When Digital Intelligence Meets Human Imagination

Le photographe espagnol Al Mefer vient de sortir une série particulière intitulée «Experience of Nature». Il s’agit en fait d’images créées grâce à un ordinateur pour un résultat réaliste et époustouflant. Celui qui d’habitude immortalise la nature derrière son appareil photo, a cette fois-ci conceptualisé de toute pièce un paysage montagneux. Ce projet ouvre la réflexion quant à la valeur et la portée de l’art visuel et de la représentation du monde, lorsque ces derniers sont le fruit à la fois des compétences numériques et de l’imagination humaine.

L’artiste visuel nous explique: «À travers l’histoire, des philosophes tels que Platon, Kant ou Descartes ont longuement débattu de la qualité de notre expérience et des choses, élaborant des théories qui expliquent que nous pouvons percevoir une réalité déformée, distincte du monde extérieur. Ces paysages de montagnes réalistes avec une modélisation 3D sont inspirés des déserts des États-Unis et de Namibie, de la mine d’or romaine « Las Médulas » à León mais aussi de mon propre style photographique. La série évoque la valeur de l’expérience esthétique de mondes simulés par opposition à ceux représentés dans la photographie, qui aujourd’hui se confond avec le graphisme et l’imagerie générée par ordinateur pour créer des univers au-delà des nôtres.»

Suivez son travail sur Instagram.











Minimalist Wooden House In Finland

Cette cabane en bois est un prototype lancé par l’entreprise d’énergie renouvelable Finlandaise Neste. Ce modèle de maison zéro pollution qui peut être bâti n’importe où ne laisse aucune trace derrière lui. Cette cabine nommée Nolla (zero), créée par le designer Finlandais Robin Falck, trône fièrement à la sortie de la ville d’Helsinki, sur l’île de Vallisaari. Faite de matériaux renouvelables, elle a été imaginée et conçue pour un mode de vie minimaliste et écologique. Le but : intégrer l’habitat dans le paysage tout en préservant la nature environnante. L’énergie utilisée dans la petite demeure est entièrement renouvelable, générée par des panneaux solaires.





Wonderful Portraits By Bijou Karman

Bijou Karman est une illustratrice Américaine diplômée de l’école d’art et de design de Pasadena en Californie qui réalise des portraits vivants de fashionistas. Dans le soucis du détail, les peintures révèlent la personnalité de chacune d’entre elles. Oscillant entre couleurs pastel et bijoux en tous genres, manteaux de fourrure et vêtements à motifs tantôt zébrés, à carreaux, à rayures, à pois ou encore à fleurs. Un véritable travail de minutie dans lequel l’artiste offre une expression singulière à chacune des modèles. Retrouvez ses travaux sur sa page Instagram @bijoukarman.






Design Job: OXO Is Hiring a Production Artist for Their New York City Office

USA – New York, NY Full time R0001017 OXO is hiring a Production Artist for our New York City office. About OXO At OXO, we’re on a quest to make the everyday better. For over 25 years,

View the full design job here

Design Resource: Free, Online Ergonomics Calculator

There is the intangible part of design where, if you’re designing a bar/restaurant interior for instance, you are creating a vibe by choosing colors and materials. But the back of the house requires concrete numbers-based design: Can the petite bartender realistically carry the requisite amount of beer cases from the storeroom to the front? When the boxes of vegetables come off of the truck, what should the maximum distance to the cooler be to ensure efficient unloading? Can kegs be stored in the basement and muscled up the stairs, or will that be a back-breaker?

Thanks to an insurance company, designers can use hard data to answer these questions and inform their designs. The Liberty Mutual Research Institute’s “Snook Tables” were created by prominent ergonomicists Dr. Stover Snook and Dr. Vincent Ciriello, and they cover lifting, lowering, pushing, pulling and carrying tasks for both males and females. To make the data easy to access, Liberty Mutual has plugged the data into online calculators that anyone can use for free.

You can access the calculators here

If you’d prefer to download a PDF of all of the Snook Tables and pore over the numbers the hard way, you can do that here.

Architect denies plagiarising Kengo Kuma for Bangkok airport terminal design

Duangrit Bunnag has defended his competition-winning design for a new airport terminal in Bangkok, which detractors claim copies Kengo Kuma’s work.

The Thai architect’s studio, DBALP, won the competition to design a new terminal for Suvarnabhumi airport, with plans for a canopy of stepped timber arches that some online commenters have likened to Kuma’s Yusuhara Wooden Bridge Museum in Japan.

Bangkok airport terminal by DBALP Consortium

The comparisons led Bunnag to defend the design. “I didn’t copy anyone else’s work,” he was reported as saying by the Bangkok Post.

“Those who follow my work will know that I created a similar image in my previous designs, such as for a hotel in Sri Lanka.”

