Spiralab by KINO Architects

The angled columns of an earthquake-proof structure frame a series of window slits on the exterior of this Tokyo research laboratory by KINO Architects (+ slideshow).

Spiralab by KINO Architects

Located in an industrial area beside Tokyo Bay, the building is used as a chemical research facility for a materials development brand and comprises a U-shaped block with a horizontal slice through its middle.

Spiralab by KINO Architects

This slice offers clues about the internal arrangement of the building, which is based on the abstraction of a linear plan. KINO Architects planned a route through a reception, an auditorium, meeting rooms and laboratories, then stretched it through all three floors to create a loop from one ground floor entrance to another.

Spiralab by KINO Architects

Offices and meeting rooms required the most privacy, so the architects located them on the middle floor where they can be separated if necessary.

Spiralab by KINO Architects

Meanwhile, laboratories can be found on the ground and second floors and feature a modular grid of power inlets, drainage and water points, enabling a variety of different desk layouts.

Spiralab by KINO Architects

The architects named the building Spiralab, as a reference to its looping interior layout. “The spiral shape responds to the three requests: research efficiency, high-security and comfort,” they explained. “Also, the spiral form becomes the key to the last request – symbolism. We think that true symbolism of architecture comes from the architecture itself; designed through logical thinking.”

Spiralab by KINO Architects

The earthquake-proof structure is described as a cross between a rigid frame and a truss framework, with angled columns that can take both horizontal and vertical stresses. A curtain wall structure is constructed in front and clad with concrete panels to give the building its smooth grey facades.

Spiralab by KINO Architects

Japanese studio KINO Architects have offices in both Tokyo and Shiga. Previous projects by the firm include a house with four attics and a concrete residence with views of a nearby castle. See more stories about KINO Architects on Dezeen.

Spiralab by KINO Architects

Photography is by Hiroyuki Hirai and Daici Ano.

Spiralab by KINO Architects

Here’s some more information from the architects:


Spiralab

A “Spiral” fills the needs.

This building is a new chemical research laboratory for a world leading materials development corporation. It is on a large site in an industrial area near Tokyo bay.

Spiralab by KINO Architects

We responded to the request for “research efficiency” by using flexible experimental rooms where researchers can adjust their research space according to their needs. To the requests for “high security” and “comfort” we responded with high-security, and high-comfort offices and break areas throughout the entire building. We responded to the request for “symbolism” with symbolic architecture that helps promote the company’s abilities to the world.

Spiralab by KINO Architects

First, we horizontally aligned the main rooms: laboratories, an office, meeting rooms, an auditorium and a reception room along a common corridor and put the guest entrance and the researchers entrance at either end. By adopting a plan with a common corridor, the clients can freely select doorways and move partitions in the experimental rooms according to their needs. The security door is easily adjustable due to the linear shape of the plan and the separation of guest and researcher entrances.

Spiralab by KINO Architects

Next, we transformed this linear plan in three-dimensions. The office and the meeting rooms need the highest confidentiality, so these were separated from the linear plan. The linear plan spirals around the office and meeting rooms. As a result the office and the meeting rooms are untouched by other rooms on every side, horizontally.

Spiralab by KINO Architects

Vertically these rooms are in the centre of the spiral. Therefore the access to the experimental rooms on the upper and lower floors becomes easy. Additionally while these rooms have high-security the walls are transparent, giving a comfortable open-air atmosphere.

Spiralab by KINO Architects

The break areas were made by widening the main corridor. As a result, researchers can take a break while changing rooms. In addition, the linear break areas spirals around the court yard. Therefore, this vertical plan allows the researchers to see the court yard from various points of view.

