DJ/Producer Nicolas Jaar Reinvents the Box Set
Posted in: UncategorizedBrooklyn-based DJ/Producer Nicolas Jaar is pleased to announce a forthcoming compilation on his multidisciplinary label Clown & Sunset Aesthetics. Entitled Don’t Break My Love, the “Prism” takes its name from an earlier cut by the electronic music wunderkind; it takes its form from a canonical polyhedron, the cube. The aluminum block appears to comes in at roughly 2” – 2.5” 3, based on the images, with two standard 1/8” (3.5mm) headphone jacks on opposite sides, which also serve as its USB-charging input. The face is printed with the Prism’s title and the cryptic message, “a collection of lost memories / from clown & sunset,” while the unmarked play/pause/ff/rew buttons are on the reverse.
It’s unclear as to whether the term “Prism” refers to the palm-sized audio format in general or this release in particular; Pitchfork notes the cube’s affinity to Playbutton releases (as seen at the Brooklyn Night Bazaar).
Teaser vid and bonus link to funky nu-disco jams after the jump:
Straight borders and jagged ones
Posted in: UncategorizedDoing the abecedary about maps for issue 12 was a lot of fun for me, because maps were a huge part of my childhood, from collecting all the National Geographic insert maps, to creating my own worlds and rendering them on grid paper using various types of projection systems. One of my favorite aspects of maps is that the simple lines often have so much hidden information. For example, the unmistakable lines of a fjord-filled coastline tell not only where, exactly, water meets land, but also the mountainous geography of the surrounding land. This extends to political boundaries as well. When I wrote my first novel, I set it on the Alberta / Saskatchewan border… an unremarkable, straight border that runs down the 110th meridian. Saskatchewan is a near perfect rectangle of a province, and Alberta would be as well, were it not for its southwest corner that follows the continental divide. The juxtaposition of straight lines and jagged in political boundaries has always been curious to me, and two of my characters discuss this in the following passage:
“So what, you in Saskatchewan don’t care about the border?” Hugh says when Tina moves on to a customer at the till.
“Not this border, it’s meaningless. Not everyone knows it’s meaningless, but nobody ever treats it seriously.”
“It’s not meaningless.”
“Of course it is,” Fish says, adding cream to his coffee again. “No straight line border means anything, except in raw politics. How many straight line borders are there in Europe? How many straight edges does Switzerland have, or France or Russia?”
“Well, Canada has a lot.” Hugh tries to visualize maps of the world in his mind. “Countries in Africa have them, and in the Middle East, right?”
“Exactly. But back to Europe for a moment: the reason there are no straight lines is because the borders mean something. They follow rivers or mountain ranges, and in some cases they’ve existed since before there were any real maps. You cross from one country to the next, and it’s there, it’s in the land, it’s been in the land forever. Or in some cases, it’s because of the people on either side of the border, they fought and they pushed and pulled at the border, and over the years it’s come to perfectly differentiate between one group of people and the other. The people define the border, not the other way around.”
“Yeah,” Hugh nods. What Fish is saying is starting to make sense. “You know, I was up on the water tower the other night—”
“Oh, tell me you didn’t take Joan up there.” He doesn’t wait for Hugh’s response; he knows. “That’s so high school. So sixteen. Man, I haven’t been up there in a decade. What were you thinking? You got head, right?”
“Forget it.”
“No, I’m sorry. Seriously, go ahead.”
“Well I was up there, and I was just looking at how the border is so invisible, other than when it’s in town and there’s Main Street. But I spend so much time working with my map, I forget that, sometimes. But out there’s it’s just like any section line.”
Fish nods. “Look at the American border. They did a good job with the eastern part, that’s a real border. But then they got past the Great Lakes, and they got lazy. It doesn’t matter whether it’s at the forty-ninth or at 54-40, any time the map-maker gets out a straight edge, you have a big problem. Real borders follow the land. Now, we’ve got a new, false geography. At some point, all the cartographers got replaced by politicians. Look at your southwest border, with BC.”
