Getting Wearables Right: Motiv's Smart Ring Should be a Lesson for Product Designers Seeking to Launch a New Product

In the last entry we looked at the Talon gesture control ring, whose public reception will, we feel, be hamstrung by poor presentation. In contrast we think another smart ring we saw at the World’s Fair Nano in San Francisco, called the Motiv Ring, is going to do well for both the value it offers to end users and the clear way the company presents its product; the company’s approach ought be studied by any designer hoping to debut a new product on the market.

What is it?

The titanium Motiv Ring is a fitness, heart rate and sleep tracker ideal for those who’d like to run/swim/spin/do yoga/work out without having to bring their phone along on an armband or wear a smartwatch. The Motiv contains both sensors and two days’ worth of memory, allowing you to leave your device in the locker while you get your sweat on; once the Motiv is back in proximity with your phone, it automatically syncs the data it’s stored via Bluetooth. It’s also meant to be worn overnight as a sleep tracker.

What does it do?

Motiv’s development team has also done a far better job than Talon’s in presenting what the product does and how, precisely, it would fit into your life. In fact, this might be one of the best presentations of a new product we’ve ever seen. First off, the teaser video, so that potential customers can quickly decide whether they’re even interested in the first place:

How do I actually interact with it?

The ring is presented in context along with some snippets of its attendant apps. If the viewer is interested enough to learn more, a better look at the app is presented in short, easy-to-digest snippets. This demonstrates the Activity Detail feature:

Activity Detail from Motiv on Vimeo.

That shows you precisely what data is captured and presented to you, and how you’d interact with it. The following vid shows the Sleep Detail feature:

Sleep Detail from Motiv on Vimeo.

How does it work?

Here’s an explanation of how the company tracks active minutes, as opposed to “empty steps:”

Sizing

Okay, so up to this point, everything looks fine and dandy; but how would you actually get started? First off it’s a ring, and all of us have differently-sized fingers, so how does that work?

The first thing the company does is send customers a sizing kit and have you try the following:

Set-Up

Once your appropriately-sized ring has been delivered, this is how you set the thing up–and note the very clever design of the charger:

I say the design of the charger is clever because being gravity-based, there’s no doubt as to whether your ring has formed a good connection. If the magnets were not engaged, the ring would fall off. Smart.

The Design Approach

That the company has taken all of these steps to present their information is a testament both to their thoroughness, and the fact that they “get it” when it comes to explaining a new and unfamiliar product. Unsurprisingly the design of the ring itself started with a user-focused approach, as explained here by Motiv co-founder Curt von Badinski; he points out that he started with the UX and forced the technology to fit it, rather than the other way around:

The Customer Service

And, if this video is any indication, the company’s customer service appears to go above and beyond:

Thank You Motiv! from Motiv on Vimeo.

The Takeaway

Motiv’s approach really should serve as a lesson to designers seeking to launch a new product. It’s not enough to just have a good idea and overcome the physical challenges of getting it manufactured; you need a team of people working together to think through every aspect of the user experience, from mulling over whether they want to buy it or not, to how they’ll first engage with it, then how they’ll interact with it on a daily basis. My hat’s off to the guys and gals who made this product happen.

Keyboard Geek-Out: Explaining the Tactility of Different Types of Mechanical Keys

Amidst all the techy-tech at the World’s Fair Nano in San Francisco was an unassuming display of an anachronistic, but popular, series of objects: Mechanical keyboards. At Kono Mechanical Keyboards‘ table two self-professed keyboard geeks, one of them Reddit Senior Designer Michael Farrell and the other Kono CEO Andrew Lekashman were, well, geeking out over the pressure, tactility, clicks and materials choices of a variety of keys.

I followed their chat as best I could but it was all g(r)eek to me. However Kono’s design branch, Input Club, has a website with helpful descriptions of the different key types they were raving about:

Tactile Clicky Keyboard Switch

Options: Light, Medium or Heavy Actuation Force

The tactile clicky switch often referred to as the “blue” switch due to the color of the slider makes a click sound as the switch is pressed. Generally this switch has a pronounced tactile bump right before it clicks. Blue Switches have a two-part slider mechanism that produces the loud click.

