This week, plastic waste was back in the spotlight

Ooho drinks capsules at London Marathon

This week on Dezeen, the impact of plastic on the environment was yet again a talking point, as the London Marathon gave out drinks in edible seaweed capsules and a study revealed the truth behind biodegradable bags.

On Sunday, over 30,000 biodegradable Ooho capsules were handed out to runners at the London Marathon, marking the largest ever trial of the drinks pods.

Designed to reduce plastic waste, the pods are made from a seaweed-based substance and can be filled with water or other beverages. The wrappers can be consumed or dropped on the ground, as they naturally decompose in under six weeks.

Biodegradable plastics offer “no advantage” over conventional plastics in reducing ocean pollution

Meanwhile the University of Plymouth revealed the results of its study that found “biodegradable” plastic bags remain intact and useable three years after being dropped in the sea or buried underground.

Five types of plastic carrier bag were used for the experiment, which was conducted over three years in soil and marine environments. The biodegradable bag, the oxo-biodegradable bag and the standard plastic bag all remained fully functional.

EPIQ by BIG
BIG designs EPIQ tower for Quito covered in earthy coloured tiles

In architecture news this week, Studio Gang’s 40-storey Mira tower topped out in San Francisco, as shown in photos released by developer Tishman Speyer.

BIG also unveiled plans for a tower in Ecuador’s capital Quito, which will comprise two curved blocks covered in earthy coloured tiles.

Notre-Dame Cathedral greenhouse roof by NAB Studio
Studio NAB proposes turning Notre-Dame’s roof into public greenhouse

Notre-Dame continued to hit headlines, as Studio NAB proposed replacing its gothic roof with a public greenhouse and Dezeen deputy editor Tom Ravenscroft argued that a new, modern spire should be welcomed.

Over 1,000 architecture and heritage experts also called on the French president to abandon his five-year deadline for its rebuild, saying it should be carried out “without haste”.

Alibaba Sans typeface
Alibaba offers bespoke typeface to businesses looking to rebrand

In design, Chinese e-commerce giant Alibaba unveiled a new custom typeface that its partners, sellers and consumers can use for their own brand identities.

Facebook launched its “modern” site redesign, which aims to puts privacy at the forefront and features a “cleaner”, all-white design. Users will see these updates in the Facebook app immediately.

Indonesia to replace sinking Jakarta with new capital city
Indonesia to replace sinking Jakarta with new capital city

Following years of extreme land subsidence, the president of Indonesia announced plans to relocate the nation’s sinking capital away from Jakarta. The new capital will be close to the geographic centre of the country.

Indonesia also featured on the shortlist for the Aga Khan Award, announced this week. A community library built by Indonesian studio Shau using ice cream tubs features on the 20-strong shortlist, alongside a courtyard home in Beijing and a fish market in Oman.

Nicholas Boys Smith, founder of Create Streets, has been appointed as interim chair for the Building Better, Building Beautiful Commission
Building Better, Building Beautiful Commission gets new chair after Scruton sacking

Create Streets founder Nicholas Boys Smith was named interim chair of the UK’s Building Better, Building Beautiful Commission, following Roger Scruton’s removal in April.

Meanwhile in the US, Airbnb’s offshoot design studio Samara hired Apple industrial designer Miklu Silvanto to join the company’s housebuilding initiative, Backyard, which plans to roll out housing designs later this year.

Architecture internships in India
Absence of regulations in India “leads to exploitation of interns” says architecture graduate

The unpaid internships saga continued this week, when recent architecture graduate Urvashi Vasishtha spoke to Dezeen about her experience of “exploitative internships” in India.

In contrast, we rounded up five of the best paid internships available on Dezeen Jobs right now, including opportunities in London, Hong Kong and the Netherlands.

Library Lookout by Tierney Haines Architects
Tierney Haines Architects adds lavender-topped writer’s study to a house in Ireland

Projects that sparked readers’ imaginations this week included a lavender-topped writer’s study in Ireland, Sutherland & Co’s self-designed studio in Scotland and the revival of a mid-century house in Upstate New York.

The post This week, plastic waste was back in the spotlight appeared first on Dezeen.

Miu Miu's M/Matching Colorstool is a "board game without rules"

Italian fashion brand Miu Miu has collaborated with creative agency M/M Paris to design a stool punched with holes that users can endlessly customise with a series of coloured pegs.

Sturdy and stackable, the M/Matching Colorstool is a three-legged seat made of linden wood, with 300 systematically distributed holes across its surfaces.

