Quote of Note | Peter Buchanan-Smith

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Best Made’s “Sam McGee” American felling axe.

“I took an axe that was made by someone else, and I just painted the handle. The hard part was selling it and developing a catalogue and world around that one painted, simple axe. It was done overnight in a way. I had no business plan when I started. I literally painted 12 axes, photographed them, and two or three weeks later, I built an e-commerce site, and they were up for sale online.

It has been very slow to develop and craft some of the products that I want out there. That’s what’s been hard; it takes time and money, and that doesn’t come quickly unless you’re willing to sell half of your company or something, even if that were possible. But, I’ve learned a lot from my manufacturers. We work with a 140-year-old axe company that is still run by the same family. It is really inspiring to go down there, to watch them run machinery that was built 80 to 100 years ago, and see that they’re not anxious about growing really quickly. To them, it is about long, sustained growth. No one is thinking, ‘Let’s get rich quick.’”

Best Made Company founder Peter Buchanan-Smith in Kern and Burn: Conversations With Design Entrepreneurs, a new book by Tim Hoover and Jessica Karle Heltzel

New Career Opportunities Daily: The best jobs in media.

First Date Cutlery: Making Dinner Dates Less Awkward and More Insightful

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As if first dates don’t come packed with enough over analyzation as it is, there’s now a cutlery set that looks so far into designing a less awkward dinner date that it actually might be cutting back on your culinary meet-and-greet anxiety. First Date Cutlery, the creation of London-based designer Cristina Guardiola, “aims to smooth over some of the potential anxiety of a first date dining experience by facilitating good table etiquette and encouraging interaction.”

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Bookcase Inspired by DNA Structures

Coup de cœur pour l’agence Cattelan Italia a imaginé cette colonne de rangement pour livres très impressionnante. En s’inspirant de la structure de la molécule d’ADN, cette création justement appelée « DNA Bookcase » peut être acquise contre la somme de 800$. A découvrir en images dans la suite de l’article.

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Four New Mercedes-Benz S Class Vehicles Debut at the Frankfurt Auto Show: The S 500 Plug-in Hybrid, S 500 Intelligent Drive research vehicle, the Concept S-Class Coupé and a test drive in the S 63 AMG

Four New Mercedes-Benz S Class Vehicles Debut at the Frankfurt Auto Show


We wrote enthusiastically about our road test of the new Mercedes-Benz S Class just a few months ago. With the introduction of the latest cars joining the family at the ); return…

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Glass office for Soho China by AIM Architecture

Mirrored walls and glass ceilings transform this office interior in Shanghai into a labyrinth of reflected light and imagery (+ slideshow).

Glass office by AIM Architecture for SOHO China

Shanghai studio AIM Architecture designed the office for Soho China, the property developers behind Zaha Hadid’s Galaxy Soho and Wangjing Soho projects, and it occupies a space in the company’s Fuxing Plaza complex.

Glass office by AIM Architecture for SOHO China

The space functions as a showroom, so the architects wanted to show customers the raw condition of the office units available to rent.

Glass office by AIM Architecture for SOHO China

“As Soho rents out the offices in this building in bare shell state, the main design idea is to show the customers what they are actually getting, and at the same time add a layer of inspiring luxury to it,” they said.

Glass office by AIM Architecture for SOHO China

Ventilation ducts and other service pipes are visible through a continuous glass ceiling, while glass floors surround individual meeting rooms.

Glass office by AIM Architecture for SOHO China

Mirrored partitions alternate with glass screens and windows, juxtaposing views between rooms with framed apertures of the Shanghai skyline.

Glass office by AIM Architecture for SOHO China

“The glass-only approach allows a complexity that emerges from a simple choice,” added the architects.

Glass office by AIM Architecture for SOHO China

The entrance to the office is via an all-white corridor, where strips of light are reflected to create the illusion of a never-ending grid.

Glass office by AIM Architecture for SOHO China

Other offices filled with mirrors and glass include a Tokyo office with a hidden slide and a production studio in New York with translucent screens and glass partitions. See more office interiors »

Photography is by Jerry Yin, Chief Architect, SOHO China.