Tactile Keyboard Switch

Options: Light, Medium or Heavy Actuation Force

Legend has it that the Tactile Quiet or Brown Mechanical switch was developed as a quieter alternative to the Tactile Clicky Blue switch that could be used in corporate workspaces. The primary feature of the Tactile Quiet switch is its tactile bump, which provides this wonderful feeling when you have successfully pressed down a key. There is still a slight noise that is produced, so it is not entirely without audible feedback, but this switch is more about the feeling at your fingertips than anything else.

Linear Keyboard Switch

Options: Light, Medium or Heavy Actuation Force

The linear keyboard switch has been around for a long time. It has no tactile or audible feedback for the user which means that the user has to either bottom the switch out every time to ensure they are past the actuation point or the user needs to learn where the actuation point is over time and become accustomed to it.

Kono’s programmable, customizable offerings–“you can set any key…to do anything you want,” the company writes–include the minimalist Infinity Keyboard

The WhiteFox Mechanical Keyboard, which can be had in DIY kit form;

The K-Type Mechanical Keyboard, which features RGB backlighting; 

And the Infinity ErgoDox Mechanical Keyboard, for those who desire a split unit.

If you’re interested in diving in, you can mess around with Kono’s Keyboard Configurator.

I was also impressed with the case each keyboard comes with; the fabric and the zipper pulls felt high-quality and the case was suitably sturdy.

“I gotta warn you,” Farrell said to me at Kono’s table, “if you get into these things, it’s a real rabbit-hole.”

When a guy who works for Reddit tells you something is a rabbit-hole, you know it’s a rabbit-hole.

Buy: Storm System Royale High Cadet Sneaker

Storm System Royale High Cadet Sneaker


One of Italy’s oldest and most prestigious mills, Loro Piana’s not one to bask in their history. Rather, they continue innovate with technologies like the story system wool that’s now made its way to high-top sneakers. Water-repellant but breathable……

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Road Trip: NYC to Baltimore: We use Silvercar's super-efficient service for a drive down to Charm City

Road Trip: NYC to Baltimore


Spattered with murals, it’s hard to turn a corner in Baltimore without coming face to face with a unique piece of art. The city’s reputation for its off-beat arts scene is evident on almost every block. A short drive out of New York, Charm City hosts……

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Calvin Klein opens Paris HQ with interiors created by Ruby Sterling

Artist Sterling Ruby has designed the paint-splashed interiors of Calvin Klein‘s new Paris headquarters.

Calvin Klein headquarters, Paris

Located in the city’s seventh arrondissement, the Paris HQ will largely be used to display Calvin Klein’s seasonal runway collections.

Chief creative officer Raf Simons tasked artist and longtime collaborator Ruby with the space’s design, asking that he create an “immersive floor-to-ceiling environment”. Structural decisions were charged to US practice Architecture Research Office.

Calvin Klein headquarters, Paris

Ruby has already transformed a handful of spaces for Calvin Klein, including their flagship store on New York’s Madison Avenue where he introduced vivid yellow scaffolding and a host of Americana-themed art pieces.

The 1,400 square-metre space is entered via a “monochromatic yet rich” reception area finished with royal blue upholstered walls and fabric cushions.

Calvin Klein headquarters, Paris

A similar-hue curtain draws back to reveal the main room, which is centred around a dramatic mobile hanging composed of pompoms, drooping lengths of fringe, as well as shiny elements like chrome buckets and engine blocks.

Calvin Klein headquarters, Paris

Pale grey floors and peripheral walls act as a neutral backdrop for a red and blue splattered canvas that covers the columns, balustrade and ceiling of the mezzanine level.

Ruby – who often employs paint splashes in his own works – wanted the patterned surfaces to appear as a “bold monolith” within the space.

Calvin Klein headquarters, Paris

Thin, teardrop-shaped sculptures have also been dotted throughout.

Upstairs, deep blue carpets contrast against chunky, geometric display stands that have been completed in white, green, and bright yellow. The building’s vaulted ceiling that dates back to the 1880s has also been preserved.

Last year Raf Simons teamed up with renowned graphic designer Peter Saville to redesign Calvin Klein’s iconic brand logo, changing the founder’s name to all capital letters to create a subtle but recognisable difference.

Photography is by Elizabeth Felicella.

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IKEA research lab Space 10 develops burgers and hot dogs of the future

A burger containing mealworms and a hot dog made from dried carrots and algae are among the latest futuristic foods developed by Space 10, the research and innovation lab led by IKEA.

