This open-air top floor of house lets residents enjoy the outdoors while staying in

The Shaded Rooftop House lets residents enjoy the outdoors while staying in. You’ll see more blended environment homes in the future so that staying home doesn’t feel claustrophobic if we ever have to shelter in place again.

BCHO Architects designed this home with the focal point being the gable roof. It’s made of white perforated metal and topped with transparent PVC panels so it allows all the natural sunlight and ventilation while keeping the rain away. The choice of materials and shape lets the residents enjoy a panoramic view through the gap between the walls and the roof without having to increase the building’s height.

It gives you a semi-outdoor space if you live in an urban area and lets you enjoy a part of nature while being at home. There are so many opportunities to use this space for harnessing solar energy or even roof-farming. It’s only the beginning of blended environment homes which will be better for our health as well as the planet.

Designer: BCHO Architects

Happel Cornelisse Verhoeven builds bright red fire station in Antwerp

Fire Station Wilrijk by Happel Cornelisse Verhoeven

Dutch studio Happel Cornelisse Verhoeven has used red glazed bricks to make a new Antwerp fire station stand out.

Fire Station Wilrijk is located on a main road, in a neighbourhood to the south of the Belgian city.

Red Fire Station Wilrijk by Happel Cornelisse Verhoeven

Happel Cornelisse Verhoeven wanted to make a statement, to help the building quickly develop its own identity, so chose to clad the entire exterior in bright red bricks.

The colour of these bricks is emphasised by the use of vertical piers and bright white grout.

Red Fire Station Wilrijk by Happel Cornelisse Verhoeven

According to Happel Cornelisse Verhoeven, the aim was to make an “architecture parlante” – a type of building where the architectural form explains the structure’s function.

“The monochrome character provides a recognisable identity in the neighbourhood, an architecture parlante in which form and appearance irrevocably remind us of the function of the building and the urgency of its users,” said the Rotterdam-based studio.

Fire Station Wilrijk by Happel Cornelisse Verhoeven

The fire station is a three-storey building, with a double-height station garage on one side and additional rooms wrapping up and over.

Its volume is made asymmetric by a tower in one corner, with bold white signage spelling out the word Brandweer – meaning fire brigade.

Graphic designer Reynoud Homan designed this signage by adapting the font Univers, designed by Adrian Frutiger in 1957. This sans-serif font helps to reinforce the functional aesthetic to the elevation.

Fire Station Wilrijk by Happel Cornelisse Verhoeven

Below this sign, the brick facade is designed in two layers. The outer layer takes the form of a grid, creating a series of thick vertical piers at ground-floor level, and thinner ones on the level above.

Bricks on the outer layer twice as tall as those behind, creating a visual hierarchy.

Fire Station Wilrijk by Happel Cornelisse Verhoeven

“Particular attention has been paid to the tectonics of the facades, which express the typological stacking of the garage, residence and tower” said Happel Cornelisse Verhoeven.

“This stacking decreases proportionally in height and is emphasized by a mutual setback of 10 centimetres.”

Fire Station Wilrijk by Happel Cornelisse Verhoeven

The building is more modest and utilitarian inside, with no traces of red to be found. A hybrid structure of concrete and cross-laminated timber (CLT) is matched by wall partitions on all three floors.

Workshop spaces and office are located on the two lower levels, while the upper floor is designed to feel more domestic. It includes sleeping quarters, dressing rooms and living spaces, so that firefighters can be on call 24/7.

Fire Station Wilrijk by Happel Cornelisse Verhoeven

The building generates its own energy, thanks to a solar boiler, a heat pump and rooftop solar panels.

Other examples of architect-designed fire stations include a copper-clad building in Chamonix and a rose-hued building in South Tyrol.

Photography is by Karin Borghouts.


Project credits:

Client: AG Vespa
Architect: Happel Cornelisse Verhoeven
Contractor: dhulst’
Constructional engineer: Vervest Constructief Advies & Ontwerp
Technical engineer: SB Heedfeld NV
EPB Reporting: GHW bvba

The post Happel Cornelisse Verhoeven builds bright red fire station in Antwerp appeared first on Dezeen.

Raúl Sánchez uses clever cutaways in house at Mas Blanch i Jové winery

Gallery House by Raúl Sánchez Architects

Corten steel walls, a circular window and a big cross all feature in this house renovated by Raúl Sánchez Architects for a winery in Catalonia.

