Design Job: Are you uncommonly talented? Join UcommonGoods as Senior Art Director in Brooklyn

As Senior Art Director—reporting to the Creative Director— you will manage a team of designers, collaborate with our fellow creative team members of photographers, videographers and copywriters, and work with Product Management, UX, Tech, Merchandising and Marketing teams to make design delightful. You will

See the full job details or check out all design jobs at Coroflot.

"Schumacher is so spot on"

Patrik Schumacher interview

In this week’s comments update, readers are debating Patrik Schumacher’s suggestion that architecture teachers use students to advance their own agendas rather than teach skills for the real world.

Agenda setting: readers are divided over Patrik Schumacher’s claims that architecture schools are disconnected from the real world.

“For the first time ever I agree with Schumacher,” said Yethica. “Add in the fact that architecture schools charge an arm and a leg for this stuff, unethically, since architects typically don’t make a ton of money coming out of school and just end up being in debt forever.”

“One hundred per cent agree with him,” continued Marmite. “Ever since the academics took over art schools and got rid of professional practitioners this has been getting worse. Academics are totally out of touch and use the students as guinea pigs in their own research projects.”

“Schumacher’s response to academics using students to advance their own agenda – advance his own instead,” replied Rust Belt Brett. “Though I largely agree with what he’s saying, teaching everyone parametricism as the hegemony is just exchanging one academic circle jerk for another.”

“I agreed broadly up to parametric design. Projects need to have a grounding in reality,” added Stuart Taylor.

This commenter also felt Schumacher’s claims were hypocritical:



Are architecture schools disconnected from the real world? Join the discussion ›


Kanye West's prefabricated affordable Yeezy Home units take inspiration from the Star Wars films and might be used as underground homeless housing.

Go West: commenters are criticising Kanye West after he revealed prototypes for prefabricated affordable Yeezy Home units, which would be built underground and take inspiration from the Star Wars films.

“Why doesn’t Mr Kanye, himself, live in an underground house? Or maybe I’m wrong, and one of his 100 villas is underground?” asked Malgorzata Boguslaw.

Mark Power agreed: “When Kanye lives in one of these depressing mud caves, I’ll support it. Until then, homeless, flee for the hills, fresh breezes and sunlight.”

“It is admirable that he wants to provide shelter but the home isn’t the problem. Why you need the home is the problem,” added Rob.

Le Ego was more sympathetic: “Nobody should ever be ridiculed for trying to do something positive for the less fortunate. Kanye talking about the issue brings massive publicity, and keeps it in the minds and conscience of citizens and members of government.”

One commenter had other plans for the Yeezy Home units:



Is West going in the wrong direction? Join the discussion ›


The Tulip by Foster + Partners

Pole-axed: news that London’s mayor Sadiq Khan has rejected plans for The Tulip has sparked debate among readers. Khan stated that the Foster + Partner designed building would provide “very limited pubic benefit”.

“Thank you Sadiq, you’ve saved us from this heinous vanity pole!” said Arch Boi92. “You have my vote at 2020 London mayoral election.”

BT76 was also pleased: “Good, it was nothing but a money sink of a vanity project with no public benefit.”

“In my opinion the mayor can reject permission to a building (if contrary to a city’s masterplan) for ‘limited public benefit’, but not because he thinks it’s a ‘poor design’,” replied Phi Ney. “This is an undemocratic authoritarian position.”

Chris was equally annoyed: “Time to reject Sadiq Khan at the next election. A man who for some reason hates design.”

One reader was feeling comical:



Has Khan made the right decision? Join the discussion ›


Self-love: readers are baffled as to why Elena Tamburini has designed a collection of objects that encourage affection in individuals and elderly couples, including a mirror, brush, table and a walker.

“How incredibly insulting!” said Alan Smith. “An ugly coffee table ‘encourages holding hands!’ A mirror that makes you look like a lunatic? This is the very essence of ridiculous.”

Egad felt similarly: “You lost me with the feathered mirror. What a joke.”

“Care-home workers usually spend time trying to keep the elderly off one another,” added James Beckett.