His inspiration, he said, was the lush landscape of Thailand.

Bangkok airport terminal by DBALP Consortium

Covered by the soaring timber canopy encased in a glass facade, the design for Suvarnabhumi’s terminal two features an indoor tropical rainforest complete with waterfalls.

In Singapore the Moshe Safdie-designed Jewel Changi Airport is due to open next year, featuring a giant dome with a waterfall pouring through the centre to the indoor forest below.

Bangkok airport terminal by DBALP Consortium

DBALP Consortium’s design has a steel structure that will support timber beams, which will form a grid pattern and filter light like a rainforest canopy.

The competition to design Suvarnabhumi’s terminal two was already controversial, after original winners SA Group had its contract revoked by Airports of Thailand (AOT) for failing to supply a document quoting the cost of the project.

DBALP Consortium, along with Nikken Sekkei, EMS Consultants, MHPM, MSE and ARJ Consortium, had originally been named the runner up for the competition to design the 35 billion baht (£822 million) airport.

SA Group is believed to be contesting the decision, claiming they did not receive the essential document from the AOT in the first place, and highlighting that its proposal was under the stipulated budget.

Bangkok airport terminal by DBALP Consortium

Bunnag told local paper The Standard he was “sorry” for his competitor’s loss, but insisted that there had been “100 per cent no corruption” in the sealed bidding process.

Suvarnabhumi airport’s terminal two, which will have capacity for 30 million passengers a year, is due to open in 2021.

In Mexico, the fate of Norman Foster and Fernando Romero’s airport for the capital city hangs in the balance, after the country’s newly elected president announced a public referendum on cancelling the $13.3 billion (£10.30 billion) scheme.

The post Architect denies plagiarising Kengo Kuma for Bangkok airport terminal design appeared first on Dezeen.

"With Amos Rex, Helsinki shows you don't need to import a brand to get cultural prestige"

Helsinki’s new art museum Amos Rex proves that importing an international brand, like the Guggenheim, isn’t the only way to create a blockbuster tourist attraction, argues Dezeen deputy editor Tom Ravenscroft.


The arrival of the impressive Amos Rex art museum in Helsinki has vindicated the city’s decision to reject the Guggenheim franchise. An expansion of an existing institution in a refurbished building, and designed by Helsinki-based architects, Amos Rex is the antithesis of the quick-fix cultural colonialism offered by global institutions like the Guggenheim.

The simultaneous plans by the Amos Anderson Art Museum to expand, and by the Guggenheim Foundation to create an outpost in the city, demonstrate two vastly different approaches to enriching culture within a city. While the Guggenheim promised to enhance the capital city’s global standing with an injection of international art museum swagger, the Amos Anderson Art Museum has quietly reinforced Helsinki’s existing cultural capital.

Following the Guggenheim’s much-hyped Bilbao effect, cities around the world have been clamouring to gain cultural capital by developing blockbuster museums and galleries. Bringing a satellite premises of the Guggenheim to Helsinki would in theory elevate the Finnish capital, placing the city firmly on the global culture map and bolstering its tourist offering.

The simultaneous plans, by the Amos Anderson Art Museum and the Guggenheim Foundation, demonstrate two vastly different approaches to enriching culture within a city

Floated amid the financial crisis, the Guggenheim Helsinki received widespread public criticism from the start.

Under the initial proposals, the city would provide a prime plot of harbourside land and pay the €130 million construction costs. A €23.4 million licensing fee from the Guggenheim Foundation reinforced views that the museum colony would primarily serve itself.

With the benefits to the institution seemingly outweighing that of the city, the controversial initial plans for the outpost were dropped. A year later, the Foundation revealed a revised financial strategy and an international competition was launched to find an architect to design the new museum. That same year, 2013, the Amos Anderson Art Museum unveiled its intention to build a new larger home.

The prestige of designing a striking modern art gallery to be the latest global Guggenheim drew widespread international press and received 1,715 entrants, making it the largest architectural competition in history. Six emerging international architectural practices were shortlisted for the chance to complete the prestigious project, with Paris-based Moreau Kusunoki Architectes named the winner. Not only would the institution be imported, but so too would the architect.

“The City of Helsinki is tempted to spend hundreds of millions of municipal euros in return for the benefits of the branding of the city with someone else’s mark,” stated a competition launched to find alternatives for the proposed Guggenheim Helsinki site. The competition summed up the idea that the Finnish capital was selling out to an American brand.

Following the Guggenheim’s much-hyped Bilbao effect, cities around the world have been clamouring to gain cultural capital by developing blockbuster museums and galleries

Concurrently, but with substantially less fanfare, Amos Rex hired Helsinki-based architect JKMM to design the new home for the Amos Anderson Art Museum. Previously located in a six-storey former newspaper office, the institution was established in 1965 from the collection of local businessman Amos Anderson.

