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Gridded glazing frames garden views from NitaProw's organic beauty shop in Bangkok

Bangkok-based practice NitaProw has used the dismantled structure of a house boat to create this window-covered shop for an organic beauty brand in a lush garden setting in the city.

Patom Organic Living by NITAPROW Architects

The transparent structure set in Bangkok’s Thonglor district acts as a shop, showroom and 25-seat cafe for the organic health and beauty brand Patom. Its gardens are also used as a space for workshops and a farmers market.

NitaProw‘s founders Nita Yuvaboon and Prow Puttorngul chose to use glass for the walls of the 100-square-metre store to optimise views of its surrounding greenery, and to allow passersby on the street a glimpse at any activity occurring inside.

Patom Organic Living by NITAPROW Architects

The practice was asked to create a multi-purpose space that preserved any existing trees on site and that matched the minimalistic aesthetic of the brand’s products.

Its interior plays host to a cylinder-shaped white mezzanine, which the architects said is intended to offer visitors “a privileged view, a hint of intimacy and playfulness”. Just below the elevated space is a pantry area where food is prepared for the cafe.

Patom Organic Living by NITAPROW Architects

The rounded shape of the mezzanine is mirrored by an adjoining spiral staircase that is wrapped in rattan. After applying rattan to the seating in the cafe below, the architectural duo decided to use the material on a larger scale, favouring its natural appearance and flexibility.

“We were quite pleased by how it could lightly yet distinctively complete the staircase’s rigid frame”, Yuvaboon and Puttorngul told Dezeen.

Patom Organic Living by NITAPROW Architects

On the ceiling, beams of wood intersect in a criss-cross pattern to emulate the slender, moving forms of palm trees that can be seen at Patom’s organic farm.

The wooden posts on the store’s ceiling and those that form the building’s frame are made from reclaimed redwood, taken from an abandoned houseboat that once belonged to Patom’s owner.

Patom Organic Living by NITAPROW Architects

Describing themselves as having a “high regard for wood as a renewable and sustainable building material”, NitaProw was also conscious when it came to choosing furnishings for the space.

The base of the brass display tables are formed from the trunks of fallen trees, while the chairs in the cafe were taken from Patom’s owner’s unused teak furniture collection.

Other practices using reclaim materials for retail interiors, including Brooks + Scarpa, which applied cardboard fabric rolls discarded by fashion houses to the walls of an Aesop store in Los Angeles.

Photography is by Ketsiree Wongwan.


Project credits

Architecture: NitaProw
Project team: Nita Yuvaboon and Prow Puttorngul
Landscape consultant: Kritsada Aunphim

 

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Retina Screen, Retro Back!

It’s a shame that the Macbook Pro ditched everyone’s favorite, the light up Apple logo at the back. It was truly one of the unnecessary yet most loved design details on the laptops (some people even modded their iPhones and iPads to have the glowing logo). Nevertheless, we as a human species have always persevered and in most cases, come up with our own solutions to life’s problems.

The Brik Book is one such solution. It ditches the boring metal Macbook back for something more playful. “We don’t stop playing because we grow old, we grow old because we stop playing” once said the wise George Bernard Shaw, and that’s exactly why we need the Brik Book. It comes compatible with Lego blocks, Mega Bloks, Pixel Blocks, KRE-O, blocks, and K’NEX. The possibilities are endless, with some people creating the most amazing artpieces on their laptop covers… others choose to customize it by writing their name. Our favorite? The multicolored retro Apple logo! The ‘hello’ is a close second! Check out the fan-art here!

Designer: Jolt Team

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Steven M. Johnson's Bizarre Invention #167: The Real Life Vehicle

Florence Knoll's 100th Birthday: Celebrating the American icon and her designs

Florence Knoll's 100th Birthday

Today marks Michigan-born design and furniture icon Florence Knoll’s 100th birthday. While no longer designing, she carries an incredibly important place in American design history—thanks to her thoughtful creations that were functional but sleek……

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Balcony desk will have you working from home!

Balconies are only used for drying clothes, and probably for the odd Romeo Juliet scene, if you have an interesting love-life. Other than that, no one really uses them, even though they overlook the city and can have really breath-taking views sometimes.

