Birkenstock 1774 showroom occupies a classic Parisian apartment

Birkenstock 1744 showroom designed by Vinson & Co

Footwear brand Birkenstock has worked with design studio Vinson & Co to create a showroom inside a grandiose Paris apartment, where shoes are displayed in living-room-style spaces.

Nestled amongst the high-end boutiques that line Paris’ Rue Saint Honoré, Birkenstock 1774 is a dedicated space for the brand to present special projects and collaborations.

It takes its name from the year that Birkenstock was founded in Germany.

Birkenstock 1744 showroom designed by Vinson & Co

The 170 square-metre showroom occupies a 19th-century apartment, complete with ornate panelled walls, stone fireplaces and wooden parquet floors.

London-based studio Vinson & Co – who were charged with developing the showroom’s interiors – allowed these features to serve as a backdrop to the brand’s shoes, simply adding a selection of new and vintage furnishings to complete the space.

Birkenstock 1744 showroom designed by Vinson & Co

“Birkenstock’s brief was to keep the showroom simple, full of light, neutral and with handmade finishes – they wanted a space that gives them flexibility,” Nick Vinson, founder of the studio, told Dezeen.

“I deliberately left the patina of age visible – to me these qualities are very consistent with a Birkenstock sandal, which age well.”

Birkenstock 1744 showroom designed by Vinson & Co

An oak table perched on a wheat-coloured woven rug now centres what would be the apartment’s living or dining room. Various models of shoe are displayed on chunky, four-legged stools dotted around the room’s perimeter.

A couple of pairs have also been placed intermittently on the dividers of a timber bookshelf by Italian designer Achille Castiglioni.

The illusion of extra space is created by a floor-to-ceiling mirrored volume.

Birkenstock 1744 showroom designed by Vinson & Co

Doors lead through to an adjacent room that has been dressed in much the same fashion, except here the central table is surrounded by worn leather chairs created by Italian architect Mario Bellini in the late 1970s.

A pair of Faye Toogood’s signature Roly-Poly fibreglass chairs also appear in this room, along with a wood-framed Chandigarh chair by Pierre Jeanneret that has a perforated cane back.

Even the apartment’s study has been used as a display area, where shoes are placed on cushioned bench seats by contemporary designer Simon Hasan.

Other than the vases and ceramic pots that line the home’s sideboards, decor is largely provided by a series of textile artworks by embroiderer Geraldine Larkin.

Each features abstract shapes made from jute and felt – a nod to the materials the brand uses for the soles and uppers of its footwear.

Birkenstock 1744 showroom designed by Vinson & Co

Birkenstock has previously collaborated with fashion designer Rick Owens to reimagine three of their classic sandal designs in unusual materials like calf hair and felt.

Back in 2017 the brand also forayed into furniture design by launching a line of beds that adapted the same comfort principles as its shoewear.

The post Birkenstock 1774 showroom occupies a classic Parisian apartment appeared first on Dezeen.

Fastest Pit Stop – World Record – 1.91 Seconds

“Red Bull Racing made history at the British Grand Prix by completing the fastest Formula 1 tire change ever seen. After some three years or so, we have a new Formula 1 pit-stop record. Red Bull Racing completed the DHL Fastest Pit Stop in 1.91 seconds at Silverstone, breaking the previous best figure by 0.01 seconds.”..(Read…)

Layover Travel Blanket

The Layover Travel Blanket($99+) is specifically for travelers, the Layover takes care of some of the headaches that come with the standard airplane issued blanket. Designed with the soul of a sleeping bag, this innovative blanket has incorporated a ton of clever features to keep you comfortable on the go, it is crafted with a breathable nylon exterior and an insulated interior, keeping you cozy and warm in those often-chilly flights. It features leg pockets at the lower part of the blanket with an insulated foot pouch to eliminate cold drafts, kangaroo pockets to keep your hands extra toasty, plus a storage pocket sized to hold small items like passports, smartphones, boarding passes, and the like…(Read…)

Westworld Season 3 (Trailer 2)

“We all have a role to play.”..(Read…)

Evolution Of Mobile Phones

A collection of the most iconic and important cell phones over the last 3 decades, starting from the Motorola Dynatec…(Read…)

Students' 3D-printed Concrete Choreography pillars provide a stage for dancers

Concrete Choreography 3D-printed pillars by students at ETH Zurich

Dancers at the Origen Festival in the Swiss Alps will perform around nine unique columns 3D-printed in concrete by students from ETH Zurich.

The masters students produced the columns using a new process, developed at the technology school, that allows for the fast 3D-printing of concrete structures completely without formwork or any other kind of mould.

Concrete Choreography 3D-printed pillars by students at ETH Zurich
The pillars were 3D-printed using a new technique developed by ETH Zurich students

Titled Concrete Choreography, the series of structures took less than two-and-a-half hours to print in the lab using an industrial robot arm that extrudes concrete in precise layers.

