot end reaches any portion of the part that slows down. This allows the pressure inside the hot end to release and do the extruding instead of the filament drive. It’s clever and it works great. In fact, the F1 doesn’t require any slicer tricks, like coasting or wiping (combing).

Here is an example of the quality you can expect from your new F1.

Reliability: Better by design. We all know that hot ends jam for a variety of reasons. The cause is usually wet filament, improper retract settings, bad temp settings, poor quality filament (bad diameter tolerance or debris in the filament) and bad hot end engineering. Oh, leaving the hot end idle at full temp for a few hours is another great way to jam your hot end! If you’re like us you’re not perfect, that’s why the F1 hot end can be changed in seconds. This makes it fast and easy to change nozzles too.

Premium Components: Lets take a close look at the 600 watt power supply built by Artesyn. The price of this key component is over $250. The power supply incorporates PFC (power factor correction) which ensures that input voltage and current waveforms are as sinusoidal as possible. Besides, PFC is required by international regulations. Cheap power supplies don’t use PFC and are not as reliable. The F1 3D Printers’ power supply carries a 2 year warranty and should run for many years under normal use.

STACKER F1 Features

– T-Slot Accessory Rail: Use the upper rail to mount your tool caddy, webcam, filament spool holders, etc
– Zero Maintenance V-Slot Wheels: ultra smooth, no noise linear motion
– Quad-Gear Filament Drive: powerful and flex filament ready
– Quick Change Hot Ends: swap nozzle sizes fast, all metal, 310C max temp
– Hardened Steel Nozzle: a must for abrasive filaments, made by Slice Engineering
– Dual Heater Blocks: faster and more even heat distribution for more even extrusion
– Redundant Electrical Cut-Off Circuits: These special circuits guard against thermal run-away of the hot end, the most critical part in any 3d printers. Provides: an extra safeguard beyond the standard firmware protections (firmware alone is not enough!), a must for safer printing, uses dual PT100 temp sensors for even more reliability
– Ultra Flat Print Bed: with auto bed leveling,a flat bed is key for proper fitting parts, bed leveling is, and should only be, for adjusting first layer heights to the particular bed surface
– Print Bed: Cast aluminum precision ground, with a 300 watt silicone mat heater and “Level Once” bed levelers.
– Carry Handle and LED Light Bar: comfortable grip and looks cool
– Customizable Front Logo Plate: print your own in the color you like
– Dual Z Screw Guards: keeps hands and hair safe
– 600 Watt Industrial Grade PSU: PFC type for EU regulations, smoothes out A/C pulses, more efficient, quiet, safe, reliable. Artesyn model LCM600Q-N
– Stacker Designed 32bit Electronics: faster printing, smoother and quieter operation, advanced safety features built-in
– Wire free controller box: eliminates the potential for shorted wires and reduces heat and complexity
– Genuine Molex Brand Glow Wire Electrical Connectors: Safest connectors on the market, oversized to easily handle the current loads.
– Motor Drivers: ultra quiet type for smooth operation
– High Resolution Stepper Motors: 2X more precision over standard motors
– Ultra-Rigid Frame and Ganty: superior prints at a faster pace
– Flexplate System with BuildTak PC and PEI Bed Surfaces: optional nylon surface also available
– Visco-elastic Dampening System: reduces noise and vibration, better print quality, won’t mar your table top
– Repetier Firmware: our custom version uses advanced motion planning and pressure balancing hot end controls to prevent over extrusion
– Repetier Server Software (requires dedicated pc, linux embedded device, or Pi): the best way to control your printer from any web enabled device, webcam option, time lapse, and a host of other amazing features, enterprise ready, NO WIFI for increased security (you can add WIFI with a Pi, we strongly recommend ethernet)
– Slicing software: One licence for Simplify3D, powerful and highly accurate slicing, multiple process feature, fantastic multi material print capabilities and the industry standard for generating support structures that break away cleanly.
– 285 x 285 x 285 mm Print Size: big prints from compact desk-sized printer
– Compact Frame: fits on your desk
– Filament Spool Location: Multiple mounts available for front, top, rear mounting
– F-BOX Compatible: Mounts in multiple locations
– Made in the USA

Print Bed Surfaces

Genuine BuildTak brand flex plate and sheets.

