Surface Student Creative Contest Candidates

Focus sur les superbes diptyques des premiers participants, dans le cadre du Surface Student Creative Contest. De l’illustration à la photographie, en passant par des techniques variées telles que la 3D, le collage, la double exposition et la symétrie, découvrez notre sélection en images. Nous vous rappelons que vous pouvez participer au concours et voter jusqu’au 13 avril.

By SXDTX.

By Dr Noisettes.

By Interstella.

By ItsJon.

By Ivmorgaut.

By Leo.

By Peacheap.

By SamySam.

By Jonattt.

A gagner : l’exposition de sa création à la Gaité lyrique, 3 Surface Pro 3 ainsi que 11 abonnements à Adobe Creative Cloud. Les étudiants de toutes disciplines (illustration, mode, photographie, motion design, vidéo…) sont invités à participer.

Le jury est composé de Chloé Gassian (photographe de mode), David Alvarez (concept artist & illustrateur), Valentin Adam (graphic & motion designer), Romain Colin (fondateur de Fubiz), Marc Jalabert (Microsoft), Michael Chaize (Adobe), Pascale Neveu et Patrick Hermand.

z-Jonattt
SXDTX
SamySam
Peacheap
Leo
Ivmorgaut
ItsJon
Interstella
Dr Noisettes
0-surface

The Beautiful GIF Art

DarkAngelØne, également connu sous le pseudonyme de Justbeingnamaste imagine de magnifiques animations en GIF à partir des oeuvres d’autres artistes. Voici une sélection de quelques-unes de ses plus belles réalisations captivantes. Voici des détails dans la suite de l’article.

Realistic Painted Portraits with Reflections

Le peintre Deenesh Ghyczy, basé à Berlin, peint des toiles représentant des portraits réalistes observés à travers le prisme d’un miroir déformant et dédoublant. Il multiplie les visages afin de mieux comprendre chaque facette de l’identité de ses modèles. Ses séries « Vacum Space » et « Echo Vision » sont à découvrir.

ghyczy-26
ghyczy-25
ghyczy-24
ghyczy-23
ghyczy-22
ghyczy-21
ghyczy-20
ghyczy-19
ghyczy-18
ghyczy-17
ghyczy-16
ghyczy-15
ghyczy-14
ghyczy-13
ghyczy-12
ghyczy-11
ghyczy-10
ghyczy-9
ghyczy-8
ghyczy-7
ghyczy-6
ghyczy-5
ghyczy-4
ghyczy-3
ghyczy-1

Best-of Set Design on Fubiz

Pour ce best-of, nous avons mis le set-design à l’honneur. Abstraites ou expérimentales, ces natures mortes contemporaines sont réalisées dans le cadre de projets personnels ou professionnels illustrant visuellement la sensibilité des artistes, qui de manière inventive, n’hésitent pas à varier les techniques de créations par l’utilisation de matériaux inattendus. Des compositions visuelles et ludiques, à découvrir.

Clocks Set Design by Benoit Challand.

Colored Collection of Random Ideas by Leta Sobierajski.

Colorful Still Lives Made With Plasticine by Alexandra Bruel.

Conceptual Food Stills by Cécille Chavez.

Creative Design Set Installations by Elise.

Still Life Photography by Emma Hartvig.

Eye-Catching Smoothies Imagery by Still&Strokes.

Goth Food Still Lives by Stephanie Gonot.

Set Design by Jacob Reischel.

Matching Still Lives and Backgrounds by Eugenia Maximova.

Photography by Maurizio Di Iorio.

New Way To Serve Food by Lenneke Wispelwey and Studio Bon Appetit.

Odd Pears Socks Campaign by Leta Sobierajski.

Paper-Craft Models by Noelia Lozano.

Still Life of Celebrities Diets by Dan Bannino.

Sugar Teeth Still Lives by Marion Luttenberger.

The Gourmand Measures of Quality by Jamie Julien-Brown and Jess Bonham.

Full Color Objects Composition by Timothy Hutto.

