Uncluttering and supporting veterans

A few years ago, we talked about organizing and donating military memorabilia. This year, in honour of Remembrance Day, we’d like to discuss a few other ways you can unclutter and support the proud veterans that have served their country.

Cell Phones for Soldiers accepts ALL makes, models, and conditions of cell phones and smart phones including new, used, broken, or cracked.

You can donate an RV, boat, motorcycle, or other vehicle to Wounded Warriors Canada.The vehicle will either be recycled or sold at auction depending on its condition and location. The funds go directly to Wounded Warriors Canada and the donor is provided a tax receipt. In the U.S., Vehicles for Veterans offers a similar program.

Vietnam Veterans of America (VVA) will pick up used clothes and household goods at your convenience and use them to support veterans’ programs. Simply visit their website to schedule a pick-up.

Unclutter all those hotel and travel points you collected and will likely never use before they expire. Donate the points to support veterans! In the United States, Fisher House Hero Miles Program provides round-trip airline tickets to service members (and their families) who are undergoing treatment at a military or VA medical center. They also accept points from various hotel chains. In Canada, the Veterans Transition Network can use your Aeroplan miles help veterans in remote areas get to the services they need.

We have recently learned that the U.S. Military Combat Camera History & Stories Museum is in the process of collecting donations of items such as paintings, drawings, film and still cameras, and video cameras from combat camera soldiers of the United States and NATO countries. If you have these items to unclutter, please connect with them.

If you’re busy uncluttering this weekend, please take a silent two minute break and remember those who served. Je me souviens.

Post written by Jacki Hollywood Brown

Cards that can unlock your freedom

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I quite like MasterCard’s slogan. It goes “There are some things money can’t buy, for everything else, there’s MasterCard”. It’s really nice, but allow me to make a tiny change, because there’s a new type of card that can buy you freedom to a decent degree. If MasterCard’s cards are for finance, Readyman’s cards are for survival. Readyman’s survival kit comprises 3-4 cards that can literally fit into your wallet. When you need them, the cards can transform into life-saving tools, handy in situations ranging from being lost in the wild, to being taken hostage, to even medical emergencies.

Readyman’s cards are made in 301 Stainless Steel and come broadly in four kinds. A medical card comes with all first-aid tools, ranging from tweezers to bandage clips. The hostage card comes with a set of lock-picks that allows you to get out of a hostage situation. The wilderness card comes with basic hunting tools like fish-hooks and arrow-heads, and lastly, the AR-15 cleaning card allows you to clean and maintain your firearms.

Designer: Readyman

BUY NOW

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Infinity Mirror Rooms and Dreamy Installation by Yayoï Kusama

La galerie new-yorkaise David Zwirner célèbre le travail de l’artiste japonaise Yayoï Kusama. L’exposition baptisée “Festival of life”, se présente comme un parcours multisensoriel et immersif qui brouille les repères visuels des visiteurs curieux, pour leur plus grand plaisir. En effet, les deux salles dans lesquelles des sphères argentées se reflètent à l’infini ou bien des motifs lumineux multicolores clignotent à la surface de dizaines de miroirs suffisent à elles-seules à plonger le public dans un songe éveillé tandis que les gigantesques tulipes qui trônent au milieu de l’autre pièce aux murs blancs, tapissés de pois rouges, transportent les visiteurs dans un univers où la notion de perspective a disparu au profit de l’illusion.







What Are These Perfect Circles Across The American Landscape, And How Are They Created?

Flying across America provides a bird’s eye view of how we humans have decided to cut the land up. In regions where we’ve completely mastered the topography, you’ll see completely unnatural-looking, perfect grids like this, punctuated with perfect circles:

So what the heck are those, and how/why are they created? Here’s the 30-second answer:

That’s a snippet from this five-minute-plus video on why certain parts of America look very different from the air, depending on which colonial master first took control of which region. It’s worth a watch if you’ve got the time.

An Impressive Build: Watch This Designer Create This Curved Bench from Scratch

If you were shown a sketch of a design like this, to be made from solid wood, how would you make it?