The filament drive because is so strong, and so light. It integrates the following components into a single 3D printed production part.

– adjustable print head mounting bracket
– filament out sensor bracket
– fan mount bracket
– ABL sensor mount
– blower mount bracket
– hot end attachment bracket
– wire and cable management
– filament guide tube mount
– belt guard

Click Here to Buy Now: $2100 $3000 ($900 off). Hurry, only 57 left! Raised over $240,000.

Concrete Tokyo toilet by Wonderwall references primitive Japanese huts

Modern Kawaya Tokyo Toilet by Wonderwall in Shibuya, Japan

A maze of board-marked concrete walls encloses this public toilet in Tokyo, which interior design studio Wonderwall created for the Tokyo Toilet project and modelled on prehistoric Japanese architecture.

Located in Ebisu Park in the capital’s Shibuya district, the toilet block is intended to resemble “primitive and simple” object in the park, rather than standing out as a building.

It is dubbed by Wonderwall as the Modern Kawaya, referencing primitive kawaya huts that were used as toilets in the early Jōmon period – the earliest historical era of Japanese history that is dated between 10,000 to 6,000 BCE.

Modern Kawaya Tokyo Toilet by Wonderwall in Shibuya, Japan

“In Japan, the origin of toilets is kawaya,” explained Japanese studio Wonderwall. “These huts were of primitive and simple designs, often made of hardened soil or pieces of wood bound together.”

“We kept in mind a facility that distances itself from architectural concepts and elements: an object that stands casually in the park as if it were playground equipment, benches, or trees.”

Modern Kawaya Tokyo Toilet by Wonderwall in Shibuya, Japan

The public toilet’s design was led by Masamichi Katayama, founder of Wonderwall, and is intended for use by anyone, regardless of their gender, age, or disability.

It is composed of 15 “randomly” placed walls that are made from board-marked concrete with a highly textured finish, nodding to the wood and soil construction of traditional kawayas.

Modern Kawaya Tokyo Toilet by Wonderwall in Shibuya, Japan

The arrangement of the walls resembles a maze, with gaps between them opening to reveal discreet entrances to three different areas. These include male and female toilets, as well as a unisex cubicle with facilities for baby changing and disabled users.

These concrete walls, which also shape the interiors of the block, are described by Wonderwall as a “curious piece of playground equipment” and are hoped to be playful and interactive.

Modern Kawaya Tokyo Toilet by Wonderwall in Shibuya, Japan

“Trying to envision the appearance and atmosphere of the primitive kawaya of the past, we built an ambiguous space that is simultaneously an object and a toilet by randomly combining 15 concrete walls,” explained the studio.

“The design creates a unique relationship in which users are invited to interact with the facility as if they are playing with a curious piece of playground equipment.”

Modern Kawaya Tokyo Toilet by Wonderwall in Shibuya, Japan

Wonderwall’s toilet block, which is now open for use, was completed as part of the Tokyo Toilet project that is being overseen by the non-profit Nippon Foundation.

The project will see the construction of 17 bathroom facilities throughout Shibuya that are accessible to all, with the ambition of dispelling “misconceptions regarding public toilets” and creating “a society that embraces diversity”.

Modern Kawaya Tokyo Toilet by Wonderwall in Shibuya, Japan

Sixteen creatives are involved in the Tokyo Toilet project, including Pritzer Prize-winners Toyo Ito, Tadao Ando and Shigeru Ban.

Ban has built two transparent toilet blocks, while Nao Tamura, another one of these 16 creatives, based her bold red toilet block on the Japanese craft of Origata gift wrapping.

Photography is by Satoshi Nagare, provided by The Nippon Foundation.

The post Concrete Tokyo toilet by Wonderwall references primitive Japanese huts appeared first on Dezeen.

