MB&F Legacy Machine 101 Features First In-house Movement

As a watch enthusiast, I understand the pain and pride behind developing an in-house movement. So this time around when MB&F announced their Legacy Machine 101, my interest piqued as it houses the very first movement developed entirely in-house by MB&F. Dominating the dial is a monumental suspended balance wheel, which is another point of interest in terms of design and functionality.

Classically sized as a 40mm wristwatch, the Legacy Machine 101 (LM101) features two pristine-white subdials and is placed above the sunray-engraved movement top plate: the top right showcases the highly legible hours and minutes that are indicated via blued-gold hands and the 45-hour power reserve indicator is displayed in a smaller, but similar subdial below.

What I really like about the design is that the sapphire crystal protecting the dial appears to be invisible; thus creating an illusion that you can touch the balance wheel. The display back crystal has been domed to reduce the thickness of the caseband and also showcases the hand-finished movement.

Inspired by the pocket watches from the eras gone by, the award-winning independent watchmaker Kari Voutilainen is the man behind the movement’s fines finishing. Legacy Machine 101 is available in an 18k red gold or 18k white gold case.

Legacy Machine 101 – Technical Specifications

  • Engine: Three-dimensional horological movement developed in-house by MB&F
  • Aesthetical design and finish specifications: Kari Voutilainen
  • Manual winding with single mainspring barrel
  • Power reserve: 45 hours
  • Number of components: 229 components
  • Number of jewels: 23
  • Functions: Hours, minutes and power reserve indicator. Large suspended balance wheel over dial
  • Strap & Buckle: Black or brown hand-stitched alligator strap with gold tang buckle to match case.

Designer: MB&F


Yanko Design
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(MB&F Legacy Machine 101 Features First In-house Movement was originally posted on Yanko Design)

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The Sun's bouncy World Cup ad

For those of you who are growing weary of the relentless footie-themed ads, it’s far from over yet. Here’s a rather charming offering though, from The Sun, which offers a spin on the famous karaoke bouncing ball…

Created by Grey London, the ad features 74 footballers in a non-stop headers chain. Each of the participants is wearing a T-shirt featuring words to I’ll Never Find Another You by The Seekers, which has been re-recorded for the campaign by London band Dexters (200,000 copies of the song are available for free download at thesun.co.uk/dousproud).

As well as showing impressive ball skills, the men and women here become a human karaoke machine, with the usual bouncing ball replaced by a football.

The spot is very on brand for the Sun – ‘honest-to-goodness’ footie fans combined with a rousing football anthem – and lots of fun to watch.

Credits:
Agency: Grey
Deputy ECD: Dave Monk
Creatives: Rob Greaves, Sam Daly
Director: Ed Morris
Production company: Rattling Stick

Singapore and social media through Erin’s eyes

Bloesem Living | Bloesem Class and an interview with Erin Loechner of CLementine Daily

The Bloesem Team had the pleasure of having Erin (of Design for Mankind and Clementine Daily) and her family here this week for Bloesem class and we took the opportunity to ask her some questions while we had her here! Read on to find out more.. Also all the pictorial enjoyment that is about to ensue is kindly brought to you by Erin’s instagram feed.

(If you are interested in joining Erin’s last 2 Blogging and social media class, head over to Bloesem class or drop us an email before it’s too late! Erin heads back Sunday.)

Bloesem Living | Bloesem Class and an interview with Erin Loechner of CLementine Daily

Bloesem Team // What do you feel is the biggest difference between your experience teaching in Singapore compared to elsewhere?

Erin Loechner // I was actually surprised at how small the difference between Singapore students and U.S. students are! They’re proactive, interested and right on the cusp of truly tapping into the beauty of social media. It’s been such a delight to witness the similarities in knowledge and passion – all the way on the other side of the world!

BT  // A recent survey revealed that Singapore is one of the most socially connected countries on earth. Some free advice for Singaporean companies to effectively utilize social media for their business?

Erin’s answer and more after the cut..

EL  // I think the key to succeeding in social media is to remember that what’s ordinary to you is often extraordinary to others. Never be afraid to share the details of your life or business, even those you feel are mundane. I promise; it’s fascinating to someone out there!

My other tip is to create a social media policy for yourself or business. Outline a few key ideas and goals – what message are you trying to convey? How can you accurately reflect your brand on your various channels? Social media – in my opinion – is about informing, inspiring and engaging your loyal audience. Write down some direct avenues you plan to do this so you can help focus your energies on growth, influence and building your tribe.

Bloesem Living | Bloesem Class and an interview with Erin Loechner of CLementine Daily

BT  //  Name one thing you notice that you think is very unique about the social media trend in Singapore.

EL  //  I actually love how social media conveys the same message universally, no matter where we are: it’s a window into the lives or ourselves and those around us. I see food photos on Instagram, funny GIFs on Facebook, beautiful imagery on Pinterest and news updates on Twitter. 