Consider that the radii of the slats are concentric, so that they cannot be separately laminated from a single mold. Well, the Croatia-based designer/builder (the chap behind the Lignum YouTube channel) has clearly thought this through carefully. Watch his efficient build process, which includes a glue-up process that makes you go “Ah, of course you’d do it that way:”

Ruvan Wijesooriya: Explore the Expansion of Space: The talented photographer takes a meditative approach to a series of abstract images shot around the Yucatán Peninsula

Ruvan Wijesooriya: Explore the Expansion of Space


If Mick Rock is the “the man who shot the ’70s,” consider Ruvan Wijesooriya the photographer who snapped the aughts. You might know him as the official lensman behind the book “LCD” or the guy who captures fashion editorials for major magazines, but……

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Carmody Groarke unveils plans for art centre at Sheffield's Park Hill estate

Park Hill estate is to receive a new Carmody Groarke-designed art gallery and suite of studios, as part of the redevelopment of the brutalist housing scheme built in 1961.

Carmody Groarke‘s plans for the Park Hill Art Space will see the conversion of a 7,200-square-metre block at the Grade II*-listed Park Hill estate into live/work artists’ studios and a purpose-built gallery.

The art centre will also provide space for a research institute, heritage archive, learning spaces, an auditorium, workshops, a cafe and shop. A 2.5-hectare sculpture park will also adjoin the space.

The London studio founded by Andy Groarke and Kevin Carmody saw off competition from five other high-profile practices vying for the project: Caruso St John, 6a Architects, Architecture 00, David Kohn Architects and Dow Jones Architects.

The competition was launched by S1 Artspace, an arts organisation based at Park Hill estate.

“Making S1 Artspace an integral part of the future of Park Hill will be hugely important for the growth of the arts and the cultural economy of Sheffield, and will safeguard the listed buildings’ future with creative transformation,” said Carmody Groarke co-founder Andy Groarke.

“The brutalist concrete frame of the existing building will be pared back and carefully refurbished to enable the largest, most flexible spaces for the production of art,” said the studio. “Public realm at ground floor level will clarify new public routes connecting Park Hill to the city centre and make legible entrances and public spaces within the arts venue.”

Carmody Groarke was selected by a panel that included the organisation’s artistic director Louise Hutchinson, and Jonathan Falkingham, the creative director of Urban Splash – the property developer behind the estate’s current regeneration.

“We are delighted to be working with Carmody Groarke to transform our vision for Park Hill Art Space into a design that we hope will capture the imagination of audiences both locally and nationally,” said Hutchinson.

Urban Splash is currently working with the architectural practice Mikhail Riches on the second wave of development at the estate, which will see modern homes inserted within its famous exposed concrete structure.

This first stage of the estate’s renovation was overseen by architects HawkinsBrown and urban designers Studio Egret West, and completed in 2013.

The 1,000-apartment estate was originally designed by Sheffield council architects Ivor Smith and Jack Lynn to house families relocated as part of Sheffield’s post-war slum clearances.

Whole neighbourhoods were stacked vertically in the estate’s “streets in the sky” – broad access decks that aimed to recreate the social atmosphere of terraced streets above ground.

But by the 1980s, council neglect and design flaws saw Park Hill labelled a “sink estate” in need of redevelopment.

The post Carmody Groarke unveils plans for art centre at Sheffield’s Park Hill estate appeared first on Dezeen.

Checa Romero Architects "makes the most" of small brick house by extending in every direction

Architect Curro Checa Romero has refurbished and extended a 1980s house in east London, more than doubling its interior dimensions and creating a series of light-filled spaces with an improved connection to the rear garden.

The Grim House by Checa Romero Architects

The Grim House was named for architect Checa Romero‘s partner, Deborah Grim, who bought it over three years ago and had planned a loft conversion to add to the original 55 square metres of floor space.

The architect convinced her that further extensions would be needed to accommodate their growing family (the couple has had three daughters since work commenced) and set about extending to the front, side and rear of the building, as well as into the loft and basement.

The Grim House by Checa Romero Architects

“From being a small loft conversion, it became a much larger project in terms of scale and timeline,” Checa Romero told Dezeen. “By extending in all directions we really managed to make the most of what was a very small house.”

The architect said the name of the house also references “the grim brick and dark wooden box you see from the outside, which transforms into a white space flooded with light when you enter.”