Called Gallery House, the two-storey property functions as both a guesthouse and gallery for the Mas Blanch i Jové winery in La Pobla de Cérvoles.

Gallery House by Raúl Sánchez Architects facade

Barcelona-based Sánchez planned his renovation around a series of cutaways, all designed to make the interior of the house more sculptural.

A large cross-shaped opening was created through the centre of the house, connecting the two floors and offering a sense of drama.

Gallery House by Raúl Sánchez Architects dining room

New windows were also added, to allow views right through the building. Most are rectangular, but there’s also a large round window in one of the ground-floor walls.

The new additions are reinforced by the use of Corten, a weathering steel with a distinctive rusty colour and texture. It clads internal and external walls, and also frames the new windows.

Gallery House by Raúl Sánchez Architects circular window

“The project proposes a clear and accurate division of the house by means of a cross established in plan and section,” explained Sánchez.

“[It] opens four huge windows in each one of the facades of the house, putting it in close contact with the picturesque landscape of the place.”

Gallery House by Raúl Sánchez Architects cortex steel

Every year, Mas Blanch I Jové invites a different artist to contribute a new sculpture to the estate and vineyards. Joan Brossa, Frederic Amat and Eva Lootz are among contributors so far.

Gallery House allows the winery to expand this tradition. Going forward, new artists will be asked to also create a small intervention inside this building.

Gallery House by Raúl Sánchez Architects corridor

The idea is for the house to be used in various ways. It can accommodate the winery owners and other guests throughout the year, but also double as a public gallery or events space.

The weathering steel surfaces helps to clearly demarcate the areas designed for displaying artworks, while the domestic spaces feature a more humble material palette of pale concrete and natural wood.

“The material collision is direct on the upper floor,” said Sánchez, “from the metallic, cold space of the exhibition areas, one accesses the warm and comfortable wooden environments of the bedrooms.”

The scale of the spaces also differs between floors. The ground floor has a looping plan, with a large living space on one side and a generous dining space on the other.

Gallery House by Raúl Sánchez Architects blue bathroom

Upstairs is more clearly divided, with five bedrooms that each have their own bathroom. Different colours give every en-suite its own character.

“The crucial point of the house is the centre of the cross, solved by a small bridge that flies over the ground floor,” added Sánchez.

Gallery House by Raúl Sánchez Architects facade

Gallery House is not the only project that Sánchez has completed for Mas Blanch I Jové. He also recently added a new tasting room in the wine production hall.

Other projects by the architect include a dental clinic with smile-shaped partitions and a vaulted basement home.

Photography is by José Hevia.


Project credits:

Architecture: Raúl Sánchez Architects
Project team: Raúl Sánchez, Sainza Hervella, Miriam Corcuera, Valentina Barberio, Albert Montilla
Client: Mas Blanch I Jove
Structure: Diagonal Arquitectura
Engineering: Marés ingenieros
Metal works: Metal Ware
Faucets and taps: Icónico
Wood carpentry: Mobles Ferné

The post Raúl Sánchez uses clever cutaways in house at Mas Blanch i Jové winery appeared first on Dezeen.

Antony Gormley shares seven-day Instagram diary of life in lockdown

Antony Gormley shares seven-day Instagram diary of life in lockdown

British sculptor Antony Gormley is among a handful of artists who have collaborated with White Cube gallery to document their life and work in lockdown via Instagram, in a bid to stay connected during the coronavirus pandemic.

From miniature versions of Gormley’s blocky human sculptures to a sneak peak of a family activity pack that he is making, each of the Instagram snapshots aim to offer a more “intimate” insight into the artist’s life.

As Susan May, artistic director at White Cube, told Dezeen, the seven-day diaries were part of the gallery’s attempt to keep people connected to art and its creators at a time when they are unable to visit exhibitions.

 

View this post on Instagram

 

A post shared by White Cube (@whitecube) on Apr 5, 2020 at 8:44am PDT

“When lockdown first began, it was clear we needed to think about innovative ways to try to stay connected with both our artists and audience, and digital channels are one of the best tools to achieve this,” said May.

“We thought that a daily dispatch on Instagram would be a good way for followers to get a more intimate insight into our artists’ lives both inside and outside of the studio, depending on where they are isolating,” she continued.

