Optical Glass House by Hiroshi Nakamura & NAP

A tree-filled courtyard is glimpsed through the shimmering glass-brick facade of this house in Hiroshima, designed by Japanese architect Hiroshi Nakamura (+ movie).

Optical Glass House by Hiroshi Nakamura

Optical Glass House was constructed beside a busy road, so Hiroshi Nakamura and his studio NAP wanted to create a private oasis where residents could still make out the movements of people and traffic beyond the walls. “The serene soundless scenery of the passing cars and trams imparts richness to life in the house,” said the architect.

Optical Glass House by Hiroshi Nakamura

The garden is raised up to first floor level to make room for a garage below and the architects used 6,000 specially made glass blocks to build a two-storey-high wall in front of it. The wall was too tall to support itself, so the blocks had to be bolted together.

Optical Glass House by Hiroshi Nakamura

As light filters through the glass it creates dancing patterns across the walls and over a group of maple, ash and holly trees.

Optical Glass House by Hiroshi Nakamura

“The facade appears like a waterfall flowing downward, scattering light and filling the air with freshness,” said the architect.

Optical Glass House by Hiroshi Nakamura

An open living room is located just behind and is only separated from the garden by a lightweight metal curtain. This curtain folds back to reveal a second glass-block wall at the back of the room, which lines the edge of a central staircase.

Optical Glass House by Hiroshi Nakamura

Residents are faced with the staircase upon first entering the house. A water basin skylight is positioned immediately above and projects more light patterns onto the floor.

Optical Glass House by Hiroshi Nakamura

A split-level second garden is located at the back of the house, while the children’s rooms occupy the top floor, a dining room and kitchen are on the first floor and a hobby room, Japanese room and extra bedroom can be found on the ground floor.

Optical Glass House by Hiroshi Nakamura

Hiroshi Nakamura worked under Kengo Kuma before setting up his studio in 2002. Previous projects include the Roku Museum, a small art gallery with softly curving walls.

Optical Glass House by Hiroshi Nakamura

See more architecture in Japan, including a house fronted by a stack of gardens.

Optical Glass House by Hiroshi Nakamura

Photography is by Koji Fujii, Nacasa & Partners.

Optical Glass House by Hiroshi Nakamura

Here’s some information from the architects:


Optical Glass House

This house is sited among tall buildings in downtown Hiroshima, overlooking a street with many passing cars and trams. To obtain privacy and tranquility in these surroundings, we placed a garden and optical glass façade on the street side of the house. The garden is visible from all rooms, and the serene soundless scenery of the passing cars and trams imparts richness to life in the house.

Optical Glass House by Hiroshi Nakamura

Sunlight from the east, refracting through the glass, creates beautiful light patterns. Rain striking the water-basin skylight manifests water patterns on the entrance floor. Filtered light through the garden trees flickers on the living room floor, and a super lightweight curtain of sputter-coated metal dances in the wind. Although located downtown in a city, the house enables residents to enjoy the changing light and city moods, as the day passes, and live in awareness of the changing seasons.

Optical Glass House by Hiroshi Nakamura

Optical Glass Façade

A façade of some 6,000 pure-glass blocks (50mm x 235mm x 50mm) was employed. The pure-glass blocks, with their large mass-per-unit area, effectively shut out sound and enable the creation of an open, clearly articulated garden that admits the city scenery. To realize such a façade, glass casting was employed to produce glass of extremely high transparency from borosilicate, the raw material for optical glass. The casting process was exceedingly difficult, for it required both slow cooling to remove residual stress from within the glass, and high dimensional accuracy. Even then, however, the glass retained micro-level surface asperities, but we actively welcomed this effect, for it would produce unexpected optical illusions in the interior space.

Optical Glass House by Hiroshi Nakamura

Waterfall

So large was the 8.6m x 8.6m façade, it could not stand independently if constructed by laying rows of glass blocks a mere 50mm deep. We therefore punctured the glass blocks with holes and strung them on 75 stainless steel bolts suspended from the beam above the façade. Such a structure would be vulnerable to lateral stress, however, so along with the glass blocks, we also strung on stainless steel flat bars (40mm x 4mm) at 10 centimeter intervals. The flat bar is seated within the 50mm-thick glass block to render it invisible, and thus a uniform 6mm sealing joint between the glass blocks was achieved. The result – a transparent façade when seen from either the garden or the street. The façade appears like a waterfall flowing downward, scattering light and filling the air with freshness.

Optical Glass House by Hiroshi Nakamura

The glass block façade weighs around 13 tons. The supporting beam, if constructed of concrete, would therefore be of massive size. Employing steel frame reinforced concrete, we pre-tensioned the steel beam and gave it an upward camber. Then, after giving it the load of the façade, we cast concrete around the beam and, in this way, minimized its size.

Optical Glass House by Hiroshi Nakamura

Project name: Optical Glass House
Main purpose: Housing
Design: Hiroshi Nakamura & NAP Co.,Ltd.
Structure design: Yasushi Moribe
Contractor: Imai Corporation
Location: Naka-ku, Hiroshima-shi, Hitroshima, Japan
Site area: 243.73m2
Total Floor area: 363.51m2
Completion year: October,2012
Structure: R.C.structure

Optical Glass House by Hiroshi Nakamura

Above: site plan

Optical Glass House by Hiroshi Nakamura

Above: ground floor plan

Optical Glass House by Hiroshi Nakamura

Above: first floor plan

Optical Glass House by Hiroshi Nakamura

Above: second floor plan

Optical Glass House by Hiroshi Nakamura

Above: section

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Hiroshi Nakamura & NAP
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Roku Museum by Hiroshi Nakamura & NAP

Roku Museum by Hiroshi Nakamura & NAP

This small art gallery in Japan by Tokyo architects Hiroshi Nakamura & NAP has a softly curved exterior shape, sliced at one end to create a wide entranceway.

