La plus célèbre souris de la planète fête ses 90 ans ! Imaginé par Walt Disney en 1928, Mickey Mouse apparaît pour la première fois sur les écrans dans un cartoon en noir et blanc, le premier à avoir bénéficié d’une bande sonore synchronisée dès sa sortie.  

Depuis, cette icône intemporelle est restée omniprésente dans l’imaginaire de chacun. Un grand cercle pour la tête, deux petits cercles pour les oreilles : il suffit de peu de choses pour évoquer Mickey.

En 2018, Disney célèbre la figure de Mickey partout France en nous dévoilant le personnage sous divers angles créatifs. Quatre graffeurs ont été sélectionnés pour revisiter Mickey, à Paris, Lyon, Marseille et Bordeaux. Les Français sont invités à retrouver les oeuvres d’art cachées dans ces villes du 27 août au 9 septembre. Chacun pourra partager l’image découverte sur les réseaux, avec le hashtag de sa ville (par exemple #Lille ou #Bordeaux) et #Mickey90.

À Lyon, c’est le collectif d’artistes La Coulure qui a été sélectionné pour réaliser un « Mickey is cool ». #Lyon

À Paris, c’est le street artiste Daco qui retranscrit la figure de Mickey dans un style artistique qui lui est propre : éclaté et destructuré. #Paris

À Bordeaux, JAEN révèle un Mickey surréaliste flottant dans un monde rêvé. #Bordeaux

Pour Marseille, Remy Uno a travaillé sur une peinture de Mickey plutôt vintage qui reflète l’enthousiasme et la bonhomie du personnage. #Marseille

A vous de découvrir ces 4 oeuvres cachées partout dans votre ville, Lyon, Bordeaux, Marseille et Paris, du 27 août au 9 septembre.

Un gagnant sera tiré au sort pour gagner un week-end à Disneyland paris et la ville la plus représentée sera nommée “Ville la plus enthousiaste de France”. Elle aura l’honneur d’accueillir un événement spécial pour l’anniversaire de Mickey.

Retrouvez plus d’informations sur le jeu-concours sur @disneyfr

Carrying heavy materials up a ladder is asking for trouble. Each year about 500,000 people fall off of one, and OSHA statistics show that workers die every week from ladder-related injuries. And “the estimated annual cost of ladder injuries in the U.S. is $24 billion,” the CDC reports.

So the Safety Hoist is looking like a pretty darned helpful invention. Essentially a sturdy ladder and series of extensions rigged up with a motorized lift, it can safely transport goods up to dizzying heights without risking anyone’s body:

The Pennsylvania-based company’s latest addition to their product line-up is a convenient electric-powered model, the EH-500, that simply plugs into a 110-volt outlet–and can haul some 500 pounds. (And yes, if the power cuts out, the hoist remains safely in place.)

As Christopher Schwarz wisely pointed out in our interview with him, it is generally rich people who determine our furniture design cues. In other words, if you go to a museum and see a chair from ancient Egypt, or the Renaissance, or the Art Deco period, it’s a piece of furniture that belonged to a rich person. That’s why it survived long enough to make it into the museum. The stuff that poor people sat on generally makes it into the MoMA.

Which means that any “History of Furniture” class or exhibition is really a “History of Rich People’s Furniture,” at least until you reach the Mid-Century Modern period, and since there have always been more poor people than rich people, is not really representative of furniture that most humans experienced.

So it would be silly, would it not, to assemble facile GIFs that condense the History of Furniture down into 15 frames.

Silly, but still fun to watch. So here it is (put together, bizarrely enough, by Angie’s List). Happy Friday, folks.

Chairs

Dining Sets

Sofas

Desks

Beds

Dezeen promotion: the Dezeen x Samsung Ambient Mode Design Competition has been whittled down to a shortlist of five, who have shared the thinking behind their designs with Dezeen.

Seeing off tough competition from a 15-entry longlist, the finalists have been announced as Alex Warr and Zach Walters with the entry TimeFrame, Swift Creatives with Kinetic Decor, Jianshi Wu and Yitan Sun with Bird Clock, Gerard Puxhe with Architectural Extension, and Doisign with Sphere.

The €29,500 competition asked entrants to create a visual experience that displays when the TV is not in use. The shortlisted designers responded with the likes of a virtual architectural extension, a window to other parts of the world and a personal assistant that brings in data from the user’s life.

Others took a more decorative approach, creating a calming, interactive mobile and a clock that brings nature and joy into telling the time.