“I don’t succeed in taking this seriously!” concluded Fokko van der Veen.

At least one commenter was on board:



Can you see the benefits of the Filotea collection? Join the discussion ›

The post “Schumacher is so spot on” appeared first on Dezeen.

DezeenChat participants call for design schools to stamp out burnout culture

Design schools must stamp out burn-out culture for sake of mental health say students

A burnout culture of “sleep is for the weak” must be stopped in design education for the sake of students’ mental health say #DezeenChat participants.

This month, Dezeen asked our followers on Twitter and Instagram if design education is broken, and what could be done to fix it.

Readers highlighted a number of issues in the current higher education system that were proving barriers to entry or learning, including high course-fees, the cost of materials, and oversubscribed courses.

“I watched friends burn out and lose days to recovery”

The overwhelming complaint was of a culture of burnout, where students are instructed to work long hours and cut down on sleep, with no support offered for those who said they were struggling.

“Some professors say that, as an architecture student, all-nighters should be common practice,” said Instagram user Rafay Qazi, saying one professor told them “sleep is for the weak”.

“I watched friends burn out and lose days to recovery, and this cannot continue,” tweeted Scott McAulay, an architecture graduate of the University of Strathclyde in Scotland. “Suffering is no ‘rite of passage’.”

Burnout, according to the recently updated definition from the World Health Organisation, affects those exposed to chronic stress that hasn’t been properly managed.

“I’ve had a professor say that we must pull all nighters for him because architecture school is a 24/7 job and that we can ‘get a day job’ when we graduate,” added Elizabeth, an architecture major from Sacramento in the US.

“I seriously considered suicide on an almost daily basis”

As well as burnout, Dezeen readers reported becoming isolated from their support networks during term time, breakdowns due to stress and lack of sleep, and even thoughts of suicide.

“I have been told to expect to work in the studio 10 – 14 hours per day on top of my other class time, home work, my job, and my commute. I have in so many words been told not to expect to see friends or family during the school term,” said N. L. Flowers, an architecture student at Portland State University in the US.

“I overheard two different students in studio on three separate occasions casually discuss killing themselves. I myself seriously considered suicide on an almost daily basis while in studio,” Flowers added.

Architect Ben Channon, founder of the Architects’ Mental Wellbeing Forum said he often speaks to students with concerns about their mental health.

“Sadly there still seems to be an embedded culture of late nights and students not being treated with the respect they deserve at many universities,” said Channon.

“Institutions perpetuating student exhaustion shame our industry”

Insisting on long and late hours, readers pointed out, makes the industry ultimately less diverse.

“These practices disproportionately prevent students with families and students with physical or cognitive differences from participating or succeeding in architectural education,” said Twitter user Cynarcharlie.

Mhairi McVicar, a supervisor at the Welsh School of Architecture, highlighted that this culture in education often translates directly to unhealthy working environments.

“24/7 working is outdated and sets precedents for acceptance of unpaid overtime in practice,” said McVicar.

“I advise students to have a life/work balance and a life outside studio. Where else are they expected to find inspiration and energy for creative work?”

Seeing the comments on #DezeenChat, some educators and industry leaders condemned burnout culture and pledged to change it.

“On the sleepless thing and other abhorrent behaviour #dezeenchat can I say that those institutions perpetuating exhaustion in any student bring shame on our industry,” said Deborah Dawton, chief executive of the Design Business Association.

“We must work together to eliminate machismo behaviour in schools of architecture. A more diverse profession will only come when we support #WorkLifeBalance,” said Ben Derbyshire, president of the Royal Institute of British Architects.

“I produced my best works late at night”

Sheffield School of Architecture’s Future Practice platform agreed, advising design departments to not “have 24 hour studio culture” and “encourage life work balance” for students.

“If you don’t participate in everyday life how can you design for it!” they asked.

Some chat participants, however, reported that they found the method of being pushed to their physical and emotional limit in an educational environment ultimately rewarding.