Artist Kris Perry’s 35-Foot-Tall “Mother Earth” Sculpture at Rockaway Beach

A new, architectural commission from NYC Parks’ Art in the Parks program

A towering new Corten steel sculpture adds to the allure of NYC‘s Rockaway Beach—the seaside strip of Queens that appeases the appetite of surfers and city folk eager for days beside the ocean. Known as “Mother Earth,” the monumental work from Hudson-based sculptor Kris Perry rises 35 feet in an angular, architectural gesture; one that invites viewers to step inside and wonder or reconsider their surrounding from afar. It’s the latest unveiling from NYC Parks’ Art in the Parks program, which has commissioned large-scale public works for all five boroughs since 1967. And, of course, it’s truly a sight to be seen in person.

“At a time when people are eager to escape the confines of their homes to enjoy the outdoors, I cannot imagine a more fitting location for ‘Mother Earth’ than this popular stretch of Rockaway Beach,” Perry says in a statement. “The duality of the material—of nature, but made by technology—seems like a fitting metaphor for a sculpture that encourages viewers to ponder their relationship to the natural world.” For anyone seeking thought-provoking art along with their time spent outside, this is a thoughtful piece that works in harmony with its surroundings.

“Mother Earth” will be on view for one year. It is located at the Beach 98th Street entrance (at Shore Front Pkwy) to Rockaway Beach and is accessible by the A train.

Images courtesy of Angus Mordant

This Apple Watch band lets you control your smartwatch without touching the screen!

Nobody’s ever really thought hard about this but there’s only one way to use the touchscreen on your Apple Watch – with the opposite hand. You can use either hand on your smartphone or tablet screen, but when you’ve got a watch strapped to your left-hand wrist, you can pretty much only control it with your right hand… and what do you do when the right hand’s busy holding bags, washing dishes, driving a car, wearing gloves, or petting your dog? Mudra has a pretty futuristic solution to that problem – you use sensors to control the watch without needing to touch it.

Working on a tech quite similar in outcome to the Google Soli chip found in the Pixel 4, the Mudra is a wristband for the Apple Watch that comes with its set of sensors that pick up hand gestures by measuring nerve activity in your wrist. The Mudra band allows you to use your watch without touching it, but more importantly, it gives you the ability to use your left-hand to control parts of the Watch experience, being able to snooze alarms, accept or reject calls, play/pause/skip music tracks, or even playing an old-fashioned game of Snake. The band picks up directly on gestures sent to your wrist via the motor nerve, almost forming a brain-to-device interface. State-of-the-art electrodes in the band can decode different signals, telling apart a variety of gestures that give you complete control over your watch (fun fact, Mudra translates to ‘gesture’ in Sanskrit). The band works with all generations of the Apple Watch, connecting to them via Bluetooth, and batteries inside the Mudra allow it to work for over two days before needing to be charged using a proprietary contact-based charger.

Designed to be a convenience, but with the potential of being much more, the Mudra band’s sensor technology has a wide variety of applications. Not only is it great for when your hands are occupied, it’s also extremely useful for the disabled (who can still send gesture-instructions through their motor nerves), and even offers a great way to interface with a screen without having to look at it, potentially making the Apple Watch safe to use while driving too!

Designer: Wearable Devices Ltd.

Speed Vibrations Made the ISS Impossible to Properly Photograph Inside. Photography Duo Figures It Out

Here’s something you probably never considered: The only photos you’ve ever seen inside the International Space Station are snapshots taken by astronauts, often using a flash. This means every image of it you’ve ever seen has been poorly-lit and amateurish.

It’s impossible to take long-exposure shots in there since “you can’t use a tripod in space because it just floats away, and the station itself is going 17,500 miles an hour,” photographer Roland Miller explained to Colossal. “Just because of the size and the speed, there’s a harmonic vibration to it” that would result in blurry shots.

To solve this, Miller teamed up with astronaut, engineer, photographer and ISS resident Paolo Nespoli.

View of ISS Nadir from Departing Soyuz TMA-20 Spacecraft, Complete ISS stack including Space Shuttle Endeavour and Automated Transfer Vehicle Kepler, Low Earth Orbit, Space, Photograph by Paolo Nespoli

Miller used Google Street View‘s images of the ISS to poke around inside and figure out what angles he wanted to shoot, then Nespoli rigged up an anti-vibration bipod and took shots under Miller’s art direction.