Spiralab by KINO Architects

Architect: Masahiro Kinoshita / KINO architects
Location: Chiba, Japan
Principal use: research laboratory
Structure: steel

Spiralab by KINO Architects

Scale of building: 3 stories
Site area: 600 ha
Building area: about 1300 sqm
Total floor area: about 3000 sqm

Spiralab by KINO Architects

Above: site plan

Spiralab by KINO Architects

Above: ground floor plan – click above for larger image

Spiralab by KINO Architects

Above: first floor plan – click above for larger image

Spiralab by KINO Architects

Above: second floor plan – click above for larger image

Spiralab by KINO Architects

Above: cross section one

Spiralab by KINO Architects

Above: cross section two

Spiralab by KINO Architects

Above: long section

Spiralab by KINO Architects

Above: plan concept

Spiralab by KINO Architects

Above: earthquake-proof structure

The post Spiralab by
KINO Architects
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OD-11: Swedish design firm Teenage Engineering returns with the world’s first cloud speaker

OD-11

The enfants terribles of the industrial design world return with yet another potential banger of a product, hot on the heels of the OP-1, the synthesizer that made it cool to tickle the ivories. This time Swedish firm Teenage Engineering plundered the license cabinet of Stig Carlsson, the Swedish…

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The Quest for an Affordable Dust-Collecting Cyclone, Part 1: Which to Buy?

dust-cyclone.jpg

I’m sick of sawdust. I use a circular saw and a router by Hitachi with hacked-on plastic ports that I can attach to my Ridgid shop vac, and frankly speaking, the dust collection sucks. The problem is either the vac, the port connection or the design of my (admittedly low-cost) power tools themselves, as they’re not designed for the stellar dust collection of the much-pricier Festool offerings.

For starters, let’s say it’s the vac. Cleaning out a shop vac filter is a holy PITA, as just using an air compressor isn’t enough; you really need to blow from inside the filter while scraping between the vanes, which takes freaking forever, to say nothing of the mess created. But if you don’t do it on a regular basis the sawdust trapped in the vanes becomes impacted, and your vacuum’s efficiency drops way down. You also need to do this outdoors (no easy feat in my crowded Manhattan neighborhood), unless you plan on vacuuming up the mess again with the same vac, defeating the entire purpose of your exercise.

If you don’t clean out the filter, you wind up with a weak-ass vacuum, which means the tool it’s hooked up to blows more dust all over the place. This might not be a problem for those of you with dedicated shop areas, but since the only workspace I have is in the photography studio I run, I need to eliminate every mote of dust before the next shooter comes in. So I’ve been searching for an alternative.

All of you that work in small shops that cut wood have heard of cyclones, which drastically reduce the amount of dust that clogs up your shop vac’s filter. The idea is that by attaching your vac to this conical intermediary, then feeding a second hose to the actual tool, most of the dust (and particularly the fine particles) gets sucked away by the vortex and into a bucket for easy disposal. Using physics, or aerodynamics I guess, even a modestly-powered vacuum can create a powerful cyclone. Just ask Dyson.

There are a bunch of cyclones on the market, but which to buy? I was able to find just three options within my modest budget: Oneida’s Dust Deputy, ClearVue’s Mini CV06 and Rockler’s Dust Right Vortex, all for around the same price of 80-90 bucks. Oneida’s of course a prominent manufacturer of vacuums, ClearVue’s larger CVMAX system has an awesome reputation in big shops (though I can’t afford a full $1,845 CVMAX system) and Rockler’s stuff is pretty hit-and-miss; they’re one of those companies that I’ve found has no problem stocking junk alongside some stellar products, which for some reason pisses me off more than if they’d just sold junk.

(more…)

Expedia poster campaign

Assolutamente geniale.

Expedia poster campaign

Atlas Collection

Inspired by the Greek mythological character condemned for eternity to carry the heavens on his shoulders, Atlas collection features an elegant, simpl..

Engineered Garments Plaid Dayton Shirt

Ah…come mi manca la buona flanella.

Engineered Garments Plaid Dayton Shirt

Beertone

In pratica la scala cromatica delle tue birre preferite in stile Pantone. Grafici e non apprezzeranno. Lo trovate qui.

Beertone

"We got into a geeky zone trying to understand urban agriculture" – Something & Son

In this movie we filmed at our Designed in Hackney Day, design duo Something & Son talk about keeping chickens in east London buildings and making tea with heat from compost heaps.