“24/7 studio culture is what makes design education unique,” said Subhay Baberwal, an architect based in India. “Even the ones that complain about it, recall the best moment and memories were during the conjuring hours of night with everyone around helping one another.”

Hisan Waheed, an architect based in the Maldives, said her “best works were produced while working late into the night, finally dropping dead on the studio floor the following morning.”

Main photo is by Matias Islas on Unsplash.

In the UK, Samaritans can be contacted on 116 123. In the US, the National Suicide Prevention Lifeline is 1-800-273-8255. In Australia, the crisis support service Lifeline is 13 11 14. Other international suicide helplines can be found at befrienders.org.

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Scientists develop "aerogel greenhouse shields" to grow food on Mars

Researchers at Harvard University have devised a way to terraform Mars by placing sheets of silica aerogel on the planet’s surface, which would warm it up to make it suitable for growing plants.

Robin Wordsworth from Harvard University collaborated with Ronald L Kerber from California Institute of Technology and Charles Cockell from the University of Edinburgh, among other scientists, to produce the research project released in a report on Nature Astronomy.

The trio devised the “silica aerogel greenhouse shields” to transform the surface of Mar, which has low temperatures and high-ultraviolet radiation levels, so that it could be suitable for farming. The system is intended as a simple way to warm the ground, melt the ice, and make it suitable environment for plants.

Shields would replicate greenhouse effect

The shields would be made from silica aerogel, a transparent material with a low-thermal conductivity. Spreading them across the planet’s surface would mimic the greenhouse effect by trapping heat that would warm the ground below.

A thin layer of silica aerogel, which is a gel but is made up 97 cent air instead of liquid, would be enough to raise the temperature of the Martian surface to above the melting point of water.

It would also block hazardous ultraviolet radiation and allow enough visible light for photosynthesis to occur.

“Mars could be made habitable to photosynthetic life”

“We show that widespread regions of the surface of Mars could be made habitable to photosynthetic life in the future via a solid-state analogue to Earth’s atmospheric greenhouse effect,” said the team.

A number of proposals have already been developed to terraform Mars but these typically require major environmental modifications. Silica aerogel shields, however, could be applied to specific areas, in a less obtrusive alternative and can be easily scaled up.

“If we want to make sustainable habitats on another planet using present-day technology, this approach could be very useful,” Wordsworth told the Guardian. “It’s completely scalable, so the area covered could be anywhere from a few square metres to large regions of the planet.”

Approach requires “less infrastructure or maintenance” than others

The scientists conducted a number of experiments in Mars-like environments to test the warming potential of the sheets. It found that that layers of silica aerogel measuring two to three centimetres thick were enough to warm the surface to the melting point of liquid water or higher. 

Other tests that explored the effects of the sheet covering over time found that they could warm up several metres below surface level to allow for liquid water for years after years. 

“Our results show that via the solid-state greenhouse effect, regions on the surface of Mars could be modified in the future to allow life to survive there with much less infrastructure or maintenance than via other approaches,” the team added.

“The creation of permanently warm regions would have many benefits for future human activity on Mars, as well as being of fundamental interest for astrobiological experiments and as a potential means to facilitate life-detection efforts.”

System could be used in hostile environments on Earth

The investigation also looked into the best Martian environments for implanting the sheets, including nutrient availability and quantities of dust deposition. The research indicates that a number of nutrients are readily available on Mars, with some such iron and sulfur in higher amounts than on Earth.

There are a number of issues that still need to be addressed with applying the concept to Mars, including ways to manufacturer the product on the site, and whether there is life on Mars that could be damaged by the installations.

In the meantime, however, the team adds that the solid-state greenhouse concept could also be used to improve the fertility of hostile environments on Earth, like Antarctica and Chile’s Atacama Desert.

The research project is the latest in a series that aim to make the Mars habitable, after NASA’s robotic Curiosity rover landed on the red planet in 2012. Others have included Martian concrete for building architecture in outer space and an eco city designed by Italian architect Stefano Boeri.

Architecture firm Foster + Partners has also been investigating the possibilities for building on the planet.

Image is courtesy of Shutterstock.