Two years after revealing a range of meatballs that might be eaten by future generations, Denmark-based Space 10 has devised a menu of five new dishes that could offer the answer to the predicted global food crisis.

IKEA research lab Space 10 develops the burgers and hot dogs of the future

As well as the unconventional burger and hot dog, the menu – which was presented at a talk during this year’s DesignMarch in Iceland – it includes a salad and an ice cream made from leaves grown in water, plus two new meatball dishes made from surprising ingredients.

“At Space 10, our research is rooted in an important principle – dishes shouldn’t just be healthy or sustainable, they must be delicious too,” explained Space 10, which counts food designer Simon Perez and plant engineer Sebastian Dragelykke among its diverse team.

IKEA research lab Space 10 develops the burgers and hot dogs of the future

“To change people’s minds about food, to inspire them to try new ingredients, we can’t just appeal to the intellect – we have to titillate their taste buds,” they explained. “Which is why we’ve been working with our chef-in-residence to come up with dishes that look good, taste good, and are good for people and planet.”

“It’s time, then, to put some of those dishes on the menu, starting with a playful take on our favourite fast food.”

IKEA research lab Space 10 develops the burgers and hot dogs of the future

The project was first initiated in response to UN research, which predicted that the world’s demand for food will increase by 70 per cent within the next 35 years, and also drew attention to the environmental impact of meat production.

As a result, all of the future foods that Space 10 has developed are made with ingredients that can be cultivated sustainably, or are byproducts of an existing production chain.

IKEA research lab Space 10 develops the burgers and hot dogs of the future

The Dogless Hotdog contains a vegetarian sausage, made with baby carrots that have been dried and glazed. Its bun is made from spirulina – a micro-algae that the team claims “contains more beta-carotene than carrots, more chlorophyll than wheatgrass, and 50 times more iron than spinach”.

Other ingredients include a ketchup made from beets and berries, a cream made from mustard and turmeric, roasted onions, cucumber and a herb salad.

IKEA research lab Space 10 develops the burgers and hot dogs of the future

The Bug Burger contains a patty made beetroot, parsnip, potatoes and mealworms, which are the larvae of the common darkling beetle. According to the designers, it is a bigger version of the Crispy Bug Ball meatball.

IKEA research lab Space 10 develops the burgers and hot dogs of the future

The two new meatball dishes, called The Neatball, are designed to attract both meat-lovers and vegetarians. The first contains balls made from mealworms, while the second is prepared from a selection of root vegetables.

IKEA research lab Space 10 develops the burgers and hot dogs of the future

The salad on the menu, called Lokal Salad, is made from microgreens – tiny sprout-like crops with a short shelf life, which Space 10 has been researching for a while now, and has showcased at various design events.

These microgreens are typically used to garnish food, but Space10 discovered that the root, seed and shoot of these tiny plants are packed full of nutrition, and they can easily be cultivated at home.

IKEA research lab Space 10 develops the burgers and hot dogs of the future

The Lokal salad comes in three varieties: pink-stem radish, pea sprouts and thyme; broccoli, red-veined sorrel and tarragon; and borage, red frill mustard and lemon balm. Each is served with croutons made from day-old bread and a dressing made from tarragon, lemon balm or basil.

IKEA research lab Space 10 develops the burgers and hot dogs of the future

The final addition to the menu is the selection of ice creams, all made from microgreens. Choices include coriander, fennel, basil and mint. There’s also an ice lolly option, made from herbs including coriander, woodruff, sorrel and Spanish chervil.

IKEA research lab Space 10 develops the burgers and hot dogs of the future

IKEA launched the Space 10 lab at the end of 2015, to explore ideas that might influence the homes of the future.

The team operates out of a research hub in Copenhagen, and has produced a range of innovative ideas, including a four-metre-high bioreactor dome for growing microalgae.

It is their food products that have caused the biggest stir so far, however, IKEA customers won’t have the chance to test the results anytime soon. According to communications director Simon Caspersen, there are currently no plans to put these dishes on the menus instore.

DesignMarch ran from 15 to 18 March 2018. Dezeen is media partners for the event, which takes place annually in Reykjavík, Iceland.