Rather that creating a new blockbuster landmark structure, the Amos Anderson art foundation choose to rejuvenate the council-owned Lasipalatsi, or glass palace, a 1930s piece of functionalist architecture that was looking for a new purpose. Crucially, and clearly differentiating it from the Guggenheim’s proposal, the foundation intended on building its new home at no cost to either the city of Helsinki nor the state.

The Guggenheim scheme was finally dismissed by city councillors in December 2016, with Osku Pajamaki, a council member, stating that there are no shortcuts to tourism and cultural attractions in question. “Instead of buying a subsidiary of the Guggenheim Museum in New York, we can now focus on creating unique local cultural attractions in Helsinki, he said.”

Amos Rex, the Amos Anderson art foundation’s new home, is one of these local cultural attractions – an impressive art gallery under a square that is certainly unique. The domed underground structures topped with playful skylights, merged with a sleek functionalist building, is both modern and born of Helsinki.

With the world’s largest cultural institutions – the Louvre, Guggenheim, Pompidou, V&A and so on – exporting their brands to create high-profile outposts around the world, Amos Rex demonstrates a clear alternative: build from within rather that import culture.

Amos Rex demonstrates a clear alternative: build from within rather that import culture

Since rejecting the Guggenheim, Helsinki has seen a rejuvenation of an existing locally based museum, designed by a locally based architect, at no cost to the public. The architects have also given a historic building a new lease of life and created an impressively intriguing public square in the process.

Cities will still strive to replicate the Bilbao effect by attracting the high-profile Guggenheims of the world to their locales, and the soon-to-open V&A Dundee will undoubtedly add the Scottish city to the cultural map. But Amos Rex offers a different and perhaps better way. With it, Helsinki shows you don’t need to import a brand to get cultural prestige, if you already have cultural capital.

Photography is by Tuomas Uusheimo.

The post “With Amos Rex, Helsinki shows you don’t need to import a brand to get cultural prestige” appeared first on Dezeen.

Koto's flexible prefab cabins are designed for a Nordic lifestyle

Prefabicated housing startup Koto has launched a series of modular one- to four-bedroom cabins that can be customised with add-ons such as saunas and outdoor showers.

The Scandinavian-style cabins, Koto said, are designed to last a lifetime and can be reconfigured to meet the needs of each individual client and the constraints of any site.

Koto prefabricated cabins

Koto, meaning cosy at home in Finnish, was founded in January 2018 by husband and wife duo Johnathon Little and Zoe Little.

The Devon-based duo, who have spent the past decade in Oslo where Johnathon previously worked for Snøhetta, created Koto as a range of off-the-shelf housing.

Koto prefabricated cabins

Each cabin comes as a pod with a tall diagonal ridge roof that creates an open interior space. The modular pods can be set up in numerous configurations to create different sized footprints to cater for homes, offices, hotel rooms and pool houses.

“Our initial range of modules – Pari, Muutama and Ystava – are all represented with the Koto wedge shape roof,” Jonathan Little told Dezeen. “This shape allows for an interesting form and experience both internally and externally, a modern twist on the traditional vernacular.”

Koto prefabricated cabins

Koto said that the cabins’ minimalist Scandinavian-influenced design enable the occupants to live a “Nordic lifestyle”, which revolves around creating a healthy work-life balance, with spaces for sleeping, relaxing and disconnecting.

The flexible cabins come as one, two, three and four-bedroom units that can be added to with other off-the-shelf components such as outdoor showers and saunas.

Koto prefabricated cabins

“Thinking about each living space as a separate design exercise has allowed us to create unique experiences in each space,” they explained.

The cabins are manufactured by ​Kudos​, a Northern Irish company that specilaises in the development of low energy, timber frame buildings.

Koto prefabricated cabins

Inside, expansive concealed storage walls maximise floor space and help achieve a clean Scandinavian aesthetic.

The rooms are flooded by natural light from a generous glazed facade and a series of smaller windows that can be found on each pod component. Bespoke window seats connect the inhabitants to the outside world while making use of every last inch of space.

Koto prefabricated cabins

Other space-saving features include concealed storage walls and fold down beds.

Koto said they designed each bedroom to feel like a private retreat within the landscape. Furniture for the bedrooms was sourced from Danish brand ​Hay ​and arranged to create a calm, minimal environment.

Each cabin is equipped with a ​Morsoe​ wood burning stove and living spaces with neutral decor. In contrast the ensuite bathrooms are finished in dark colours with copper ​Lusso fixtures.

For example the Koto Muutama cabin, pictured, is Koto’s medium-sized cabin. It contains a bathroom, bespoke fold down king size bed, hidden wall storage, window bench, wood stove and the option for a kitchenette.

