Vignelli on new American Airlines: no sense of history

“Design cannot cover the mistakes of bad management, but styling can.” American Airlines has introduced a new brand identity and livery, replacing Massimo Vignelli’s classic created in 1967. We asked Vignelli for his opinion on the new look

American Airlines’ new mark


And Vignelli’s original

 

CR contacted Vignelli, who created the airline’s previous identity which endured for over 40 years, for his thoughts on the new scheme after it was unveiled yesterday. “A designer can only be as good as their clients, therefore the new American Airlines Identity doesn’t surprise me much,” he says. “Clients without [a] sense of history, could not understand the value of equity. When we designed the logo for Ford we decided to keep the original Ford oval, because it is part of our collective culture and history. We did the same with the CINZANO logo, and we will always do that when equity and history come together on a brand. However we are not conservative, on the contrary we design [a] new logo any time there is a need for it.”

Collateral created by Vignelli/Unimark in 1967

 

“It seems to me that there was no need for American Airlines to undertake such a change, but many people do not understand the difference between Design and Styling, and believe in change for the sake of change,” Vignelli believes. “This is a very young country and has little time to appreciate the value of history. Perhaps in the future it will became wiser…”

 

“Eleven stripes for a company in Chapter 11?” American Airlines’ new livery

 

“Design cannot cover the mistakes of bad management, but styling can. That is why American Airlines opted for that solution. (Eleven stripes for a Company in Chapter 11? an appropriate solution….). The logo we designed 45 years ago had equity, value and timelessness. Why to bother with it”

“Anyhow, I am quite proud of what I did long ago and wish the best to them. Only time will say…”

Read our post on the American Airlines redesign here

CR in Print
The January issue of Creative Review is all about the Money – well, almost. What do you earn? Is everyone else getting more? Do you charge enough for your work? How much would it cost to set up on your own? Is there a better way of getting paid? These and many more questions are addressed in January’s CR.

But if money’s not your thing, there’s plenty more in the issue: interviews with photographer Alexander James, designer Mirko Borsche and Professor Neville Brody. Plus, Rick Poynor on Anarchy magazine, the influence of the atomic age on comic books, Paul Belford’s art direction column, Daniel Benneworth-Gray’s This Designer’s Life column and Gordon Comstock on the collected memos, letters and assorted writings of legendary adman David Ogilvy.

Please note, CR now has a limited presence on the newsstand at WH Smith high street stores (although it can still be found in WH Smith travel branches at train stations and airports). If you cannot find a copy of CR in your town, your WH Smith store or a local independent newsagent can order it for you. You can search for your nearest stockist here. Alternatively, call us on 020 7970 4878 to buy a copy direct from us. Based outside the UK? Simply call +44(0)207 970 4878 to find your nearest stockist. Better yet, subscribe to CR for a year here and save yourself almost 30% on the printed magazine.

CR for the iPad
Read in-depth features and analysis plus exclusive iPad-only content in the Creative Review iPad App. Longer, more in-depth features than we run on the blog, portfolios of great, full-screen images and hi-res video. If the blog is about news, comment and debate, the iPad is about inspiration, viewing and reading. As well as providing exclusive, iPad-only content, the app will also update with new content throughout each month.

Pots by Benjamin Hubert for Menu

Maison&Objet 2013: London designer Benjamin Hubert has created a range of terracotta pots with rubber lids for Danish homeware brand Menu.

Pots by Benjamin Hubert and Menu

The collection, called Pots, was created by Benjamin Hubert and Menu using the contrast between traditional terracotta and industrially produced rubber lids.

Pots by Benjamin Hubert and Menu

Each pot has a natural exterior and a glazed interior, while the lids are injection-moulded silicone.

Pots by Benjamin Hubert and Menu

The collection comprises a tall and top-heavy pot for spaghetti, a container with a wide spout for dispensing pasta or grain, a small pot with a long neck for controlled pouring, and a wide cookie jar that rotates on its angled base for easy sharing.

Pots by Benjamin Hubert and Menu

Last year we published a rustic restaurant interior in Copenhagen by Menu in collaboration with Norm Architects.

Pots by Benjamin Hubert and Menu

We’ve featured lots of products by Hubert, including a ceramic lamp, also launching at Maison & Objet, and a lighting collection made of underwear fabric – see all designs by Benjamin Hubert.

Pots by Benjamin Hubert and Menu

Other designs from Maison & Object we’ve reported on this year include a speaker shaped like a volume icon on a computer and whimsical wallpapers by Fornasetti – see all products from Maison & Objet 2013.

Pots by Benjamin Hubert and Menu

See all stories about containers »
See all stories about homeware »

Here’s some more information from the designers:


Pots by Benjamin Hubert X Menu

Pots is a series of storage jars launching at Maison & Objet in January 2013. The project is a result of a close collaboration between Benjamin Hubert and Danish brand Menu. The storage jars stem from the studio’s “materials driven, process led” industrial design approach, researching the typologies and language associated with ancient and contemporary methods of keeping products cool and dry utilising terracotta.

