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Optical Glass House by Hiroshi Nakamura & NAP

A tree-filled courtyard is glimpsed through the shimmering glass-brick facade of this house in Hiroshima, designed by Japanese architect Hiroshi Nakamura (+ movie).

Optical Glass House by Hiroshi Nakamura

Optical Glass House was constructed beside a busy road, so Hiroshi Nakamura and his studio NAP wanted to create a private oasis where residents could still make out the movements of people and traffic beyond the walls. “The serene soundless scenery of the passing cars and trams imparts richness to life in the house,” said the architect.

Optical Glass House by Hiroshi Nakamura

The garden is raised up to first floor level to make room for a garage below and the architects used 6,000 specially made glass blocks to build a two-storey-high wall in front of it. The wall was too tall to support itself, so the blocks had to be bolted together.

Optical Glass House by Hiroshi Nakamura

As light filters through the glass it creates dancing patterns across the walls and over a group of maple, ash and holly trees.

Optical Glass House by Hiroshi Nakamura

“The facade appears like a waterfall flowing downward, scattering light and filling the air with freshness,” said the architect.

Optical Glass House by Hiroshi Nakamura

An open living room is located just behind and is only separated from the garden by a lightweight metal curtain. This curtain folds back to reveal a second glass-block wall at the back of the room, which lines the edge of a central staircase.

Optical Glass House by Hiroshi Nakamura

Residents are faced with the staircase upon first entering the house. A water basin skylight is positioned immediately above and projects more light patterns onto the floor.

Optical Glass House by Hiroshi Nakamura

A split-level second garden is located at the back of the house, while the children’s rooms occupy the top floor, a dining room and kitchen are on the first floor and a hobby room, Japanese room and extra bedroom can be found on the ground floor.

Optical Glass House by Hiroshi Nakamura

Hiroshi Nakamura worked under Kengo Kuma before setting up his studio in 2002. Previous projects include the Roku Museum, a small art gallery with softly curving walls.

Optical Glass House by Hiroshi Nakamura

See more architecture in Japan, including a house fronted by a stack of gardens.

Optical Glass House by Hiroshi Nakamura

Photography is by Koji Fujii, Nacasa & Partners.

Optical Glass House by Hiroshi Nakamura

Here’s some information from the architects:


Optical Glass House

This house is sited among tall buildings in downtown Hiroshima, overlooking a street with many passing cars and trams. To obtain privacy and tranquility in these surroundings, we placed a garden and optical glass façade on the street side of the house. The garden is visible from all rooms, and the serene soundless scenery of the passing cars and trams imparts richness to life in the house.

Optical Glass House by Hiroshi Nakamura

Sunlight from the east, refracting through the glass, creates beautiful light patterns. Rain striking the water-basin skylight manifests water patterns on the entrance floor. Filtered light through the garden trees flickers on the living room floor, and a super lightweight curtain of sputter-coated metal dances in the wind. Although located downtown in a city, the house enables residents to enjoy the changing light and city moods, as the day passes, and live in awareness of the changing seasons.

Optical Glass House by Hiroshi Nakamura

Optical Glass Façade

A façade of some 6,000 pure-glass blocks (50mm x 235mm x 50mm) was employed. The pure-glass blocks, with their large mass-per-unit area, effectively shut out sound and enable the creation of an open, clearly articulated garden that admits the city scenery. To realize such a façade, glass casting was employed to produce glass of extremely high transparency from borosilicate, the raw material for optical glass. The casting process was exceedingly difficult, for it required both slow cooling to remove residual stress from within the glass, and high dimensional accuracy. Even then, however, the glass retained micro-level surface asperities, but we actively welcomed this effect, for it would produce unexpected optical illusions in the interior space.

Optical Glass House by Hiroshi Nakamura

Waterfall

So large was the 8.6m x 8.6m façade, it could not stand independently if constructed by laying rows of glass blocks a mere 50mm deep. We therefore punctured the glass blocks with holes and strung them on 75 stainless steel bolts suspended from the beam above the façade. Such a structure would be vulnerable to lateral stress, however, so along with the glass blocks, we also strung on stainless steel flat bars (40mm x 4mm) at 10 centimeter intervals. The flat bar is seated within the 50mm-thick glass block to render it invisible, and thus a uniform 6mm sealing joint between the glass blocks was achieved. The result – a transparent façade when seen from either the garden or the street. The façade appears like a waterfall flowing downward, scattering light and filling the air with freshness.

Optical Glass House by Hiroshi Nakamura

The glass block façade weighs around 13 tons. The supporting beam, if constructed of concrete, would therefore be of massive size. Employing steel frame reinforced concrete, we pre-tensioned the steel beam and gave it an upward camber. Then, after giving it the load of the façade, we cast concrete around the beam and, in this way, minimized its size.