Koto prefabricated cabins

According to Koto, additional components such as the black outdoor shower and a sauna cabin can be added to create a “spa-like experience”.

“We are now developing a spa elements range which will include a sauna, steam room and pool house all united with the same koto brand visual aesthetic,” Koto explained.

Koto prefabricated cabins

The Koto cabins can be relocated to a different site, even years after being installed, and are designed to address society’s changing mindset towards house buying.

“We are creating beautiful small buildings that allow people to connect with nature and embrace outdoor living,” said the husband and wife duo.

Koto prefabricated cabins

“Our ambition has been to create a lifestyle brand that is centred around the Nordic concept Friluftsliv [pronounced free-loofts-liv], an expression that translates to open-air living,” they continued.

“Norwegian poet Ibsen described the term as ​the value of spending time in the remote outdoors for spiritual and mental wellbeing.”

Koto prefabricated cabins

“They are a sculptural interpretation of the small buildings that you see across Europe, from Bothys to Alpine huts and Norwegian Hytte,” they said.

“These small pitched roof buildings are an integral part of the landscape and provide warmth, shelter and an opportunity to fully immerse in nature. That is the heart of the ethos at ​Koto​.”

Koto is not the first company to create a prefab cabin. Earlier this year, Uruguay and Brazil-based architects MAPA unveiled a series of prefab guest suites in Maldonado, Uruguay, with facades made up of mirrored glass and sliced logs. In 2017, Danish retailer Vipp debuted a factory-made, 55-square-metre metal-and-glass micro dwelling that comes filled with the company’s line of homeware products.

Photography is by Joe Laverty

The post Koto’s flexible prefab cabins are designed for a Nordic lifestyle appeared first on Dezeen.

Four of the best interior design roles available right now

We’ve selected four of the best roles in interior design available on Dezeen Jobs right now, including opportunities with Foster + Partners and Heatherwick Studio.


Interior designer at Heatherwick Studio

The London studio of Thomas Heatherwick is looking for an interior designer to join its team for maternity cover. The firm recently revealed its completed the Zeitz MOCAA art gallery in South Africa, which has been carved out of a grain silo in Cape Town.

Find out more about this role ›


Interior designer at Foster + Partners

The latest Apple Store in the Chinese city of Macau was designed by Foster + Partners and features an innovative facade made from a composite of glass and stone. The architecture firm has an opportunity for an interior designer to join its London-based practice.

Find out more about this role ›


Senior interior designer at Joyce Wang

Joyce Wang has an opportunity for a senior interior designer to join its team in London. The studio’s projects include a restaurant in Hong Kong, with burnt walls and chandelier made from smoked washing-machine drums.

Find out more about this role ›


Interior designer at Ennead Architects

Ennead Architects is looking for an entry-level interior designer to join its team in New York. The US firm recently designed a new building for the University of Texas, featuring two towers linked by a central glass volume with lattice-shaped structural supports across its facade.

Find out more about this role ›

See all the latest architecture and design roles on Dezeen Jobs ›

The post Four of the best interior design roles available right now appeared first on Dezeen.

What a Way to Drink Whiskey

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For anyone who appreciates their whiskey chilled or mixed in a craft cocktail, the Rauk Heavy Tumbler will change the way you enjoy the spirit. It features an extruded chevron design that radiates from the center to provide friction points for muddling. Despite being quite a heavy glass, it sports a captivating shape that appears to float in thin air.

As unique as its shape and aesthetic, the construction process also differs in that the entire surface of the tumbler, inside and out, is formed from a single moment of machine-pressing the molten crystal into a complex five-part mold. The result is a stunning geometric shape that’s only enhanced by the beverage you put in it!

Designer: Sruli Recht of Norlan

Click here to Buy Now: $50.00

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Taking its name from the Old Scottish word for “Rock,” the glass has been developed for whisky drinkers who prefer their spirit chilled, whether with an ice sphere or simply on the rocks.

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Muddling Chevron Feature

The inner base hosts a specially developed multi-chevron cross-shaped extrusion, engineered to grip ingredients during the muddling process. The chevrons of this specific pattern evolved through dozens of design iterations in search of an elegant and ideal form to aid in the art of cocktail making. The goal was to grab hold of the waxy and slippery peels and arrest their movement while you, the cocktail maker, muddle them back to life.

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Compass Base

The base of the Heavy Tumbler, precision-modeled, touches down on four crystal points, making surface contact while giving the appearance of hovering – a satellite in spirit. Naturally, we wanted the heaviest glass you own to appear to float.

Turn the glass upside down, and the three-dimensional surface of the base reveals itself as a jewel-like compass, guiding you, fellow whisky traveler to your true north.

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