Studio Galantini rebuilds wooden frame of small Italian chapel

Italian office Studio Galantini has upgraded the wooden structure of a 1970s chapel in north-west Italy so that it can be used for summer services, music recitals and theatrical performances.

Sant'Anna's Chapel recovery by Studio Galantini

The Cappella Sant’Anna, or Saint Anna’s Chapel, was first built in 1973 in the Italian hamlet of Torre del Lago, but had been out of use since 2010 after parts of the structure were declared unsafe.

Sant'Anna's Chapel recovery by Studio Galantini

In the summer of 2013 Studio Galantini took up the task of repairing the structure. “We were captured by the structural purity and by the formal simplicity of the chapel, qualities that totally integrate it into nature,” explained architect Marco Biondi.

Sant'Anna's Chapel recovery by Studio Galantini

With help from structural engineer Renato Terziani, the architects replaced around half of the building’s framework, which comprises three triangular frames and a series of supporting crossbeams. They also repaired the old steel fixings.

Sant'Anna's Chapel recovery by Studio Galantini

The original moss-covered roof was retained, revealing the building’s true age. “The substitution of the overlay with new elements would have permanently damaged the harmony with the landscape, created by time going by,” said Biondi.

Sant'Anna's Chapel recovery by Studio Galantini

The two ends of the chapel remain open to expose the interior to the elements – a feature of the original design by engineer Vardemaro Barbetta. Barbetta named the chapel Sant’Anna, after the mother of the Virgin Mary, but also after the name of his own mother who initiated the project.

Photography is by Paolo Del Freo.

Here’s some extra information from Studio Galantini:


Galantini’s Firm: Sant’Anna’s Chapel recovery

Galantini’s Firm in Pisa, with the support of Renato Terziani as structural engineer, was involved in the recovery project of the Sant’Anna Chapel. The work was shaped around the full philological and compositional rightness and sensitivity, paying particular attention to the usage of technology and careful intervention techniques.

The chapel arises in the Lagomare residential complex that is located at Torre del Lago, Viareggio’s hamlet (LU). It stands inside the “Parco Naturale di Migliarino San Rossore Massaciuccoli” area, very close to the sea.

Sant'Anna's Chapel recovery by Studio Galantini
Plan and side elevation – click for larger image

The Church, consecrated to Sant’Anna, was built on the engineer Vardemaro Barbetta’s project in 1973, following the engineer’s mother will whose name was Anna. The architectural work is highly characterised by the structural work: three gantries are settled by two balks that statically frame a three hinges portal. The hinges are made of steel and they are placed at the foot and at the top of the structure, resolving the work architecturally and structurally.

Because of the ageing of the wood in 2010 the structure was considered unsafe and declared not accessible, notwithstanding an offhand and structurally decontextualised past recovery action. A support for the balks, made by steel sections and welded batten plates, set up a mixed load-bearing structure.

The recovery work began in April 2013 and finished the 8th of August. The work was designed with no compromises: the technical complexity of the work was accepted to preserve the compositional integrity of the structure and the physics of the materials. The landscaped value of the overlay was preserved too, because of its integration with the surrounding pinewood.

Sant'Anna's Chapel recovery by Studio Galantini
Sections – click for larger image

This accomplishment was reached recreating the wooden parts and recovering the mechanical essentiality of the steel hinges. To accomplish that project, the work was realised suspending the structure using a scaffolding specifically designed for that aim; moreover the scaffolding was able to bear the efforts and the load transmitted during the substitution of the ground bases and of the degraded wooden parts.

Project: recovery of Cappella Sant’Anna

Designer: Studio Galantini

Engineer: Renato Terziani

Constructor: Antica Toscana

Client: Parrocchia di San Giuseppe

Location: Torre del Lago, Viareggio, Lucca

Completed: 2013

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of small Italian chapel
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Richard Hutten designs combined conference and ping pong table

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Combined conference and ping pong table by Richard Hutten for Lande

The Ping Table by Richard Hutten for furniture brand Lande features a drawer in each end to contain the two white bats, balls and a detachable net that clamps onto the edges of the table top.

Combined conference and ping pong table by Richard Hutten for Lande

“In the morning you can work on it solitarily, then use if for lunch with your colleagues, or have a meeting of up to ten people, followed by a game of table tennis,” said Hutten.

Combined conference and ping pong table by Richard Hutten for Lande

“Our work is a big part of our lives and a part of who we are,” he continued. “Due to the digitalisation of society, we are always ‘on’, so it is important to take a break and have fun. Design is traditionally about solving problems. I don’t solve problems, I create possibilities.”

Combined conference and ping pong table by Richard Hutten for Lande

He explained that the product is good for body and mind because it encourages play and activity during the day. “A game of table tennis clears the mind, which eventually leads to increased productivity,” he said.

Combined conference and ping pong table by Richard Hutten for Lande

The table is made of beech and features a walnut inlay to mark out the field for table tennis, but also divides the surface into four workspaces.

Combined conference and ping pong table by Richard Hutten for Lande

The pared-back design is meant to make it suitable for residential or industrial environments. It’s made by craftsmen in the Netherlands and measures 240 by 120 centimetres.

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conference and ping pong table
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Designer: StudioTotal


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Piantala is a metal rod partition that gives off the form of a traditional white picket fence. The design acts as a support system for vine-growing plants indoors and outdoors—the circular “feet” can be planted directly into the ground outside or into a planter or pot inside.

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Pay rises and bonuses suggest better times ahead for UK designers

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News: a survey of UK design and digital agencies has revealed annual increases in salaries and bonuses that indicate a recovery from the financial crisis affecting the design industry, though unpaid internships and free pitches are still on the rise.

The survey compiled by branding specialist Fairley & Associates, recruitment agency Gabriele Skelton and marketing firm On Pointe Marketing examined working conditions in digital and design companies, with its key findings indicating that “UK digital and design agencies may be emerging from the economic difficulties of recent years”.

According to the survey, 42.4 percent of employees received a pay rise in 2013 compared to 21 percent the previous year, while 27.7 percent received a bonus compared to 10.7 percent the previous year.

Pay increases are rising at a higher rate than inflation, with 73 percent of respondents who received a raise stating that it was more than 3 percent of their salary and more than a tenth enjoying pay rises of over 10 percent.

“This is the first evidence we have that the industry is in recovery, as despite the pressure from clients to do more for less money, agency leaders are awarding their staff pay rises and bonuses,” said Rachel Fairley, MD of Fairley & Associates.

However, 42.5 percent of respondents agreed that “agencies are using more unpaid interns”, though less than four percent of them judge fellowships and internships to be the best form of training. “This suggests that the perceived increase in the use of unpaid interns may be more about using cheap labour than developing the talents and skills of those entering the industry,” said the report.

The survey also revealed that many clients still expect agencies to pitch ideas for free, with 36.2 percent of the agencies polled claiming the number of free creative pitches requested by existing clients has increased since 2007, and 49.3 percent saying that the number of free pitches they’ve submitted for prospective clients has risen.

The survey of of 576 people also found that 53.7 percent of staff plan to change jobs in the next year, which represents a drop from last year’s result of 59 percent.

Attitudes towards training and development were also polled, with 40.5 percent of employees claiming they were disappointed with the support and opportunities for professional development provided by their agency.

The report is published annually by Design Industry Voices and is in its third year.

A recent survey by the Royal Institute of British Architects found that the annual workload of British architects increased for the first time since 2009.

Image of British currency is courtesy of Shutterstock.

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times ahead for UK designers
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