The results of their collaboration is INTERIOR SPACE: A Visual Exploration of the International Space Station, a 200-page 12×10 book that’s up on Kickstarter.

Interior Space: A Visual Exploration of the International Space Station

Here are some examples of the images the duo produced:

Port Hatch with Mission Stickers and Memorabilia European Laboratory – Columbus, International Space Station, Low Earth Orbit, Space, Photograph by Paolo Nespoli and Roland Miller

Starboard View, European Laboratory – Columbus, International Space Station, Low Earth Orbit, Space, Photograph by Paolo Nespoli and Roland Miller

Cupola with Clouds and Ocean, International Space Station, Low Earth Orbit, Space, Photograph by Paolo Nespoli and Roland Miller

View from Starboard into Node 2 and Japanese Experiment Module, European Laboratory – Columbus, International Space Station, Low Earth Orbit, Space, Photograph by Paolo Nespoli and Roland Miller

View of Port Hatch into Node 3, Node 1 – Unity, International Space Station, Low Earth Orbit, Space, Photograph by Paolo Nespoli and Roland Miller

The book has already been successfully funded, but there’s still 11 days left to pledge if you want a copy. INTERIOR SPACE is going for $55 and should ship by October of this year.

Worrell Yeung designs industrial artist studios in historic Brooklyn factory buildings

77 Washington by Worrell Yeung

New York architecture studio Worrell Yeung has transformed historic factory buildings in Brooklyn Navy Yard into multi-use workspaces and artist studios featuring time-worn brick walls and weathered beams and columns.

The adaptive reuse project involved remodelling 77 Washington, a six-storey former masonry factory built in the 1920s, and four other buildings situated around on the property.

77 Washington by Worrell Yeung

It is located at the corner of Washington Avenue and Park Avenue in Brooklyn Navy Yard, a former shipbuilding complex between the Dumbo and Williamsburg neighbourhoods undergoing regeneration.

Worrell Yeung drew from the area’s historic architecture and the design of early 20th-century New York warehouses to update the 38,000-square-foot (3530.3-square-metre) multi-use art and office space.

77 Washington by Worrell Yeung

“The existing buildings were so rich with history and layered with texture that we wanted our design to highlight these found conditions while also updating to accommodate new uses and new programs,” said co-principal Max Worrell.

77 Washington by Worrell Yeung

A six-storey brick structure occupies the centre of the property, with a cluster of three one-storey buildings situated on its south end and a single garage unit located on the opposite side.

On the main building the brick facade was left untouched, while the sides of the building are painted white.

77 Washington by Worrell Yeung

Storefronts situated along the street level were restored to house artist and photography studios. Each of the exteriors is painted dark blue and is fronted with large windows that flood natural light into the interiors.

The low-lying structures are connected by a central courtyard filled with gravel and plants laid out by landscape firm Michael van Valkenburgh Associates. To form the outdoor patio and bike storage area the studio removed a roof that previously covered the space.

77 Washington by Worrell Yeung

In the garden three solid oak logs form a series of benches. Over the past decade a local shipbuilder gathered the reclaimed wood used for the seating following a number of storms in the region.

Inside the materials and patterns are evocative of old Brooklyn factories and warehouses. The floors are covered with concrete and metal diamond plates.

Exposed brick walls coated with layers of old paint pair with structural wood columns and beams in the open-plan spaces, which include meeting rooms, a small kitchenette and a large lobby area.

Brooklyn Navy Yard woodworker Bien Hecho repurposed timber floor joists from the building into a custom-built conference table and a bench.

77 Washington by Worrell Yeung

Steel grids installed across the elevator shaft windows are visible from the building’s exterior and match the pattern on the translucent glass and plywood walls located in the lobby.

“These interventions are a nod to the aesthetics of storied factory buildings and Navy Yard warehouses, which historically featured grids in their sash windows, fencing, and ship docks,” added co-principal Jejon Yeung.

