Duncan Terrace by DOSarchitects

Duncan Terrace by DOSarchitects

One half of an extension to a house in north London is surrounded by frameless glass, whilst the other half is encased in slatted timber.

Duncan Terrace by DOSarchitects

Designed by local studio DOSarchitects, the extension provides a new bedroom, kitchen and living room at the rear of the listed terrace in Islington.

Duncan Terrace by DOSarchitects

The ridged iroko wood creates chunky pilasters around the bedroom, while the open-plan kitchen and living area is separated from the garden by nothing but glass.

Duncan Terrace by DOSarchitects

Glass doors open both rooms out to the garden beyond.

Duncan Terrace by DOSarchitects

This is the second timber and glass extension to an Islington house recently featured on Dezeen  – click here to see our earlier story about a larch-clad extension with a flower-covered roof.

Duncan Terrace by DOSarchitects

Photography is by Carlo Carossio.

Duncan Terrace by DOSarchitects

Here’s a project description from DOSarchitects:


Duncan Terrace. Islington, London.

Our clients’ brief for this project was to add a modern ground floor extension to their Grade II listed Georgian terraced house in Duncan Terrace, Islington. More specifically, they wanted this extension to contain an extra bedroom, a kitchen and a living space which would act as a connection between the house and the garden whilst also respecting the existing Georgian Architecture.

Duncan Terrace by DOSarchitects

Our response, which obtained full conservation and planning approval, was to create a split volume that, on one hand wouldn’t compete with the existing Architecture and on the other offered a direct link to the house’s surrounding:

Duncan Terrace by DOSarchitects

The first and more solid volume takes the form of a wooden box which, like a piece of Japanese origami, envelops the bedroom and literally brings a natural element (Iroko wood) from the outside world to the inside.

Duncan Terrace by DOSarchitects

The second volume, entire in glass, brings natural light into the new living space and acts as a visual link between the Georgian house, the wooden box and the garden. The high tech structural glass used for this volume, moreover, acts as a contrast to the beautifully handcrafted timber slatted detail which envelops the adjacent volume.

Duncan Terrace by DOSarchitects

Together they sit, comfortably, solid, transparent, old and new.

Duncan Terrace by DOSarchitects

Approached by a private client, whose requirements were to have one extra bedroom, to be protected from the elements and at the same time to be connected with the external natural land space: we responded with this little gem.

Here, the more private space, the newly added bedroom, which is the protected part, is to merge and become part of the existing vegetation by joining the trees and plants. Whereas the more public part, is to still have a connection with the exterior landscape, but in a more public and exposed way, having a direct link, visual and physical.

Wood was the natural choice for the cladding of the volume, as it relates directly with its live surroundings and vegetation. Details such as the Olive tree, of the same age of the house, 150 years old, are only one of the connections between the interior and exterior.

Project credits

Architect: DOSarchitects
Engineer: Fluid Structures
Joinery and Cladding: Holloways of Ludlow
Project Manager: Alex Bardi
Building Contractor : Federico Amorosi & Bros


See also:

.

The Jewel Box by
Fraher Architects
Folly by
Baumhauer
Roman Road conversion
by Anarchitect

Hannah Blackmore CR Bursary Film: The Regulars

Hannah Blackmore, who was recently awarded a £1,000 bursary from CR to create a new piece of work, courtesy of iStockphoto, has completed a new documentary film with the money. It is shown here.

Blackmore is one of five outstanding graduates featured in the September issue of CR. The Regulars continues her interest in the changing face of Ramsgate in Kent. The film documents life in the Western Undercliff Cafe, located along a once-popular promenade in Ramsgate, which has now been replaced by the truck-filled A299.

As in her previous films, which have addressed the changing shopping streets in Ramsgate, The Regulars shows off Blackmore’s photographic eye and delicate handling of a poignant story. More of her film and photography work can be seen online at hannah-blackmore.com. You can see the work of the other four graduates selected by CR in our September Graduate Special issue, details are below.

Thanks to iStockphoto for providing the bursary.

 

CR in Print

Thanks for reading the CR website, but if you are not also getting the printed magazine, we think you’re missing out. This month’s issue has a superb feature on the Sainsbury’s Own Label packaging of the 60s and 70s, a profile of new Japanese creative supergroup Party and our pick of this year’s top graduates. Read all about it here.

If you would like to buy this issue and are based in the UK, you can search for your nearest stockist here. Based outside the UK? Simply call +44(0)207 292 3703 to find your nearest stockist. Better yet, subscribe to CR for a year here and save yourself almost 30% on the printed magazine.

Date Selected for Rescheduled Dedication of Martin Luther King Jr. Memorial…Maybe

0905mlkmemorial.jpg

Late last week, we reported that one of the ongoing issues concerning the seemingly forever controversial and recently made public Martin Luther King Jr. Memorial in Washington DC, was that its dedication had been postponed when Hurricane Irene had rolled over the East Coast last month. However, now it looks like that might all be sorted out, with plans for a rescheduled, star-studded event happening on October 16th. Unless that isn’t the right date. The Washington Post reports that although the memorial’s executive architect, Ed Jackson Jr. (the man who has no plans to remove the inscription on the base of the memorial, its most recent controversy), has said that it will “absolutely…definitely” happen on the 16th, no one from the National Park Service or the memorial foundation has confirmed the date, nor has the project’s site been updated reflecting the new date. So will something happen on the 16th, or are we just at the start of another fight surrounding a memorial that has seen more than its fare share of them?