Full-Color-Objects-Composition_0-640x480
The Gourmand Measures of Quality
Sugar Teeth Still Lives
Still Life of Celebrities Diets
Paper-Craft Models by Noelia Lozano
Odd Pears Socks Campaign
New Way To Serve Food
Maurizio-Di-Iorio-0
Matching Still Lives and Backgrounds
Jacob Reischel’s Set Design
Goth-Food-Still-Lives-1
Eye-Catching Smoothies Imagery
emmahartvig-12
Creative Design Set Installations
Conceptual Food Stills
Colorful Still Lives Made With Plasticine
Colored Collection of Random Ideas
Clocks Set Design by Benoit Challand
Best-of Set Design on Fubiz

SelgasCano unveils first images of colourful 2015 Serpentine Pavilion design

Spanish architects José Selgas and Lucía Cano have revealed their proposal for the 15th Serpentine Pavilion in London – a “chrysalis-like” structure made from colourful see-through plastic.

Occupying a space in front of the Serpentine Gallery in London’s Kensington Gardens, the temporary pavilion is envisioned as a series of connected spaces of different shapes and sizes, made from a double-layer shell of opaque and transparent fluorine-plastic fabric (ETFE) in an array of colours.

The plastic will filter the daylight like a stained-glass window, casting coloured light into the interior spaces, which include a central gathering area and cafe. An evening image provided by the architects shows the structure lit from within.

“We sought a way to allow the public to experience architecture through simple elements: structure, light, transparency, shadows, lightness, form, sensitivity, change, surprise, colour and materials,” said the Madrid-based architects.

“The spatial qualities of the pavilion only unfold when accessing the structure and being immersed within it. Each entrance allows for a specific journey through the space, characterised by colour, light and irregular shapes with surprising volumes.”



The fabric will be arranged in panels, with strips of material woven through or wrapped around parts of the structure like webbing. The double shell will create a corridor between the inner and outer layer of the pavilion, and visitors will be able to enter through multiple openings in the sides.

Serpentine-Gallery-Pavilion-2015-by-Selgas-Cano_dezeen_468_1

SelgasCano are the first Spanish designers to design the temporary pavilion, which is commissioned and built each year by the Serpentine Gallery in London’s Kensington Gardens.

The duo are known for combining new technologies and synthetic materials with an interest in the natural world, and often use bright colours and transparent surfaces in their projects.

Their own studio is a see-through woodland tunnel, and a recently completed office refurbishment in London features an orange plastic seating area that bulges out of the facade.

“In keeping with their reputation for playful designs and bold use of colour, SelgasCano’s structure will be an extraordinary chrysalis-like structure, as organic as the surrounding gardens,” said Serpentine Galleries director Julia Peyton-Jones and co-director Hans Ulrich Obrist.

The Serpentine commissions a different architect to create the pavilion each year, offering them the chance to create their first built structure in England.

Previous pavilion architects have included Peter Zumthor, Zaha Hadid, Sanaa, Herzog & de Meuron, Frank Gehry and Jean Nouvel. Last year’s boulder-like pavilion was created by Chilean architect Smiljan Radic.

“We are very much aware of the pavilion’s anniversary in our design for the 15th annual commission,” said SelgasCano. “The structure therefore had to be – without resembling previous Pavilions – a tribute to them all and a homage to all the stories told within those designs.”

The 2015 Serpentine Pavilion will open on 25 June and close on 18 October. It will host a number of parties and public talks, as well a series of evening events sponsored by fashion brand COS. These will include new commissions by artists Jesse Darling, Fleur Melbourn and Marianna Simnett.

The post SelgasCano unveils first images of
colourful 2015 Serpentine Pavilion design
appeared first on Dezeen.

Morphosis unveils plans for "Minimalist" skyscraper next to Zumthor's Therme Vals

The American architecture studio led by Pritzker Prize-winner Thom Mayne has unveiled its design for a 381-metre-tall mirrored hotel tower in Vals, Switzerland.

Morphosis Architects has released images of a slim, glassy skyscraper that it says will mirror the surrounding landscape of the Swiss Alps.

“As much as possible, the hotel is a minimalist act that re-iterates the site and offers to the viewer a mirrored, refracted perspective of the landscape,” said Mayne.