Here’s a project description from AIM Architecture:


Glass office by AIM Architecture for SOHO China

An all glass and mirror inner cladding exposes the infrastructure of SOHO’s new office building in Shanghai. The glass creates manifold reflections of the sales models and meeting rooms, while leaving the original height and structure in view. This creates a ‘double reality’ that merges with the stunning views of downtown Shanghai.

Membrane ceilings create extra attention for the models. Light and surfaces reflect throughout the space, even further diffused by half see-through mirrors. Some of the floors are islands of stone or carpet, to create static moments to offset this sea of reflectivity.

Glass office by AIM Architecture for SOHO China

As SOHO rents out the offices in this building in bare shell state, the main design idea is to show the customers what they are actually getting, and at the same time add a layer of inspiring luxury to it.

The glass-only approach allows creating a complexity that emerges from a simple choice. That is what makes this project bold and layered at the same time.

Glass office by AIM Architecture for SOHO China

This project by AIM Architecture is part of Fuxing Plaza, a large mixed-use complex (140.000m2) that hopefully will boost more energy and surprises for the city.

Date of realisation: September 2013
Design team: Wendy Saunders, Vincent de Graaf, German Roig, Carter Chen and Jiao Yan.
Client: SOHO China

The post Glass office for Soho China
by AIM Architecture
appeared first on Dezeen.

London Design Festival 2013: Tent London & Super Brands Highlights

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Reporting by Kristin Coleman

Across town from 100% Design, Shoreditch was buzzing with gallery shows, storefront installations and a pair of LDF staples: Tent London and Super Brands. Occupying the industrial space of Old Truman Brewery, the exhibits spread across two floors showcasing everything from slip-casted ceramics to paper furniture.

One of the most visually striking pieces in the Super Design Gallery was Kishimoto Design’s free-form Yumi Chair (pictured above), sculpted from ribbons of ash veneer. According to the designer, “By driving wedges into bound layers of veneer, I could freely manipulate the curvature of the wood without being hindered by clamps or molds.”

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A’ Design Award and Competition – Deadline Approaching Fast!

“You’ve got to have a problem that you want to solve; a wrong that you want to right.” This quote from the movie JOBS is all indeed the lifeline of a good designer. Edging you towards your success and giving you the platform to make your impression is what the A’ Design Award and Competition is all about. Besides bestowing you with accolades, the organizers of this competition move the extra mile to ensure you get enough press and business opportunities as well.

A’ Design Award and Competition’s primary aim is to create publicity, PR push and advertisement opportunities for award winners while supporting the global design culture, creating incentives for entrants to come up with superior designs for a better future.

Every year, projects that focus on innovation, technology, design and creativity are awarded with the A’ Award. The 50-person jury panel is under pressure to select only the deserving projects and have stringent rules and norms to follow. The Jury of the A’ Design award includes Academics, Professionals, Enterprise and Focus Group members and provide a fair and ethical evaluation.
Major Categories: Industrial Design, Product Design, Appliance Design, Architecture; know more here.

This what the A’ Design Award Winners get: Extensive PR Campaign, Press Release Preparation, Press Release Distribution, Communicated to Magazines, Communicated to Blogs, Newsletter Announcement, Award Trophy, Winners’ Certificate, Exhibition Certificate, Winners Badges, Competition Logo, Good Design Mark and many more goodies, know more here.

Some Award Winning Designs:

Butler by Curtis Micklish

Golden Moon by Laboratory For Explorative Architecture & Design Ltd

Rulo by Ozgu Gundeslioglu

Tako by Maurizio Capannesi

Conceptum Works: Neue Klasse by Ying Hern Pow

Register here and know more here.

Deadline for submission is September 30, 2013, Yanko Design will publish select winners and results will be announced on April 15, 2014 right here.