The Grim House by Checa Romero Architects

The property located just east of Brick Lane in the Spitalfields area of London is positioned on the end of an bland brick terrace and originally had a side passage connecting the small gardens to the front and rear.

Working within the permitted development rights, the side passage was incorporated into the building and the additional extensions bring the total floor area to around 135 square metres.

The Grim House by Checa Romero Architects

The house’s standard two-up, two-down arrangement meant that the front door opened into a cramped hallway with the combined dining area and kitchen positioned facing the road outside.

Checa Romero removed all of the internal walls and reconfigured the interior so the entrance is now where the side passage used to be and the staircase is rotated 90 degrees.

The Grim House by Checa Romero Architects

Opening the front door now provides a view straight along a spine corridor that leads to the rear garden. The extended kitchen and dining space, which opens onto the sheltered outdoor patio, are situated behind the staircase and a core containing a washroom.

The Grim House by Checa Romero Architects

“In a typical Victorian house you are confronted with the staircase, whereas here you actually come into a room and you have to find the staircase after,” said the architect.

“Moving the kitchen to the rear offers the advantages of being south-facing and we incorporated four different doors to the garden room so you can open it up in different ways throughout the day.”

The Grim House by Checa Romero Architects

The single-storey rear extension is clad in pre-weathered steel, which Checa Romero fabricated in his own workshop. He also built a pergola, barbecue, dining table and a water feature that transform the compact urban garden into a functional extension of the building.

To provide access for the digger used to excavate the new foundations, part of the front facade was removed and replaced with a box clad in vertical strips of timber.

The Grim House by Checa Romero Architects

The new facade contains an additional entrance to a dedicated studio or guest room that can be opened up to the rest of the interior or partitioned using a hinged wall. Other sections of the wooden box also fold back to allow natural light to flood into this space.

Throughout the building, a great deal of care was taken over the connections between surfaces and materials to ensure the interior feels seamless and spacious.

The Grim House by Checa Romero Architects

“Every element is independent and exposed so you see how things are put together or what is happening behind when you open doors, drawers or cupboards,” said Checa Romero.

“Because the house is so small we tried to make it feel bigger by playing with details and ensuring there are no barriers or obstructions.”

The Grim House by Checa Romero Architects

Storage incorporated into many of the walls helps to keep clutter out of sight and optimises the use of these partitions so the floor space can be left as open as possible.

The Grim House by Checa Romero Architects

A cast concrete stair leads down to a multipurpose room in the basement which can be used as a lounge, a playroom, or a space to entertain guests. The stair cantilevers from the floor above and hovers over a final step made from a steel offcut.

Natural light pours into the building through a series of skylights and large windows, and is distributed all the way down to the basement level through vertical light wells.

The Grim House by Checa Romero Architects

A large opening incorporated into the new wall of the loft extension provides a view of the garden and the City of London beyond from the master bedroom. The view of the city skyline can also be enjoyed from the roof of the three-metre-tall extension.

Photography is by ValoStudio.

The post Checa Romero Architects “makes the most” of small brick house by extending in every direction appeared first on Dezeen.

The Ultimate Chill Chair

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Cozy up with the Cole chair! Designed to put you in your own little cocoon of comfort, its built-in blanket “wings” will envelop you in a warm, soft, snuggly way. Perfect for anything from napping to watching a movie or reading a book! When it’s too warm to cover up, just leave the sides down for a cool, casual look with contrasting colors.

Designer: Kseniya Alferova

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Symmetrical and Surreal Budapest Buildings

Zsolt Hlinka est un photographe fasciné par les formes géométriques qui se dessinent dans les paysages urbains. Dans cette série intitulée ”Corner Symmetry”, il explore l’architecture de Budapest et se poste à l’angle des immeubles pour rendre compte de l’élégance de la capitale hongroise. Mais il ne se contente pas de célébrer sa ville natale à travers ses photos ; en effet il distille habilement dans ses oeuvres une pointe d’onirisme en donnant à voir au public des bâtiments parfaitement symétriques et en invitant le spectateur à l’évasion grâce aux couleurs avec lesquelles il confère au ciel de la métropole une atmosphère surréaliste.