“This can reduce the ecological footprint of concrete construction by entirely removing the formwork and by using less concrete,” PhD researcher Ana Anton, one of the teaching team at ETH Zurich’s Digital Building Technologies unit, told Dezeen.

“We are able to strategically place the material only where needed,” she added.

Concrete Choreography 3D-printed pillars by students at ETH Zurich
The nine pillars took less two-and-a-half hours to 3D-print

It also allows for completely bespoke designs, incorporating complex patterns that are only achievable through high-resolution 3D-printing — the layers of concrete the robot places down are just five millimetres thick.

For Concrete Choreography, the students aimed to create fluid-looking forms that showcased the idiosyncrasies of both the material and the process.

Their work extended to the inner structure of the columns, which had to add strength with minimal material.

Concrete Choreography 3D-printed pillars by students at ETH Zurich
The fluid forms are intended to showcase the materials and the process of production

“What makes our concrete printing approach outstanding is that we address both material efficiency and the aesthetic potential of this technology,” said Anton.

The speediness of the process is helped by a special fast-setting concrete mix, developed by another research group at ETH Zurich.

Once completed, the 2.7-metre-tall columns were transported by truck and installed at the site — an outdoor terrace in the Julier Pass, part of the Albula Range in the Alps.

Concrete Choreography 3D-printed pillars by students at ETH Zurich
The 2.7-metre-tall columns were transported by truck and installed on-site

Anton said that Origen Festival founder Giovanni Netzer wanted to create “a bold interplay between cutting-edge research and culture” with a “novel aesthetic”.

During July and August, the Concrete Choreography installation will double as a stage for performances.

The pillars will provide a stage set for dancers at the Origen Festival

“The columns will create the opportunity for the artists to dance in between, in front, around, to hide, climb and interact in many ways with this unique, monolithic architecture,” Anton told Dezeen.

“Each column has his own character and dynamics, just like the dancers.”

Concrete Choreography 3D-printed pillars by students at ETH Zurich
The stage will be in place throughout July and August

The students involved are all part of ETH Zurich’s Master of Advanced Studies in Digital Fabrication and Architecture.

ETH Zurich is one of the world’s top schools for architectural technology research. Among other recent projects from its students are the woven Room for Archaeologists and Kids for a dig site in Peru and the intricate metal Deep Facade, made in a 3D-printed mould.


Project credits:

MAS DFAB in architecture and digital fabrication: ETH Zurich
Teaching team: Ana Anton, Patrick Bedarf, Angela Yoo, Timothy Wangler
Students: Antonio Barney, Aya Shaker Ali, Chaoyu Du, Eleni Skevaki, Jonas Van den Bulcke, Keerthana Udaykumar, Nicolas Feihl, Nik Eftekhar Olivo, Noor Khader, Rahul Girish, Sofia Michopoulou, Ying-Shiuan Chen, Yoana Taseva, Yuta Akizuki, Wenqian Yang
Origen Foundation: Giovanni Netzer, Irene Gazzillo, Guido Luzio, Flavia Kistler
Research partners: Robert J. Flatt, Lex Reiter, Timothy Wangler
Technical support: Michael Lyrenmann, Philippe Fleischmann, Andreas Reusser, Heinz Richner
Supported by: Debrunner Acifer Bewehrungen, LafargeHolcim, Elotex, Imerys Aluminates

This research was supported by the NCCR Digital Fabrication, funded by the Swiss National Science Foundation (NCCR Digital Fabrication Agreement #51NF40-141853).

The post Students’ 3D-printed Concrete Choreography pillars provide a stage for dancers appeared first on Dezeen.

Con Form Architects opens up loft with a glass and steel dormer

Dormore by Con Form con|form Architects

Con Form Architects has converted a small London loft into a bright home office by inserting a glazed section with a large steel dormer window.

Called Domore – a portmanteaux of “dormer” and “more” – the loft conversion has turned a difficult, low-ceilinged space into a bright workspace for the client, who has started to work from home.

Dormore by Con Form con|form Architects

Con Form Archictects made a simple yet dramatic move of taking a large slice out of the back of the roof and infilling it with glazing, flooding the otherwise cramped attic space with light.

Rather than blending in with the surrounding roofs, the new dormer window has been placed atop this new glass roof section.

Dormore by Con Form con|form Architects

The dormer is wrapped in anthracite steel cladding, subtly marking it as distinct from the tiled roofs of the surrounding buildings.

“The large opening facilitates an intriguing, tactile relationship with the existing prominent brick chimney and parapet, typically confined to the otherwise distant world of roofscapes,” said the studio.