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Explore New York with Virgil Abloh and Louis Vuitton's retro video game Endless Runner

Louis Vuitton has released a retro-style video game called Endless Runner, which was inspired by Virgil Abloh’s Autumn Winter 2019 show for the brand.

The visuals for the game were inspired by 1980s graphics and revisits the New York streetscape set that was built as part of Abloh’s vision for the show earlier this year.

The game sees the player control a third-person figure that runs against a parallax scrolling background built up of streetlights, shop fronts and brick walls. The small, orange glowing figure has to dodge obstacles typical of New York such as bins, traffic cones and phone boxes and can retrieve Louis Vuitton monograms to increase their score.

To coincide with the release of the collection in stores, the game is available on  play on Louis Vuitton’s website.

Read more about video games ›

The post Explore New York with Virgil Abloh and Louis Vuitton’s retro video game Endless Runner appeared first on Dezeen.

Studio Drift Honors the Apollo 11 Launch Anniversary with a Lyrical Drone Performance

To commemorate the 50th anniversary of Apollo 11’s launch on July 16, 1969, NASA has commissioned Studio Drift to bring their drone installation, Franchise Freedom, to the Kennedy Space Center’s rocket garden. Tonight, against the backdrop of a full moon and accompanied by a Duran Duran concert, 300 luminous drones will swarm the night sky with a hypnotic choreography based on the flight patterns of starling birds.

Studio Drift FRANCHISE FREEDOM from Studio DRIFT on Vimeo.

Studio Drift first debuted the performance in 2017 at Art Basel in Miami and have since staged it at the Stedelijk Museum in Amsterdam and during Burning Man in 2018. Based on 10 years of research, co-founders Lonneke Gordijn and Ralph Nauta developed an algorithm that replicates how birds swarm and self-organize in nature. The resulting choreography is not entirely pre-determined as the drones are continuously responding to each other. Each drone has a light source, and its intensity and color is influenced by the distance between it and other drones, emphasizing the density of the group.

Studio Drift FRANCHISE FREEDOM at Burning Man from Studio DRIFT on Vimeo.

In the context of the Apollo 11 anniversary, the performance offers a moment to reflect on technology, nature, our place in the universe, and our responsibilities as we continue to innovate in the 21st century. “The Apollo 11 moon landing exemplifies what technology can do for humanity,” says Nauta. “Let’s take this as an example of what amazing possibilities we have if we put our minds together. It is our responsibility to use technology to build a sustainable future. Whether we’re exploring the moon, the sky or anywhere else it all ends up being about improving life here on earth.”

Pale wood blends Cristián Izquierdo Lehmann's Chilean house into sandy surrounds

House in El Peumo, Chile by Cristian Izquierdo Hehmann

Architecture studio Cristián Izquierdo Lehmann has designed this wooden house in Chile around a central, square-shaped room with a dramatic vaulted ceiling.

Named after the town where it is located, the House in El Peumo is situated in Chile‘s O’Higgins Region, just south of Santiago. The dwelling sits atop a sandy plateau surrounded by pine and cypress trees.

House in El Peumo, Chile by Cristian Izquierdo Hehmann

Encompassing 163 square metres, the building consists of four wings arranged in a pinwheel formation around a central, square-shaped volume. Patios occupy the open areas between each wing.

“The project is conceived as a central cabin that gradually opens to the landscape in four symmetric fronts, following a continuous constructive module of two feet,” said Cristián Izquierdo Lehmann in a project description.

House in El Peumo, Chile by Cristian Izquierdo Hehmann

The central room encompasses the public functions – cooking, dining and relaxing – all of which take place under a four-pitched ceiling with a skylight. The room features retractable glass doors, placed in “symmetrical rotation along the center of the plan”.

Each wall in the public zone has a designated use. One houses shelving for books, while another contains closets. The other two accommodate a concrete chimney and kitchen storage and appliances.

House in El Peumo, Chile by Cristian Izquierdo Hehmann

The wings contains the bedrooms, each with a large window that provides a strong connection to the landscape. The private rooms were designed to provide peace and solitude.