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Philips Lighting announces move into LiFi

Philips Lighting, the world’s largest lighting company, has announced its move into the emerging technology of LiFi – LEDs that can transmit broadband.

The Dutch lighting giant has become the first major manufacturer to offer the new technology, which allows light waves to be used to transmit broadband from LEDs to computers and tablets.

“As the lighting company for the Internet of Things, Philips Lighting is the first global lighting company to offer LiFi-enabled luminaires from its existing office lighting portfolio,” said a statement from the company.

LiFi is a way of transmitting data that using light waves instead of the radio waves used by Wi-Fi. The technology was developed at the University of Edinburgh and introduced to the world by Professor Harald Haas in a TED Talk in 2011.

The first commercial LiFi system was unveiled in 2014, but the technology has yet to move into the mainstream.

LiFi has “enormous potential”

The technology will reportedly allow data to be transferred at rates up to 100 times faster than Wi-Fi, as the light spectrum is 10,000 times larger than the spectrum used for radio waves.

“LiFi has enormous potential for today’s digital age and, as the world’s leading lighting company, we are proud to pioneer new and innovative services for our customers,” said Olivia Qiu, chief innovation officer at Philips Lighting.

“While radio frequencies are becoming congested, the visible light spectrum is an untapped resource with a large bandwidth suitable for the stable simultaneous connection of a vast array of Internet of Things devices,” she added.

LiFi can transmit large amounts of data using the visible light spectrum

Philips Lighting’s LiFi-enabled LEDs can transmit data at rates of 30 megabytes per second between the LEDs and a LiFi-enabled dongle attached to a computer of tablet.

“Each luminaire is equipped with a built-in modem that modulates the light at speeds imperceptible to the human eye,” said the statement from Philips Lighting. “The light is detected by a LiFi USB key/dongle plugged into the socket of a laptop or tablet. The LiFi USB dongle returns data to the luminaire through an infrared link.

Trial taking place in French office 

Philips Lighting’s LiFi-enabled LEDs are currently being installed in real-estate company Icade‘s office in La Defense, Paris.

Emmanuelle Baboulin, head of the company’s commercial property investment division said: “LiFi has the potential to be a real game changer in offices. As the leader in our market we wanted to explore the possibilities of this technology for existing and future clients.”

“We plan to showcase the technology in our smart office in La Defense, so aside from stable connectivity, light quality is crucial to us,” he added.

Philips Lighting has been pushing the potential of LEDs for some time. The company recently installed a system of LED lights at an office in Prague, which can give people a caffeine-like energy boost.

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WOJR envisions highly sculptural House of Horns for northern California

American studio WOJR has conceived a distinctive dwelling that aims to “undermine the faux formalities” of a Spanish-style residence that was intended for the site in Silicon Valley.

The House of Horns is envisioned for a hillside property in the city of Los Altos, and would be built atop the existing foundations of a Mission-style home that was planned for the property.

House of Horns by WOJR

“The design enfolds an existing foundation that was intended to be the foundation for an elaborate ‘Spanish style’ home,” said WOJR, a studio based in Cambridge, Massachusetts.

“Our intention is to aim to undermine the faux formalities of the previous version of the design (designed by another architect) in favour of a new form of coherence that synthesises the particularities of the foundation with a new set of ordering principles.”

House of Horns by WOJR

Wrapped in dark cladding and vast stretches of glass, the two-storey dwelling would encompass 8,500 square feet (790 square metres). While its plan is rectilinear, its form is highly sculptural.

Highly realistic renderings show a dramatic roof that dips and swoops upward – like ramps in a skate park – forming a series of protrusions that serve as apertures. Oriented in varying directions, the apertures capture and usher in natural light at different times of the day.

House of Horns by WOJR

“House of Horns acts as an instrument to register the cycles of the day through six ‘horns’ or differently oriented skylights and clerestories,” the studio described.

Four of the protrusions would rise about the main living space, enabling the home’s occupants “to discover the variable lighting conditions that the horns provide”. The two remaining protrusions would be situated above hallways flanking the main space, mirroring each other across the long axis.

House of Horns by WOJR

Inside, the home would feature concrete flooring, floating marble partitions, and curved ceilings sheathed in blonde wood. Situated in the centre of the dwelling, the public zone would be open in plan and intended to be highly flexible – an area that provides for “a more nomadic appropriation of space” than is found in a typical residence.