Optical Glass House by Hiroshi Nakamura

Project name: Optical Glass House
Main purpose: Housing
Design: Hiroshi Nakamura & NAP Co.,Ltd.
Structure design: Yasushi Moribe
Contractor: Imai Corporation
Location: Naka-ku, Hiroshima-shi, Hitroshima, Japan
Site area: 243.73m2
Total Floor area: 363.51m2
Completion year: October,2012
Structure: R.C.structure

Optical Glass House by Hiroshi Nakamura

Above: site plan

Optical Glass House by Hiroshi Nakamura

Above: ground floor plan

Optical Glass House by Hiroshi Nakamura

Above: first floor plan

Optical Glass House by Hiroshi Nakamura

Above: second floor plan

Optical Glass House by Hiroshi Nakamura

Above: section

The post Optical Glass House by
Hiroshi Nakamura & NAP
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String Furniture shown at imm cologne

Arnaldo Anaya Lucca

Voici Arnaldo Anaya Lucca, un photographe né à Porto Rico, basé à New York et spécialisé dans les clichés de mode. Ayant pu travailler avec des grandes marques ainsi que pour de nombreux magazines, une sélection de ses travaux et de son style est à découvrir dans la suite de l’article en images.

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Style: "COLOR"
Style: "GREEN"
Style: "Tiff_NO_USM"
Style: "Tiff_NO_USM"
Style: "Tiff_NO_USM"
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Casa Mava by Gubbins Arquitectos

Board-formed concrete walls mirror the grained texture of timber screens at this hillside house in Chile by Santiago-based Gubbins Arquitectos.

Casa Mava by Gubbins

The building is formed of two separate halves that nestle against the landscape at different levels, separating the main family house from a guesthouse further down the hill.

Casa Mava by Gubbins

A large wooden deck stretches out between the two structures, forming an extension of the open-plan living room and kitchen. “The main strategy was to create a big terrace,” explains Gubbins Arquitectos. “The terrace extends towards the ocean, removing the view of the existing houses.”

Casa Mava by Gubbins

The deck sits over the roof of the guesthouse in front, allowing a sheltered parking area to slot in underneath.

Casa Mava by Gubbins

The residence is made of up several concrete walls and volumes, which protrude both horizontally and vertically to create a composition of overlapping blocks. “The architecture of the two longitudinal volumes makes the space decompose and fold into a series of slabs and beams,” explain the architects.

Casa Mava by Gubbins

Timber screens surround the upper terrace, forming a horizontal band that sits flush against the concrete.

Casa Mava by Gubbins

Above: photograph is by Pedro Gubbins

Stairs lead down from the main house to the car park below, creating a sheltered route between the two halves of the building.

Casa Mava by Gubbins

The main house contains just one ensuite bedroom, while three more are contained on the lower level.

Casa Mava by Gubbins

Other residences to recently complete in Chile include an earthquake-proof house with glass walls and a tiered hillside house with panoramic Pacific views. See more architecture in Chile.

Casa Mava by Gubbins

Above: photograph is by Pedro Gubbins

Photography is Pablo Montecinos, apart from where otherwise stated.

Casa Mava by Gubbins

Above: photograph is by Pedro Gubbins

Here’s a project description from the architects:


Casa Mava

Casa Mava is placed in the “Beranda” urbanization, which is located in between Cachagua’s and Maitencillo’s spas in Chile. The location is on a really strong slope, with a radical sight to Pacific Ocean. It is exposed to south-west winds.

Casa Mava by Gubbins

The main strategy was to create a big terrace, creating this “new floor” that would allow for “leisure life” and make the ocean sight even more perceptible, offering a unique relationship between the inhabitant and the horizon line, the same way that the cliffs do.

Casa Mava by Gubbins

The terrace extends towards the ocean, removing the view of the existing houses. The program decomposes into “two units”. This allows it to get in touch with the ground in the proper way, and provides the architectonical support for the terrace.

Casa Mava by Gubbins

Southward, there is a big metal and wood “beam-wall” that allows to delimit the view and take over the south-west winds in the place, and the future neighbours. Under it, a new place is created. Here is the entrance to the house, the relationship between both houses and a place sheltered from the sun.

Casa Mava by Gubbins

The architectural promenade is complete when you get into a courtyard which is opened to the sky and from where you access the terrace. Both houses develop their inner promenades perpendicular to the slope, involving all the interior rooms of the site.

Casa Mava by Gubbins

The architecture of the two longitudinal volumes makes the space decompose and fold into a series of slabs and beams that allows big distances between supports without soiling the ocean view. Furthermore, it helps to protect the house from the west sun.

Casa Mava by Gubbins

Above: photograph is by Pedro Gubbins

The materiality is composed by reinforced seen concrete walls, aluminium windows, double glazing and wood beams. The temperature and atmosphere created by these materials offers a complete integration with the ground and vegetation of the area.

Casa Mava by Gubbins

Above: ground floor plan – click above for larger image

Casa Mava by Gubbins

Above: first floor plan – click above for larger image

Casa Mava by Gubbins

Above: roof plan – click above for larger image

Casa Mava by Gubbins

Above: section one – click above for larger image

Casa Mava by Gubbins

Above: section two – click above for larger image

Casa Mava by Gubbins

Above: section three – click above for larger image

Casa Mava by Gubbins

Above: section four – click above for larger image

Casa Mava by Gubbins

Above: section five – click above for larger image

Casa Mava by Gubbins

Above: north elevation – click above for larger image

Casa Mava by Gubbins

Above: east elevation – click above for larger image

Casa Mava by Gubbins

Above: south elevation – click above for larger image

Casa Mava by Gubbins

Above: west elevation – click above for larger image

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Gubbins Arquitectos
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