“When the bedrooms shut their doors, they disappear between the walls, becoming cut off the noise and circulation of the rest of the house,” the studio said.

House in El Peumo, Chile by Cristian Izquierdo Hehmann

The home is constructed of laminated pine, which was left uncovered – “making explicit the constant measures and joints that rule the project”. In addition to an abundance of wood, the interior features concrete flooring and simple decor.

Facades are protected by horizontal eaves that extend from a faceted, asymmetrical roof. Made of zinc, the roof is composed of triangular planes, which run from the edges of the skylight to the eaves’ corners. The roof’s geometry is governed by the same logic used inside the home.

House in El Peumo, Chile by Cristian Izquierdo Hehmann

“The form and pitch of each plane results from the 5:7 proportion ruling the central room and the height difference between the centre and the borders,” the studio said.

“The symmetric rotation of this asymmetrical form produces the figure of a whirlwind, thus blurring the difference of the concave centre and the horizontal perimeter into an organic totality.”

House in El Peumo, Chile by Cristian Izquierdo Hehmann

Other recent homes in Chile include a remote retreat by architect Guillermo Acuña that features a tall, wooden staircase leading to an old boathouse, and a kinked house by Ignacio Correa that consists of corrugated metal, high-performance glass and exposed wood.

Photography is by Roland Halbe.


Project credits:

Architect: Cristián Izquierdo Lehmann
Collaborators: Angela Koch, Jorge Cárdenas

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These infrared-blocking sunglasses can disable facial recognition technology

Scott Urban is on a mission to turn eyewear from just a fashion statement to something much more useful. No, his sunglasses don’t come with projectors and cameras inside them… rather, they overcome them. IRpair and Phantom are his two new creations that maintain your identity on facial recognition systems.

IRpair has specially formulated lenses that have the ability to absorb infrared light, which makes them especially useful against practically any sort of camera with an IR sensor in them. Phantom also come with the IR-blocking lenses, but the frame itself also reflects infrared light to pretty much render any facial recognition technology useless. Most facial recognition frameworks rely on an IR blaster to capture your face and the shape of your eyes. These sunglasses make its wearer undetectable to night-vision CCTV cameras, and even your smartphone’s face-unlock feature. In the grander scheme of things, IRpair and Phantom allow you take your privacy back from corporate and state databases that keep tabs on you.

Scott’s obsession with privacy-protecting eyewear started in 2016 with Reflectacles Ghost sunglasses, a pair of spectacles made with reflective material that shines brightly in night-vision cameras and flash photography (your face just looks like a blur of white light), making it practically ideal for people who don’t like having their photos clicked. While Reflectacles Ghost were, and pardon my choice of words, more in-your-face, Scott’s true end-game was to make a discreet pair of privacy glasses that looked just like any other frames.

IRpair and Phantom, in that regard, look just like any other pair of sunglasses. Designed with an acetate body, these frames work perfectly both indoors and outdoors, with a choice between light-tinted lenses that give you visibility indoors and a darker-tinted lenses meant for outdoor wearing. The lenses come with specially formulated optical fibers that completely absorb infrared light in the 850-950 nanometer wavelength. Not only do these lenses block the infrared spectrum, they also block ultraviolet light (UVa, UVb, UVc), as well as visible blue light, making them ideal for wearing in the sun, or even in front of a screen. The blue-light blocking feature also helps prevent fatigue from sitting in front of a screen for too long, and even make your environments appear brighter and crisper by enhancing your perception of depth and reducing the effects of smoke, fog, and haze.

More than just a pair of privacy glasses, IRpair and Phantom are designed to be the spectacles you wear every day. For prescription-glasses-wearers, there is an optional clip-on with the IR-blocking lenses that you can wear when you step outdoors, or when you’re working in front of a computer screen. These special lenses even help by absorbing heat, making your eyes feel cooler in the sun, and giving you a comfortable wearing experience over time.