Described as “a board game without rules”, users can playfully fill in the stool’s holes with differently coloured wooden pegs that resemble oversized matchsticks, to create their own personalised patterns.

Taking its design cues from brutalist architecture, the stool shares the same basic, blocky form as the seats that fashion editors sat on to watch the Miu Miu Fall Winter 2018 runway show.

The show saw playful sixties-inspired garments paired with high quiffs, flicked eyeliner and buckled belts, with the same pops of colour that can be seen on the stools’ pegs.

The M/Matching Colourstool made its debut at an installation during this year’s Milan design week, which took place from 9 to 14 April.

Held in the city’s Teatro Gerolamo, the installation aimed to reflect the “theatrical potential” of the stool, which can “perform fantasies and distort reality”.

“This edition of the stool is a manipulative entity, like a board game without rules,” said Miu Miu. “It will playfully transform to illuminate the personality of its owner, its circumstances and usage, while becoming its own colourful character.”

M/M Paris approaches objects as real-life symbols and combinatory elements that are part of a wider program of signs,” the brand added.

“They have designed an object with the ability to morph, so that it can be altered daily to express a palette of emotions.”

Just 300 of the limited edition stools were produced, and were on sale in Miu Miu’s flagship store on Via Sant’Andrea in Milan with a window display entirely dedicated to the project.

Elsewhere in the city, French architect Arthur Mamou-Mani collaborated with fashion brand COS to construct an installation from 700 bioplastic bricks in the courtyard of a 16th-century palazzo for the annual design week.

The post Miu Miu’s M/Matching Colorstool is a “board game without rules” appeared first on Dezeen.

Clairy’s Planter/Purifier keeps the house green and the air clean

It’s pretty commonly known that plants have a way of cleansing the air we breathe. A forest has much healthier air than a busy intersection, and while that reference is sort of overkill, it proves a point. Greenery is associated with freshness, and plants trap dust, dirt, kill bacteria, and dissipate harmful chemicals like carbon monoxide from the air, replacing it with fresh oxygen that nurtures the body. The Clairy Air Purifier plays on this property of plants, accelerating it in a way that allows a single plant to do the job a garden would. With a stylized planter base that not only shatters the misconceptions that air purifiers should be bulky, appliance-like, and borderline clinical, Clairy has an aesthetics-forward Italian-design-influenced approach. It looks incredibly voguish, and houses a plant too, giving you greenery and home decor along with the benefits of an appliance without the overbearing presence of it.

Clairy is an award winning planter/purifier hybrid that adds a touch of aesthetic beauty and greenery to the space. With a purifier integrated into the planter itself, Clairy pulls polluted air through its top, allowing to pass through and around the plant and soil, getting the plant to absorb microorganisms, gases, and dust particles. Clairy purifies air using the plant’s own natural processes of trapping pollutants in its soil and around the roots, and the then purified air makes its exit from the exhaust on the planter. With no industrial filter of its own, Clairy relies on an effective form of bio-purification and therefore needs no periodic replacement of filters. It works silently too, doing its job diligently, and even allows you to track and measure air quality levels over time.

Designed completely in Italy, Clairy follows the highest standards of Italian aesthetics and engineering too (the product has won European and German Design Awards). The planter, in a bid to completely reject the norms of appliance design, comes made from Italian ceramics by Venetian craftsmen, effectively melding haute decor, consumer appliance, and the benefits of a healthier lifestyle into one, incredibly classy product!

Designer: Clairy

Kick off NYCxDesign By Visiting New Design Fair Object & Thing

NYCxDesign hasn’t quite kicked off yet, but new design fair Object & Thing is eager to show design lovers what they can bring to the table. Starting tomorrow and continuing through Sunday, May 5, Object & Thing will bring its online catalogue to life with an exhibition featuring over 200 works of design and art, presented by 32 different galleries.

Roly-Poly Chair / Earth by Faye Toogood

During the fair, Object & Thing’s online platform will act as an ecommerce site where visitors can purchase any of the designs on display at the show. Until the fair officially opens tomorrow, the site will act as a preview, allowing people to learn more about all of the objects that will be on display.

Chess Set by Carl Auböck

Throughout the weekend, the space (designed by Rafael de Cárdenas) will also host a series of presentations and pop-ups, including an installation by food artist Laila Gohar centered around salt.

Peruse through Object & Thing’s online catalogue here, and stay tuned for the 2019 version of our beloved NYCxDesign Map coming soon!

