Vincent Dubourg's Vortex aluminium furniture goes on show in New York

French artist Vincent Dubourg‘s metallic furniture pieces that appear to be frozen midway through exploding are being exhibited at Carpenters Workshop Gallery in New York City.

Vincent Dubourg at Carpenters Workshop Gallery NYC

For the artist’s first solo show in the US, Vortex, four new pieces will be presented alongside four older works across the Midtown Manhattan gallery’s two floors.

They include an addition to his Inner Vortex series, first created in 2013, which features items that look as if they are being sucked into a vortex – a mass of whirling fluid or air.

Vincent Dubourg at Carpenters Workshop Gallery NYC

A buffet version joins two other cabinets, all with squares of aluminium arranged like they are flying off the furniture but held frozen in time.

Dubourg, who frequently works with metal to create deconstructed furniture, described the natural process that informed the designs.

Vincent Dubourg at Carpenters Workshop Gallery NYC

“A vortex whirls in a circular motion, it forms a vacuum, and embodies subjects to its action,” he said. “In water it swirls but what happens beneath the water’s surface is hidden until it resurfaces elsewhere. If it explodes then it reconstructs, and what is absorbed into it is taken to another place.”

Vincent Dubourg at Carpenters Workshop Gallery NYC

Also in the exhibition are items from Dubourg’s 2017 Gaïa Imprint series, named Matsendra, Uttara and Veda.

Each is formed in the artist’s workshop in Creuse, central France, where he gradually embosses melted aluminium. Once the metal is set and hammered out, it forms uneven sheets that evoke the earth’s crust, and are used to create legs and tops for low tables.

Vincent Dubourg at Carpenters Workshop Gallery NYC

“When the metal froze in contact with the air, small reliefs appeared that the light enhanced; the surface is precious and seems unstable,” said a statement from the gallery. “This astonishing magma that simultaneously expanded and was hammered out is as indiscernible as water.”

Vincent Dubourg at Carpenters Workshop Gallery NYC

The Matsyendra table features thick, stubby dark legs patterned by the hammering. Veda features a grid-like top, made up of square metal tiles, while the Uttara coffee table comprises two sheets of metal that peel apart from one another.

Vincent Dubourg at Carpenters Workshop Gallery NYC

Carpenters Workshop Gallery represents a variety of contemporary artists whose work spans the fields of art and design. The gallery was founded in 2006 by childhood friends Julien Lombrail and Loïc Le Gaillard, and was first based in London and Paris, before expanding to New York City in 2015.

Vincent Dubourg at Carpenters Workshop Gallery NYC

Dubourg showcased another series of metal furniture at the London outpost in 2008, which included bronze tables and chairs with indentations of circles and rectangles, and decorations of wispy metal branches.

Vincent Dubourg at Carpenters Workshop Gallery NYC

His sculptural furniture pieces are influenced and the perception of time. “For more than fifteen years, Vincent Dubourg has dealt with form and metamorphosis,” said the gallery.

The Vortex exhibition will be on display from 2 November to 23 December 2017 at Carpenters Workshop Gallery New York, 693 Fifth Avenue.

The post Vincent Dubourg’s Vortex aluminium furniture goes on show in New York appeared first on Dezeen.

Mirrored panels and stripy tiles cover walls of Spanish school by ABLM Arquitectos

Spanish studio ABLM Arquitectos used mirrored panels to create an “almost invisible” upper floor for this school in the city of Salamanca, but the lower storey covered in stripes of brightly coloured tiling.

Almost Invisible House

The locally based architects designed the 2,600-square-metre building for a neighbourhood on the outskirts of the city in north-west Spain, which is transforming into an increasingly industrial area.

Almost Invisible House

While the upper storey of the school is clad in mirrored panels of composite aluminium to reflect the surroundings and visually reduce the scale of the building, a facade clad in brightly coloured ceramics surrounds the playgrounds at ground level.

The underside of canopy that extends out to shelter the entrance is covered in the same mirrored cladding, reflecting the tiled pattern onto the ceiling.