It does seem as if Singapore locals embrace chats like QQ and Whatsapp more than in the states, which shows there’s a growing trend on a desire for privacy or exclusivity among networks. This is still a developing trend in the U.S. as well – one that I’m excited to watch unfold!

BT  //  What is your most favourite dish that you have tried in Singapore?

EL  //  Definitely the hot dog and ginger carrot juice at Kith Cafe. Everything that gem serves is amazing! We’ve visited at least once daily. 🙂

Bloesem Living | Bloesem Class and an interview with Erin Loechner of CLementine Daily

 … Bloesem.co

Unreal Paintings by Juan Martínez

Les peintures de Juan Martínez représentes des portraits des années 20 et 30, dans des cadres et des paysages à la fois totalement illogiques et irréels, et à la fois extrêmement réaliste dans les représentations de ces personnages. De magnifiques peintures à découvrir dans l’article.

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Unreal Paintings by Juan Martinez 2

Bauhaus Masters' Houses reinterpreted by Bruno Fioretti Marquez

Two houses originally designed by Walter Gropius for professors at the Bauhaus art school in Dessau, Germany, have been rebuilt as a minimalist arrangement of geometric shapes by Berlin office Bruno Fioretti Marquez.

Bauhaus Masters Houses reinterpreted by Bruno Fioretti Marquez

The reconstruction of the Director’s House and the Moholy-Nagy House by Bruno Fioretti Marquez completes the restoration of an estate that contains a total of five properties designed by Gropius in 1925.

Bauhaus Masters Houses reinterpreted by Bruno Fioretti Marquez

Located at the campus in Dessau, where the famous Modernist institution moved in 1925 after the Nazis won control of the state of Weimar, the buildings known as the Masters’ Houses were designed to accommodate the school’s professors, including the artists László Moholy-Nagy and Wassily Kandinsky.

Bauhaus Masters Houses reinterpreted by Bruno Fioretti Marquez

During World War II, Gropius’ house and half of the semi-detached house previously occupied by Moholy-Nagy were destroyed in an air raid, while the rest of the houses were let out or used as a hospital and factory.

Bauhaus Masters Houses reinterpreted by Bruno Fioretti Marquez

The rebuilding of the two properties, and of a refreshment kiosk on a corner of the site designed by German architect Ludwig Mies van der Rohe in 1932, marks the completion of a restoration project that began in 1992 with the renovation of the surviving houses to their original states.

Bauhaus Masters Houses reinterpreted by Bruno Fioretti Marquez

Rather than faithfully reconstructing the destroyed buildings, Bruno Fioretti Marquez decided to retain the proportions of the original structures but further reduce the already minimal design of the exteriors and create them using contemporary methods.

Bauhaus Masters Houses reinterpreted by Bruno Fioretti Marquez

Working from drawings, models and photos of the two houses, the architects constructed shells of poured concrete with windows mounted flush to the facades and treated with an opaque wash to accentuate the flat, sculptural nature of the boxy forms.

Bauhaus Masters Houses reinterpreted by Bruno Fioretti Marquez

The interior spaces are given over to an installation by German artist Olaf Nicolai called The Colour of Light, which is influenced by the colour experimentations conducted by Moholy-Nagy during his time at the Bauhaus.

Bauhaus Masters Houses reinterpreted by Bruno Fioretti Marquez

Using the existing volumes as a starting point, Nicolai divided the interiors into a series of rectangles and squares that resemble the artist’s geometric paintings.

Bauhaus Masters Houses reinterpreted by Bruno Fioretti Marquez
Photo by Lena Böhnlein

Instead of colour, walls, floors and ceilings are finished in monochromatic renders with varying textures that respond in different ways to the affect of daylight and the shape of the rooms.

Bauhaus Masters Houses reinterpreted by Bruno Fioretti Marquez
Photo by Lena Böhnlein

The two reconstructed houses were opened by German President Joachim Gauck this month and the buildings will now be used to host events and exhibitions by the Bauhaus Dessau Foundation and a cultural organisation called the Kurt-Weill Zentrum.

Bauhaus Masters Houses reinterpreted by Bruno Fioretti Marquez
Builders working on the original Masters’ House in October 1925

Photography is by Christoph Rokitta, unless otherwise stated.

The post Bauhaus Masters’ Houses reinterpreted
by Bruno Fioretti Marquez
appeared first on Dezeen.

Feel the Time

The Ehsaas (feel) watch was designed on the principal of the Braille reading system to give sight-impaired users a familiar and easy way to tell the time. Over a glass layer, an advanced electronic active polymer material raises against an overlying plastic substrate. Pixel circuits form and change with the time in the form of Braille so wearers can feel time. Vid after the jump!

