Plastic bottles filled with sand used to build houses in Nigeria


Dezeen Wire:
discarded bottles sourced from hotels, restaurants, homes and foreign embassies are being filled with sand and used as bricks to create curved-walled houses in a Nigerian village – BBC

The bottles are bound together with mud resulting in durable walls that are sustainable, cost-effective and provide insulation from the sun’s heat. The resulting buildings are also bullet-proof – a useful benefit in an area plagued by violence. An estate of 25 houses is currently being built with plans for a school to follow.

See our previous story on a house made from sand bags in South Africa.

£100,000 awarded to companies helping the elderly to live more independently


Dezeen Wire:
 a meals-on-wheels service that brings home cooked food to elderly residents is one of three projects that will share £100,000 awarded by the UK government’s Small Business Research Initiative (SBRI) to the winners of a competition that called for innovative ideas to help elderly citizens live more independent lives.

The competition was organised by the Technology Strategy Board and the Design Council and the three winning companies will use the development contracts to continue refining and testing their services with the elderly community.

The Design Council’s Chief Design Officer Mat Hunter said: “These next generation services will help us maintain our quality of life as we age. All three teams show how understanding real, human needs inspires better solutions and we believe that this design-led approach will encourage the wider economy to embrace this emerging business opportunity. We look forward to seeing these compelling concepts brought to life and to market.”

See previous announcements from the Design Council on Dezeen Wire.

Here is some more information from the Design Council:


New projects will develop innovative services to help older adults live independently for longer

Three innovative small companies have each been awarded government contracts worth £100,000 to develop new services that aim to help older adults live independently for longer through adopting better approaches to food and nutrition.

The awards follow the companies’ success in the ‘Independence Matters – Home and Away’ competition for development contracts, a joint programme between the Technology Strategy Board (www.innovateuk.org) and the Design Council (www.designcouncil.org.uk). The contracts, awarded through the Small Business Research Initiative (SBRI), will enable the three companies to work with designers to develop human-centred service solutions that help to ensure the independence of adults in older age, and which are ready to be scaled-up and rolled out to the commercial market.

The companies awarded the funding are:

FutureGov (London): Casserole is a modern twist on the meals on wheels service which will connect food enthusiasts in the community to cook an extra plate or two of home-made food for people in their area who would benefit from it.  Casserole aims to connect communities one good shared meal at a time.”

Sidekick Ventures (London): League of Meals is a tool to digitise older adults’ home recipes, share them with a private network, and enable them and others to organise social meal events to enjoy home-cooking.

VISION Culture CIC (Worcester): Improving Nutrition in Older People will test and develop a service that will improve the knowledge and skills of older people in order to maintain their long-term well-being in a less clinical manner.

Commenting on the contract awards, Jackie Marshall-Cyrus, the Technology Strategy Board’s Lead Specialist for Assisted Living, said: “Much of the current service provision around nutrition encourages older adults to rely on others.

Rather than seeking to maintain their own skills and independence, it takes away the opportunity they have to continue to do what they can for themselves, or to address their changing nutritional needs and tastes.  These three exciting service development projects will offer a way to reverse this, through providing good nutrition and good nutritional advice, enabling older adults to continue to interact with food in the way they wish to, and enhance social interaction.”

Mat Hunter, Design Council’s Chief Design Officer added: “These next-generation services will help us maintain our quality of life as we age.  All three teams show how understanding real, human needs inspires better solutions and we believe that this design-led approach will encourage the wider economy to embrace this emerging business opportunity. We look forward to seeing these compelling concepts brought to life and to market.”

The ‘Independence Matters – Home and Away’ funding competition was launched in February 2011 and followed extensive research by the Design Council to identify key areas in which innovations could make the most difference in helping older people to live independently.  Nutrition and independent living are strongly linked and the ability to continue to prepare and eat food into older age as you always have done is a fundamental part of maintaining your sense of identity, quality of life and independence.  Access to good nutrition not only ensures healthy living (warding off both obesity and malnutrition) but also, as eating is an inherently social activity, it helps to maintain emotional and mental well-being.