Stephenson Design Collective designs House on the Cove to blend with coastal Washington setting

House On The Cove residence by Stephenson Design Collective in Bellingham, Washington

This residence in the Pacific Northwest by US firm Stephenson Design Collective features exterior walls clad in weathering steel and black-stained cedar, along with large windows that offer sweeping views of the mountains and sea.

House On The Cove residence by Stephenson Design Collective in Bellingham, Washington

The House on the Cove is located in the coastal town of Bellingham in northern Washington. The residence consists of a main dwelling and a detached structure that houses a garage and music studio.

Together, the two rectilinear buildings form an L-shaped plan.

House On The Cove residence by Stephenson Design Collective in Bellingham, Washington

A primary goal for the design team was to respect and embrace the natural surroundings. The elevated, wooded site offers sweeping views of the Puget Sound, San Juan Islands and Olympic Mountains.

“We had to maintain this environment with minimal intrusion when adding the structure,” said Seattle-based Stephenson Design Collective in a project description. “It is hard to discount the fact that we had a great opportunity to destroy this site if we weren’t considerate and thoughtful.”

House On The Cove residence by Stephenson Design Collective in Bellingham, Washington

To help the home blend with its surroundings, the team wrapped exterior walls in weathering steel and black-stained cedar The house is intended to be a “shadow among the trees”.

The entry elevation is fairly opaque in order to conceal the interior and the spectacular views that lie beyond. Windows are carefully placed to bring in light and provide a connection to the neighbourhood. The home’s interior stairwell is hinted at on the street-facing facade by angled metal cladding and a trio of skylights.

House On The Cove residence by Stephenson Design Collective in Bellingham, Washington

In contrast, the rear facade has large stretches of glass that draw in the scenery. Rooms open onto terraces that provide opportunities for taking in the ocean air.

Rising two storeys, the main dwelling encompasses 2,504 square feet (233 square metres). The ground level contains public spaces, along with a bedroom and an office. The upper level houses the master suite and a dimly lit nook for relaxing.

House On The Cove residence by Stephenson Design Collective in Bellingham, Washington

“We knew the house would be bright, so we created a ‘nest’ behind the main bedroom that could be completely closed and dark for refuge in the heat of the summer,” the team said.

A neutral colour palette was employed throughout the dwelling. Finishes include wood and concrete flooring and walls clad in stone. Textured rugs, wooden tables and fluffy pillows help create a cosy atmosphere.

House On The Cove residence by Stephenson Design Collective in Bellingham, Washington

To the north of the home is the separate two-storey structure. The upper level of the 765-square-foot (71-square-metre) building houses the music studio, which can also be used as guest quarters.

The lower level contains the garage and a small workshop for metal fabrication. The client is a blacksmith by trade, and the shop acts as “his escape to create without demand”.

House On The Cove residence by Stephenson Design Collective in Bellingham, Washington

The architects note that their initial site meeting with the client entailed “drinks, dogs and music”. The meeting began in the afternoon and stretched well into the evening.

“The client requested that we watch the movie Minka and listen to Marc Cohen’s Olanna before beginning the process,” the studio said. “He needed his home to spark the same emotions that these pieces inspire.”

House On The Cove residence by Stephenson Design Collective in Bellingham, Washington

The client had no set expectations regarding the home’s size. His focus was more on the experiential qualities.

“We continued the design process as a discussion of experience and interaction,” the architects said. “We never established a ‘goal’ square footage or size, only what needed to happen within the home and how it would take place.”

House On The Cove residence by Stephenson Design Collective in Bellingham, Washington

Sustainability was an important concern for the clients. In turn, the team incorporated a range of eco-friendly features including radiant concrete floors and high-performance windows. In the winter, a fireplace and its pipes provide instant heat.

Washington is well-known for its lush forests, snow-capped peaks and beautiful coastline. Other homes in the state include a waterfront home by Prentiss Balance Wickline that consists of cascading boxes with green roofs, and a dwelling by David Coleman that cuts into a hillside “like a rusty blade”.

Photography is by Andrew Pogue.


Project credits:

Architects: Stephenson Design Collective
Builder: Indigo Enterprises NW
Engineer: Malsam Tsang Structural Engineering
Metal fabrication: Indeco
Manufacturers: Thermador, Zola, Victoria and Albert, Kohler

The post Stephenson Design Collective designs House on the Cove to blend with coastal Washington setting appeared first on Dezeen.