However, the facial-recognition-blocking ability is IRpair and Phantom’s unique proposition. The glasses help by allowing you to opt out of systems (both regulated and unregulated) that use your face to track your identity without permission. Designed as a discreet solution to a growing problem, IRpair and Phantom give you the upper hand in the battle against ever-advancing facial recognition technology at the price of your privacy…. and yes, you need to take off these glasses every time you want to unlock your phone, but given what’s at stake, is it even sensible to universally use your face as your identity in the first place?

Designer: Scott Urban of Reflectacles

Click Here to Buy Now: $124 $148 ($24 off). Hurry, only 19/65 left!

IRpair & Phantom – Privacy Eyewear

The first collection of Sunglasses designed to block facial recognition, eye tracking & infrared radiation. Infrared Radiation (IR) in the forms of 3D dot matrix mapping and laser scanning are the most accurate forms of facial recognition technology and they will soon become the most common. IRpair and Phantom maintain your privacy on these systems during both day and night. They also obscure your facial data on 2D IR surveillance cameras in low light environments and block IR eye-tracking. Wear IRpair & Phantom to protect your identity from unregulated facial recognition.

You cannot log into the iPhone X Face ID (day or night) with IRpair and Phantom.

How IRpair Works

IRpair counters facial recognition with the specially formulated IRlenses. These lenses are made with optical filters that allow visible light to pass through, but block infrared radiation from penetrating. IRpair acts as a shield from facial recognition & eye tracking by turning your eye space black to any form of technology using IR for mapping or illumination. Since we cannot perceive IR, our vision remains unchanged.

On left side is an IRlens and on the right is a regular sunglasses lens. When Infrared is used, the IRlens turns black while the regular sunglasses lens becomes clear.

Since IRpair blocks infrared radiation at the lens, 3D IR facial mapping will not be able to read the critical eye measurements for a match during both day and night. Unlike regular sunglasses that become clear in the presence of IR, IRpair’s lenses turn dark black on traditional surveillance cameras using IR in low light situations. Wear IRpair to deny facial recognition access to your eyes.

The following examples of IRpair were made with stock acetate color samples from the manufacturer. For the full production order, IRpair will come standard in a dark black translucent acetate with a glossy finish. Custom colors and acetate properties have been selected as an additional option if funding allows.

Video from an IR security camera.

How Phantom Works

In addition to the IRlenses, Phantom also uses a frame-applied IR-reflective material to defeat facial recognition. On traditional IR surveillance cameras, Phantom will illuminate around the eye space, denying algorithms the critical biometrics for a match. With 3D IR dot matrix facial mapping, the reflected IR beams from Phantom will distort the facial data to maintain your privacy.

Video from a phone with the visible light on. By not reflecting visible light, Phantom keep you covered.

Phantom remains covert by only reflecting infrared light. Visible light cannot penetrate the black IR-only permeable layer to reach the most retro-reflective material that lies beneath. Phantom may look like a regular pair of black glasses, but they are always reflecting IR from any source.

IRclip for IRpair & Phantom

The IRclip allows you to switch between the IRlenses (IRlight & IRdark). They also make it possible to wear Rx lenses in the frame and select your desired IRlens shade depending on the lighting conditions.

Connect one end of the IRclip to the frame, bend it slightly to fit over the other side and the IRclip is securely attached. This can easily be accomplished while wearing the frames.

A useful combination of IRpair and the IRclip is to have IRlight lenses mounted in the frame and the IRdark lens in the clip-on. This way, you can wear the IRlight lens during the day/night, outdoors/indoors, and when you need extra sunlight protection, clip on the IRdark lens. They work well together.

IRlenses

IRlight and IRdark lenses are made with specially formulated optical filters that absorb the near infrared spectrum which is critical for 3D facial mapping, eye tracking and illumination on average IR security cameras. Any device using IR in the forms of laser or lamp will not be able to obtain the necessary eye biometrics for facial recognition. IRlenses shield infrared radiation from your eyes and maintain your privacy.

IRlenses also filter out the visible blue light spectrum allowing your vision to be more bright, crisp and clear. You will have more perception of depth and you will notice a reduction in the effects of smoke, haze and fog.