“The message that we hope to send is that during these challenging times, everyone can help each other by staying connected.”

 

View this post on Instagram

 

A post shared by White Cube (@whitecube) on Apr 4, 2020 at 5:57am PDT

Day one at Gormley’s workbench saw the artist work on a family activity he is making for the Firstsite art gallery in Colchester, England, which is putting together a free downloadable pack of activities for kids and parents staying at home.

The second day, on the other hand, saw Gormley repairing nine of the “squashed lead cases” from his One Apple artwork, which comprises 53 pieces wrapped in lead set out in a line that record the stages of the season’s growth from the blossom to the fruit.

 

View this post on Instagram

 

A post shared by White Cube (@whitecube) on Apr 6, 2020 at 10:31am PDT

For day three, the artist created a miniature version of his Hold sculpture from 1986 that depicts a figure crouched down on the floor cradling their head in their hands. He recreated this sculpture in 2018 from various cubic forms.

“In a way, these insights into artists’ lives offer a sense of collective experience and show that art and artists can in some way try to help us make sense of the situation and, in doing so, hopefully maybe even inspire the audience to get creative themselves,” May told Dezeen.

 

View this post on Instagram

 

A post shared by White Cube (@whitecube) on Apr 7, 2020 at 9:40am PDT

On day four Gormley created six biscuit (also known as bisque) fired plates, and by day five the squashed lead cases he was fixing had been mended, to form complete apples.

On the penultimate day Gormley showed his process of making a dolomite-black glaze and weighing out the powdered rock, while the final day saw him create another miniature sculpture of a reclining figure from terracotta-coloured clay, titled Slip.

British artist Tracey Emin also participated in the seven-day diary series, sharing images of her paintings in progress and paragraphs of her thoughts and feelings during the lockdown.

“Today I would be happy… today I would celebrate my solitude… if I were not filled with an over powering sense of fear… A darkness… that has made me want to live more than ever,” reads one entry.

Another day she shares an unfinished painting she has been working on for nearly six months, having painted over it five times before.

 

View this post on Instagram

 

A post shared by White Cube (@whitecube) on Apr 8, 2020 at 11:01am PDT

Other artists that have taken part in the Instagram, diary include American artist Sarah Morris and installation artist Theaster Gates, whose previous work has seen him convert an abandoned Chicago bank into a public arts centre.

There will be more diaries to follow from Indian artist Raqib Shaw and Korean painter Park Seo-Bo.

Earlier this year, Gormley created an installation in New York’s Brooklyn Bridge Park, made up of 18 kilometres of wound aluminium tubing arranged like a giant scribble.

Titled New York Clearing, the installation was designed to be an interactive public work, facing the Manhattan skyline and Brooklyn Bridge.

The post Antony Gormley shares seven-day Instagram diary of life in lockdown appeared first on Dezeen.

The gorgeous Bugatti La Finale concept tributes and highlights its internal combustion engine

We’re somewhere in the late 21st century. Electric cars aren’t just the norm, they’re sort of antiquated and mankind has moved onto the next step – hydrogen fuel cells. It’s been decades since any company’s launched a car with a gas-powered internal combustion engine, until the Bugatti La Finale surfaces… a car that pays homage to the ICE. The La Finale isn’t a car, it’s a vessel, a museum for the internal combustion engine. Rather than hiding this vintage technology under an opaque hood, the La Finale displays this antique technology like a crown jewel, with a transparent hood that lets you admire the engine and its pistons in all their glory.

The La Finale concept takes the design attributes of the La Voiture Noire and amps it up, with split surface bodywork that doesn’t feel completely like the modern-day Bugatti DNA, but rather pays tribute to Ettore Bugatti’s brother Rembrandt Bugatti, who was an artist and a sculptor who had a remarkable understanding of surfaces. The car comes with double-tone paneling, using metallic sheeting as well as carbon-fiber to create an interplay that makes the car look less blockish and more sculptural. The La Finale’s magnum opus, however, is its hood, which is made from a transparent glass that cascades upwards to turn into the windshield. This glass provides an exhibition-window into the car’s 6-cylinder engine, which designer Serkan Budur visualizes will be a vintage rarity in the future. This showcase gives the car’s engine the precious treatment it deserves, while right in front of it, visible through the gap between the two surfaces, are suspension-springs that further the car’s approach to showcasing its internals in an exhibitionist fashion. Inspired by the Bugatti designs of the yesteryear, during the era of its founder, Ettore Bugatti, the car retains the horseshoe radiator, an iconic element that ties all of the company’s cars together. There’s an absence of the C-bar design that is usually present in all of Bugatti’s more contemporary models, but for the sake of artistic expression, I’ll let that slide. After all, the point of the La Finale isn’t to look at the C bar – it’s to admire the car in its entirety, and its precious relic-like internal combustion engine!

