Creating a time-saving grocery list

I love food and cooking but I’m not a big fan of grocery shopping. I would be, if I were the only one in the store and I had an unlimited amount of time and money, but that is never the case. Consequently, I am always searching for new ways to minimize my time in the grocery store.

Over the years, I’ve tried various grocery list apps. Many of them were simply lists. I had to manually type all items, one by one into a list on my phone. Once they were purchased and checked off, I had to either uncheck them manually if I wanted to keep them on the list to buy again next week (milk) or delete them if they were just “once in a while” purchases (ketchup).

Some apps let me choose food items from a database but the database could not be modified. I could not add, delete, or edit to specify a certain brand. Some databases were so large it was time consuming to find items. Some databases were too small or too different from our family’s eating habits to be useful.

For almost a year now, I’ve been using the Grocery Gadget app on my iPhone. It’s also available for Android, BlackBerry, Windows Phone, Nokia, and Amazon Nook. See the promo/demo video here.

If you sign up for a free account with Grocery Gadget you have access their robust and customisable database and can sync it to your phone. For me, this was a real time saver as I could see and edit the entire list on my large computer screen instead of only on my small phone screen.

I spent a few hours updating the database by deleting the foods we never eat, adding items we do eat, and updating the existing items by specifying brands and package sizes we prefer. It allows for both U.S. and metric sizes and will allow you to specify if the item is in a jar, box, bottle, etc.

You can also add the price of each item as well as any applicable taxes. You can edit the tax rates to whatever percentage applies in your area. This allows you to see your total grocery bill before you even head out to the store.

Another great feature of Grocery Gadget is the ability to add photos and UPC bar codes to each item. This is very handy when you are staring at a shelf of razor blades and cannot remember which brand your husband uses and which brand your teenager son uses. I just look at the photo and scan the bar code with my phone!

I do about 95% of my grocery shopping at one specific store, so I went a step further. I renamed the categories based on the aisles in my grocery store. Since the categories are always listed in alphabetical order, I added numbers to the beginning. Produce is the first section in the store when I walk in the door so the category was named 00 Produce. The deli section is at the end of aisles 2 and 3 so it is called 025 Deli.

It took me a few weeks of slightly extended grocery shopping sessions accessing the database on my phone to ensure each food item was in its correct category but the time invested at the beginning has more than paid itself back. Now, I don’t even have to walk down aisle 7 if I don’t have anything to buy in category 07 Sides Asian Canned Veg. This is a big time-saver especially when the store is busy — and a money saver too because I’m not tempted to buy items that are not on my list.

Because my grocery list syncs through the free web portal, everyone in the family uses the app and can add items to the grocery list at any time. Sometimes I will be at the grocery store and all of a sudden “cheese slices” will appear on my list. I know immediately that I need to buy more which saves me a trip to the store later in the week. If my husband and I shop together, we can go to different sections, check off items as we pick them up, and get everything in half the time without duplicating items in our trolleys.

The Grocery Gadget app works very well for our family and the way we shop. But I’d like to hear from our readers to know what they prefer. Please share your grocery list techniques in the comments section below.

Post written by Jacki Hollywood Brown

Design Job: Gelcomm Is Seeking a Packaging Designer for Fun Youth and Family Products 

Gelcomm is an award-winning design agency, based in Downtown Los Angeles. We are seeking freelance and fulltime packaging designers with consumer packaged goods experience. We design from an informed point of view. Market research, rigorous insight, and dialog with brand/client stakeholders inform how we develop

View the full design job here

A Designer Buying a Car, Part 3: Mini Clubman, Aesthetics and Practical Considerations

An architect choosing a house to buy, a fashion designer shopping for a shirt, an industrial designer buying a car: We are extra picky within these categories because we’ve spent time studying them, and we know how the sausage is made.

It’s important to me, when selecting a car, that the design makes sense. I don’t care what it looks like to others, or what image it projects; I mean that when I look at the exterior, the lines cannot be jarring or scream CAD. The interior design has to be clean, with the controls laid out sensibly and ergonomically.