Since IR is perceived as heat, IRlenses will help keep your eyes cool and relaxed (no squinting). This is beneficial for people who wear contacts or suffer from dryness of the eyes, even photophobia. IRlenses do the same thing as the BluBlockers of the 90’s, but they also block the near infrared spectrum.

– Blocks 85% of the near infrared radiation spectrum (780-1400nm).
– Blocks UV from 150-475nm (UVa, UVb, UVc, & visible blue light).
– Visible light transmission up to 42%. Can be worn indoors and outdoors during day or night.
– Good for indoor environments scattered with blue light (computers, LED lightbulbs, TVs, phones, etc.).
– Bright vivid yellow/green viewing environment.
– Block 3D IR facial mapping during day & night and traditional 2D facial recognition on cameras using IR for illumination.

– Blocks 95% of the near infrared radiation spectrum (780-1400nm).
– Blocks UV from 150-495nm (UVa, UVb, UVc, & visible blue light).
– Visible light transmission up to 28%. Mainly for outdoor use during the day and some indoor environments.
– Comparable to the darkest sunglasses you have ever worn, while still providing a bright vivid yellow/green viewing environment.
– Block 3D IR facial mapping during day & night and traditional 2D facial recognition on cameras using IR for illumination.

Both IRpair and Phantom are designed to accommodate prescription lenses. Any decent optical shop will be able to cut Rx lenses for the frames. If you want your frames to arrive with your prescription lenses installed, contact me directly to make arrangements (there is not a pledge for prescription lenses). If you do choose to wear IRpair or Phantom with your prescription lenses, you will want to get an IRclip to block infrared from reaching your eyes.

Design and Construction

The design for IRpair and Phantom is thanks to Scott Urban’s 15 year career as a custom wood eyewear creator. The shape and size of this pair looks excellent on a wide variety of facial features … big heads, small heads, women, men, and all the in-betweens.

Details of the Construction

Starting with solid blocks of quality cellulose acetate, the frames are created by the reductive process of CNC machining. This method of manufacturing allows for precise adherence to the design and extremely high durability. The temples have solid wire cores running throughout the temple ends so that you can bend and shape the frames to fit your unique features. Sturdy hinges and a universal bridge provide a gentle and secure fit. You will be able to feel the quality when they are in your hands and on your face.

2D vs 3D Facial Recognition

2D facial recognition uses algorithms to find a match between the subject’s face and an image database of collected faces. It relies on measurements in a 2D plane such as distance between the eyes, nose & lip shape and placement, chin angle, brow space, hairline, etc. In the illustration above, the “algorithm” is shown matching two completely different people simply because their facial features are similar. So far 2D facial recognition is not accurate enough to operate without human involvement.

3D facial mapping uses up to 50k micro-beams of IR to sense and interpret an exact digital replica of the face. Think of it like the old Pinart toy from the 90’s, but only with many thousands more pins. 3D facial mapping is so precise that even identical twins are not able to fool the system. This form of facial recognition allows artificial intelligence to track every face without human involvement.

Infrared 3D dot matrix mapping using Face ID.

We are currently led to believe that IR 3D facial mapping is an opt-in system. For example, if you want to log into your iPhone X with Face ID, you choose to give the system your biometric facial data and it will never be shared.

An interesting situation arises when you realize that this technology is so accurate that your face can be scanned at large without consent and given a unique identifier (e.g. a string of numbers).

That data can then be shared across a multitude of platforms to track all movement. Similar to how even when you are logged out of all online services, your internet activity can be stored under a shadow profile.

Face ID will not work unless it can measure your eyes.

No Eyes = No Recognition

You cannot unlock Face ID with your eyes closed. For 3D IR facial recognition to work, it needs the biometric data of the eyes. In the 1960’s when Woody Bledsoe developed the first manual-input form of facial recognition, eye measurements were essential to calculate a match. Obviously, this remains true. Facial recognition has relied on human analysis for 99% of its existence. This current push towards automation, algorithms, artificial intelligence, and the use of IR may actually benefit people who value their privacy. All we have to do is block our eyes.