Finn Juhl's Iconic Grasshopper Chair is Put in Production After More Than 80 Years 

Danish designer Finn Juhl created the Grasshopper chair in 1938 and made two editions for that year’s Cabinetmakers’ Guild Exhibition in Copenhagen. He exhibited them alongside a mobile bar cabinet with illustrations of cocktails hanging on the walls, a setup that was evidently too racy for the more traditional crowd in attendance. Juhl’s chairs received no interest during the fair and by the end of it, Juhl decided to buy them from Niels Vodder, the master cabinetmaker who had produced them, to help him avoid a significant loss. Juhl lived with the two chairs but never attempted to make them for the public again. More than 80 years later, the House of Finn Juhl has reissued the ahead-of-its-time design, which recently debuted at Salone del Mobile.

Finn Juhl in his Chieftain chair, designed in 1949

Juhl was trained as an architect at the Royal Danish Academy of Fine Arts, where he graduated in 1934. After working in the field for several years—and even winning awards for his projects—he turned his attention to furniture design around 1937. Critics have noted that his lack of formal training in furniture design lent his work its unusually expressive quality, as he wasn’t too concerned with what was actually possible. Many of his early pieces—the Grasshopper among them—were exceedingly hard to construct with many tricky angles, complex joints, and unexpected shapes. (Consider Juhl’s version compared to Eero Saarinen’s Grasshopper chair for Knoll, which is far more mass production-friendly.)

The Pelican chair was designed to look like a body embracing the sitter’s body.

Early on, Juhl partnered with Vodder to execute his designs and they exhibited together at the Cabinetmakers’ Guild Exhibitions until 1959. These shows were an important venue for young Danish designers, who were at the vanguard of forming the modern furniture style we know and love today. Even though the general climate was one of innovation, Juhl’s work tended to stick out and cause controversy for being a little too modern. When he first debuted the Pelican Chair in 1939—now known as one of his most iconic designs—critics wrote that it resembled a “tired walrus” and represented “aesthetics in the worst possible sense of the word.” In spite of the initial criticism, Juhl’s work found its audience and he became well-known in Denmark and internationally, though he never reached the popularity of peers like Børge Mogensen and Hans Wegner, who were more aligned with the father of modern Danish design, Kaare Klint.

His early chairs were produced in small numbers in partnership with Vodder. Most were reissued later in his career, or posthumously through the work of the House of Finn Juhl.

The back legs and armrests of the Grasshopper chair converge to a point on the floor at the back of the chair, like the legs of a grasshopper would in preparation for a jump. The back of the chair wraps around the sitter in a cocooning gesture and gives the chair its insect-like head and a strong presence in any room.

“Despite Finn Juhl’s original sketches it took almost 20 years before we succeeded in producing the Grasshopper exactly as it was intended,” says co-founder Hans Henrik Sørensen. By using Juhl’s drawings and carefully measuring one of the only two versions in existence, they were able to painstakingly recreate the design to Juhl’s specifications, in both oak and walnut and upholstered with either leather (like the originals) or textile. “We perceive the Grasshopper to be Finn Juhl’s holy grail… [it] gives you the impression of something powerful and springy. Just take a look at how each part plays with shape and profile—the round and the concave that gently meets in a delicate joint.”

Solar powered Hydrade is a smart bottle with unique features!

The automatic self-charging Solar Powered Hydrade Bottle, sounds very high-tech, but is very simple to use. This insulated bottle keeps a tab on your hydration levels and monitors your intake, and even donates to charity based on how good you are with your drink!

We all know that keeping yourself hydrated during the day is important, and yet we need apps and technology to help us stay on point. Keeping this in mind, the Hydrade uses a unique technology and software so that you can measure your water intake, using the several different sensors, that are placed between the cylinders of the double wall insulation. The sensors are so sensitive that they track drinking of water, or if you are pouring it out, or drinking water with ice!

Designer: Eli Moon

Click Here to Buy Now: $35 $75 (53% off). Hurry, less than 48 hours left!

Hydrade’s smart solar-powered insulated bottle recommends hydration levels, monitors intake, & donates to charity based on your intake.

Click Here to Buy Now: $35 $75 (53% off). Hurry, less than 48 hours left!

How to Pitch: Veranda

Circulation: 500,000

Frequency: 6x/year

Background: Veranda launched in 1987 and was purchased by Hearst in 2002. The publication focuses on homes, decorating, and garden projects all over the United States and abroad. However, its largest audience concentration is in Atlanta, Dallas, Los Angeles, Washington D.C. and New York. “We are a luxury brand,” says Steele Thomas Marcoux, editor in chief. “[Our audience is] people who really care about their homes and home décor. They care a lot about architecture…gardening, and they’re quite well traveled.”

The Veranda audience is mostly female with a media age of about 50 (the online audience is a little younger), but the male audience is actually higher than most other shelter publications, says Marcoux.