House of Horns by WOJR

The living room would be fitted with an eclectic collection of chairs and small tables, which sit atop tan rugs. Light grey cabinetry and a large window define the kitchen.

The lower level would be embedded in the sloped site. An exterior rendering shows windows encircled by curvilinear concrete frames, giving these entry points a cave-like appearance.

House of Horns by WOJR

“The curved openings are the rims of concrete retaining walls that create three different types of exterior courtyards with access from the lower level,” the studio described.

The team is currently securing permits for the project, with construction scheduled to begin this summer.

House of Horns by WOJR

WOJR was founded by William O’Brien Junior, a Harvard architecture graduate and a professor at MIT. The studio aims to engage the realms of art and architecture, as evidenced in projects such as a forest cabin designed for a grieving man.

Visualisations are by WOJR and D-Render.

Project credits:

Design architect: WOJR
Architect team: William O’Brien Jr, John David Todd, James Murray, Lindsey Krug, Marianna Gonzalez
Architect of record: Para Project (Jon Lott)
Contractor: Jared’s Custom Homes (Jared Wilcox)
Structural engineer: Ficcadenti Waggoner and Castle Structural Engineers
Lighting consultant: O– LLC Lighting Design
HVAC, plumbing, environmental: Monterey Energy Group
Civil: Romig Engineers

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Creating a minimalist workspace — from Zen Habits

We are delighted to have Leo Babauta of Zen Habits as a guest columnist today. Please give him a warm welcome and check out his awe-inspiring website afterward.

How minimalist is your workspace? An uncluttered workspace is a thing of beauty.

I write a lot about minimalism on Zen Habits, including guides to creating a minimalist home, minimalist housework, and beating clutter entropy.

On Unclutterer, my favorite feature is the Workspace of the Week, with its cool setups.

Today, I thought I’d share my pretty minimalist workspace, and share some thoughts on how to go about creating one of your own.

What’s a minimalist workspace?

That question will have different answers for each person. There can be no single definition. The ultimate minimalist workspace, I think, would be to have no desk or papers or computer or anything of the kind — just yourself. You’d think, and talk, and maybe sit on the floor.
Of course, that won’t work for most of us, so it’s more useful to look at our minimum requirements, and focus on creating a workspace that addresses these essentials and nothing more.

So the first step is for you to consider your requirements for working, and what’s essential to your workflow. If possible, streamline and simplify that workflow and those requirements. Then, once you’ve got that down to a minimum, see what the minimum setup would be for those essentials and your workflow. Eliminate everything unnecessary.

What are your requirements?

It’s interesting to note that what you think your requirements are might not be the minimum. They might just be what you’re used to doing.

Taking myself as an example: I used to work with tons of paper, files, sticky notes, and all the usual office tools (pens, pencils, notebooks, pads, stapler, hole puncher, whiteout, calendar, personal organizer, etc.). But then I realized that it’s possible to work without paper, and I’ve eliminated the need for all that stuff. In fact, as I’ve eliminated paper, I’ve eliminated the need for drawers.

Now, you might not have that luxury, and I’m not saying you need to go that extreme. Your needs may be different than mine — but the point is to see if it’s possible to change the way you work, so that you still get the essentials done, without all the same requirements. It’s worth some thought at least — and if you make changes, as I did, you might find that changing things in small increments is better. I didn’t do away with paper altogether. I did it in steps, eliminating different needs for paper one at a time.

My Minimalist Setup

Basically, I have an iMac and a table. No need for papers, files, drawers, other tools.

I work from home these days, and I do everything online. I do have a phone (elsewhere in my house, so it doesn’t disturb me) and a cell phone (also elsewhere), but I don’t have a PDA, an iPod, a printer (though my wife has ordered one for her needs), a scanner, a fax machine, or anything like that. I don’t print anything and I don’t use fax (an outdated technology).

On my computer, I mostly just use Firefox, as I do nearly everything online. I also use text programs for writing (TextEdit, WriteRoom mostly) and a couple other utilities such as CyberDuck for uploading files, Quicksilver for everything, and GIMP for photo editing.

All my organizing needs are taken care of on the computer: Address Book, Gmail, text files for to-do lists and errands and ideas and projects, Gcal for scheduling.