Pots by Benjamin Hubert and Menu

Pots feature an exterior of natural, raw terracotta contrasting with the gloss glazed interior and soft rubber lids, providing a multitude of experiences for your senses. The collection represents an uncompromising contrast between the ancient traditions found in terracotta and the industrial modernity embedded in the mass-produced rubber lids.

Pots by Benjamin Hubert and Menu

Pots provide an earthen landscape of sculptural but functional objects for your kitchen table, desk or windowsill. The series consists of four vessels, each holding a specific function – or ingredient – of your choice:

Pots by Benjamin Hubert and Menu

1. A tall djembe-like sculpture with a distinct waistline, whichgris holds your spaghetti or grissini so you can easily grasp it without lifting the pot.
2. A container with a wide pouring area making it easy for you to control the dispensing of pastas and grains.
3. A small pouring device with a long neck allowing for controlled dispensing of seeds, grains and sugar.
4. A stout cookie jar that can be twisted and turned to encourage sharing. This contains biscuits, tea bags, bonbons etc.

Pots by Benjamin Hubert and Menu

Materials:
Terracotta ceramic
Injection moulded silicone

The post Pots by Benjamin Hubert
for Menu
appeared first on Dezeen.

The Cologne Chair ®

Studio Stef Bakker

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Written about and shown before on Bloesem but always a pleasure sharing the work by Stef Bakker who is NOT an interior designer and Not an art director but Stef Bakker = inspired by all creation …

and yes he is from the Netherlands … his style and sense for spaces is totally up my alley … loving the rooms he touches. The images shown in this post are from differen projects he has done for different private spaces. 

A lot of grey and dark tones throughout his portfolio but that doesn't bother me a bit in fact it even makes me consider painting a wall in my home grey too …. the combination with wood is just perfect and I have a lot of wooden furniture in my home so that could work well. The laether couch in the image below is probabbly a vintage one from the sixties or seventies and you just have to be lucky to score an item like that … probably more luck in Europe than here in Asia.

Do like his style would love to hear your feedback!              [MORE IMAGES AFTER THE BREAK]

Stef_bakker

Studio-bakker-seaside-studi

Boekenkast-totaal Studio-bakker-no-place-bett  Bedroom_stef_bakker   

Studio_stef_bakker

Boekenkast-totaal

Studio-bakker-no-place-bett

Bedroom_stef_bakker

Not sure who made the images but All images shown here are from the online portfolio of Stef Bakker

..Studio Stef Bakker

Daily Obsesh: Mesh Bolero

imageTrue fashionistas are always looking to pull off vintage inspired items in their own ways for a unique style. With distinctive designs and inspiring details, it enables you to show off your fashion expertise in more fun and stylistic ways. This is exactly why we love this Save Me The Waltz Sequined Bolero from Ruche. This cream-hued mesh bolero is a stunning addition to any outfit with both luxurious and classic feel. It features a gray sequined fish scale pattern with pearly white and light gold-toned seed bead detailing for a vintage art nouveau effect. It goes great with bold colors such as red and also with simple basic colors like white and black.

Red Dot Award-Winning ‘Saddle Lock’: Yea or Nay?

LeeSangHwa_KimJinHo_YeoMinGu-SaddleLock-3q.jpg

Not to be a hater, but my number one concern with the “Saddle Lock” concept by Lee Sang Hwa, Kim Jin Ho and Yeo Min Gu is that it’s a design for not only the seatpost and saddle but the frame itself. The fact that the hinge is incorporated into the seatpost cluster means that the locking mechanism is part and parcel with the frame itself, seatstays be damned. That said, the Red Dot Design Award-winning concept illustrates a commendable bit of lateral thinking, so to speak, in integrating a locking into the seatpost, which flips between the standard upright position and a lowered, secure configuration.

In complex cities, the number of people using bicycles to travel short distances is increasing. Following the trend, bicycle design has been evolving rapidly. On the contrary, the evolution of the bicycle lock has been slow. When they make a quick stop—such as at a coffee counter or a convenience store—people still look for something to lock their bicycle to. Even though they are only stopping for a few minutes, they must perform quite a number of actions to lock their bike.

Saddle Lock provides a way to quickly lock the rear wheel without the need for additional locking accessories. The seat post swings down around the main frame when a button is pushed. The saddle features a cut-away shape that allows it to sit over the rear wheel. A combination lock allows the release of a special alloy rotating lock that extends from one end of the saddle to the other, securing its connection to the wheel.

LeeSangHwa_KimJinHo_YeoMinGu-SaddleLock-comboDetail.jpg

Stateside cyclists will be quick to note that locking the rear wheel is hardly sufficient for the mean streets of NYC or SF, but that’s not the point: The Saddle Lock is a variation on the built-in handcuff-style wheel lock that is commonly seen on imported cruisers and e-bikes, a simple solution for less-larcenous locales.

LeeSangHwa_KimJinHo_YeoMinGu-SaddleLock-COMP.jpg

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