Yanko Design
Timeless Designs – Explore wonderful concepts from around the world!
Shop CKIE – We are more than just concepts. See what’s hot at the CKIE store by Yanko Design!
(A’ Design Award and Competition – Deadline Approaching Fast! was originally posted on Yanko Design)

Related posts:

  1. Electrolux & YD Present : Electrolux Design Lab LOGO Competition – Deadline Extended!
  2. Claim Fame & Fortune, Enter The A’ Design Award and Competition
  3. A’Design Award and Competition Roundup


    



PDT and La Boîte Bloody Mary Spices: The Manhattan cocktail experts unite with La Boîte à Epice spice shop for a better Bloody Mary

PDT and La Boîte Bloody Mary Spices


Jim Meehan, Managing Partner of New York City’s no-longer-a-secret cocktail venue PDT (Please Don’t Tell), regularly uses ingredients from Lior Lev Sercarz’s biscuit and spice shop La Boîte à…

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Ron Paulk Bonus Footage, Part 1: On His Design Process, Avoiding ‘Overdesign,’ and Advice for Design Students

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When we interviewed builder/designer Ron Paulk on his Mobile Woodshop and Paulk Workbench, there were some tangential things we discussed that we couldn’t fit into the previous videos. We didn’t want the footage to go to waste, as we thought some of you might be interested in hearing these side conversations; so we’ve cut them into short, one- and two-question videos.

First up, Ron discusses how he avoids the “overdesign” problem:

Ron tells us what the hardest part is about designing a large storage system, explains his design process, and tells us where he looks when he’s seeking answers to problems:

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Mapping New York’s design community

New York creative agency Athletics and the Cooper Union’s Herb Lubalin Study Centre are launching an exhibition mapping New York’s graphic design community, inspired by urban planner Kevin Lynch’s 1960 study The Image of the City.

Image of the Studio, which opens next week, will feature original work and studio portraits from more than 75 design studios, as well as infographics addressing what graphic design in New York looks like and how living and working in the city affects contemporary studio practice.

The project was inspired by Lynch’s five year study of how we perceive urban landscapes: examining people in Boston, Jersey and Los Angeles, he concluded that we make sense of our surroundings by forming mental maps of five elements: paths (sidewalks and streets), edges (perceived boundaries such as buildings and shorelines), districts (sections defined by a particular character, nodes (focal points) and landmarks.

Lynch is widely credited with introducing the terms wayfinding and imageability and his research on the importance of visual communications has had a significant impact on urban planning. Athletics says his work is also a study of graphic design “and how we translate the visible world into tangible forms in order to grasp a sense of the whole.”

“Image of the City was a crucial inspiration in that it helped us frame the nature of graphic design within the parameters of NYC. The idea of cognitive mapping – of a mental representation – was the basis of how we approached the exhibition to try to grasp a sense of the whole graphic design community,” explains Athletics co-founder Matt Owens, who curated the show with colleague Allison Connell and Herb Lubalin Centre curator Alexander Tochilovsky.

Infographics featured in the show are based on the results of an online questionnaire filled out by participating studios in June, documenting the history and culture of each company. Athletics has also arranged a series of accompanying talks, debates and studio tours, looking at design in five New York boroughs. After the exhibition, submitted work will be archived at the centre and uploaded to imageofthestudio.com

Athletics has been planning Image of the Studio since late 2012, after Tochilovsky invited Owens to take part in a panel discussion of Unit Editions’s book Herb Lubalin: American Graphic Designer (1918-81). “We were captivated by the recollections of all of the panelists as they discussed Herb, his studio culture, creative working style and the real challenges of being a practicing designer.

“After the panel, we discussed with Alexander the unique dialogue that occurs when fellow designers are face to face, exchanging opinions and professional experiences, as well as how the notion of the design studio changes across people, technology, time and culture. We agreed it wasn’t something that could be fully captured in a singular medium – be it print, online or in motion or live. Thus the idea of the exhibition was born,” says Owens.

“I have long been thinking of a way to shed more light on the design studio model, especially as a teacher. For students, there is a lot of mystery to the way studios operate or how they began,” adds Tochilovsky. “I’ve also been curious to see more of designers’ faces – not many show portraits of themselves on their websites. So when Matt came to me with this idea it seemed like a perfect match for our vision at the Lubalin Center – we aim to produce exhibitions which are educational and illuminate some aspect of graphic design’s role,” he adds.

“For us, its been a great deal of work but as a studio it’s been our love letter to both New York and the graphic design industry. It’s also an excuse to throw a big party for our fellow designers and involve our community and peers in a meaningful way,” adds Connell.

Image of the Studio opens on October 1 until October 26 at 41 Cooper Gallery, Cooper Union. To find out more visit imageofthestudio.com

Images (from top): original work and studio portraits submitted by Demo, the Office of Paul Sahre and Ro and Co, and infographics produced by Athletics for the show.