The Balkonzept desk fits onto any balcony, making the wonderful cityscape either your workplace, or a setting for a beautiful lunch/dinner date. Available in wonderfully fresh colors, it’s sturdy enough to take the weight of a laptop, dining set, or a few potted plants. It uses a counter-balancing area which makes a great mini-garden, or even a book-case or bottle-rack.

The makeshift balcony desk is just perfect for people bored of being stuck in the boring office workspace. Using the balcony, and the city’s landscape, the Balkonzept makes for a rather inspiring workplace… or just use it for wonderfully charming outdoor meal! #balconygoals!

Designer: Rephorm Haus

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Yabu Pushelberg presents handblown celestial lighting collection for Lasvit

New York design duo George Yabu and Glenn Pushelberg have created a crystal lighting collection in collaboration with Czech glass manufacturer Lasvit.

Yabu Pushelberg joined forces with Lasvit to create the slender cylindrical lights, shaped like sunbursts and elongated capsules, to celebrate the traditions of handcraft.

Each of the glass bulbs in the Cipher collection is handblown, and hand-etched with clean-cut vertical lines, by craftspeople in the Czech Republic.

The individual crystal tubes erupt from champagne-gold polished brass fittings at the centre of the lights, casting shadows of their star-shaped forms across the room.

Within the bulbs, light glows around the etched lines of the glassware, creating luminescent silhouettes.

“The surface decoration was influenced by our fascination and exploration of the way in which etched patterning catches light,” said the design studio, which is best known for its hotel interiors.

“The collection is extremely flexible and customisable with limitless configurations for private residences and bespoke installation projects.”

Hidden LED sources within the brass connection points soften the bulbs’ illumination as the light travels downs the etched lines. The longer cylindrical pieces project intricate patterns onto the walls and surrounding surfaces, as the light hits the finely etched lines.

The lights are on display at Lasvit’s New York showroom, alongside Yabu Pushelberg’s Otto glassware collection, as part of this month’s NYCxDesign festival.

The studio was initially commissioned by the glass manufacturer to design the single Otto collection. However, when faults in the crystalline glass prompted the designers to hold up the glassware to the light, they recognised the potential for a lighting series.

Otto is a 12-piece collection of crystal glass, which bears the same alternating radial and tangential cut lines as the Cipher series. The detailing of the hand etching echoes the “rustic qualities and the precise craftsmanship” of glassmaking traditions.

“The Otto collection projects an approachability and relaxed elegance through simple, refined details and an overall language that feels familiar and comfortable yet distinctive,” said Yabu.

The weighty bases of the Otto collection’s stemmed glassware are balanced by the precisely etched texture and clarity of the cut crystal. The series features a variety of glasses, with a carafes, a decanter and an ice bucket.

Many well-known designers have collaborated with Lasvit on lighting collections, including architects Daniel Libeskind – who created a chandelier of hand-blown crystal glass shards – and Kengo Kuma, whose new lighting collection produced by blowing molten glass into dry wooden moulds was showcased at this year’s Milan Design Week.

Yabu Pushelberg’s Otto and Cipher collections are on display at Lasvit’s SoHo showroom, 51 Wooster Street, New York, until the end of June 2017.

Other lighting collections that have launched at NYCxDesign include Roll & Hill’s lamps that adjust like construction cranes and pendants and Apparatus’ Wiener Werkstätte-influenced bell-jar-shaped lamp shades made from ribbed porcelain.

Photography is by Jenna Bascom.

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ICFF award winners include designs for Alzheimer's sufferers and a blue foam booth

Products to aid those with memory loss and an exhibition stand made from carved blue foam and mirrors are among the award winners at this year’s International Contemporary Furniture Fair in New York.

This year’s Editors’ Awards were chosen and presented on the first day of ICFF, which runs 21-24 May 2017 as part of the citywide NYCxDesign festival.

Dezeen US editor Dan Howarth was on the judging panel, alongside Annie Block of Interior Design, Melissa Feldman of Stroll Productions, Sheila Kim of Architizer and Paul Makovsky of Metropolis. Together they selected winners in 12 categories.