Designer: Serkan Budur

Ron Arad launches "Smile for our NHS" fundraiser with masks featuring famous artists

Ron Arad Smile for Our NHS masks

Celebrities including Stephen Fry, David Baddiel and Elizabeth Hurley have modelled face masks designed by Ron Arad that will be sold to raise money for the UK’s National Health Service.

The cotton masks are printed with portraits of famous artists including Picasso, Matisse and Dalí.

Launched today, the Smile for our NHS campaign aims to help healthcare workers treating coronavirus patients.

Ron Arad Smile for Our NHS masks
Stephen Fry (top) and David Baddiel (above) are among the celebrities modelling Arad’s masks

“We’re doing masks to raise money for the NHS,” Arad told Dezeen in a video interview on Thursday during which he wore a prototype of a mask featuring a drawing of William Shakespeare by Arad.

“People cover their faces and I thought it would be a nice idea to have the bottom part of the face cheering people up.”

“There’ll be lots of art on faces; there’ll be lots of Picassos, Matisses, Dalís,” Arad told Dezeen. “Hopefully, it will be very successful and raise a lot of money for the health services.”

Ron Arad Smile for Our NHS masks
Newsreader Natasha Kaplinsky wearing one of Arad’s masks

Celebrities including actor and comedian Stephen Fry, actress and model Elizabeth Hurley, comedian David Baddiel and TV presenters Natasha Kaplinsky and Robert Peston have endorsed the launch and modelled the masks.

“These amazing masks, designed by Ron Arad, raise a smile, protect others and raise money for the NHS,” Fry tweeted.

“People look funny in the masks,” Arad added. “People like the idea.”

Ron Arad Smile for Our NHS masks
Political journalist Robert Peston is among the figures supporting the fundraiser

Face masks can help protect people from contracting coronavirus and help prevent those with the virus from infecting others.

“Besides the benefits of limiting harm from coughs and sneezes, and reducing the instances of people touching their faces, the primary benefit of these non-medical face masks is to others: these designs turn them from something impersonal and frightening into coverings that will make people smile,” said the campaign.

Ron Arad Smile for Our NHS masks
Actress and model Elizabeth Hurley

“Discussions are underway to make the masks available to members of the public, both in the form of ready-made masks and by making the designs available for home-made assembly.”

The UK’s taxpayer-funded NHS has suffered shortages of personal protective equipment (PPE) including masks.

“Crucially, the project plans to bring new manufacturers on stream, to ensure there is no diversion from valuable NHS supplies,” said the campaign. “Proceeds raised will be in aid of the NHS and causes dealing with the Covid crisis.”

The project is a collaboration between Arad and the Ostro Fayre Share Foundation.

“I wanted to do something to use the power of art to help in this terrible crisis,” Arad said. “We all have a duty to use our creativity, resources and compassion however we can. Hopefully, this project will support our wonderful NHS, as well as provide some cheer and amusement.”

London-based Arad is an industrial designer, artist and architect. He explained his latest project, a range of hand-finished moulded chairs called Don’t F**k With The Mouse, in a video made for Dezeen’s Virtual Design Festival.

Other key projects by Arad include the Tom Vac chair, the Big Easy chair and the Rover Chair.

The post Ron Arad launches “Smile for our NHS” fundraiser with masks featuring famous artists appeared first on Dezeen.

Alejandro Sticotti's holiday home in Uruguay teams weathered wood and textured concrete

La Pedrera by Alejandro Sticotti

Argentinean architect Alejandro Sticotti has elevated a wood-clad box above the glazed kitchen and dining room of his family’s holiday home on the coast of Uruguay.

Sticotti designed the house in Le Pedrera, a village and resort on the Atlantic Coast in Uruguay’s department of Rocha.

La Pedrera by Alejandro Sticotti

Located a five-minute walk from the beach, the house serves as a holiday home for his family, which includes his graphic-designer wife Mercedes and their four children.