Designer: Nikhil Kapoor


Yanko Design
Timeless Designs – Explore wonderful concepts from around the world!
Shop CKIE – We are more than just concepts. See what’s hot at the CKIE store by Yanko Design!
(Feel the Time was originally posted on Yanko Design)

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Nintendo 3DS Chat Companion

Designed for the Nintendo 3DS hand-held gaming system, the Chat-Pak allows up to 4 users to voice chat while gaming without network or cellular connections. It’s compatible with all FRS and GMRS walkie-talkies so you’re sure to stay connected wherever you go. A built in speaker, microphone and headphone jack to provide privacy. Made of durable ABS plastic, it doubles as a protective case to keep your 3DS safe from impact and normal wear. See it in action —>

Designer: Cane Wireless Inc.


Yanko Design
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(Nintendo 3DS Chat Companion was originally posted on Yanko Design)

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Ontwerpduo bases Fairytale Furniture collection on fantasy stories

A swinging birdcage seat, lamps that branch out like a tree and a table designed for playing marbles feature in this collection of Fairytale Furniture by Dutch design studio Ontwerpduo.

Fairytale Furniture by Ontwerpduo
Cageling, as main image

The collection is the result of the long-term collaboration between Tineke Beunders and Nathan Wierink, the founders of Ontwerpduo who met while studying at Design Academy Eindhoven. Before they had even graduated, the pair had decided to work together with the aim of “translating fairy-tale ideas into functional designs and surprising the world with them”.

Fairytale Furniture by Ontwerpduo
Light Forest

Beunders delivers the fairy-tale part of their pact, letting her imagination run wild without the constraints of feasibility. Wierink has the task of turning her fantastical ideas into functional designs in a laboratory-like workshop.

Fairytale Furniture by Ontwerpduo
Light Forest

Cageling is birdcage-like seat that hangs from a single point allowing it to swing freely in the air. “Not captured, yet safe – and as free as a bird possibly can be,” said the designers. The metal-wire cage can be coated in any colour and is suitable for inside and outside use. It is lined with felt cushions, embroidered with a specially designed pattern.

Fairytale Furniture by Ontwerpduo
Marbelous

Referencing forests and climbing plants, each Light Forest lamp is custom-made by Beunders and Wierink using aluminium, 3D-printed curves and copper shades. The Forest can be made to any colour and composition, “growing” up walls, across ceilings and around corners. “Light Forest crawls into places that other lighting cannot reach,” said the designers.

Fairytale Furniture by Ontwerpduo
Marbelous

Ontwerpduo conceived the Marbelous table as an improvement to the ones Beunders played marbles under as a child, providing grooves for the marbles to follow from the tabletop to the feet. “Marbelous sweeps table manners aside, to make way for fun,” said the designers.

A box underneath provides somewhere to keep the marbles when not in use. Each table is handcrafted as part of a limited edition in the Ontwerpduo studio and is made from maple, with stainless steel marbles.

What-it-is,-it-isn't-by-Ontwerpduo_dezeen_21
What It Is, It Isn’t

The name of the What It Is, It Isn’t cabinet references a quote from Lewis Carroll’s story Alice in Wonderland: “If I had a world of my own, everything would be nonsense. Nothing would be what it is, because everything would be what it isn’t. And contrary wise, what is, it wouldn’t be. And what it wouldn’t be, it would. You see?,” said Alice in the book.

The limited-edition wood, pewter and polyurethane cabinet is constructed to look like a traditional cabinet reflected in a distorted mirror, but in fact the cabinet itself is distorted.

Fairytale Furniture by Ontwerpduo
Rockid

Rockid combines a rocking chair and a cradle, providing a simple way to rock a child to sleep. It is made from milled birch plywood and felt cushions. Beunders’ initial idea for the piece came from a children’s story about a group of gnomes and their nanny.

Fairytale Furniture by Ontwerpduo
Rockid

The collection also includes Tallow, a merged candle and sconce all made from paraffin; Folia Lumina, a plant-like LED light; the coated steel and glass Split Mirror, which provides three different reflections of reality; Cottage town, tiny houses which “conjure your houseplants into forest giants”; and Unstationery, coloured paper printed with functional yet unexpected lines.

Fairytale Furniture by Ontwerpduo
Tallow

Ontwerpduo displayed the furniture during Milan Design Week last month.

Fairytale Furniture by Ontwerpduo
Unstationery

The post Ontwerpduo bases Fairytale Furniture
collection on fantasy stories
appeared first on Dezeen.

The Jones

Bloesem Living |B.Instagood Amanda Jane Jones

This week the Jones, dynamic duo Amanda and Creelane, take over our B.Instagood here on Bloesem Living and Instagram post over on Bkids. What can we say, they are simply too creative and inspiring not to share. 

#BinstaGood

.. Follow Amanda on instagram
.. Bloesem and Zara S.  on instagram

Danny MacAskill РEpecu̩n

Directed by Dave Sowerby, we’ll see Danny take his riding back to the roots of trials riding,..(Read…)