77 Washington by Worrell Yeung

Worrell Yeung was founded in 2014 by Max Worrell and Jejon Yeung. The studio has completed a number of renovation projects in New York City, including a loft in Chelsea and an apartment inside Dumbo’s Clocktower building.

77 Washington by Worrell Yeung

Other office projects in Brooklyn Navy Yard are a space for tech entrepreneurs located in a former warehouse renovated by New York developer Macro Sea and a new 16-storey co-working building by S9 Architecture.

Photography is by Naho Kubota.

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This IFTTT-ready smart-thermometer can send your HR a leave-request if you fall sick

There’s a parallel universe where grandparents are much more tech-savvy than their grandchildren, but this one probably isn’t it. The funny video behind ThermBot’s thermometer does, however, demonstrate that regular thermometers are antiquated and can do with an upgrade.

Meet the ThermBot. It’s smaller, simpler, smarter, and faster than that icky thermometer you put in your mouth, or that contactless thermometer gun everyone is brandishing outside their establishments nowadays. Barely the size of a 9V battery, the ThermBot comes with a pop-out port that allows it to plug into a phone or a power-bank. Once plugged in, the ThermBot works as a contactless thermometer, reading your temperature from a distance. The ThermBot’s digital white-on-black backlit LCD display is much easier to read, provides accurate temperature readings in under a second, and the device itself is a whole lot smaller than the conventional hand-held thermometer-gun… but that isn’t all.

The ThermBot’s pop-out USB-C port serves a much larger purpose. Once you plug it into your phone, the ThermBot allows you to send your temperature reading to your fitness apps, integrating another aspect of health into your digital-health monitoring dashboards. For people who find themselves keeping regular tabs on their heart-rate or even their blood pressure, the ThermBot provides you with another facet of health-monitoring, and automatically integrates with apps like Google Fit and Apple Fitness. You can set the ThermBot up with IFTTT too, allowing your readings to go directly to your HR as a Slack message along with a sick-leave request, or allowing you to ping your physician if the temperature is too high or low. The ThermBot doesn’t do things differently, however, it gives your regular thermometer a few feature upgrades (and a massive size reduction) to help it serve you better. I’m personally conflicted by the fact that the ThermBot doesn’t have its own battery (and needs to be plugged into an external source). One could argue that the absence of the battery helps the ThermBot to last longer and eliminates the need to constantly charge it. The ThermBot also comes with a standard USB-C port, but if you do happen to use an iPhone, the ThermBot comes with a lightning power adapter in the box too.

Besides, it’s difficult to ignore how incredibly compact and sleek the ThermBot is. Its rounded form, stainless-steel body and glass paneling just gives it the kind of sleekness that’s more consistent with consumer-tech. At just 0.05 lbs (22 grams), it’s much lighter than any standard contactless thermometer, and is small enough to store in your pocket or even backpack, allowing you to easily travel with it… probably in an alternate universe where the planet isn’t affected by a deathly pandemic. For this universe, however, the ThermBot does a pretty darn amazing job of being a simple, small, smart thermometer that works the instant you plug it in.

Designer: Eli Ostreicher

Click Here to Buy Now: $89 $149 ($60 off). Hurry, only 28/1250 left! Raised over $230,000.

ThermBot Thermometer – Smaller. Instant. Smarter.

At home or on the go, ThermBot delivers instant temperature readings with 100% accuracy plus smart home assistants & IFTTT integration.

Measures just 2.23 inches (56.8 mm) in height and 1.26 inches (32 mm) in width.

Get clinically accurate results in under 1 second.

No app install or download required. ThermBot works as is out of the box.

Requires no battery ever because ThermBot draws power directly from your smartphone, power bank or tablet.

ThermBot comes with a USB-C to iOS / Apple Lighting power adaptor and a USB-C to USB power adaptor.

Built for people on-the-go. ThermBot’s slider button makes it easy to slide out the Type C connector on-demand and retract it when you’re done. Never worry about losing the cap.

