The Flame Birds of Bogoria
Posted in: UncategorizedVideo and still photographs combined to show the beauty of a huge flock of flamingo on Lake Bogoria,..(Read…)
Video and still photographs combined to show the beauty of a huge flock of flamingo on Lake Bogoria,..(Read…)
Fresh from Singapore’s International Symposium on the Physical and Failure Analysis of Integrated Circuits comes a fascinating selection of images which were entered into, yes, the conference’s annual photography competition…
The winning image was by Lim Saw Sing of Infineon Technologies in Malaysia, who won first prize for the above picture of what could well be a large group of people cavorting on a beach (and clearly on drugs). It’s actually a scanning electron microscope image of what happened when Sing “exposed a polyimide surface to etching by reactive ions”.
Tan Lee Koon of Systems-on-Silicon Manufacturing Co. took third prize with this image of the chipping at the edge of a silicon wafer, examined under a scanning electron microscope
According to the IEEE, the professional association for “the advancement of technology” which organises the symposium, Singapore has one of the largest concentrations of microelectronics technology expertise in Asia.
Flocking to its IPFA conference are a legion of “researchers, engineers, technicians and others who work in the area of Failure Analysis in Wafer FAB, Packages, Board Assembly and Service Labs.”
While we’re not entirely sure what that means (though ‘failure analysis’ is essentially the process of finding out why a particular electronic component fails to work), we do very much like the idea of their photography competition in which images are submitted taken by people working with extremely high powered microscopes.
The results were recently announced on the IEEE’s Spectrum website and linked to by boingboing.net.
According to point three of the rules of the photo competition, “The main judging criterion would be the aesthetic aspect of the image rather than its technical quality to be in line with the theme of the contest. Nevertheless, the image must be related to failure analysis.”
In no particular order, then, here are some of our other favourites from this year’s competition.
This is Lim Chan Way at Infineon Technologies’ picture of a membrane structure (top) sticking to a piece of carbon tape:
This image of what appears to be a set of wings is by Advanced Micro Devices analyst, Foo Fang Jie, who was looking at a fracture in a sample of silicon at the time. It won second prize.
And these scientists are not without a sense of humour in pursuit of lovely imagery. Here’s Jacqueline Kwa at Advanced Micro Devices’ transmission electron microscope picture of a rather elephantine silicon sample:
Finally, Khoo Bing Sheng took this image of a 20-micrometer-wide sculpture made from copper (using focused-ion-beam nano fabrication) at WinTech Nano-Technology.
The full list of winning work is at the IEEE’s Spectrum website, spectrum.ieee.org.
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CR in Print
The August Olympic Special issue of Creative Review contains a series of features that explore the past and present of the Games to mark the opening of London 2012: Adrian Shaughnessy reappraises Wolff Olins’ 2012 logo, Patrick Burgoyne talks to LOCOG’s Greg Nugent about how Wolff Olins’ original brand identity has been transformed into one consistent look for 2012, Eliza Williams investigates the role of sponsorship by global brands of the Games, Mark Sinclair asks Ian McLaren what it was like working with Otl Aicher as a member of his 1972 Munich Olympics design studio, Swiss designer Markus Osterwalder shows off some of his prize Olympic items from his vast archive, and much more. Plus, Rick Poynor’s assessment of this year’s Recontres d’Arles photography festival, and Michael Evamy on the genius of Yusaku Kamekura’s emblem for the 1964 Tokyo Olympics.
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Sweet Instagram and Polaroid shots re-imagined into edible chocolate
Cooking up quite an online stir in the last few weeks is Philadelphia’s Cocoagraph, makers of artisanal chocolates topped with vintage-filtered Instagram and Polaroid shots. The small start-up allows customers to pick and choose any photograph they may have floating around and turn it into a unique and edible keepsake with just one scan. Founder Rae Vittorelli made us a special batch—featuring our very own CH mascots Otis and Logan—so we could get a closer look at, and taste, the graphic treats.
While the image is what creates the buzz, the artisanal chocolate is equally important, and equally satisfying. Sourced from a small-batch, organic chocolatier in Santa Barbara, CA, each bar is available in two sizes in white, milk, dark and dark organic, with the addition of a subtle mint leaf flavored dark organic coming soon. Of the group, we preferred the dark organic for its crisp snap and slightly bitter but full flavor.
The new brand has a selection of chocolates available to purchase on their website, and are able to fulfill custom personal orders for weddings, personal and corporate events.
All Unitasker Wednesday posts are jokes — we don’t want you to buy these items, we want you to laugh at their ridiculousness. Enjoy!
Back in ye olde tyme days, toast was typically made in a home’s hearth using a device that looked like a rake or a pyramid shaped gewgaw that is still popular with camping enthusiasts. With the invention of electricity, the rake and pyramid were pushed aside as people started toasting their bread speedily under their oven’s broilers or in toasters or small toaster ovens. Gone were the days of slowly attending to toasting bread over the fire, people could now let a machine make their bread dry and brown for them!
My guess is that it was around this transition period when this week’s unitasker selection hit the market. With toast coming out of the electrical appliances so quickly, it must have been stacking up faster than folks could eat it. And, since apparently plates didn’t exist in the 1800s (except, they did), there must have been a need for a Toast Rack:
Since we now have plates (and by “now,” I mean “have had them since the dawn of civilization”), we can use plates to hold toast. This is such a terrific advancement! Plates! In fact, plates can hold lots of other things. No, it’s true! I’m not kidding around with you. Plates really can hold all types of food in addition to toast — like cake and steak! They’re amazing. I’m very pro-plate.