My hunt for an AWD stickshift station wagon has resulted in just three viable choices: The Mini Clubman, the Subaru Forester and the Volkswagen Golf Alltrack. I’ll go over each in order.

Mini Clubman

I narrowed my Mini choices down to their Clubman over their similar Countryman because the former has marginally more cargo space.

The exterior design of the Clubman looks “honest.” By that I mean it looks as if it was designed by sculpting clay, rather than by some CAD monkey arbitrarily pulling splines around their screen.

It also looks great in silver, my favorite color for a car.

I like the clamshell rear doors and would be curious to see how they differ from a conventional hatch during long-term usage.

Moving on to the interior, I like what the designers have done with the speedometer and tach:

Image by Car and Driver

However, this shot swiftly knocked this car off of the list for me:

What the hell is that in the center of the dashboard, a time machine?

Having a large centered circle makes no sense. It visually competes with the steering wheel. And for a circle to contain a roughly rectangular screen makes even less sense.

Image by Car and Driver

The Start/Stop switch looks like it would be fun to press…

Image by Car and Driver

…but the overall shininess of the center console, and the bright colors, say “manufactured fun!” to me.

Image by Car and Driver

Overall the interior is too garish for me, so this one’s a pass.

In reality a lot more went into this decision–chief among them, my brother recently bought a Mini and the reliability has been terrible–but I wanted to offer my take on these cars’ designs (and at the end, solicit yours).

__________

Up Next: The Forester.

Buy: Shave With Pride Set

Shave With Pride Set


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Test Drive: 2019 Jaguar I-PACE: How the British automaker simultaneously leveraged heritage and embraced the future

Test Drive: 2019 Jaguar I-PACE


Its haunches may be distinctively Jaguar, but the I-PACE is unlike anything the brand has delivered before. The all-electric vehicle provides Jaguar not only with bona fide green credentials, but new design inspiration too. The first of the British……

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Tobias Grau launches minimal desk lamps to mark 20th anniversary

Dezeen promotion: German designer Tobias Grau has launched a series of minimal, glare-free desk lamps, and has made this behind-the-scenes video to coincide with the 20th anniversary of his studio in Hamburg.

Grau’s lighting brand has added two new lamps to its XT-A series, a range of office lighting designed with a homely aesthetic.

Tobias Grau marks 20th anniversary with collection of minimal table lamps

With simple stands and slender heads, both the XT-A Single and the XT-A Round follow the brand’s ambition for a “reduction to the essentials”.

“Office lighting will no longer be such a cold and anonymous one in the future, as has been the case so far, as work and living will mix with one another,” said Grau.

“With the so-called home office, the demand for aesthetics and aura of an office lamp will grow.”

Tobias Grau marks 20th anniversary with collection of minimal table lamps

The Single features a long, rectangular head, while the Round boasts a circular head. Both of the shallow, flat heads are fitted with sets of gridded LED lights.

“The fact that the LEDs have now become so efficient means that the lamp heads can be smaller, so that they fit proportionately better to the tables,” said the designer.

“In the case of the new luminaires, the XT-A Single and XT-A Round, their inclined shafts leads to a whole new look of light and table in the room.”

Tobias Grau marks 20th anniversary with collection of minimal table lamps

Both versions are designed to be as flexible as possible, able to work with height-adjustable desks, bench workstations and partition walls.

It is possible to remove the lamp heads from the bases and fix them to a work surface, allowing lighting levels to stay consistent when a desk is being moved up and down. Tobias Grau’s patented glare-control system supports this.

Each light is also equipped with an Internet of Things system called Connect, meaning lighting levels of various lamps can be controlled in unison.

Tobias Grau marks 20th anniversary with collection of minimal table lamps

The design firm previously launched a similar version of its XT-A series with its John lamp range. Suited to reading and working, the minimal, moveable and dimmable table light features top glare reduction with LED bulbs.

Tobias Grau founded his company headquarters in Rellingen, Hamburg, in 1998. Designed by BRT Architects, but with interiors by Grau himself, the facility houses all of the design and manufacturing for the company.

Grau believes that keeping all of the company’s processes under one roof, from sketching to shipping, helps to keep the studio as agile as it was 20 years ago.