Tips for Creating Your Own Minimalist Workspace

You won’t need to have my setup, but once you’ve determined your minimum needs, here are some tips for making your workspace as minimalist as possible. Not all tips will work for you, so pick and choose which ones will work best for your workflow.

  1. Have one inbox. If paper is a part of your life, keep an inbox tray on top of your desk and make sure ALL papers, including phone messages and sticky notes, go into this tray. You might have to train your co-workers if they’re not already used to this. Don’t leave papers scattered all over your desk, unless you’re actually working on them at this moment. You might also have a “working file” folder for papers you’re working on but not at this moment, but put this working file in a drawer, so that it’s out of the way. Clear out your inbox each day — nothing should go back in there after you process them. It’s not a storage bin, but an inbox. Read more on clearing your inbox.
  2. Clear your desktop. Aside from your computer, your inbox tray, your phone, and maybe a nice photo of a loved one, there should be nothing on top of your desk. No papers (again, unless you’re working on them), no notes, no stapler or pens or other junk. Clear as much of it off as humanly possible. If you want to include a couple other essentials, you should, but be sure they absolutely must be there. Keep it as clear as possible, as a clear desk is a relaxing workspace.
  3. Get rid of knick-knacks. This goes with the above item, but many people don’t even think about all the little trinkets they have on top of their desk. They’re usually unnecessary. Toss ’em!
  4. Clear the walls. Many people have all kinds of stuff posted on their walls. It creates visual clutter. Get them off your walls. If it’s a reference guide, put it on your computer and set up a hotkey so you can call the guide up with a keystroke when needed.
  5. Clear your computer desktop. Many people also have tons of icons on their computer desktop. It’s the same principle as a real desktop — clear it of everything unnecessary, so you can have a nice simple workspace. Keeping icons on your desktop is usually inefficient. It’s hard to find them among a jumble of files. If they’re necessary to open many times a day, file them away and use a hotkey to call them up. Quicksilver for Mac or Autohotkey for Windows are my favorite programs for this.
  6. Re-examine your paper needs. I started doing this a little over a year ago, and one by one, I realized I could eliminate my different needs for paper. I stopped printing stuff out to read (duh!) and just kept it on the computer. Yeah, that’s obvious. I also stopped keeping paper copies of files I had on the computer, as they just took up more space. Also fairly obvious, perhaps. I also asked people to stop faxing me stuff, and to email it instead. That should be obvious, but I think a lot of people ignore this step. I also asked people to stop sending me paper memos, and use email instead. Stop circulating documents by paper. I stopped bills and notices coming in by paper that I could get online. I stopped catalogs and newsletters coming in by mail. I still get some mail, but for the most part I toss it. You might not be able to eliminate paper, but you can probably reduce it.
  7. Eliminate unnecessary tools. Think about each tool you have in your desk, in your work area, and even in your office. Do you need a stapler and hole puncher? Do you need all those pens? Do you really need a fax machine? Or a scanner? You might not have control over all these types of tools, but if you do, eliminate the ones you don’t really need, maybe one at a time.
  8. Simplify your filing. As mentioned above, it’s unnecessary to keep paper copies of files you have on your computer or can access online. Back stuff up online if you’re worried about losing them. Having stuff digitally makes them searchable, which is much better than filing. Just archive, and search when necessary. If you do need paper files, keep them alphabetically and file immediately, so that you don’t have a huge “to be filed” pile. Once every few months, weed out unnecessary files.
  9. Go through each drawer. One drawer at a time, take out all the contents and eliminate everything you don’t need. It’s much nicer to use drawers if you can open them and see order. Have a designated spot for each item and make sure to put those items back in that spot immediately, every time.
  10. Use a minimalisk desk. As mentioned above, I just use a table, as I don’t need drawers. While you might not want to go to that extreme, you can find desks without too many drawers or contraptions or designs. Simple as possible is best.
  11. Clear the floor. There should be nothing on your floor but your desk and chair. No files, no boxes. Keep it clear!

 

This post has been updated since its original publication in 2008.

Post written by Erin Doland

Sudski, Bath & Shower Beer Holder

Shower and needing a beer. Sticks to any slick surface like glass, mirror, marble, glazed shower tile or laminate and easily removes without leaving residue behind. Perfect for holding ice cold cans of seltzer + soda, too. [ Amazon link ]..(Read…)