Something and Son at Designed in Hackney Day

Above: the CAR:park project took the roof off a car and filled it with plants

In the movie, Something & Son present a selection of their projects at the Pecha Kucha event at our Designed in Hackney Day in August, telling the audience about their ongoing investigation into urban agriculture and the relationship between nature and cities.

Something and Son at Designed in Hackney Day

Above: homes for migrating swifts

Designer Andrew Merritt begins by introducing CAR:park, a project that explored “how the city would be if cars no longer existed” by rescuing a car that was due to be scrapped, removing its roof and filling it with plants and a pond.

Something and Son at Designed in Hackney Day

Above: the FARM:shop project to grow fish, chickens and vegetables in the city

The pair also created homes for migrating swifts inside a huge raised circle designed to look like the setting sun. “The colour layout helps them find their homes, because they’ve got high spectrum vision,” Merritt explains.

Something and Son at Designed in Hackney Day

Above: FARM:shop

The FARM:shop project saw them take over an empty building in east London to create an urban farm, with vegetables and plants growing indoors alongside tanks of fish, while chickens were kept on the roof. “We’re going through a big learning journey around how you can grow food in the city and how can you create a sustainable business model to sell that food,” says Paul Smyth, the other half of the duo.

Something and Son at Designed in Hackney Day

Above: FARM:shop project

“Through that we met loads of people who are also passionate about growing food, and we got into a geeky zone of really trying to understand it and work on it,” he added.

Something and Son at Designed in Hackney Day

Above: the Rotten Compost Tea Bar serving tea brewed with heat from compost

They also set up the Rotten Compost Tea Bar at the V&A museum in London, brewing tea with heat from a compost heap and serving it in test tubes. “By wrapping a heat exchange through the compost heap you can get temperatures up to 40, 50 or 60 degrees even, if you get it just right,” says Smyth.

Something and Son at Designed in Hackney Day

Above: the Rotten Compost Tea Bar

In Korea they learned about aeroponics, a cultivation system that feeds plants by misting them from underneath. “We designed a building, or structure, that you walk into from underneath, and you come into this cave-like structure with the roots hanging above your head,” Merritt explains.

Something and Son at Designed in Hackney Day

Above: a 3D printed lamp homemade with glue guns and sand

They also attempted their own homemade version of 3D printing, using glue guns and sand to painstakingly create a lamp from separate layers of glue. “There’s a certain amount of trial and error,” Merritt admits.

Something and Son at Designed in Hackney Day

Above: a community project representing local people with trees

A project in north London saw the pair working with local people to create a diagram of social capital, in which one tree represents each participant. Trees with many branches indicate those who have the most connections with their neighbours, while tall trees show the people who’ve lived in the area the longest.

Something and Son at Designed in Hackney Day

Above: drawings for Barking Bathhouse

Finally they introduce Barking Bathhouse, a temporary spa in east London which contains a series of treatment rooms, including a sauna and a cool room filled with dry ice. “It’s our first bit of actual architecture,” says Merritt.

Something and Son at Designed in Hackney Day

Above: Barking Bathhouse

Designed in Hackney is a Dezeen initiative to show off the best architecture and design created in the borough, which was one of the five host boroughs for the London 2012 Olympic Games as well as being home to Dezeen’s offices.

Something and Son at Designed in Hackney Day

Above: Barking Bathhouse

Watch more movies from our Designed in Hackney Day or see more stories about design and architecture from Hackney.

The post “We got into a geeky zone trying to understand urban agriculture” – Something & Son appeared first on Dezeen.

Mixtape Cassette Table

Il Mixtape Cassette Table in scala 12:1 è finalmente pronto per essere venduto.
Pensato da Jeff Skierka.

Mixtape Cassette Table

Ferrara Tourism

Tutto quello che volete sapere sulla stupenda Ferrara lo trovate su FerraraTourism.

Ferrara Tourism