A Million Times by Humans Since 1982: 300 synchronized clocks complete an installation series on time from Stockholm’s strategic design group

A Million Times by Humans Since 1982

Next month, Humans since 1982 unveils its latest installation “A million times” at Design Days Dubai, which will incorporate 300 interconnected analog clocks working together to form a singular installation that measures almost 3.5 meters wide. Each clock contains a motor for the minute hand and one for the…

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The Anatomy of Gravity

Le français Arthur Valverde a réalisé cette vidéo impressionnante appelée « The Anatomy of Gravity ». Dans cette création produite par Rollin Studio, la mannequin Valeria Leonova, habillée d’un drap blanc, effectue une chorégraphie magnifique. La vidéo est à découvrir en haute définition dans la suite de l’article.

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Bionic Sailboat

This versatile sailboat design looks to the animal kingdom as a model for its floatation and unique wind-harnessing technique, emulating nature’s own time-tested solutions. The shape of the body takes inspiration from cetacean’s well-adapted shape to move through the water efficiently, while the dual-sail applies principles taken from seafaring birds. The “wings” tuck at the boat’s sides when not in use and can be raised quickly when it’s time to set sail.

Designer: Buzasi Szilveszter


Yanko Design
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(Bionic Sailboat was originally posted on Yanko Design)

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Some of this week’s ads

A trip down Sony’s memory lane and the life of an Anchor butter kitchen are among adland’s offerings this week.

McCann London created the commercial for the new Sony Xperia Z model, launched at the Mobile World Congress this week. Directed by Tarsem Singh, the ad revisits iconic Sony products through ages, such as the Sony Walkman or handycam. And in nifty timing, considering the ubiquity of all things David Bowie at the moment, the work is set to Bowie’s ‘Sound and Vision’, remixed by Sonjay Prabhakar.

Agency Dare Vancouver has produced an eye-catching duo of ads for the BC Children’s Hospital Foundation, which is asking for donations to create more space. The specially designed set provides a nice surprise factor through clever play with perspective, translating the hospital’s need for space in a visual pay-off – and with a touch of ‘Being John Malkovich’ about it.

BC Children’s Hospital Foundation – ‘Hospital Ward’ from thisisdare on Vimeo.

Meanwhile, director Tom Tagholm (through production company Blink) – the director behind last year’s ‘Meet the Superhumans’ for Channel 4’s Paralympics coverage – has teamed up again with visual effects company MPC to produce CHI & Partners’ new spot for Anchor. The commercial is shot from the vantage point of a kitchen table, taking in the centre of the home as it lives through the decades in one sweeping pan. The main challenges during and post production were matching the footage representing different decades to the corresponding era, as well as the changing backgrounds and final grading, according to the team.

And if you ever wondered what it would be like to play paintball in a brand new Audi, look no further. Created by Rubber Republic, this clip for Audi shows two RS 4 Avants with bonnet mounted paintball guns taking over a military aircraft hangar and go head to head in the ultimate paintball duel. Do try this at home.

CR in print
The March issue of CR magazine celebrates 150 years of the London Underground. In it we introduce a new book by Mark Ovenden, which is the first study of all aspects of the tube’s design evolution; we ask Harry Beck authority, Ken Garland, what he makes of a new tube map concept by Mark Noad; we investigate the enduring appeal of Edward Johnston’s eponymous typeface; Michael Evamy reports on the design story of world-famous roundel; we look at the London Transport Museum’s new exhibition of 150 key posters from its archive; we explore the rich history of platform art, and also the Underground’s communications and advertising, past and present. Plus, we talk to London Transport Museum’s head of trading about TfL’s approach to brand licensing and merchandising. In Crit, Rick Poynor reviews Branding Terror, a book about terrorist logos, while Paul Belford looks at how a 1980 ad managed to do away with everything bar a product demo. Finally, Daniel Benneworth-Grey reflects on the merits on working home alone. Buy your copy here.

Please note, CR now has a limited presence on the newsstand at WH Smith high street stores (although it can still be found in WH Smith travel branches at train stations and airports). If you cannot find a copy of CR in your town, your WH Smith store or a local independent newsagent can order it for you. You can search for your nearest stockist here. Alternatively, call us on 020 7970 4878, or buy a copy direct from us. Based outside the UK? Simply call +44(0)207 970 4878 to find your nearest stockist. Better yet, subscribe to CR for a year here and save yourself almost 30% on the printed magazine.

CR for the iPad
Read in-depth features and analysis plus exclusive iPad-only content in the Creative Review iPad App. Longer, more in-depth features than we run on the blog, portfolios of great, full-screen images and hi-res video. If the blog is about news, comment and debate, the iPad is about inspiration, viewing and reading. As well as providing exclusive, iPad-only content, the app will also update with new content throughout each month.

