Hasta La Ideas

La Campus si fa l’allacciatura laterale e a me piace. Se non siete d’accordo, passate al post successivo.

With colorful layers and an almost chem-lab aesthetic, the Roots series of vases are a clever twist on the classic tiered flower vase. The decorative objects, composed of blown borosilicate glass, can be used in two directions: one as a single vase for large bouquets or for grouped flowers that cascade down the side. You can own it here!

Designer: Giorgio Bonaguro

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(Glass Roots was originally posted on Yanko Design)

Related posts:

1. 10 Botanicals Martini Glass
2. Apparently The 5th Element Is Glass
3. 4D Glass by Jonathan Krawczuk

We’re seeing so many objects here where the form has nothing to do with the function, as a designer it’s almost… offensive. So it was almost refreshing to run across this weird massage products section, where things need to be shaped in such a way as to interact with the human body. The area was hard to miss, because there were quietly moaning people apparently being eaten by chairs (like this one by Infinity):

Then across from him, we saw this dude:

Guy on the right is getting his eyeballs massaged, in addition to the top of his head. A company called Breo USA (ironically, a Chinese company based in Canada) makes a ton of different portable battery-powered massagers targeted towards different areas of the body, and he’s wearing their iDream 3 Eye & Head Massager.

Breo’s Mini Body Massagers are designed with different shapes at the business end, depending on where they’re meant to contact.

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The Beethoven Phone is for the hearing challenged folks who find it difficult to communicate with others through sign language. Not everyone knows sign language and to remove this barrier when the hearing challenged person types in his message, it gets relayed to the other person through the transparent screen as well as a voice message. What makes the device stand apart is the capability to turn back voices into text. So imagine the challenged person enjoying a movie using this device! Very cool!

Designers: Jong Soo Kim

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Yanko Design
Timeless Designs – Explore wonderful concepts from around the world!
Yanko Design Store – We are about more than just concepts. See what’s hot at the YD Store!
(A Better Beethoven was originally posted on Yanko Design)

No related posts.

‘Hugh Grant to star in Guardian ad’ ran a story on the paper’s website. Turns out the actor doesn’t so much ‘star’ in as ‘briefly introduce’ a strangely disjointed movie trailer spoof puffing the Guardian and Observer’s weekend editions

The Guardian’s trailing of its own ad campaign was roundly ridiculed in the comments section by the paper’s online readers, as was Grant’s involvement. (One wit recalled a line from The Thick of It in stating that it was a case of “A posh bloke who hates newspapers advertising a posh paper that hates newspapers”.) Some also speculated about whether the actor’s appearance in the ad might be some form of ‘pay back’ for The Guardian’s phone hacking coverage. Perhaps anticipating this, in a press release about the ad, the paper stressed that Grant had not been paid for his contribution. Weird. Why should it matter if he was paid or not?

The full-length version of the ad (directed by Tim Godsall and produced by Biscuit Films) will, we are told, run online only. Cut down versions will be seen in cinemas. This perhaps explains the ad’s fragmented, episodic nature – the snippets may well work much better on their own.

Again, it’s from BBH (written by Wesley Hawes and Gary McCreadie), which had such awards success with Three Little Pigs for the paper last year. While that ad took great pains to explain the modern news-gathering process and how stories develop quickly over time and over a multitude of channels, this one is a much more straightforward pitch for spending some quality time with the Saturday Guardian and The Observer.

Does it work? Grant’s involvement is minimal – something which may or may not be a plus, depending on your taste. Post-Leveson, some fun is had at his expense as we are led to believe that he has been lured into getting involved on the basis that at last here was a serious paper that was above the tawdry exploitation of celebrities for commercial ends. The film has a gentle dig at stereotypical Guardianistas too as Mr and Mrs Smug debate whether to “catch the modernism show in town” or do something exciting with salmon and the use of cheesy stock footage is fun. The scene in the lift, however, is just painful and this full-length version feels a bit all over the place. Better to wait for the 30s and 60s in the cinema to judge its true impact perhaps.

Now, can we stop with the movie trailer spoofs please? I think we’ve all had enough haven’t we?

CR in Print
The January issue of Creative Review is all about the Money – well, almost. What do you earn? Is everyone else getting more? Do you charge enough for your work? How much would it cost to set up on your own? Is there a better way of getting paid? These and many more questions are addressed in January’s CR.

But if money’s not your thing, there’s plenty more in the issue: interviews with photographer Alexander James, designer Mirko Borsche and Professor Neville Brody. Plus, Rick Poynor on Anarchy magazine, the influence of the atomic age on comic books, Paul Belford’s art direction column, Daniel Benneworth-Gray’s This Designer’s Life column and Gordon Comstock on the collected memos, letters and assorted writings of legendary adman David Ogilvy.

Please note, CR now has a limited presence on the newsstand at WH Smith high street stores (although it can still be found in WH Smith travel branches at train stations and airports). If you cannot find a copy of CR in your town, your WH Smith store or a local independent newsagent can order it for you. You can search for your nearest stockist here. Alternatively, call us on 020 7970 4878 to buy a copy direct from us. Based outside the UK? Simply call +44(0)207 970 4878 to find your nearest stockist. Better yet, subscribe to CR for a year here and save yourself almost 30% on the printed magazine.

CR for the iPad
Read in-depth features and analysis plus exclusive iPad-only content in the Creative Review iPad App. Longer, more in-depth features than we run on the blog, portfolios of great, full-screen images and hi-res video. If the blog is about news, comment and debate, the iPad is about inspiration, viewing and reading. As well as providing exclusive, iPad-only content, the app will also update with new content throughout each month. Try a free sample issue here