Audio You Can Rough Up

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The latest from designer Paul Chen, this smart Bluetooth speaker concept is made to withstand the wildest of users! Dustproof, shockproof, and even waterproof, it challenges you to dish out all the abuse you can give it, whether it’s dropping it in the sand, throwing it against a wall, or drowning it in your pool (which you can’t because it floats!). In fact, all of that’s encouraged! In three distinct, sporty styles, there’s a shape and aesthetic for everyone.

Designer: Paul Chen

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It’s Time to Use Your Marketing Skills for Good

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Germans Ermičs' Ombré chairs pay tribute to influential Japanese designer

This collection of colourful glass furniture by Amsterdam designer Germans Ermičs is based on a chair designed by Shiro Kuramata in the 1970s.

Ombre glass screens and chairs by Germans Ermičs

The Ombré chairs – which were shown at Spazio Rossana Orlandi during Milan design week – are assembled from panes of glass, joined together without screws or other visible fittings.

They recall Japanese designer Shiro Kuramata’s 1976 Glass Chair, which was bonded together with glue to give the appearance of floating in the air.

Ombre glass screens and chairs by Germans Ermičs

Kuramata was prompted to create the furniture after watching Stanley Kubrick’s 2001: A Space Odyssey, and finding himself disappointed by the film’s sets – which relied on existing furniture, rather than new designs.

His Glass Chair is now included in both the V&A museum‘s collection, as well as the Museum of Modern Art in New York.

Ombre glass screens and chairs by Germans Ermičs

Inspired by the minimal design, Ermičs – who has also designed a collection of glass furniture with gradients that fade to clear – created his Ombre chairs from panes of coloured glass.

“Almost invisible, these planes, without tangible support, hang in the air,” said the designer, who began experimenting with glass during his time at  Design Academy Eindhoven before starting his own studio in Amsterdam in 2014.

Ombre glass screens and chairs by Germans Ermičs

The Ombre collection is completed by a pair of curved glass screens. A taller version is made from clashing gradients of pink, orange, blue and green, while a smaller screen features pastel pink that fades into orange.

Although Ermičs’ collection was presented at the 2017 edition of Milan design week, the use of stained and coloured glass was one of the key trends to emerge from last year’s event.

The Campana brothers used the material to fill blob-shaped gaps in a wooden cabinet, while Patricia Urquiola added stained-glass panels to the front of a credenza.

Other unconventional furniture shown in Milan this year included a collection of globular seating based on mushroom caps, and a collapsible wooden stool made from “programmable wood”.

Photography is by Jussi Puikkonen.

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Alma-nac slots angular openings into timber-clad gables of House in the Woods

Triangular windows are set beneath the pitched roofs of this house in England’s South Downs National Park, which London studio Alma-nac designed to sit discreetly in its wooded setting.

House in the woods by Alma-nac

Alma-nac was asked to design the house for a plot within an area of outstanding natural beauty in the county of Hampshire, where it replaces a bungalow that had been in the family for over 60 years.

The new 240-square-metre home named House in the Woods was required to retain some of the previous building’s character and was constructed over roughly the same footprint.

House in the woods by Alma-nac

The house also features a flexible internal configuration that enables it to switch from its everyday use as a one-bedroom home to accommodate up to ten people in five bedrooms.

This was achieved by incorporating concealed full-height sliding partitions that can be used to form additional bedrooms when required.

Bedrooms on the ground floor can be sealed off to reduce the perceived size of the interior, while a spare room upstairs doubles as a painting studio.

House in the woods by Alma-nac

The other main criteria for the design was to improve the connection between the house and its expansive gardens, with decking and roof terraces offering views and opportunities for outdoor living.

House in the woods by Alma-nac

“Together with our client, we wanted to make the most of the views out to the landscaped garden and the South Downs beyond and a connection with the outdoors was essential,” said Alma-nac.

“This is largely achieved through extensive glazed openings, as well as the direct access to the gardens from the living and dining spaces.”

House in the woods by Alma-nac

Full-height glazing set along the western elevation connects the communal spaces at the southern end of the building with a large outdoor deck, while a roof terrace is accessible from the first floor.

The bedrooms are situated in the more secluded northern end of the house, with the master bedroom and spare room on the upper storey accommodated beneath an asymmetric portion of the roof.

House in the woods by Alma-nac

The roof at the southern end has a symmetrical gable incorporating a large clerestory window that floods the double-height kitchen and dining area with natural light.

The corner of the angular opening intersects with a perpendicular wall, so the frameless window wraps around the corner to extend the view of the treetops and sky.

House in the woods by Alma-nac

The roof’s shifting shape helps to reduce the overall visual mass of the building, which appears from the eastern approach as a single-storey structure emerging from a planted slope.

A palette of natural materials including hand-cut brick, timber and slate is applied across the exterior to help ground the house in its rural setting.

The materials are also used to differentiate between the more private east elevation, which is predominantly clad in brick, and the more transparent western side facing the garden, where thermally treated timber flanks the glazing.

House in the woods by Alma-nac

“These materials have been chosen for their natural qualities, creating a rich texture with muted tones that will blend well with the natural surroundings and their vegetation,” said the architects.

The building was constructed using structurally insulated panels (SIPs) to create a thermally efficient superstructure that was erected in just ten days.

A concrete floor acts as a heat sink that absorbs warmth in the summer and disperses it throughout the cool nights. The surface incorporates underfloor heating, which is connected to an air-source heat pump.

House in the woods by Alma-nac

Alma-nac’s previous residential projects include a house extension in London featuring a huge pivoting door to the garden and a two-tiered house in Hastings with an upper storey that is angled and cantilevered to optimise the sea views.

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