Tobias Grau marks 20th anniversary with collection of minimal table lamps

“My way of working is determined by a strong emotional life, an emotional approach to my designs or how I feel them or how I draw them,” said Grau.

“And then again something very rational comes in that says: how does it work technically? How does it work on the market? How could it fit into the collection? Is there enough potential to be new and innovative?” he continued.

“And then you start to dream again and let everything reasonable out of the way and continues again. So it is an alternate between rational and emotional.”

The post Tobias Grau launches minimal desk lamps to mark 20th anniversary appeared first on Dezeen.

Graduates design responsive devices to help animals survive extinction

Postgraduate designers from the Royal College of Art and Imperial College London have developed a set of tools that inform animals of potential human threats.

Duncan Carter, Mick Geerits, Arthur Gouillart and Eirini Malliaraki created the advanced bio-logging tags for humpback whales and collared peccaries – a small mammal found in South and Central America.

The tags enable the animals to “reclaim and change their own habitats”, by not only passively monitoring behaviour and environments, but also actively informing them of potential human threats.

The graduates designed the tags as an alternative to current conservation efforts, which are largely passive, to encourage people to take a more proactive approach to conservation – rather than lessening our intervention with nature.

“It is generally understood that the resilience of ecosystems is reliant upon its biodiversity,” the graduates told Dezeen. “Currently a lot of conservation efforts approach nature as a static system that we shouldn’t interfere with.”

RCA graduates design robotic devices to help animals survive extinction
The advanced tags can inform Humpback whales and Collared Peccaries of potential human threats

“However, the extinction phenomenon we are witnessing has its own momentum, and just mitigating our impact won’t suffice,” they continued.

“We aimed to redefine human-animal interaction by designing for the animal and ecosystem, as opposed to using a human-centred design process that has become the standard in design.”

Having all studied the Innovation Design Engineering programme, run jointly by Royal College of Art and Imperial College London, the graduates worked closely with scientists to develop the high-tech bio-logging tags.

RCA graduates design robotic devices to help animals survive extinction
A speaker on the device can inform humpback whales of the approach of ships

The tools work in a similar manner to existing bio-logging devices, but have an added interactive layer that can communicate with the animal.

The first device is designed to help humpback whales. Despite being crucial to the ocean ecosystem – as they transfer nutrients to the water’s surface supporting hundreds of micro-organisms – the whales are endangered in certain areas.

Attached to the animal in the same way as current data-logging tags – using suction cups – the device has an integrated underwater speaker to actively communicate with the whale through sound prompts. These sounds can signal the approach of ships encouraging the animals to move to safer areas and create new habitats outside of shipping routes.

RCA graduates design robotic devices to help animals survive extinction
Tags attached to the collared peccary emit vibrations to direct the mammal away from humans

The second tool is designed for a small pig-like species called the collared peccary and is attached pain-free by a collar.

By emitting vibration signals to convey information about the forest, the bio-tag guides peccaries towards deforested areas where they can disperse seeds, enabling them to build habitats and avoid human threats such as farms and poaching zones.

“We chose to design for these animals because they are ecosystem engineers,” said Gouillart. “Like humans, they engineer their environment, but not only for their own benefit, they also bring food and shelter to other species when doing so.”

While the two devices are similar, they are sightly modified for the different animals. The whale bio-tag has a hydrophone embedded inside it to reduce the turbulent noise made by fast moving water. It also has a latticed structure to reduce material use and weight, while also improving the grip of its silicone skin.

The peccary bio-tag, on the other hand, features a camera in its centre, and has an onboard computer-vision algorithm running on a chip

The bio-logging tags are still in the experimentation phase, undergoing tests to ensure that they are safe and effective to use.

According to the graduates, vibration motors have already been proven to work on pigs to prevent them from trampling their piglets, and researchers have already carried out tests such as playing certain sounds to whales using an underwater speaker – which they responded to.