The designs are for the Ambient Mode feature on Samsung’s new QLED TVs. Ambient Mode makes the screen look almost transparent by mimicking the appearance of the wall behind the television, with additional imagery and information overlaid on top.

The winner will be chosen by a jury made up of graphic designer Neville Brody, industrial designer Erwan Bouroullec, Samsung Electronics’ head of the design centre Dontae Lee and Dezeen’s editorial director Amy Frearson.

Judging is set to take place at electronics trade show IFA in Berlin, which takes place from 31 August to 5 September 2018, with the winner announced on 3 September 2018 on Dezeen. Each of the entrants shortlisted here receives €1,500, with €8,000 in prize money for the ultimate winner.

The winner will be displayed at the IFA show, and will have the opportunity to commercialise their idea.

Read on for interviews with the five shortlisted designers or design teams.

Alex Warr and Zach Walters (USA), designers of TimeFrame

How would you describe your design in a sentence or two?

TimeFrame is a dynamic window, enhancing the user’s space by creating a virtual connection to another environment. TimeFrame takes the archetype of a window and moves it forward by transforming it into something dynamic, creating a new type of window that morphs based on the hands of a clock, the activity in the room, and the user’s aesthetic choices.

How does your design change throughout the day or in response to the presence of people?

Our design changes constantly throughout the day. We imagine that the content can change to mimic the time of day and weather in the user’s location. Meanwhile, the shape of the frame morphs gradually throughout the day, following the hands of a clock. When motion is detected, the shape transforms more dramatically, distorting the movement of the clock hands and expressing the subjectivity of one’s perception of time.

Who is your design for?

TimeFrame is designed for people who have a desire to travel, see the world, or experience other places. This includes people in the city that want to retreat to the countryside or people who want to explore the landmarks or cultures of faraway cities. TimeFrame is not meant to replace travel. It is designed to enhance and expand the possibilities for a user’s space.

What’s next for you as designers?

We plan to continue designing in the realm of architecture, as well as outside of it. This competition was outside the scope of our usual work, but it is one of many areas of design that we are interested in continuing to explore.

What would you do with the prize money?

The prize money would allow us to continue developing our own design work. As we start our careers, this would be invaluable as we discover our voice and interests as designers.

Jianshi Wu and Yitan Sun (USA), designers of Bird Clock

How would you describe your design in a sentence or two?

Unlike today’s personal devices, which often show time as plain digits, we designed a “bird clock”, which uses an arrangement of birds to indicate the time of day. It gives a subtle notion of the passage of time and also makes the act of checking time less of a mindless errand but more of a joyful experience. We think Bird Clock is an example of how new technology like Samsung’s Ambient Mode can encourage new ways we interact with technology.

How does your design change throughout the day or in response to the presence of people?

The underlying colors represent the sky at different times of the day. The patterns are dynamic. It may show a wonderful morning glory, a full moon, or a clear sunny sky according to the real-time weather condition.

In addition, when the user or their pet walks past the TV, the motion sensor can detect the movement, and the flock of birds would fly away for a short moment before circling back. This interaction, very much mimicking how birds would behave in real life, adds more delight and playfulness to the scene.

Who is your design for?

This scene is created with the lifestyle of a nature lover in mind. We’d like to enhance the interior experience in the home or office environment, to reduce the anxiety for people living in big cities. With Bird Clock, we add another dimension to their living/working environment with sound and movement.

What’s next for you as designers?

As two architectural and visual designers, we are always open to new challenges in different disciplines and would like to transform more ideas through various media in the future.

What would you do with the prize money?

We will be presenting our design at IFA in Berlin soon, and we really love the culture here. We may travel a bit more around the country and get more inspirations from the people and the city itself.

Gerard Puxhe (UK), designer of Architectural Extension

How would you describe your design in a sentence or two?

It’s a design that aims to integrate the digital and the physical world in a believable way.

How does your design change throughout the day or in response to the presence of people?

The LED lighting changes as time passes, as well as the sky in the background. It also changes when the space light does. Thanks to the QLED TV movement sensors, the flower or the flame of a candle will move when a person passes by, for example. A person’s shadow can also appear in the niche if a person gets closer. There are many different possibilities.

What influenced your aesthetic choices?

The limitation of having the TV frame. I’ve integrated the design to the frame so it looks realistic and not just like an image, video or app in a frame.

What’s next for you as a designer?

Thanks to Barcelona Rugs, I’ll be exhibiting my rug design Yuu during the London Design Festival at London Design Fair in Shoreditch. I’m very excited about it after exhibiting in Milan as well this year.

What would you do with the prize money?