La Pedrera by Alejandro Sticotti

“We currently live in Buenos Aires, but we travel a lot to La Pedrera to vacation, relax, go to the beach, cook, read and paint,” Sticotti said.

“We used to spend all our summers there in the last 20 years, and as soon as I found this land it was love at first sight.”

La Pedrera by Alejandro Sticotti

Chilean photographer Cristobal Palma recently captured the house, which Sticotti officially completed in 2015 but has continued to update.

“It’s hard to say we finished when you’re the architect of your own home haha,” Sticotti joked.

La Pedrera by Alejandro Sticotti

Named after its location, Le Pedrera comprises a house for the couple and a separate guesthouse that can be used by their children.

The main residence features a mix of materials including board-marked concrete walls, floors and ceilings, which are textured from the imprint of timber boards. While these are left exposed throughout the private areas of the house, the upper-level walls that are viewed from the street are covered in slender weathered-wood panels.

La Pedrera by Alejandro Sticotti

Weathered wood walls wrap the ground floor, which accommodates the kitchen and dining area. There are large expanses of glass that include doors that open onto a deck featuring a hammock and greyed wooden furniture, and the rear garden. The elevated volume above hosts the lounge and bathroom with windows offering views of the sea.

“The ground floor, an area with the kitchen an a deck, we use it mostly during the day,” Sticotti explained. “In the first floor, we have the living room and the master bedroom suite where we have an incredible view to the sea.”

La Pedrera by Alejandro Sticotti

The living areas of the main residence are also shared with the small, two-storey guesthouse at the other end of the garden, which features two bedrooms with en-suite bathrooms.

La Pedrera by Alejandro Sticotti

Sticotti said that he worked with his wife to complete the decor of the property. “I’m the architect of the house, but whom made the final touches is my wife, Mercedes, who is a graphic designer,” he said. “We are both in design thinking.”

On the ground floor, these materials are paired with pale white tiles and a large number of wooden details like the dining table and shelving. Brighter pops of white are brought in by a large stone sink kitchen cabinetry and sofa.

La Pedrera by Alejandro Sticotti

A metallic staircase with wooden treads leads to the first floor. Wooden floorboards that continue onto the adjoining bedroom mirror the exposed concrete ceiling above. The space is detailed with bookshelves and long desk facing a window. The stair then continues onto the rooftop.

Other houses in Uruguay include a concrete house designed by local firm Masa Arquitectos and a black house that FRAM Arquitectos and Delfina Riverti detailed with wood stripes.

Photography is by Cristobal Palma.

The post Alejandro Sticotti’s holiday home in Uruguay teams weathered wood and textured concrete appeared first on Dezeen.

The MagnetCubes toy brings the adrenaline of Hot Wheels to the creativity of LEGO

MagnetCube vividly reminds me of one of the greatest online games of our time. No, not Minecraft. Try a little older. Remember Rollercoaster Tycoon? And how if you didn’t have enough money to buy preset Rollercoaster designs, you had to build your own? Between you and me, I’d try to make the most outrageous coasters even if I DID have the money. Building a track together piece by piece, aligning the last piece to the end of the station to complete the track, and just watching as the virtual park-visitors screamed in sheer delight through the coaster ride. There’s something about that joy of creation that the MagnetCubes captures. Part creation, part elaborate gravity trick, MagnetCubes lets you build your own ball-bearing racetrack using its modular setup. With an incredibly exhaustive variety of track-shapes that let you build the ball-bearing rollercoaster of your dreams and a transparent framework to hold your creation up, the MagnetCubes is an engaging toy that’s infinitely customizable so you’re never bored, and it teaches you a fair bit about physics too – just like how RC Tycoon taught me never to bump up the velocity of the coaster beyond a certain limit, or that rollercoaster paths should always be closed and continuous.

Using a transparent framework of pillars and beams held in place by magnets, MagnetCube lets you build and test your ballbearing racetracks. The cube construction is much more versatile than the plug-and use tracks in Hot Wheels kits. With MagnetCubes, you can build in the third dimension too, and the hollow cubes let you see your track as you build it, making the construction process as engaging and fun as the playing process. Available in Standard and Advanced variants the MagnetCube kit is modular, allowing you to be small and efficient, or embrace a go-big-or-go-home attitude and make a wild track that’s filled with twists and turns. Each kit comes with ball-bearings that ride on the tracks you build, relying on their design and a combination of gravity, inertia, and potential/kinetic energy to get from A to B. It’s this fun approach to learning that allows kids to embrace concepts of physics, architecture, and even a fair share of mathematics… all while exercising their creativity, testing the limits of nature, and staying entertained without being attached to a screen – unless they’re filming it for their Instagram. I probably would.