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Through the Lens of Elizaveta Porodina

La photographe russe résidant à Munich nous offre à découvrir depuis plusieurs années des décors époustouflants où se trouvent des personnages principaux au fort potentiel dramatique. Dans les oeuvres d’Elizaveta Porodina, chaque détail est soigné et vient susciter notre curiosité et nos émotions. À la fois expérimental et esthétique, son style graphique se déploie avec beauté pour la mode et la publicité notamment. Rencontre avec une artiste visuelle qui s’intéresse de près à l’humanité avec poésie et audace.

Qu’est-ce qui t’a amené à pratiquer la photographie d’art et de mode?

Alors que je travaillais en tant que psychologue clinicienne en psychiatrie à Munich, j’ai commencé à m’intéresser au médium photographique et j’ai photographié des amis, différentes personnes que j’ai rencontrées, admirées et dont je suis tombée amoureuse. J’ai ensuite publié ces œuvres en ligne, je les ai partagées avec une communauté, et ce travail est devenu le centre de ma créativité – une créativité qui a toujours été au cœur de toute mon existence.

Peu de temps après ça, j’ai été contacté par des designers qui m’ont demandé de tourner leur publicité. C’est ainsi que j’ai appris à connaître le monde de la photographie de mode et que j’y ai intégré à ma vision artistique. Depuis, peu de choses ont changé dans mon processus : je rencontre des esprits créatifs avec lesquels je crée des belles choses qui attirent de plus en plus de gens intéressants, d’artistes, de muses que j’admire, dont je suis inspirée et dont je tombe amoureuse !

Tu décris ta signature artistique comme étant «Dark Romantic». Il est vrai que tes photos sont parfois intrigantes, souvent délicates et saisissantes, et la plupart du temps mélancoliques et poétiques…

Oui, le fait d’être inspirée constamment fait partie de moi. Depuis toute petite, j’ai été habituée à parcourir le monde avec les yeux et l’âme ouverts ! Écouter, regarder, percevoir, recevoir, admirer et «enregistrer» tout ce qui m’entoure.

Rien ni personne n’est ennuyeux ou non remarquable selon moi, je crois vraiment en l’originalité et l’énergie qui réside dans chaque chose et dans chaque être humain. Chaque jour, je prends tout ce qui vient [pour m’inspirer] : odeurs, sentiments, mots, couleurs et formes – je les disperse et les aborde ensuite dans mon art. Je n’ai jamais remis en question ce processus naturel.

Pour ce qui est du côté dark romantic, beaucoup de personnes relient mon héritage russe à la partie «sombre» et «romantique» de mon travail… Ce que je ne nie pas!

Est-ce que ton métier de psychologue a un impact particulier sur tes photos?

Je pense que mes deux professions sont animées par les mêmes intérêts : la sympathie et l’empathie pour les comportements humains. Mais aussi, le fonctionnement interne de nos esprits, le pouvoir du cerveau humain et ce que l’amour peut créer. Je ne peux pas vraiment dire que mon travail précédent ou toute expérience antérieure a influencé particulièrement ma photographie, mais mon intérêt constant pour tout ce qui touche à l’humain l’a certainement fait.

Quels sont tes projets à venir?

Un livre, une exposition et toujours plus de voyages!

Suivez ses différentes séries sur son compte Instagram.






























BIG scales down form of its inflatable Skum pavilion to create porcelain vase

Bjarke Ingels‘ architecture studio BIG has designed a limited-edition ceramic vase modelled on an inflatable art pavilion that it designed in 2016.

Made up of conjoined spheres that resemble a cluster of bubbles, the porcelain vase is a scaled-down replica of part of the inflatable pavilion that BIG designed for Danish brewer Tuborg.

Named Skum, the Danish word for foam, the white pavilion was originally designed with bouncy castles in mind.

BIG scales down its bulbous inflatable art pavilion to make a vase

The matt white porcelain Skum vase, which measures 17.8 centimetres high and 13.4 centimetres wide, was produced by interior-design platform Mosss.

The San Francisco-based company created the vase in honour of a recent video workshop collaboration with BIG founder Bjarke Ingels.

The brief set for BIG by Mosss was to design a small household object based on one of its designs.

BIG scales down its bulbous inflatable art pavilion to make a vase

The design were rendered using 3D modeling software, which allowed the architects to see and evaluate all dimensions of the vase before creating physical prototypes.