Eye Tracking

Sight is our most intimate sense and eye tracking is being employed for data mining at large without consent. Since the IRlenses do not allow IR to pass through, use IRpair and Phantom to block all forms of IR eye tracking.

An IR flashlight demonstrating off-axis lighting.

Off Axis Lighting

Common security cameras have a ring of IR LEDs around the camera’s lens for illumination. More intelligent lighting schemes have been developed where there is an “infrared flood” light placed “off-axis” to a camera that can perceive the IR flood illumination.

With IRlenses installed, IRpair and Phantom block facial recognition on both traditional IR-ring illuminated cameras as well as off-axis IR lighting setups.

Although we can’t see IR, we can perceive it as heat.

IR is Hot

Although we can’t see IR, we can perceive it as heat. As an experiment, two thermometers were set side by side and placed in direct sunlight for 5 minutes. One thermometer had a regular polycarbonate (UV400) sunglasses lens placed on top of the bulb and the other was covered by the IRdark lens. The thermometer that had the IRdark lens over the bulb was 3 ° C (5.4 ° F) cooler than the regular sunglasses lens. When the regular sunglasses lens was removed to allow direct sunlight, the temperature did not change. When the IRdark lens was removed, the thermometer spiked to the equal temperature of the regular sunglasses. With IRlenses your eyes will remain cooler in sunlight.

The sun emits about 54% infrared radiation, 42% visible light radiation and 4% ultraviolet radiation. As elevation increases, the atmosphere filters out less radiation. These tests were conducted in Chicago with an elevation of 600 feet above sea level. It is very possible that as the elevation increases, so would the temperature difference between regular sunglasses and IRlenses.

Is Infrared Radiation Dangerous?

Laser of the same power in ultraviolet could penetrate any color while the near infrared laser could only penetrate black. This is why you use UV sunscreen for your skin and have UV400 protection on your sunglasses, and also why we need to consider protecting our eyes (black pupils) from IR as well, even if just from the sun’s radiation emissions (54% Infrared).

Infrared is increasingly being used for facial recognition, surveillance, proximity sensing, eye tracking, phones & tablets, artificial intelligence, the internet of things, augmented reality, 5G, military applications, driver-less cars and on. If we could perceive the amount of IR emitting from the modern technology surrounding us, it would be the most spectacular light show.

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Dogs like in a Van Gogh’s Painting

La peintre Aja Trier, particulièrement fan de Van Gogh, s’est lancée dans un projet fou : reproduire la nuit étoilée en plusieurs versions en y insérant, en personnages principaux, des chiens ! Elle propose ainsi d’insérer le portrait de son chien dans le célèbre tableau pour un rendu qui, si kitsch au premier abord, est aussi incroyablement bien réussi et irrésistiblement pop.












Bathroom designs that you can escape to: Part 2

Bathrooms are the little alcoves where we can let our individuality flourish! Given their size and erratic shapes, collecting and organizing the same space is sure like trying to solve with a jig-saw puzzle. Be it minimal, oversized or your personal green zone, this curated selection of bathroom designs is here to inspire you to innovate, reimagine and redecorate that space. Check out our Part 1 of bathroom designs to inspire you better!

Archway inspired bathroom by ITLAS

Olympia Ceramica Introduces Vinyl Inspired Bathroom Sinks by Gianluca Paludi 

The key to bold minimalism is combining striking visuals with functionality, like this stunning honeycomb floor by Casey Keasler 

A bathroom design rendered by M.Serhat Sezgin

Copenhagen Apartment inspiration with all that black and white and fine little tiles by Emil Dervish 

Minimal bathroom accessories by Nichba Design 

All-over penny tile in various ocean hues create a soothing bathroom design by Hatchet Design|Build 

Architecture Studio 07Beach has placed a bathroom alongside a central courtyard at the center of this house in Kyoto to give the clients the feeling of “open-air bathing” in their own home. 

Featuring Pantone shades, this bathroom is designed by Rafaelle Velasque 

Inspiring Bathroom and ceiling by Future Nordic Home