Almost Invisible House

“In the metropolitan area of ​​the city of Salamanca, the municipality of Villares de la Reina stands out for its transformation during the last decades as it has one of the industrial estates of the city,” explained architects Arturo Blanco and Laura Martínez.

“The changes have partly disfigured the scale and transformed the material landscape conditions.”

Almost Invisible House

“The almost invisible school proposes a reflection on the domestic scale of this kind of infrastructures, where the little ones must find spaces that they can catch, and places with which they can dream,” they continued.

Almost Invisible House

The seven tile colours chosen by Spanish ceramicist Toni Cumella – ranging from pink to maroon and green – are intended to symbolise the individuality of every boy and girl attending the school.

Almost Invisible House

Inside, translucent walls and pale flooring is offset by areas of strong turquoise and red wall panelling.


Project credits:

Architects: ABLM Arquitectos (Arturo Blanco, Laura Martínez)
Collaborators: Sergio Azofra, Verónica Fernández, Inés Gutiérrez, Isaac Bachiller, Nacho Alonso
Client: Junta de Castilla y León. Consejería de Educación
Quantity surveyor: Ángel García
Structure: Jacinto de la Riva
Mechanical enginering: Fernando Aguado, Miguel Ángel Sanz
Contractor: Gómez Crespo Obras y Servicios

The post Mirrored panels and stripy tiles cover walls of Spanish school by ABLM Arquitectos appeared first on Dezeen.

Easily save and sort Gmail with G-Save

This is no surprise, but Unclutterer readers are a productive, clever bunch. Recently, a reader wrote in with a project that further reinforced this fact. Kate shared a great Google Chrome extension that she and some co-workers created called “G-Save,” which makes the company’s Gmail service just a little more pleasant to use.

Google Chrome Extensions are “…small software programs that can modify and enhance the functionality of the Chrome browser.” Chrome extensions often make a certain website or service easier to use, by adding additional or alternate functionality, etc. There are many extensions available across multiple categories, including productivity-enhancing gems like Papier, which lets you quickly jot down notes and random thoughts, and Taco, which lets you easily enter tasks and other information into the project managers Wunderlist, Evernote, Asana, Basecamp and Trello.

Installation

Kate’s G-Save has a sharper focus. Specifically, it lets you quickly and easily save emails and their attachments to some location outside of you email client, like Google Drive, Drop Box, Outlook…really anywhere you what.

Setup is so minimal it’s barely worth a mention. First, open the Chrome browser on your computer and navigate to G-Save’s home. Next, click the “Add to Chrome” button in the upper-right. You’ll get a confirmation window. Click “Add extension.” That’s it. You’re done. A small, red Gmail icon appears on the right-hand side of your browser’s toolbar.

G-Save is platform-agnostic, so it doesn’t care if you’re using a PC or a Mac. Here’s how to use it.

Use

With installation complete, it’s time to try this out. Open Gmail in Chrome and you’ll see a new button labeled “Save Email” beneath the familiar “Compose” button. To save a message, simply select it in the list and then click Save Email. The message and any attachments it contains are saved in a universal EML file, with any email client can read.

This appealed to me because I’m a huge opponent of using your email client as a filing cabinet/to-do list. G-Save lets you move messages out of Gmail and into relevant folders, be they for a project, reference storage and so on.

When a new email message arrives, you must ask yourself, “What is this?” It sounds silly but it’s crucial. There are three possible answers:

  1. It’s garbage
  2. It’s something I need to do
  3. It’s something I might refer to later

That’s it. Every message you will ever receive will fall into these three categories.

The first one is simple. Spam, advertising you aren’t interested in, messages from old mailing lists you’ve lost interest in, etc. It’s all in the garbage category, so trash it — immediately.

The next category is the action category. These messages require someone — typically you — to do something. For instance, “Call Jane about the committee meeting,” “Forward the presentation to Frank,” or “Ask Faith about the camping trip next week.” Once you’ve identified what the required action is, make note of it in the appropriate place (on your to-do list or calendar) and then delete the message. Unless your company requires you to retain your email for legal reasons, then move it to an archive folder.