After the form was decided upon, the studio created 3D-printed prototypes, testing various sizes before deciding on the current scale.

The final design is made from high-grade porcelain, which is carefully sanded and finished by hand, while the interior is sealed to be water-tight.

BIG scales down its bulbous inflatable art pavilion to make a vase

“Like the inflatable installation, the Skum vase has a bubble-like form and captures a sense of creativity, whimsy, and play,” said Mosss.

“As the pavilion continues to travel the world from music festivals to art fairs, a small fraction of it can now populate private homes, reincarnated as the Skum vase.”

BIG, which ranked number four on Dezeen Hot List 2017, is currently designing buildings across the world, including a chequerboard-covered stadium that will house the Texas rodeo and a “bow-tie-shaped” theatre in Albania’s capital.

The post BIG scales down form of its inflatable Skum pavilion to create porcelain vase appeared first on Dezeen.

Lattice framework supports undulating roof at swimming pool by Brochet Lajus Pueyo

Brochet Lajus Pueyo has completed a swimming pool in Saint Gilles Croix de Vie, France, with a roof informed by waves and the movements of manta rays.

Swimming Pool Brochet Lajus Pueyo Architectes

Bordeaux-based studio Brochet Lajus Pueyo won a public competition to design the aquatic centre for the local municipality in the Vendée region of western France.

Positioned on the outskirts of a residential area on the Vie river, the public pool looks out towards an uninterrupted panoramic view of the landscape.

Swimming Pool Brochet Lajus Pueyo Architectes

When viewed from a distance, only the organic form of the main building’s roof can be seen balancing lightly upon its delicate supporting framework.

“The roof is expressed as three ‘petals’, floating above ground,” said the studio. “The reasoned form of the structure evokes the movement of water, or the undulations of a manta ray moving.”

Swimming Pool Brochet Lajus Pueyo Architectes

The lightweight steel lattice that extends around the building’s perimeter ensures the interior is uninterrupted by supporting columns and allows the roof to appear as an independent element held above the landscape.

The design allows large expanses of glazing measuring up to 11 metres in height to flood the pool’s main hall with daylight, which is filtered through the criss-crossed structure.

Swimming Pool Brochet Lajus Pueyo Architectes

The transparent main hall adjoins an opaque concrete volume containing services including changing rooms and technical equipment.

Amenities including two saunas and a Turkish bath are also accommodated in this block alongside the pools.

Swimming Pool Brochet Lajus Pueyo Architectes

The tone of this building’s concrete exterior echoes that of the surrounding earth and helps it to blend in with the landscape.

The northern side of the structure is partly submerged in the ground to further enhance its connection with the site.

Swimming Pool Brochet Lajus Pueyo Architectes

The hall’s roof is created from 1,400 micro-perforated triangles that are connected using concealed fastenings to form a seamless surface.

The curving roof extends beyond the glazed curtain wall to shade the interior from the intense summer sun, with the glazing carefully positioned to ensure maximum transparency while minimising reverberation and noise.

Swimming Pool Brochet Lajus Pueyo Architectes

The various pools are arranged linearly to ensure they enjoy the best outlook towards the neighbouring nature reserve. An outdoor pool and terrace are also positioned to the south of the main hall so that they receive the best of the sunlight.

Swimming Pool Brochet Lajus Pueyo Architectes

Ceilings and walls within the building’s public areas are lined with wooden battens, while paved flooring introduces another natural finish to the interior.

Angular skylights allow daylight to reach some of the rooms at the centre of the building, including the changing rooms and shower areas, where the light reflects off blue tiled surfaces.

Photography is by Jean-François Tremege.


Project credits:

Lead architects: Brochet Lajus Pueyo
Architects in charge: Paul-Louis Imbaud, Raphaël Masnada
Associate architect: DGA Architectes & Associés
Landscape: Let’s Grow
Cost estimator: Overdrive
Structural engineer: Khephren Ingienerie, CESMA
Mechanical electrical plumbing engineer: ETHIS
Acoustics: IDB
Roads and various networks: Alto Step
Graphist: PEKAK
Client: Communauté de Communes du Pays de Saint Gilles Croix de Vie

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