“Right, it follows the continental divide.”
“It means something. It means everything to the water—two drops can fall side-by-side, and end up thousands of miles apart depending on which side of the mountain peak they fall on. It means something to the wind, it means something to the animals. It probably meant something to the Indians too, when they were still nomadic.”
Fish stops long enough to take a sip of coffee.
“Did you write an essay on this in school?”
“No, but I’ve thought about it a lot. And you mentioned Africa and the Middle East. All the borders were made up thousands of miles away by people who had never been there. The borders, though, they mean as much to me as they do to the animals. You Albertans and your separatism, I’ll never get it.”
Ford Police Interceptors
Posted in: driving, sedans, userinterface Test driving a class of purpose-designed automobiles for law enforcement
When we visited Ford back in September 2011 for an exclusive preview of their new “Police Interceptors“, we felt the story wasn’t complete without getting behind the wheel, which we finally had the opportunity to do. The Sedan and the first pursuit-rated Utility available represent a thoughtful and considered approach to designing cars specifically for law enforcement use. We sat down at Ford’s headquarters in Dearborn, MI with Lisa Teed, the Marketing Manager for the Police Interceptor line, and Mike Interian, the line’s Vehicle Integration Engineer. We learned about the difficulty of designing a purpose-built machine to service one of the most specialized jobs on the market.
At first glance the Interceptor models bear a striking resemblance to the standard Ford Taurus and Explorer consumer market automobiles. Initially, we were really disappointed, having imagined a design similar to one you’d more likely find in a science fiction movie—but therein lies the amazing design story of these cars. They build off of existing car platforms, which cuts development and maintenance costs. Their design is functional rather than superficial, and nearly every component of the cars other than what you see right away is tuned and suited to the very different uses that these look-alikes perform. From their radiators and engines to their stiffer bodies, steel wheels and enormous breaks, not to mention the column shifter, equipment plates, special fabrics and wide door openings, nothing has escaped the team’s (and their customers’) considerations. Ford isn’t new to the law enforcement space—its Crown Victoria Police Interceptor is a law enforcement standby that continues to dominate the market, but is being discontinued to make room for the Interceptors.
“Ford has been making police vehicles for 60 years,” says Teed. “We usually took our products and then we morphed them to fit the needs of police. That was until the Crown Vic—and keep in mind the Crown Vic is on a 19-year-old platform. Our mission said the next generation must be equal to or better than the Crown Victoria Police Interceptor. Well, that’s easy from a platform perspective—you can find a better platform. It’s got to be safer. It’s got to be equal in durability—now that’s the hard one.”
“Police don’t treat the vehicle all that nice, honestly,” Teed continues. “This is a vehicle that lives 24/7. One person gets off the shift and the other person comes on. The vehicle just takes a beating all day long. That’s why the Crown Victoria has this great reputation. So we have to build vehicles that have the same durability in the life of police use. From a design perspective, the vehicles aren’t about aesthetics, they’re about function. But from an engineering perspective, it’s all about good design because you’ve got to make this thing survive.”
From custom interior fabrics for easy cleaning to skid plates on the undercarriage, Ford went to great lengths to ensure the durability of the new models. Door hinges are reinforced to double the lifespan of the components, a necessary measure on a car that is constantly exited and entered. The 18-inch wheels are bigger than those found on civilian models, and are built to meet the needs of the extra-large calipers and brake pads—both of which translate to jaw-dropping braking capabilities. Match that with an optional 3.5L EcoBoost V6 engine souped up with two turbochargers and a high-pressure direct-injection system, and you have a 365 horsepower vehicle that can jump to high speeds and slow to a crawl at the drop of a hat.