The final category is reference material. These messages do not require action, but they do hold information that could be useful someday. Identify what that information is, (sewing patterns, recipes, etc.) store it in the appropriate place and then delete the email. Yes, delete it. G-Save makes this simple.

Do what must be done

This step is a biggie. Just as you don’t pull a hot turkey out of the oven without first knowing where you’re going to set it down, you should’t delete that email message until you’ve identified a trusted place to put its important information. This is what David Allen calls a “trusted system.” Essentially, it’s an obvious, reliable stake in the ground that holds your information.

Congratulations to Kate and her colleagues for creating such a useful tool. Thanks for sharing and I hope you, dear reader, find a place for G-Save on your computer, too. I know it’s on mine.

Post written by David Caolo

YOU are the artpiece!

As I walked into the Hangar Exhibition Space at the Amman Design Week, I noticed a crowd right near one of the spaces at the entrance. People had their phones out, and were filming this person gracefully painting with her body movements. The FLUX, as Andrei the creator likes to call it, captures your movement, and essentially your spirit.

Architect turned maverick coder and kickass installation maker, Andrei spent six months learning how to make his installation in code. Then all it took was a Microsoft Kinect, a projector, and a blank screen to weave sheer magic. When you stand in front of FLUX, nothing happens… until you begin moving. The Kinect captures the moving parts of your body, assigning particles to it that get translated into streaks of light and color in real time. People spent endless hours in front of FLUX, trying to trick it, to see what movement resulted in what visual. The FLUX aside from making you a part of the creative process, also gets you to move with a certain free spirit (much like dancing like no one’s watching). I’d trade in my morning jog for an hour in front of the FLUX any day!

Design: Andrei Visuals

_LAA0361

flux_andrei_visuals_1

flux_andrei_visuals_2

flux_andrei_visuals_3

flux_andrei_visuals_4

flux_andrei_visuals_5

flux_andrei_visuals_6

flux_andrei_visuals_7

flux_andrei_visuals_8

flux_andrei_visuals_9

flux_andrei_visuals_10

flux_andrei_visuals_11

flux_andrei_visuals_12

flux_andrei_visuals_13

flux_andrei_visuals_14

Elevate your Amazon Echo Dot

If you’ve got an Amazon Echo Dot lying around the house you know exactly how good it is as an AI butler but how lackluster it is in the music department. Back in the day when the Echo retailed for $150, and the Dot for just a mere $50, the guys at Ninety7 decided to one-up the Dot with a supersuit of its own. In comes the Vaux, a one-of-a-kind accessory for the Amazon Dot (Gen 2). Designed to retain what it does best and add to it some serious audio chops, the Vaux was made to fit an Echo Dot (Gen 2) exactly into it. What the Vaux is, is a wireless speaker unit made specifically for the Dot. With a small cavity on the top to nestle the Dot into, the Vaux aims at giving the Dot the one very thing it lacks, and allowing it to become an Amazon Echo… think of it as the Mushroom from Super Mario!

The Vaux retains every bit of the Dot’s features and allows it to perform as a pretty good speaker too. Just connect the power supply and audio jack into it and the tiny Dot becomes a large, powerful AI Speaker system that you can not only talk to, but also play music out of. Plus, with a battery of its own, the Vaux is just as wireless as the Echo it tries to be! (Plus at the same price as the Dot itself, it saves you some cash while giving you the full Echo experience!)

If you don’t have an Echo Dot, you can buy both together right here!

Designer: Ninety7

BUY NOW

vaux_speaker_1

vaux_speaker_2

vaux_speaker_3

vaux_speaker_4

vaux_speaker_5

BUY NOW (Echo + Vaux)

Design Job: The North Face is Seeking an Equipment Design Director in Alameda, CA

As a Design Director at The North Face you will help create, shape and lead our design journey. You’re strategic and creative vision will inspire storytelling that is emotionally, culturally and technically rich to our consumers. You will develop an understanding of our culture through immersion in our athletes’ values, in our products, in consumer retail habits and in market- and macro-trends; and you will translate what you learn into strategies for you and your team to create compelling product designs.

View the full design job here