Morphosis-Architects-new-luxury-hotel-7132-resort-Vals-Switzerland_dezeen_468_5

The 53,000-square-metre building will include 107 guest rooms and suites, as well as spas, a ballroom and a library, restaurants, a cafe, bar, sky bar and a gallery. It will also have a swimming pool and fitness centre.

“The tower’s reflective skin and slender profile camouflage with the landscape, abstracting and displacing the valley and sky,” said the architects. “The combination of one-room-per-floor and a narrow floor-plate afford exclusive panoramic views of the Alps.”

Morphosis-Architects-new-luxury-hotel-7132-resort-Vals-Switzerland_dezeen_468_0

Morphosis was commissioned to design the hotel following a controversial competition process, which saw the jury distance themselves from the appointment.

Due for completion in 2019, the building will be part of the Vals resort, which already includes a hotel as well as a world-famous spa building by Swiss architect Peter Zumthor.

Morphosis-Architects-new-luxury-hotel-7132-resort-Vals-Switzerland_dezeen_468_3

“Morphosis was selected by the client for the strength of their proposal, which uses a Minimalist approach to help the hotel blend with the mountain landscape at the existing resort campus,” said a statement from the firm.

“The new hotel and arrival is defined by three forms: a podium linking the building with neighboring structures; a cantilever containing a restaurant, cafe, spa, and bar – public amenities shared with the town; and a tower holding a sky bar, restaurant, and 107 guest rooms with panoramic views.”

Morphosis-Architects-new-luxury-hotel-7132-resort-Vals-Switzerland_dezeen_468_2

The structure is called the 7132 Tower after the client 7132 Ltd, which manages the resort in Vals.

It will be Morphosis Architects’ first project in Switzerland. The LA-based firm is known for buildings including the Perot Museum of Nature and Science in Dallas and the Hollywood campus of Emerson College.

Morphosis-Architects-new-luxury-hotel-7132-resort-Vals-Switzerland_dezeen_468_1

A total of eight firms were originally shortlisted for the competition, which was launched last June. The jury led by Sauerbruch Hutton co-founder Louisa Hutton recommended three schemes by Morphosis, American architect Steven Holl and London firm 6a Architects, before 7132 made its final decision.

Morphosis-Architects-new-luxury-hotel-7132-resort-Vals-Switzerland_dezeen_468_6

But the five jurors later issued a statement through the Swiss Society of Engineers and Architects distancing themselves from the appointment, which they claimed took place when “a decision had not yet been made”.

Morphosis-Architects-new-luxury-hotel-7132-resort-Vals-Switzerland_dezeen_468_8

7132 was founded by Vals resident Remo Stoffel, who bought the Swiss resort from the local government in 2012. 7132 now manages the existing hotel as well as Zumthor’s Therme Vals spa – considered one of the Swiss architect’s most important works.

Built over the only thermal springs in the Graubünden canton, the spa was completed in 1996. It features walls of locally sourced Valser quartzite slabs and a grass roof.

Morphosis-Architects-new-luxury-hotel-7132-resort-Vals-Switzerland_dezeen_468_4

Japanese architect Tadao Ando is also designing a park for the site, called the Valser Path, which is due for completion in 2017.

The post Morphosis unveils plans for “Minimalist”
skyscraper next to Zumthor’s Therme Vals
appeared first on Dezeen.

CR April issue: creativity in health

Our cover this month features an illustration by Chris Haughton which was commissioned by Vital Arts for the Children’s Hospital at The Royal London

 

Creative Review’s April issue looks at creativity, design and innovation in healthcare, from extraordinary prosthetic limbs, to the impact of health tech and how artists, illustrators and designers are transforming hospitals

 

The best way to ensure you never miss an issue of CR is to subscribe and save up to 30% off the cover price. All our subscribers can also take advantage of our CR Club offers, which are listed here. Full details on how to subscribe are here

 

We begin with a profile of Sophie de Oliveira Barata of the Alternative Limb Project who creates bespoke realistic and alternative limbs for amputees. From lifelike feet to light-up legs and rhinestone- encrusted arms, her custom designs help restore her clients’ confidence and give them prosthetics to be proud of

 

How should campaigners, charities and the government talk to the public about health? Eliza Williams investigates

 

Wearables linked to online systems could put designers at the heart of a revolution in healthcare. Patrick Burgoyne asks where this ‘self-care’ movement is taking us

 

Replacement hips, skull implants, ears and noses: the use of 3D printing in healthcare is growing rapidly. Could functioning 3D printed organs such as kidneys, livers and even hearts be the next step?