(Also, I strongly recommend reading the Toast Rack product description, where it tries to justify the device by saying it can also hold waffles. Awesome, because who doesn’t love to display their waffles before eating them?! Oh, and the user review from Marcus is priceless: “Who settles for horizontally stacked toast?” Hee.)
Thank you, Chaya, for sharing this device with us.
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Focus sur Éric Valli, un photographe et réalisateur français. Un travail superbe axé sur des séries autour de l’Himalaya, du Moyen Orient et du Népal en vivant au sein même des populations locales. Des rencontres, des portraits ainsi que ses clichés pour le National Geographic sont à découvrir dans la suite de l’article.
These tree house-like cabins by Thai designer Worapong Manupipatpong are built up around the column of a building rather than over the branches of a tree.
The three wooden playhouses overlap one another as they stack up around the column and ladders connect each floor to the one above.
Manupipatpong created the cabins for “Politics of ME”, an exhibition taking place at the Bangkok Art and Culture Centre in Thailand that is centred around personal experiences.
“I want to bring back the memory of when we experienced space with our small bodies, but with large imagination and borderless freedom,” he explains.
Manupipatpong previously created a similar installation that was halfway between furniture and architecture.
The project description below is from the designer:
Shelter of Nostalgia
The installation is part of the “Politics of Me” exhibition at Bangkok Art and Culture Center (BACC), Thailand during 28 June- 12 August 2012.
The wooden structure is attached to an existing column like a tree house. In a way, the interior space transforms into artificial landscape.
The idea is to create a space that reminds the visitor moment from their childhood. I want to bring back the memory when we experienced space with our small bodies but large imagination and borderless freedom.
The purpose was to design a structure that can relate to adults and children, somewhere in-between reality and dream. The intimate space is also one of the most important qualities of this tree house-like structure.
It could be a perfect place for hanging out with a friend or a good hide out spot during the Cultural Center visit.
Material: Pine Timber
Size: 3.60×3.60×5.80 m.
Location: Bangkok Art and Culture Center (BACC), Bangkok , Thailand
The post Shelter of Nostalgia by
Worapong Manupipatpong appeared first on Dezeen.
I’ve been observing the growth of mobile in the developing world for years now, ever since I encountered texting culture on a trip to the Philippines years ago, long before SMS caught on in the United States. Behind a small anecdote like this are big numbers and trends.
A recent post on The Reboot’s blog turned me to some great infographics they developed for the World Bank’s Information and Communications for Development 2012: Maximizing Mobile report. The report looks at the growth of mobile telephony and data-based services in handheld devices.
Certainly, “World Bank” and “compelling infographics” are two phrases designers rarely think of together, but as Reboot designer Mollie Ruskin noted, visual communication couldn’t be more important:
We have found that many of our colleagues in the social sector undervalue the role of communications design. This perspective is understandable—when creating a $200 million program to overhaul a nation’s water and sanitation system, the significance of fonts and colors and layout can seem quite minor.
Yet this stance has real drawbacks. No matter how well that water program might get put together, its purpose and intentions must still be communicated to a range of audiences: government officials who need to support the program, community members who are asked to participate, and international policy makers who may decide when and how the money is spent.
See full-size image here.
And so it was great to see the new infographics in place, which make big, complex statistics about mobile for development easier to digest and interpret. Take, for instance, the big bold graphic noting that 75% of the world has access to a mobile phone—a staggering number that seems only more likely to grow in the coming years. Or the illustratations of potatoes, grain and bananas, to show the increased income of farmers in India, Niger and Uganda, respectively, thanks to mobile applications.
The biggest callout box is text, beautifully illustrated to drive home a simple point: “The mobile revolution is right at the start of its growth curve.” Whether you’re a World Bank economist or a freelance designer reading Core77, that’s definitely something to think about.
Headwear Graphic Designer
New Era Cap
Buffalo, New York
New Era Cap is seeking a Headwear Graphic Designer with at least four years of experience. He or she will create and develop innovative designs through research and insight into fashion trends. The designer will design relevant, on-trend products for seasonal product lines and account-specific needs, as well as collaborating with Product Development and Sourcing Teams to develop new design concepts including new colors, embellishments, techniques and silhouettes.
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The best design jobs and portfolios hang out at Coroflot.
This August is London design month at Dezeen Super Store where, with the eyes of the world on London for the Olympic Games, we will be showcasing a range of products by some of the best designers and brands the city has to offer.
Above: Ed Carpenter’s Pigeon Light
Products designed in London will be given special prominence in the shop, identified by our London design month flag (top), which is based on the street pattern of the Seven Dials area of Covent Garden where Dezeen Super Store is located.
Above: AC01 alarm clock by Jasper Morrison for Punkt.
Featured products will include iconic designs by established designers, as well as new goods by young and upcoming talents.
Above: tableware by Ian McIntyre for Another Country
A selection of new products by London-based designers will also be featured throughout the month on Dezeen.
Above: Sunflower umbrella by Ella Doran
If you are a London-based designer and would like to have your products showcased as part of London design month at Dezeen Super Store, please send details to stores@dezeen.com.
Above: Change the Record by Paul Cocksedge
Don’t forget you can still get 10% off any product at Dezeen Super Store at 38 Monmouth Street with this flyer.
Dezeen Super Store
38 Monmouth Street, London WC2
1 July – 30 September 2012
Monday to Saturday: 11am to 7pm
Sunday: 11am to 5pm
The post London design month at
Dezeen Super Store appeared first on Dezeen.