Veranda sets itself apart from similar publications by “covering interior design and home projects that have a real sense of place and feel connected to their environment,” says Marcoux. “We take a lot of pride in finding authentic architectural styles that belong in a certain region, but also in terms of their connection to the outdoors.”

What to pitch: Editors are always on the lookout for new writers, and freelancers are encouraged to pitch feature stories. Articles can focus on a specific designer, architect or landscaper and her projects, as well as features that examine design trends (e.g. a historical architectural style that’s making a comeback.) Word count: 800-1200.

The middle-of-the-book “In Good Taste” section is also open to pitches. Editors are looking for articles that focus on decorating, architecture, landscape design, jewelry, entertaining, and historical preservation.

What not to pitch: The FOB section is handled in house.

Online opportunities: There are no online opportunities at this time.

What publicists should pitch — and when: Publicists can pitch stories about new tastemakers, books, restaurants and hotel design. Lead time: 2 months.

Percentage of freelance-written content: 50-60%

Percentage of freelance pitches accepted: 20-25%

Etiquette: Keep your pitches to about one paragraph, and feel free to attach any visuals that may illustrate your story idea. If editors are interested they’ll be in touch to ask for more information.

Lead time: 6-12 months

Pay rate: Flat per project rate of about $2/word.

Payment schedule: Payment on invoice

Rights purchased: All rights

Contact info:
Veranda
2901 2nd Ave S., Suite 270
Birmingham, AL 35233
Twitter handle: @VerandaMag| Facebook

Direct all pitches to:
Editor in chief, Steele Thomas Marcoux: STEELE at VERANDA dot COM

The post How to Pitch: Veranda appeared first on Mediabistro.

Mark Zuckerberg designs and builds "sleep box" to help his wife rest

Mark Zuckerberg sleep box

Facebook cofounder Mark Zuckerberg has built a wooden “sleep box” that emits a faint light in the early morning, to alert his wife when it’s time to wake up without looking at her phone.

The device is a small wooden box that can be placed on a bedside table. The base of the box is raised roughly a centimetre above the table surface, to allow a faint light to shine out.

The box emits a soft light for an hour each morning, between 6am and 7am, to let his wife Priscilla know whether it’s time to get up and check on their children, without resorting to looking at the time on her phone.

Box designed to not wake you up

“Being a mom is hard, and since we’ve had kids Priscilla has had a hard time sleeping through the night,” said Zuckerberg in a post on Instagram, which is owned by Facebook.

“She’ll wake up and check the time on her phone to see if the kids might wake up soon, but then knowing the time stresses her out and she can’t fall back asleep.”

The device isn’t intended to wake the user. Instead, when Zuckerberg’s wife wakes during the night and the sleep box isn’t glowing, she knows that it’s not yet time to get out of bed and can fall back to sleep more easily not knowing the time.

“Since it doesn’t show the time, if she wakes up in the middle of the night, she knows to just go back to sleep without having to worry about what time it is,” said Zuckerberg in the post.

“So far this has worked better than I expected and she can now sleep through the night.”

Idea could be put into production

Zuckerberg goes on to suggest that entrepreneurs may want to turn his idea into a business, as “a bunch of my friends have told me they’d want something like this”.

“As an engineer, building a device to help my partner sleep better is one of the best ways I can think of to express my love and gratitude,” he said.

Many designers and manufacturers have worked on products that aim to help users get to sleep, or stay asleep.

Nokia produced a sleep sensor that tracks slumber patterns and adjusts the lighting and temperature in the bedroom, whilst Bryte created a bed with smart technology that makes adjustments for optimum sleep.

Photo of Mark Zuckerberg is by Anthony Quintano/Wikimedia Commons.

The post Mark Zuckerberg designs and builds “sleep box” to help his wife rest appeared first on Dezeen.

Impressive and Immersive Digital Works

Architecturales, riches, empreintes de textures et de détails, les oeuvres numériques réalisées par l’artiste anglais Peter Tarka sont ancrées dans l’imaginaire moderne et design de notre temps. Ce dernier met en scène végétaux, objets abstraits, représentations concrètes, paysages et sculptures fictives pour un résultat audacieux et léché.

Le directeur artistique basé à Londres a déjà mis à profit ses illustrations et créations pour des clients de renoms tels que Apple, Nike, LG, Samsung, Guerlain, Van Cleef & Arpels, Furla, Asics, Absolut, Mastercard, Airbnb ou encore Red Bull. Suivez son travail sur Instagram.