Due to the difference between civilian and police driving techniques, all of the driving dynamics like suspension and turning sensitivity have been tweaked to provide optimum performance. If you imagine that driving a police car is fun, you are right. I was able to drive both the Crown Victoria and the new Interceptors on identical courses, and the differences were instantly noticeable. The Crown Vic has the brazen power and handling that’s a bit of a throwback. The Interceptors leverage AWD and every modern engineering tool to create a vehicle that handles and performs better, safer and more easily. I’m not going to lie, however—throwing a Vic around a corner is a helluva good time.
Most surprising, perhaps, was the way the Utility Interceptor drove, which didn’t feel anything like its street version. It gripped and turned more like a car than an SUV, and its braking was particularly impressive. The cars also feature 20% better fuel economy than the competition, and considering how much it costs municipalities to keep fleets gassed up that really matters.
Another important element to consider was distraction while driving, which inhibits decision-making. “We tried to make it as easy to drive quickly as possible,” says Interian. “A lot of the new technologies help us with that. The all-wheel drive, the stability controls—we tuned the suspension to that kind of driving.”
While the interior looks much like that of an explorer or Taurus, subtle details are peppered throughout. “We took a lot of design effort in the seats,” said Teed. “We took down the bolsters to the point where there was hardly any foam left so that the butt of the gun would fit. The seat has “anti-intrusion” plates—there’s a nice big steel plate that runs through the back of the seat. Then you put a partition in there, which is generally common in most patrol vehicles, and all of a sudden it becomes a cell, a safety cell.” Ford also pushed back the rear seats and widened the door, creating safer and easier entry and more legroom for all.
Ford worked with a team of officers from start to finish, making sure that every detail was purpose-designed for the line of duty. In some cases that included doing less with technology—fleets can either be ordered with standard keys that work in all models or individual fobs that are car-specific. While Ford included their iPod and USB-enabled info-center, the real innovation came in allowing “after-market” technologies to work in the automobile. They inserted unassigned control buttons on the wheel that can be wired to sirens and other police-specific electronics. Ford realized that older models are often rigged to accommodate police needs, so the new Interceptors are designed to be easily customized.
One of the unique quirks of law enforcement fleets is that electronics often outlast the automobiles. With Ford’s malleable models, police forces can outfit the new cars with existing technology utilizing the customizable features. The trunk of the Sedan features interior lights and a custom-mounted gear box for installing technologies out of the way. On the Utility, a wide berth and mounting options make it easy for officers to include their own after-market storage.
In terms of safety, crumple zones have been specified to divert impact away from the cabin, a feature that is enhanced by (optional) ballistic door panels. Airbags are intelligent, and can distinguish the difference between the impact of a bullet round and that of a collision. Steel has been used throughout the car for its ability to diffuse heat. This, combined with the larger radiator and and auxiliary transmission oil cooler, help to counteract overheating from long running times.
The Interceptor Series, building off of a long history of police-specific automobiles, is a great example of how purpose-built design can turn standard-issue sedans and SUVs into a versatile tools of law enforcement.
All photos by Josh Rubin and Evan Orensten
Nike Air Yeezy 2
Posted in: Air YeezyL’ultimo rumors che gira in rete è che la seconda release delle Air Yeezy, disegnate da quel bontempone di Kanye West, verrà rilasciata intorno al 13 aprile. Tutti avvisati.
Lacie Thumb drives
Posted in: UncategorizedUSB Flash Drive piccole come una moneta prodotte da Lacie. Le trovate in tagli da 16, 8 e 4 GB.
Super Léon
Posted in: leonQuesti sono i nuovi Super Léon con lenti foto-cromatiche Barberini.
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Party Heroes
Posted in: UncategorizedQuesto sabato 24 marzo vi segnalo Party Heroes, dalle 19.00 alle 23.00 c/o Superground di Via Bussola, le opere di Art Kitchen, Luca Armigero e della designer Elisa Berger si fonderanno con il suono dei The Kolors, Monkey Mono & The Machine Orchestra, in uno sperimentale progetto che fonde arte, clubbing, performance e design. Troverete poi tutta la serata documentata dall’occhio attento di iShotPix.com.
SUPERGROUND
Via Bussola, 4
Milano