Community In A Cube by FAT

An assortment of building typologies appear to be stacked on top of one another at this housing block in Middlesborough, England, by London architects FAT (+ slideshow).

CIAC Housing by FAT

The Community In A Cube (CIAC) building was first conceived as part of a larger masterplan drawn up by architect Will Alsop in 2004 for a site beside the city’s old docks. Other ideas for the development included a building shaped like a toaster and an apartment block resembling a stack of Jenga pieces.

CIAC Housing by FAT

The crash in the economy stalled almost all of these projects, so nearly ten years later FAT‘s cartoon-like building is the first and only project to complete. FAT director Sean Griffiths told Dezeen he is confident it won’t stand alone for long: “The developers were trying to add a bit of of pizazz and glamour, which I think was a great idea and I think it will in time spark more development.”

CIAC Housing by FAT

The nine-storey building comprises three tiers. At the lowest level, a gabled timber chalet sits alongside a row of shop units, which together support a six-storey apartment block in the middle section. Above this, two vernacular houses appear to be sitting on the roof.

“The idea was that it was like a little urban village,” said Griffiths. “It was about assembling disparate elements you would think of as incongruous into a collage that has an expression of community.”

CIAC Housing by FAT

He continued: “You have a thing that looks like a Swiss chalet on the ground floor, which was going to be the the local community pub. Then you have housing on the roof that taps into local culture. They’re not exactly ordinary houses, more of an aesthetic expression you’d be more likely to find in New England or Kent, but they become very odd because they sit on top on an apartment building.”

CIAC Housing by FAT

A total of 82 apartments are accommodated within the U-shaped plan and fold around a central south-facing courtyard. Balconies extend out over this space, while more are located in a large recess on the northern facade.

CIAC Housing by FAT

The architects used a variety of materials to give the building its colourful appearance. Purplish engineering bricks appear on the outward-facing elevations, while the walls flanking the courtyards and recesses are clad with timber and decorated with a black-painted lattice.

CIAC Housing by FAT

Apertures in the walls are created with a pattern of triangular, circular and square perforations. On the opposite side, the main stairwell is highlighted with geometric patterns in pink, green and blue.

CIAC Housing by FAT

“Our general philosophy about architecture is that much of it is very dull with no sense of exuberance, or any openness to a wider variety of influences and sources” added Griffiths. “This building is part of our expression that architecture should contribute something more memorable.”

CIAC Housing by FAT

The entrance to the building sits beneath a parapet of cloud motifs, where a single flight of stairs leads up to the terrace, then a spiral staircase winds up to the main access corridor on the second floor. This sequence was designed to encourage interaction between residents.

Heating and hot water for the building comes from a wood chip biomass boiler, plus the walls are heavily insulated to stop heat from escaping.

CIAC Housing by FAT

Architecture studio FAT, short for Fashion Architecture Taste, is run by three directors; Charles Holland, Sean Griffiths and Dezeen-columnist Sam Jacob. They’re also currently working on a house inspired by fairytales and recently completed a museum of copying at the Venice Architecture Biennale. See more architecture by FAT.

See more housing projects on Dezeen, including another pile of buildings in France.

CIAC Housing by FAT

Above: spatial organisation diagram

Here’s a project description from FAT:


FAT Architecture have recently completed CIAC, an £11.8M, 82 unit housing project in north east England. Designed for a joint venture client comprising developers BioRegional and Quintain, the brief was to deliver a highly sustainable, landmark housing project.

CIAC Housing by FAT

Above: site plan – click for larger image

The buildings simple block form is eroded and sliced by different housing typologies, courtyards, shared amenities, garden space and circulation routes to create a vertical community, from which its nickname ‘Community In A Cube’ is derived. The architectural language explicitly expresses the diversity of the buildings community to create a rich visual and spatial experience.

CIAC Housing by FAT

 Above: ground floor plan

Flats have generous 2.7m floor to ceiling heights, and are carefully planned to maximise dual aspect views that take advantage of the buildings waterside location. Circulation links the shared garden space with the public square below though planted terracing, encouraging a strong link between public, semi public and private space. The building addresses its surrounding public space with commercial units, a community centre and a pub to form a streetscape while its higher levels respond to the scale of the surrounding docks and city.

CIAC Housing by FAT

Above: first floor plan

Materially, the building uses a pallet of tougher brick to its exterior, responding to the industrial landscape of the old docks. Its interior court is lined with a softer, warmer timber to which graphic motifs and planting are used to add to its intimate, sheltered character.