Not just a thermometer but also a smart home enabled IoT device. Thanks to its BLE (Bluetooth Low Energy) chip, ThermBot can integrate with your favorite wellness tracking apps and smart assistants as well as the IFTTT protocol, transforming ThermBot from just another thermometer into IoT device, perfect for quick, meaningful interpretation of results.

Change from Fahrenheit to Celsius with ease. Simply hold down the side button for 2.5 seconds to toggle.

Quiet and non-invasive. ThermBot is ideal for taking the temperature of a child or patient without distressing or disturbing them.

Click Here to Buy Now: $89 $149 ($60 off). Hurry, only 28/1250 left! Raised over $230,000.

"Foster must keep the A-team for its Apple store designs" say commenters

Apple Central World by Foster + Partners

In this week’s comments update, readers are impressed by Foster + Partners‘ latest Apple Store and sharing their views on other top stories.

Apple Central World in Bangkok, Thailand, is the newest Apple store designed by Foster + Partners and is situated in the capital city’s largest shopping centre.

The architecture studio designed the store with “a quiet sculptural presence” to juxtapose with the lively plaza of Central World, adding a timber-clad column and overhanging roof that resembles a tree canopy.

“A breath of fresh air for retail design”

Readers are delighted with the results. “No one does it better,” said A Cool Guy.

Felix Amiss agreed: “A breath of fresh air for retail design.”

“Foster must keep the A-team for its Apple store designs,” added Z-dog. “Always different and always superbly executed.”

“The form is quite appealing,” replied Benny. “But I think it’s because I can’t un-see this as a giant cake stand – and I do like cake!”

Do you think the Apple store resembles a cake stand? Join the discussion ›

Dewi van de Klomp designs Soft Cabinets from foam rubber
Dewi van de Klomp’s foam furniture morphs and sags in response to its contents

Commenter says Soft Cabinets “are as useful as cardboard-flavoured sweets” 

Dutch designer Dewi van de Klomp has created squishy cabinets made from foam rubber in a bid to bring more attention to the “overlooked” material, but readers aren’t convinced.

“As useful as cardboard-flavoured sweets,” joked Rodrigo Galvan-Duque.

Heywood Floyd agreed: “I’m actually morphing and sagging in response to this content.”

“I just designed a boat that sinks,”continued JW. “But hey, it’s made of foam and nobody did that before!”

Are readers being hard on the designer? Join the discussion ›

IKEA unveils first branded fashion and accessories collection Efterträda
IKEA unveils first branded fashion and accessories collection

Readers “wish there was a hot, steaming plate of meatballs” on IKEA T-shirts

IKEA Japan has released a 10-piece collection of clothing and accessories each branded with the company’s logo and the barcode of the iconic Billy shelving system, sparking reader debate.

“I like the bar-code graphics,” said Benny. “But instead of the IKEA logo I wish there was a hot, steaming plate of the meatballs, gravy and lingonberry jam.”

“Does it come with its own thread, needles, fabric, and instructions on how to sew it together?” asked Apsco Radiales.

Puzzello was less comical: “I appreciate that the items are made of recycled material but there is no real sense of design or fashion here. The pieces look like they were giveaways at a retail convention.”

Are you sold on the designs? Join the discussion ›

Public toilets in Tokyo's Yoyogi Fukamachi Mini Park and the Haru-No-Ogawa Community Park by Shigeru Ban for the Tokyo Toilet project
Shigeru Ban designs pair of transparent public toilets in Tokyo

“What could go wrong?” with transparent public toilets asks reader

Commenters are amused by the Pritzker Prize-winning architect Shigeru Ban-designed public toilets in Yoyogi Fukamachi Mini Park, Tokyo, which feature transparent walls when not in use.

“What could go wrong?” asked Margot.

“What if the mechanism malfunctions?” continued Igor Pismensky. “Would anyone inform the authorities or just sit back and be entertained, like me? LOL.”

“My idea of a perfect public toilet,” concluded Rastermadre.

Does the idea of using a transparent toilet make you flush? Join the discussion ›

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Dezeen is the world’s most commented architecture and design magazine, receiving thousands of comments each month from readers. Keep up to date on the latest discussions on our comments page.

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