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Super slo-mo fashion on ice

Every day this week fashion website Fantastic Man‘s Daily Recommendations page will showcase a short film by Dutch art duo Lernert & Sander. Each film showcases a particular look modelled by an ice skater doing his thing in super slow-motion…

The Upright Catch-foot Spin from FANTASTIC MAN on Vimeo.

Yesterday’s film featured Olympic figure skater Lawrence Evans (above) performing an upright catch-foot spin in a sparkly v-neck jumper and T-shirt by Prada, with leggings by Pamela Mann – and today’s film (below) features Thomas Naylor doing an open upright spin (again in super slo-mo) whilst sporting a black leather jumpsuit and roll-neck by Hermés, black leather gloves by Dunhill and a BX-1 full-face black motorcycle helmet by Box Helmets via Infinity Motorcycles:

The Open Upright Spin from FANTASTIC MAN on Vimeo.

Three more similar films are due to drop, one a day for the rest of the week, each filmed using a Photron Fastcam BC2 HD camera which captures an impressive two-thousand frames per second. What you see in each film is but a split second stretched out to around one minute.

fantasticman.com

CREDITS:

Production company White Lodge
Executive producer Stephen Whelan
Producer Serena Noorani
Cameraman Bjorn Bratberg

Styling Jodie Barnes
Grooming Kenichi at Caren
Styling assistance Joe Porritt
Grooming assistance Ellie Gill

Original music Danny Calvi
Editor Arno Ouwejan
Post production The Mill
Thanks to MPC

 

Gallery’s Exhibition of Banksy Street Art Removed From Walls: ‘Cultural Looting’ or Valuable Commodities Ripe for the Picking?

Over the years, we’ve seen a number of instances where people have cried foul over the removal of a piece of Banksy street art, particularly when it involves the remover’s getting rewarded with a large batch of cash. After all, as we wrote back in 2008, “Banksy Makes Walls Worth Millions.” We last saw an instance of what the site VIT.B has quoted some as calling “cultural looting” back in August of last year, when a couple of Banksies were removed from walls in an abandoned building in Detroit and showed up on eBay, starting at $75,000/per. Now the Keszler Gallery in Southampton, New York is getting the same treatment with their exhibition “Banksy: Original Street Works.” Reportedly unauthorized by the artist, actual chunks of the walls holding the paintings were removed and have been put on display and made available for sale. Given Banksy’s very public canvases, which if not removed and sold to galleries are semi-regularly accidentally painted over by graffiti-removal crews or unknowing new building owners, it seems par for the course and not something that should be of any particular surprise. So depending on how you view this latest matter, viewing the gallery-produced video below will either make you terribly mad, or you’ll be interested to see how a Banksy removal is handled:

New Career Opportunities Daily: The best jobs in media.

BMW Motorrad Concept e for a BMW electro-scooter

BMW Motorrad Concept e BMW electro scooter

Weetabix – Chocolate Spoonsize

Voici le nouveau spot et la campagne des céréales Weetabix pour leur dernier produit “Chocolate Spoonsize”. Une mise en scène impressionnante de la jeune danseuse anglaise de 9 ans Arizona Snow, sur une réalisation du duo DANIELS et le titre “‘A New World” par Mord Fustang.



weeta1

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Architecture Critic Christopher Hawthorne Takes Issue with Apple’s Proposed ‘Aloof from the World Around It’ New Headquarters

The LA Times‘ resident architecture critic has received a fair share of criticism of his own at the start of this week, chiefly from avid Apple enthusiasts after his writing a somewhat negative piece about the company’s proposed Foster + Partners-designed new headquarters in northern California. Though not a terribly negative review, and certainly not overt, Hawthorne really doesn’t even involve Apple, but instead uses them as a launching point to discussed the many companies who have decided to build a “campus,” a self-inclosed, almost suburban-like entity that eschews any form of connection to its community. However, with both Google (working with Ingenhoven) and Facebook (moving into Sun Microsystems‘ old facilities) also making them move to new mega-campuses of their own, Hawthorne seems to find Apple’s planned new home even more egregious in its desired separation than any of its neighbors, writing that it “keeps itself aloof from the world around it to a degree that is unusual even in a part of California dominated by office parks.” While the critic doesn’t directly address that many of these companies deal in tremendous secrecy and have employees who have sacrificed personal lives to work 18 hour days and thus need something that provides a sort of replacement for that insular safety, we think Hawthorne doesn’t necessarily believe that those needs have to be mutually exclusive. Whatever the case, it’s an interesting argument and one that’s sure to have the critic blacklisted for the iPhone 5 unveiling event, whenever that should happen to be.

New Career Opportunities Daily: The best jobs in media.