Roku Museum by Hiroshi Nakamura & NAP

The asphalt-clad exterior of Roku Museum matches the colour of surrounding trees and the curved chimneys are intended to mirror their branches.

Roku Museum by Hiroshi Nakamura & NAP

On the interior the curved walls showcase paintings collected by the owner’s late father.

Roku Museum by Hiroshi Nakamura & NAP

A cafe is situated at the far end of the building, with intentionally low ceilings that force visitors to sit down.

Roku Museum by Hiroshi Nakamura & NAP

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Here are some more details from the architects:


Roku Museum Concept:

“Bringing Nature, Buildings and People Closer Together”

There is a small private art museum in the city of Oyama in Tochigi prefecture. The owner wanted to build a room to showcase paintings that were collected by his late father, Roku Tsukada, and a cafe where people can drop in anytime that has the ambiance of a salon. There is a lack of greenery in the area, and the site is on a road with a lot of traffic.

Roku Museum by Hiroshi Nakamura & NAP

Therefore, we decided to plant a grove of trees to create a tranquil environment in the city that was suitable for the appreciation of paintings. We planted three rows of six trees each in a pattern that is close to being grid shaped so as to allow sunlight to equally reach each tree, and ensure the area above the site will be fully covered in the future.

Roku Museum by Hiroshi Nakamura & NAP

In much the same manner as trees in the garden combined with the architecture of traditional private homes in Japan in the past to create a pleasant environment inside the home, evergreen trees were planted on the north side of the site to block the cold north wind in the winter, and deciduous trees were planted on the south side to block out the sunshine in the summer and let the sun shine through in the winter. Different types of trees were used depending upon the location on the site, and the building was designed to match the layout of the trees and intermingle with them.

Roku Museum by Hiroshi Nakamura & NAP

The gallery room is inserted between two rows of trees at the rear portion of the site, and rather than partition the cafe with a door, it is offset and has a higher floor to provide a subtle distinction between the two. Three dimensional measurements of the lower branches on the trees that were to be planted were made and computer processed to allow the shape of the building to be fine tuned so that it would not interfere with the tree branches, trunks or roots, and enable swaying of the branches in strong winds to be taken into consideration.

Roku Museum by Hiroshi Nakamura & NAP

Buildings can be considered the overlapping of layers between the inside and the outside, but for this building, the trees consist of a thick membrane that represent another layer on top of the inner wall, insulation, water-proofing material and outer wall. The trees control the sunshine and wind according to the season, control moisture and cooling with the transpiration effect and absorb carbon dioxide and polluting gases. In addition, this layer emits oxygen and fragrances called phytoncides, and softly envelop the building and the people inside.

Roku Museum by Hiroshi Nakamura & NAP

A desire to directly reflect the shapes of the trees inside resulted in soft curves in the ceiling and walls. Visitors feel the presence of the trees while inside the museum, and it is an entirely different space from a white cube that eliminates all elements other than the paintings.

Roku Museum by Hiroshi Nakamura & NAP

In particular, the ceiling in the entrance is low with an average height of 1.7 meters due to the fact that branches and leaves are close to the roof in this area. This makes it necessary for people to bend over and discard their social status and pretense and return to their real self. This provides them with a unique opportunity to appreciate the paintings in a different manner. The ceiling in a portion of the coffee shop is so low that you cannot stand. A bench zone was created in this area where visitors are surrounded by the walls and ceiling, and it provides an experience that is similar to sitting down against a tree and taking a rest. In addition, there are window sills that can also be used as a bench or desk, or as a space to put books.

Roku Museum by Hiroshi Nakamura & NAP

Click above for larger image

This building uses the techniques that we have continuously since the “House SH” to foster a close relationship between people and buildings. Our hope is to create a special type of communication between nature, people and the building by tailoring the shape of the building to the trees surrounding the structure, and using a design that makes people feel at ease and want to snuggle up against the building.

Roku Museum by Hiroshi Nakamura & NAP

Click above for larger image

“Building Form Snuggles Up Against Trees”

Wood columns and beams were used since they can be easily worked to match the complicated shapes of the walls and ceiling, and structural plywood was applied to create a monocoque structure. FG board (strengthened with inorganic fibers) was used on the inside to follow the many curves, and it was finished with an elastic coating material.

Roku Museum by Hiroshi Nakamura & NAP

Click above for larger image

Specially ordered asphalt shingles that likewise follow the curves and still have a good appearance when there are leaves on them were applied to the outside. The trees were planted according to the plan formulated when the building was designed after all other work was completed. The sun that filters through the trees creates a phenomenal façade that changes from one moment to the next.

Roku Museum by Hiroshi Nakamura & NAP

Click above for larger image

Project name: Roku-mueum
Credit: Hiroshi Nakamura & NAP
Site area: 705.13m2
Building area: 106.91m2
Total floor area: 99.95m2
Structure: Wooden structure
Height of the building: 6.50m
Number of stories: 1
Design period: December 2009
Construction period: October 2010
Materials used for interior and exterior
:
Outer wall, roof: Asphalt single
Interior floor: Mortar finish with a steel trowel, and then resin flooring 
paint  /clear
Inside wall and ceiling: Elastic plastered wall materials finish with a 
trowel

Roku Museum by Hiroshi Nakamura & NAP

Click above for larger image


See also:

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by Geneto