I haven’t thought about it yet.

Doisign – Duhan Ölmez and Irem Deniz Akçam (Turkey), designers of Sphere

How would you describe your design in a sentence or two?

Television has only been a surface to watch when the time comes. However, Sphere acts as a personal assistant to an individual’s life by using artificial intelligence and the Internet of Things.

How does your design change throughout the day or in response to the presence of people?

Even if each individual has different daily schedules, it reacts and adapts accordingly and gets used to users over time by machine learning. Therefore it creates selected ambients, generates professional suggestions, tracks your life or shows specified information for its user.

Why do people need this in their lives?

The Internet of Things surrounds us every day with devices we use in our routines. Our identities are based on things we have done, we are doing, we are to do, shaping our decisions. Decisions that were previously solely made by us, have begun to be made in collaboration with dedicated applications and innovations. An immediate personalised home interface allows users to take their home to a new interaction level.

What’s next for you as designers?

We are a group of two consisting of an industrial designer and an architect. We believe design — as a process — is not related with any profession or training, but an interdisciplinary experience. Just for this particular example, we learned a lot, tried some new things and failed miserably so many times.

Even thought it is not our field to design a user interface, we enjoyed the process and at the end are pretty happy about the product. We are motivated to continue our search about how can we widen our perspectives throughout other challenges.

What would you do with the prize money?

We want to continue expanding this establishment for more professional competitions or design challenges with a larger group of people in a better environment.

Swift Creatives – Matthew Cockeril, Stephen Waller and Peter Hälldahl (UK), designers of Kinetic Decor

How would you describe your design in a sentence or two?

A dynamic decorative mobile that provides a calming and reflective feature in the room featuring hanging fish that gently rotate around each other. Not wanting to simply replicate a physical mobile on the screen we used the qualities of Samsung’s QLED to bring enhanced features not possible in the physical world.

How does your design change throughout the day or in response to the presence of people?

As light in the room increases our design gradually comes to life. Starting as static black fish, as the light increases they begin to move and as they rotate their colour begins to change.

The fish also react to sudden changes of light level or the proximity of a user. Their eyes blink with their ‘shadows’ swimming off when disturbed and then slowly swimming back to as the light and activity in the room settles.

What influenced your aesthetic choices?

Our concept is inspired by our Scandinavian roots, tapping into the fundamental pleasures associated with everyday living and the simple comfort of relaxing at home with friends, using technology to support not intrude.

We took inspiration from the classic handmade Danish mobiles of Christian Flensted, who made his first one in 1953 to celebrate the christening of his daughter.

What’s next for you as designers?

We see the Samsung TV hardware platform as just the start of products becoming more intelligent and responsive to their environment, allowing us to develop more natural and ambient experiences enabled by emerging technologies like mixed reality and artificial intelligence.

As a Danish design and innovation team, with studios in Aarhus and London, we are fascinated by the possibilities of a mixed reality as our digital and physical worlds become increasingly interconnected and we move beyond screens to digitally powered product experiences.

What would you do with the prize money?

Well for sure we’d use some of it to celebrate as a team. We’d then put the rest towards a Samsung QLED TV for the studio to start developing our concept into a fully formed design for release on Samsung’s Tizen platform.

The post Top five finalists announced in Dezeen and Samsung’s TV Ambient Mode Competition appeared first on Dezeen.

« Milk & Honey », c’est le nom de cette série de photos réalisées par Thomas Jordan. Ces clichés singuliers et détaillés ont été pris à moins de 5 km de sa maison, dans les quartiers Ouest de Chicago. « Je cherchais à capturer photographiquement l’idée d’une nouvelle vie, de la bénédiction et des promesses. Cela m’est venu en observant la grossesse de ma femme, qui attendais notre seconde fille. J’ai voulu imaginer quelle vie allait mener ma petite fille après sa naissance. Je veux qu’elle ait une existence heureuse et prospère. Ces photos étaient un moyen pour moi d’interpréter mes pensées à ce sujet ».

En juxtaposant des images de fleurs à celles de maisons, Thomas souhaite exprimer l’importance de l’arrivée d’un nouveau membre au sein d’une famille. « Utiliser la nature c’était essentiel pour exprimer l’idée d’une nouvelle vie faîte de bénédictions. L’une des images en particulier à une place importante dans mon cœur car elle a été prise lorsque j’ai appris que ma femme était enceinte d’une petite fille. Il s’agit de l’image de la voiture avec les rubans roses suspendus au rétroviseur central ».

Retrouvez-le sur sa page Instagram @tamejawdin.