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Sight Unseen launches Online Accessories Shop

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Last night the New York design community gathered at experimental design gallery space bondtoo to celebrate the launch of Sight Unseen’s new online accessories shop, “dedicated to the sale of handmade and one-of-a-kind wearable objects by artists and designers.” Even if you can’t afford Rafael de Cardenas’ new line of furniture, Bec Brittain’s lighting fixtures, or Iacoli and McAllister’s powder-coated steel designs, their special accessories for Sight Unseen curators Monica Khemsurov and Jill Singer are a wearable, eye-catching alternative.

sus_decardenas.JPGRafael de Cardenas, Rolled Cork Necklace

We especially love Los Angeles-based furniture designer Tanya Aguiñiga’s scupltural cotton rope necklaces that incorporate leather offcuts and reclaimed copper tubing and British designer Simone Brewster’s geometric copper and wood, leather pendants. Browse for pieces from designers, Renata Abbade, Confetti System, Jim Drain, Chen Chen and Kai Williams, Fredericks & Mae, Philippe Malouin, Kiel Mead, Silva/Bradshaw, Study O Portable and more! Each piece is handmade and many are one-of-a-kind collectibles, often the designer’s first foray into wearable accessories. We look forward to seeing what might come from future collaborations for Sight Unseen shop.

sus_aguiniga.JPGTanya Aguiñiga, rope necklaces

sus_brewster.JPGSimone Brewster, necklaces

sus_cckw.JPGChen Chen and Kai Williams, Layer Cake Necklace

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University of Nottingham Gateway Building by Make

University of Nottingham Gateway Building by Make

Small windows offer glimpses of the straw used to construct this university building in Nottingham, England, by architects Make.

University of Nottingham Gateway Building by Make

Straw bales from the University of Nottingham‘s farm just 200 metres from the agriculture campus are sandwiched inside the four-storey-high panels of the building’s exterior wall.

University of Nottingham Gateway Building by Make

Straw is compacted inside these panels, which are covered with a breathable render that allows moisture to escape.

University of Nottingham Gateway Building by Make

The straw bales are visible from inside the full-height glazed atrium, which provides social areas for staff and students.

University of Nottingham Gateway Building by Make

Teaching facilities, staff research laboratories and offices are contained elsewhere in the building, which is part of a masterplan of campus buildings by Make  that will also be constructed from rural materials.

University of Nottingham Gateway Building by Make

Another straw building we’ve featured on Dezeen is a spray-painted straw theatre and you can also see all of our stories about buildings for eduction here.

Photography is by Zander Olsen.

Here is some more information from Make:


The UK’s largest strawbale building

Make Architects has completed work on the largest single strawbale building in the UK.

The completed 3,100 sq m Gateway Building for the University of Nottingham’s agriculture campus at Sutton Bonington has taken one of the most traditional building materials and elevated it into cutting edge sustainable building technology. In an era threatened by global warming, straw is undergoing resurgence on the strength of its superb insulation qualities, its source as a natural, renewable and often local material and its minimal production costs.

At the Gateway Building, it has been applied for the first time as an external cladding system known as a ‘curtain wall’. Here each panel covers all four floors of the building in one prefabricated piece. This quick and cost-effective system is a third of the cost of a typical high end unitised curtain walling system and combined with its environmentally friendly properties holds the potential to place straw in the mainstream of construction practice.

University of Nottingham Gateway Building by Make

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Bob Leung, Architect and Partner at Make said: “The straw was grown on the University’s farm just 200m down the road and our sub-contractor, Eurban, set up a ‘flying factory’ on site in order to create the panels there and then. This natural, simple solution provides a fabulous juxtaposition with the high-tech research that actually goes on within the building itself.

Tim Brooksbank, Development Director at the University of Nottingham said: “We had an exacting brief for this new building in terms of its cost and specification and are delighted with the finished building which has provided a state-of-the-art home for the School of Biosciences and the School of Veterinary and Medical Sciences (SVMS).”

University of Nottingham Gateway Building by Make

Click above for larger image

The Gateway Building houses a combination of laboratories and offices, but despite this has a remarkably low-carbon, low-energy footprint and boasts an ‘Excellent’ BREEAM rating for energy efficiency. The deep straw-filled panels have a low U-value of just 0.135 W/m2, which is 60% better than required under current Part L regulations. A CHP plant generates electricity consumed in the building and feeds excess power back into the national grid. In this way, it accounts for a 13% saving in the building’s carbon emissions.

The new building sets the scene for a visionary new campus masterplan, also designed by Make, the primary aim of which was to consolidate and enhance existing facilities on the campus and, in doing so, create an environment conducive to innovation, research and learning.

The building’s crisp form frames the beginning of a future central avenue and serves as a gateway to the Campus. The facades of the building are made up of repetitive narrow vertical elements that echo rows of trees nearby. These are finished in render and separated by exposed timber fins. A modern glazing system is arranged in between the timber elements, creating a rhythm from the contrasting qualities of the facade system.

DesignThinkers: Jessica Hische

And yet another reason to attend DesignThinkers this year? Jessica Hische! Jessica created this lettering spread back in the early days of UPPERCASE magazine: issue #2. It feels like such a long time ago… I’m working on issue #12 today!