Pratt Institute exhibition at ICFF 2017
Pratt Institute’s products designed to help Alzheimer’s sufferers won the Wellness award

New York’s Pratt Institute received the Wellness award for a collection of homeware and furniture designed to improve the lives of those suffering from Alzheimer’s disease, which affects memory and other mental functions.

Meanwhile, the School Installation award went to the University of Cincinnati‘s colour-coordinated display of products created through a cross-department collaboration.

The winners of the Booth Design prize were Two Parts and Katie Shima, for a compact space lined with blue modelling foam cut into sculptural shapes. The booth was used to showcase the Brooklyn company’s ceramic LED lighting.

Janus table lamp by Trueing
Trueing, which created the Janus table lamp, was named Emerging Designer

Trueing, a Brooklyn-based design studio set up just four months before the fair, received the Emerging Designer accolade after presenting a set of table lamps with spinning dichroic disks.

Recognition for lighting was split into two: a ceiling spotlight that pops out of its fixtures by Delta Light won for Architectural Lighting, and a spherical design with circuits of LEDs inside by Jason Krugman Studio snatched the trophy for Decorative Lighting.

Bob by Blå Station
Thomas Bernstrand and Stefan Borselius’ Bob sofa system for Blå Station won the Seating award

Chairs made from repurposed boat sails by Dvelas won the Outdoor category, while Blå Station‘s simple modular sofa system named Bob took home the Seating award.

Material Innovation went to Shore Rugs for its floor coverings woven from silicone strips, Textiles was given to Louise Gray‘s soft-toned quilts and coverings, and the Kitchen/Bathroom winner was the Nice Collection of transparent taps by Fantini.

Exchange furniture series by Crème for Stellar Works
Best collection went to the Exchange furniture series by Crème for Stellar Works

Finally, the Collection award was presented to Crème‘s Exchange wooden furniture series for Stellar Works.

ICFF, which features on the first Dezeen Hot List, takes place annually at the Jacob K Javits Center on Manhattan’s West Side.

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Vitsœ's 'The Strong collection' Gives an Intimate Glance Into the World of Braun Product Design 

Tucked away in Soho was one of our favorite exhibits on display during NYCxDesign: The Strong collection. On display at Vitsœ’s NYC location, the exhibit featured around 75 items from Tom Strong’s 250+ item collection of Dieter Rams-designed Braun products. Strong’s diverse collection ranged from tabletop cigarette lighters to electric mixers, most of which were actually used by the collector himself. The pairing of well-loved objects and hilarious quotes from the opinionated Strong created a truly personal exhibit, a breath of fresh air from those featuring objects for sale. Needless to say, we felt like kids in a 1960s candy shop. 

Braun packaging 
Remote control—note how digestible the UX is 
SK 5 phonosuper record player

Strong started out collecting stamps at a young age, but transitioned to collecting Braun objects during his time in the US Army. The first item he acquired was a T1000 radio, and the collection kept growing as Strong gained an appreciation for the day-to-day usability and durability of Rams’ designs.

BL 12 ladyshave. Look at that cute brush!
Electric mixer
Strong noted to Vitsœ that he developed an obsession with grids in design school that carried over to his love of Braun packaging.
MPZ 1 juicer, 1965

Through Strong’s quotes littered throughout the exhibit, it became clear the collector appreciates Rams’ attention to small design details. At one point, he calls out how Rams’ kitchen appliances come apart in the right places for easy cleaning and how his controls ‘”told you quietly ‘lift me’ or ‘push me'”. 

BP 1000 hair dryer, 1983
SM 31 shaver, 1962 and micron vario 3 electric shaver, 1985 (right)

Record player—again notice how easy this looks to use
Camera

During his time at Braun, Rams found a way clearly communicate the use of each product to the everyday consumer while keeping them beautiful enough to display in the home. Strong reinforced Rams’ desire to make good design accessible to all by donating his collection to Vitsœ, who will soon move the entire collection to England where it will permanently be on display in Vitsœ’s new building in Royal Leamington Spa.

Record player and shelf
video camera
Portable electric desk fan. The fan rests on that plastic stand when not in use. 
T2 table lighter, 1968. Smoke cigs in style.

The Strong collection exhibit closes today, but the full collection will be on display later this year in England. Learn more about Strong’s story and his incredible collection here.