Designer: Steven Wolfe of DesignNest

Click Here to Buy Now: $35 $50 (30% off). Hurry, only 13/80 left! Raised over $175,000.

MagnetCubes – Modular Magnetic Blocks With Dynamic Marble Run

Using the power of gravity and inspired imagination, MagnetCubes is a fun way to relax and have fun. This interactive new building system promotes learning, stress relief and fun with a simple way to build an infinite number of marble runs and roller coasters for fun and education.

Most of the marble runs include the track and the holes on the same molded pieces, limiting your options for how the pieces can be fitted together. With the modular design of MagnetCubes, you can easily connect multiple structures together.

The structure becomes a complex and impressive multi-level design. Build and rebuild whatever you can imagine. You could sit down again and again, with new creations every time.

Build Your Imagination Freely

This intuitive building system is fun for all ages and can be configured in endless ways.

This toy is a modern take on the simple building blocks and construction sets that we all grow up with. MagnetCubes is great for getting kids curious and interested in STEM concepts by challenging spatial reasoning and understanding of physics principles.

People of all ages have a natural desire to build and create. It’s the reason that all generations grew up with some kind of building toy such as blocks, Legos or other construction sets. This kind of toys engage kids and satisfy their curiosity while developing important motor and coordination skills.

Unlimited Possibilities & Endless Fun

The sets use open cubes with magnets in each corner that easily snap together without the need for special connectors or any prior experience. Simply unpack and build!

With 64 cubes and multiple action pieces, the design possibilities are endless. Each set can be added onto the next, allowing you to build big and fantastic marble runs as you imagine.

The open design of MagnetCubes makes all the action visible. With the panels included in the AdvancedPack, you can weave marble tracks in and out of the architectural structures.

Fun For All Age-Groups

This building set is not just for kids. Building MagnetCubes is also a joyful experience for parents and adults. Join in the fun and build with the kids to make more complex designs.

Keep stacking the modular and magnetic building blocks together. Be amazed at how easily, quickly and massively tall structures can be made without toppling over. It’s more fun to play together, with your friends, family, co-workers.

Great for quick breaks from the screen. Relieve stress by fidgeting with beautiful structures and relaxing kinetic movement.

MagnetCubes is a building system that inspires children to learn STEM principles. The combination of play, exploration, and iterative testing will help children develop critical thinking skills needed to excel in multiple fields. In no time at all, you will have a creative engineer and designer on your hands.

How to assemble MagnetCubes

Click Here to Buy Now: $35 $50 (30% off). Hurry, only 13/80 left! Raised over $175,000.

Odami creates a furniture collection from one dying tree

Case Study 01: On Mass by Odami and One Wood

Canadian studio Odami has used wood from a 130-year-old red oak tree to design furniture and lighting.

Case Study 01: On Mass by Odami and One Wood
Case Study 01: On Mass used the trunk of a dying red oak tree to construct three pieces, including this prism-like lamp

Case Study 01: On Mass comprises an armchair, lamp and table made from the trunk and limbs of a dying red oak tree.

Odami worked with Patrick Murphy, owner of One Wood, a woodworking company to realise the three unique pieces that aim to explore the concept of mass.

Case Study 01: On Mass by Odami and One Wood
The armchair features a curved seat, straight back and two rounded arms on each of its sides

“As simple compositions of heavy masses, each piece is an expression of this strength and power,” Odami said. “With timeless simplicity, each piece is a humble celebration of material richness and craft, and a study of the coziness of mass.”

The tree came from Murphy’s parents’ property in St Anns, Ontario. One of its limbs had already fallen and rotted, but the team was able to preserve a majority of its main trunk and use it to create the pieces.

Case Study 01: On Mass by Odami and One Wood
Black markings on the bowed seat show the areas where the wood stretched and cracked

“These pieces don’t simply make use of its material, but attempt to harness this vitality, and embody the stability and weight of its lost presence,” the studio added.