Jessica was a natural presenter, at-ease, entertaining—and very knowledgeable and opinionated. (With a sense of humour, too.)

Flying Rhinos

Une impressionnante opération organisée par WWF en Afrique du Sud afin de déplacer un groupe de 19 rhinocéros noirs par des hélicoptères militaires vers une province plus sécurisée pour eux. Une initiative pour préserver l’espèce, filmé par Green Renaissance. Plus d’images dans la suite.



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Previously on Fubiz

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DesignThinkers: Christian Schwartz

One of the reasons I wanted to attend Design Thinkers was to hear Christian Schwartz. You might be familiar with his type foundry, Commercial Type, which advertises regularly in UPPERCASE magazine (thank you!). And for you eagle-eyed type afficianados, you will have spotted a new typeface introduced in issue #11: Neutraface, which Christian designed in 2002 and was released through House Industries.

Brooke Weeber

Watercolor illustrations combine Wes Anderson style with wildlife and folklore
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Brooke Weeber‘s delicate, darkly humorous watercolor-and-ink illustrations are one
part Wes Anderson, one part Edward Gorey. Fantastical wolves and deer roam freely
through pastel-tinted clouds and trees, sharing space with bearded strongmen and booze. Though the Northwest native admits that she’s a huge fan of Anderson, she cites Greek and Native American art as her primary influence.

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“I love the simple line figures painted onto vases and sewn into tapestries, and the use of geometric shapes and patterns [in Greek and Native American art],” says Weeber. “They also show an obvious appreciation for the natural world.”

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Weeber studied fine art at the University of Oregon, but moved to New York shortly after graduation to exercise her artistry in a completely different field—cake decorating. After four years on the East Coast, she began to miss the wildlife that plays such a prominent role in her illustrations and moved back to Portland. “Once I was more acclimated, I started to really appreciate the amazing things that New York had to offer—the culture and diversity alone is much harder to find in Oregon,” reflects Weeber. “But alas, in the end, the chaotic lifestyle wasn’t for me.”

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Besides illustrating album covers for local luminaries such as Blitzen Trapper and Loch
Lomond
, Weeber shows her work locally and sells it through Etsy. Her fruits and
vegetables calendar is a beautiful and practical guide for anyone who likes to eat locally and shop at farmers’ markets but has no idea when figs are actually in season. Her “Animals of the Pacific Northwest” print might also reassure anyone who has been duped by the latest crop of teenage vampire romances; werewolves are not endemic to this corner of the United States.

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Prices range from $4 for a greeting card to $50. For more of Weeber’s work, check her website or her
Etsy shop.


Paola Antonelli, Ruth Ansel Among Art Directors Club Hall of Fame Laureates

Tonight in New York at a black-tie gala to be emceed by Steve Heller, the Art Directors Club celebrates the latest inductees to its Hall of Fame, a prestigious group of “innovators who have made significant contributions to art direction and visual communications” that includes Walt Disney, Charles and Ray Eames, and Andy Warhol. The 2011 laureates are: art director and editorial designer Ruth Ansel; painter, illustrator, and chairman of the MFA Illustration as Visual Essay program at the School of Visual Arts Marshall Arisman (who will receive the ADC’s Educator Award); creative wizard John C. Jay, a partner and executive creative director at Wieden+Kennedy; and filmmaker and commercial director Joe Pytka. And that’s not all! The one, the only Paola Antonelli, senior curator of architecture and design at the Museum of Modern Art, will receive the ADC Manship Medallion “in special recognition of curatorial excellence.” And the Hall of Fame fun continues after tonight’s bash (which will benefit ADC education programs): on Tuesday, November 15, Heller will reprise his M.C. duties as the moderator of a conversation with Ansel and Arisman at the ADC Gallery, where an exhibition featuring the work of the 2011 ADC Hall of Fame laureates is on view through December 2.

Pictured clockwise from top: Ansel, Pytka, Arisman, Antonelli, and Jay

New Career Opportunities Daily: The best jobs in media.

“David Chipperfield to curate 2012 Venice Biennale”- The Guardian


Dezeen Wire:
David Chipperfield is to curate the 2012 Venice Architecture Biennale, becoming the first British architect to take on the role – The Guardian

The official announcement has been delayed because of Chipperfield’s reservations over working with Giulio Malgara, who was expected to become the director of the biennale and is a friend of Italian prime minister Silvio Berlusconi. Following Berlusconi’s decision to stand down it is expected that current director Paolo Baratta will retain the role as biennale director.

See more stories about David Chipperfield on Dezeen.