 

For years hospitals have used art and design to improve patient wellbeing, but commissions are now being allied to specific areas of treatment and care. The results are more than encouraging, reports Mark Sinclair

 

Effective graphic design can be a matter of life and death in healthcare. Jeremy Owen looks at the potential for the ‘clinical aesthetic’ to evolve into a more emotional role

 

A look at some of the winners of this year’s Wellcome Image Awards, which celebrate the very best work in medical imaging, and the place for creativity in producing such images. By Antonia Wilson.

 

In our Crit section this month, Mark Sinclair reviews In Memory of Work, Craig Oldham’s graphic, personal history of the miners’ strike

 

And Patrick Burgoyne takes a look at Design for Growth, a new book by Coca-Cola design chief David Butler which details the expanded role that design plays in the company

 

Plus, subscribers this month will receive an extra 36-page supplement on the AXA PPP healthcare Health Tech & You Awards at the Design Museum, a showcase for the latest ideas that are shaping the future of healthcare

 

The best way to ensure you never miss an issue of CR is to subscribe and save up to 30% off the cover price. All our subscribers can also take advantage of our CR Club offers, which are listed here. Full details on how to subscribe are here

Also Shot on iPhone 6

Apple’s new Shot on iPhone 6 campaign has come in for a bit of a reality check courtesy of two pranksters in San Francisco…

According to a post by Jessica Saia on The Bold Italic, a series of spoof ads have appeared next to sites displaying Apple’s latest campaign – which aims to show the image quality that can be obtained with an iPhone 6 (gallery here) – on streets in the Mission, Castro and Downtown areas of the city.

The website alsoshotoniphone6.tumblr.com is currently hosting shots of the work in-situ, though it claims it is not the original source of the images.

“Our thought was that people don’t always take pretty pictures on their phones,” the two ad creatives behind the project told Saia, “so we thought it would be funny to show the other, non-beautiful, photos people take.”

All images from alsoshotoniphone6.tumblr.com

Craig Oldham at Typo Circle

Self-styled ‘designer, writer and Yorkshireman’ Craig Oldham will give the next Typographic Circle lecture

Oldham’s eclectic practice, The Office of Craig Oldham, encompasses film and publishing projects as well as branding and exhibition design. His most recent project is a book of the protest graphics produced during the miners’ strike, which is revied in the April issue of CR and featured here.

Oldham’s talk, entitled I AM A_____ AND I____ will be at the St Bride Foundation, London EC4 on Thursday April 2.

Full details and tickets here

Cover revealed for Harper Lee's new novel

It’s not unusual to see the title of an author’s most well known work included on the cover of their latest book. But in the case of Harper Lee’s first novel in 55 years, the reference to her classic work of 1960 is evoked via some clever typographic shadowing…

The cover for the UK and Commonwealth edition of Go Set a Watchman, which will be published by William Heinemann on July 14, has been designed in-house.

Set in the mid-1950s, the novel features many of the characters from Lee’s hugely popular novel, To Kill a Mockingbird, some twenty years later. Go Set a Watchman was originally written before Lee’s most famous work (which has gone on to sell over 40m copies to date), and was discovered last year by Lee’s lawyer, Tonja Carter. Lee thought it had not survived.

According to the publishers “Scout (Jean Louise Finch) has returned to Maycomb from New York to visit her father Atticus. She is forced to grapple with issues both personal and political as she tries to understand both her father’s attitude toward society, and her own feelings about the place where she was born and spent her childhood.”

The publishing world has changed immeasurably since Lee’s first novel came out – and her new one is being duly promoted across all of the available platforms: on Twitter; Facebook; Tumblr; and Instagram.

 

*Update – below is the US edition of the book from Harper Collins. A less subtle (and more conventional reference) to TKAM and, it has to be said, a really strong illustration. And as author Jonathan Gibbs has pointed out on Twitter via @Tiny_Camels, does the UK edition really need both a visual and textual clue to her previous work?