After the red oak was chopped down, the wood was dried and then cut into the new shapes causing it to stretch, warp and crack. In total, the fabrication process was carried out over a period of eight months.

On the lamp, light shines through the thin opening between a square-shaped rod and rounded column that front the piece. A rectangular block forms the top and base of the prism-shaped work.

The curved seat and straight-edged back of the armchair are set at angles from one another and attach between the two rounded arms on each side of the design.

Case Study 01: On Mass by Odami and One Wood
The low table has chunky legs and a flat surface that extends beyond the two legs

Black markings visible on the front of the seat indicate the areas where the wood stretched and cracked from being worked into the bowed shape.

The low-lying table has chunky legs attached to its centre. A flat surface extends beyond the two legs to form the tabletop. In this middle is a small lid that lifts off the top to reveal a tiny compartment built into the table.

Case Study 01: On Mass by Odami and One Wood
A rectangular lid lifts off the table to reveal a tiny compartment

Odami is an architectural, interior, and furniture design studio founded in Toronto founded in 2017 by Spanish architect Aránzazu González Bernardo and Canadian designer Michael Norman Fohring. Its previous projects include Toronto restaurant Sara, which features curving plaster walls.

Other wood furniture pieces include a collection Bowen Liu Studio imagined for a fictional artist and a series of chunky pine chairs by Studio Sløyd.

Photography is by Kurtis Chen.

The post Odami creates a furniture collection from one dying tree appeared first on Dezeen.

Link About It: This Week’s Picks

An ancient mystery solved, architectural advancements, photographing natural wonders, and inspiration aplenty in our look around the web

Quentin Blake’s Cheerful Rainbow E-Cards

Legendary artist Sir Quentin Blake has created 10 new artworks, featuring watercolor rainbows and a cast of characters, that can each be sent as e-cards free of charge. The 86-year-old illustrator drew the pictures in order to share a little humor and bolster optimism, saying “It seems like a time when a few straightforward jokes might not come amiss, so that as I know that people have been putting rainbows into their windows to express solidarity, I took the liberty of borrowing them.” Rainbows appear as meals, mustaches and more in the illustrations, all of which are available to send online now. Read more at It’s Nice That.

Studio Gang’s Brooklyn Firehouse + Training Facility

When thinking about architectural advancements in a city, a firehouse might be an unlikely consideration; it’s a utilitarian structure often defined by historic attributes, not innovative ones. That’s part of what makes Studio Gang’s FDNY Rescue Company 2 in Brownsville so compelling. Architect Jeanne Gang designed the beautiful facade (accented with fire-engine-red terra-cotta tiles) and thoughtful, dynamic interiors for the needs of firefighters today: from training to resting and even engaging with the neighborhood. “It’s all about the relationship between the rescue workers and their neighbors,” Gang tells Architectural Digest, where you can read about all of the aesthetic and technical aspects.

Design Your Own Virtual Art Museum in Steam’s Free Occupy White Walls Game

With 2,200 architectural elements and more than 6,000 artworks to choose from, StikiPixels’ free Steam game, Occupy White Walls, lets players build the virtual art gallery (or museum) of their dreams. Users can also explore the 215 million virtual square feet of gallery space that’s been imagined by other players thus far. Options range from the marbled and magnificent to fields of grass. An artificial intelligence assistant curator named Daisy is also available to help. Read more at Smithsonian Magazine.

Imaginative Maps of Life in Lockdown

CityLab asked its currently locked-down readers to map out their lives at home. Editors received 150+ intimate illustrations of apartment floor plans, neighborhood gems, routes for “sanity walks,” and even the sounds that surround us. While the results don’t reveal too much about architectural successes or design theories, they are an endearing and intimate look into the spaces we exist within. Through these maps—perhaps the three rooms we shuffle between or a chart tracking bird noises or the clanging of a suddenly loud neighbor—we learn a little about one another and how we fit into the world around us. Take a look at some of the results at CityLab.

Touring James Turrell’s House of Light

Through their online journal, retailer Nalata Nalata offers reflection on spaces they find inspiring and envy-inducing. One instance is prolific artist James Turrell’s 2,260-square-foot House of Light in Tokamachi, Niigata, Japan. “We’ve traveled to Japan more times than we can count yet there are still so many moments and places that leave us feeling marveled,” Nalata Nalata cofounder Stevenson Aung writes. “One such experience was our stay at House of Light created by James Turrell—a house that is at once an accommodation, a meditation house and a private art installation.” Check out more photos at Nalata Nalata.