CIAC Housing by FAT

Above: second floor plan

CIAC follows the “One Planet Living” principles developed by Bioregional and WWF to promote the concepts of sustainable living and ecological footprinting addressing carbon emissions, recycling, transport, materials, opportunities for on-site food production, water consumption, biodiversity, sustainable community structure, and access to pleasant outdoor space. Exceeding an Eco Homes Excellent rating, it’s sustainable design features include a high thermal performance for the external envelope and a wood chip biomass boiler which meets 100% of the buildings demand for heating and hot water as well as providing capacity for further neighboring developments.

CIAC Housing by FAT

Above: section from north to south

The post Community In A Cube
by FAT
appeared first on Dezeen.

Folded Java Maker

I was in for a rude shock when I realized that my hotel in Milan did not provide for an electric kettle in my room. This is a given standard, however sometime we need to carry our kettles with us. For such situations (yes, I am picky about making my own coffee) the Novel is apt; it is a patented folding travel kettle, which is unique, thanks to its simple design.

It is designed in such a way that it folds into a minimum shape and can be put in the back pocket of your trousers! Even a travel bag or a laptop bag!

The body of the kettle is ergonomic and made of special heatproof plastic, which is pleasing to the touch when heated to the boiling point. The inside of the kettle is made of 100% silicone, which allows its horizontal folding. A bayonet adapter provides the source of the electric power with a supply connector to the source of the electric energy (wall sockets at home, car socket, socket of solar panels). There are magnetic elements included in the body of the kettle, in the lid and in the adapter, which allow us to pack the kettle simply and safely and provide its fixation into operating or storage position towards the magnetic base (minimum requirements for storage space). Folded or unfolded kettle can be fixated on metal components of the side walls of vehicles, vessels or planes for medical, security, rescue and humanitarian forces!

Designer: Stanislav Sabo


Yanko Design
Timeless Designs – Explore wonderful concepts from around the world!
Yanko Design Store – We are about more than just concepts. See what’s hot at the YD Store!
(Folded Java Maker was originally posted on Yanko Design)

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Interview: Mario Testino: The intimate moments behind a whirlwind of glossy covers and a look at the illustrious life of an acclaimed lensman

Interview: Mario Testino

by Vivianne Lapointe Less than a month after the closing of “In Your Face,” a dedicated retrospective at the Boston Museum of Fine Arts, acclaimed fashion photographer Mario Testino unveils a series of never-before-published images carefully curated from his personal portfolio. The evocative selection encompasses favorite outtakes from the past…

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The iSmart In Television

All the great things you ever wanted in a TV, they can be found in the Smart TV Concept. WiFi, gesture control, currency conversion, weather report and much more! I agree that as a concept you can keep adding features that please you but if we look at this smartly, then the panel kinda design nails it for me. What do you think?

Designer: Vladimir Ogorodnikov


Yanko Design
Timeless Designs – Explore wonderful concepts from around the world!
Yanko Design Store – We are about more than just concepts. See what’s hot at the YD Store!
(The iSmart In Television was originally posted on Yanko Design)

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Paper Animal Lights

Coup de cœur pour le travail de Maik Perfahl et Wolfgang List qui ont réalisé ces lampes de papier sous la forme d’animaux. Partant de modèles réalisés en 3D par ordinateur, ces créations magnifiques pensées par ces artistes issus du collectif « Mostlikely » sont à découvrir dans la suite et sur le site Etsy.

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Chevy’s New In-Dash Digital and Physical Safe

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Unintended consequences of technology: In-car nav systems were a godsend for the directionally-challenged driver, but they were also a windfall for a handful of criminals. I’d first heard about this happening in L.A., where a thief would steal a nav-equipped car out of a restaurant parking lot; s/he could then punch up the owner’s address on the nav system; and being certain that the owner was dining in the restaurant, the thief could drive to their empty home, gain access using the garage remote, and rob the place blind.

Chevrolet’s latest Impala model is thus designed with a “valet mode” that provides both digital and physical security. A touchscreen in the center of the dashboard allows the car’s owner to enter a passcode that locks up the nav’s database. Even cooler, the entire panel slides upwards, revealing a small in-dash safe where you can lock up that garage remote.

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The in-car safe is also touted as a place where you can leave your phone and wallet, which I thought was kinda strange; is it just a New York thing that we typically empty the car of all valuables whenever we park it? In any case, there’s also a charging port for your phone inside, making it a handy storage spot while driving. If Chevy combines this with their Eyes Free Integration, drivers won’t mind being separated from their phones while driving, and in fact it’ll probably be safer for all of us.

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