Dormore by Con Form con|form Architects

Continuing the existing stairwell, a compact folded steel staircase leads up to the new loft space, passing a small roof terrace accessible via a large rotating window.

For the study itself, areas of the existing brick wall and chimney have been left exposed, covered by a horizontal oak datum and shelving spaces, below which sit white wooden elements and a whitewashed floor.

Dormore by Con Form con|form Architects

A small bathroom has been squeezed in by stepping up the floor level, creating a distinction between the office area and a small, low-ceilinged space underneath a skylight.

“Domore proves that even in contentious locations, or tiny resultant spaces – more is possible,” said the studio.

Dormore by Con Form con|form Architects

Con Form Architects was established in 2017 by Ben Edgley and Eoin O’Leary. The practice has worked on several residential schemes in London, including a rear extension with criss-crossing steel beams at its centre.

Dormer windows offer a neat solution for loft conversions that are short on space. Konishi Gaffney added a zinc-clad dormer to create an extra bedroom for a house in Edinburgh, and Fujiwara Muro Architects used multiple dormers to make more space in a sloping house in Tokushima.

Photography is by Ståle Eriksen.


Project credits:

Architect: Con Form Architects
Structural engineer: Foster Structures
Party wall surveyor: Alexander Elliott
Flooring: Direct Wood Flooring

The post Con Form Architects opens up loft with a glass and steel dormer appeared first on Dezeen.

Myst gives the humble inhaler a stylish, contemporary-tech makeover

Just as walking sticks went from physical aids to objets d’art, most medical/health equipment can be passed through the same filter, turning them from clinical looking products into products that are desirable. Designers at RISD transformed the white and blue plastic inhaler into something much more worth cherishing. Taking CMF cues from contemporary technology, the Myst comes with a slick, rounded form, no sharp edges, and perhaps one of the most enchanting material and finish combos. Combining black and gold, a classic pairing, together, the Myst looks less like a medical device and more like a premium piece of gadgetry, something of a design direction we’re seeing in those not-so-healthy vapes in today’s market. If only medical device got that sort of fashion-forward design approach.

Designers: Walmen Dumaliang, Rance Pritchard, Scott Seung-Hyuk Noh & Chris O’Connell.

The FlexTILT Head 2 gives your camera knees so you don’t have to bend yours

You don’t have to stand on one leg or bend over backwards to get that perfectly composed shot. If you’ve got a tripod and the FlexTILT Head 2, your camera can do the bending for you! Edelkrone’s FlexTILT Head 2 is a small intermediate connector that sits between your camera and your tripod, giving your camera the stability of three legs, and the flexibility of two knees.

It’s a simple idea with powerful applications, really. The FlexTILT Head 2 comes with a CNC machined aluminum body and friction hinges that allow you to position your camera in multiple ways. You can lift the camera up, set it down, face it at any angle without messing with your tripod’s settings, or even face it downwards. The FlexTILT Head 2 supports a load of up to 5 kilograms, allowing you to work even with those big, heavy lenses. The friction hinges only work when you operate them (much like a laptop’s screen), and there’s even a spirit level as well as an angle-adjuster so you can tilt and even rotate the camera with relative ease. Moreover, the FlexTILT Head 2 even lets you swap your camera’s batteries without needing you to unscrew it off the tripod.

The FlexTILT Head 2 sort of opens a wide variety of possibilities. It can be used independently, as a makeshift stand, on a tripod, or even with dolly-sliders too, and is compatible with practically every camera that uses the traditional threaded mounting system.

Designer: Edelkrone

Click Here to Buy Now

Click Here to Buy Now

How clean is your drinking water? This tiny gadget can tell you in seconds.

We often take the quality of the water we drink for granted. Food is often tested for hygiene and safety, but that level of scrutiny doesn’t extend to water. With water, we usually take for granted that it’s clean if it looks, smells, and tastes okay. If only purity worked that way!

Lishtot TestDrop Pro does what our senses cannot. Tests water for contaminants that we can’t see, smell, or taste. It scans water without needing to be immersed in it, and in a matter of 2 seconds, tells you if the water you’ve got is safe to drink or not. In what outwardly seems like magic, the TestDrop Pro is capable of analyzing your water in mere seconds, without even being in contact with it. Turns out, water emits its own local electromagnetic field, which the TestDrop Pro reads. Using this electromagnetic reading, the TestDrop Pro can tell if your water is safe to drink or not, because pure water emits a marginally different field from water with lead or chlorine in it, water with E. coli, or water with any other contaminants in it. Using this electromagnetic reading, and a simple red and blue light, the TestDrop Pro can, within seconds, tell you whether your water is pure or not. It goes even a step further with Lishtot’s smartphone app, telling you the exact percentage of purity with remarkable accuracy!

Designer: Lishtot

Click Here to Buy Now

Click Here to Buy Now