Uncovering The Formula For a Mysterious, Medieval Blue Ink

For thousands and thousands of years a purple-blue ink known as folium was used to color all kinds of books, cheese rinds and more, but its formula was lost until a team of researchers recently deciphered the recipe through three ancient texts. It’s long been confirmed that the dye comes from the fruit of chrozophora tinctoria, but this isn’t a complete assessment. By poring over the manuscripts (one from the 12th century, another from the 14th century and a 15th-century manual literally called The Book on How to Make All the Colour Paints for Illuminating Books), scientists found that the fruit needs to be carefully soaked in a mixture of methanol and water, before further steps are taken. Maria João Melo (a scientist and co-author of the study) says “They were able to produce paints that last centuries. We don’t have such paints now. So this is part of our research—to know as much as possible about this material that was completely lost with the advent of the synthetic dyes.” Find out more at Atlas Obscura.

Vibrant Blue Bioluminescence Photographed at Newport Beach

Thanks to a friend’s tip-off, photographer Patrick Coyne ventured to Newport Beach from his Orange County home to capture images of a bioluminescence show dancing atop the waves. The friend recognized a “red tide,” which sometimes washes a specific type of bioluminescent phytoplankton close to shore. When night arrived, Coyne walked toward the water, capturing video and taking photos that have since attracted the attention of local and national media, and plenty of nature-loving Instagram followers. See Coyne’s full video at PetaPixel.

The “hid-den” Multifunctional Home-Office Concept

hid-den, a concept project by Sidegiggle, is “an exploration of the mini-den, a private space for focus and creativity.” The modular system can work in “BookcaseMode,” which features three movable bookshelves, or in “DenMode” which uses the bookcases as three of its walls, and a contrasting shelf- and mirror-clad cutout as its door. Inside, the square footage allows for a small desk or a little reading room. Overall, the concept provides a little escape and solace for those living in smaller spaces. Read more at Sidegiggle.

Pioneer Works Launches Broadcast, an Online “Station for the Presently Stationary”

“There are times in history, defining moments in many of our lives, when we have taken that astronomical perspective… to view the sight of humanity as a whole: vulnerable, brave, afraid, cruel, compassionate,” Janna Levin (author, astrophysicist and Director of Sciences at Pioneer Works) writes. “From that astronomical perspective, humanity—in all its hyper-finely pixelated colors and languages and traditions and beliefs—resolves into a crisp portrait of one species on one Earth.” This statement introduces Broadcast, Pioneer Works’ online platform which aims to provoke thought and curiosity and “cultivates conversations on music, technology, science, and the arts.” Each transmission will be delivered to your inbox, should you subscribe, or the published articles can be accessed at any time on their site. Broadcast begins with a dedication to the late Genesis Breyer P-Orridge, an interview with Nick Flynn, an exhibition of virtual artwork. Find out more at Pioneer Works.

Travis Scott + Kid Cudi’s Record-Breaking Fortnite Virtual Concert

Using the popular cross-platform video game Fornite as an arena, Travis Scott and Kid Cudi premiered a collaborative track, “THE SCOTTS,” and shattered “attendance” records with 12.3 million viewers tuning in. As with similar Fortnite events held previously, themed merchandise, accessories, and upgrades were made available for players prior to the show. But a new component let viewers witness the building excitement more literally: developers coded the show’s stage, surrounding theatrics, and more in real-time in the week prior so players could watch as construction took place. Between the audience numbers and additional upgrades, a new standard has been set for virtual productions. You can now watch the performance on YouTube.

Porsche Launches Classics-Compatible CarPlay Radios

Currently exclusive to Europe, Porsche’s new classics-compatible CarPlay-equipped radios are designed for cars produced from the 1960s onward. They allow those driving older vehicles by the German manufacturer the option to upgrade their sound system while keeping with the brand’s style. Each of the audio systems features streaming services, satellite radio, texting and calling, and navigation. The kits come in a 1-DIN size specifically designed for the 911 and a 2-DIN size for 986 and 996 models. Read more at MacRumors.

Link About It is our filtered look at the web, shared daily in Link and on social media, and rounded up every Saturday morning.