Ask Unclutterer: Difficulty parting with sentimental objects

Reader S. submitted the following to Ask Unclutterer:

I really want to unclutter my house, but every time I go to do this I get emotional and start reminiscing in my mind. So, back in the pile/box it goes. I can’t seem to move forward. I know if you haven’t used it in 2 years you should get rid of it. HELP!!!

I think there are two main types of objects in our homes — utilitarian and sentimental objects. Utilitarian objects are useful items like plates and chairs and blenders. The two year rule you mentioned primarily applies to these types of objects. If you don’t have use for a utilitarian object over the course of two years (or one year), you should donate the item to charity or sell it on Craigslist or give it to a friend who wants it. My guess is that you don’t have much issue parting with these types of objects since they hold no emotional attachment.

Conversely, sentimental objects don’t usually work with “if you haven’t used it in X timeframe” guidelines because the reason you have the item has very little to do with an object’s purpose. You keep sentimental items because you have an emotional attachment to them that is often based on a specific memory. You may have your grandmother’s rocking chair in your daughter’s nursery, and you may actually use it to rock your daughter to sleep at night, but the reason you have that exact chair is because it was your grandmother’s. When your daughter no longer wants a rocking chair in her room, you’re more likely to move the chair to another room of the house instead of selling it. If you were to get rid of the chair you might feel like you’re getting rid of your grandmother. (Obviously, you wouldn’t be getting rid of your grandmother if you did part with the chair, but the emotional attachment you have can certainly cause you to feel that way.)

Remember that clutter is anything that distracts you from pursuing the life of your dreams. If you have so much sentimental stuff that it is causing a stressful mess or taking up room in your home for things that matter more to you, you will want to cull the clutter. But, you don’t have to get rid of all your sentimental stuff. At least for me, some of the things I keep for sentimental reasons are objects that reflect what I value most. My grandmother is one of my most favorite people on the planet, and having her rocking chair makes me smile and remember all the wonderful times we have shared. So, I keep that exact chair. However, I don’t keep every card she ever sent me or every gift she ever gave me because I don’t have room to keep everything and the chair elicits the happiest of all the memories. With sentimental items, it’s usually a good idea to aim for quality over quantity. Think about sorting through your sentimental items like an editing project — you’re not getting rid of everything, you’re just getting rid of the excess that distracts from the really good stuff.

For you, I recommend choosing one nice waterproof box (like a plastic bin) and calling it your Keepsake Box. Do not use a cardboard box as critters and pests can eat through it and water can soak into it and ruin your keepsakes. Then, only put the sentimental items you decide to keep in your one Keepsake Box. You’ll need to make guidelines for what sentimental objects you wish to keep and which ones you wish to purge. Items to get rid of might be things that are broken or damaged, things that you don’t remember exactly what they represent, things that are associated with bad memories, and things that you value less than another object that represents the same memory.

Also, grab a friend and a digital camera as you’re going through this process. Have the friend hold up stuff from your current stash (Rule #1: YOU can’t touch any of the stuff. Research has found that it’s harder for people to get rid of things they are holding). Any item that doesn’t meet your “keep” criteria, photograph it with a digital camera before having your friend help you get rid of the item. This way, if you ever want to see the object again, you can simply pull up the digital image file on your computer. That file takes up a lot less space in your house than the actual object did, and you’re still able to look at it whenever you want.

At the end of the project, you’ll still have a Keepsake Box, but it will hold things that are really important to you. Moving forward, you can only put items in the Keepsake Box that fit inside the box. This means, you need to leave some room in your Keepsake Box for future memories and be sure to only add the really important paraphernalia. You also might consider getting a journal and writing individual entries about each of the items in your Keepsake Box. Tell the story of the things that matter most to you. If you don’t want to spend the time writing about an item, it could be a sign that the item isn’t actually very important to you. (This isn’t always the case, but it’s definitely something to consider.)

If you don’t have a friend who would be good at helping with this sort of uncluttering project, hire a professional organizer to assist you with the work. Interview a few and choose one you trust and believe can best help you.

Also, I strongly recommend displaying and using your sentimental items that have some utility. If you’re proud of your college diploma, frame it and hang it on the wall of your office as a daily reminder of your accomplishment. If your mom made you a quilt, get it out of storage and wrap yourself in it on chilly evenings. Hiding important and useful sentimental objects in a box is a pretty lousy way to enjoy something. Use your Keepsake Box only for those small things that lack utility and would be awkward to display. For instance, I have a copy of my wedding invitation in my Keepsake Box. I don’t have any use for the invitation and I don’t have a desire to display it, but every year on our wedding anniversary we pull it out and look at it and talk about how much fun we had on our wedding day. I think Keepsake Boxes are perfect for this type of item.

Good luck!

Thank you, S., for submitting your question for our Ask Unclutterer column.

Do you have a question relating to organizing, cleaning, home and office projects, productivity, or any problems you think the Unclutterer team could help you solve? To submit your questions to Ask Unclutterer, go to our contact page and type your question in the content field. Please list the subject of your e-mail as “Ask Unclutterer.” If you feel comfortable sharing images of the spaces that trouble you, let us know about them. The more information we have about your specific issue, the better.

Like this site? Buy Erin Rooney Doland’s Unclutter Your Life in One Week from Amazon.com today.


Mountain

A lifelong mountaineer takes up the relationship between man and mountain in a gorgeous new book

Mountain-cover.jpg Mountain-1.jpg

Sandy Hill’s book Mountain is a meditation on what many consider the last real frontier. A lifelong mountaineer, Hill’s experience—she was among the first to climb the highest peaks on all seven continents—makes for an insightful look at the colossal entities and how humans coexist within their foreboding landscapes.

Mountain-lake.jpg

With 350 images by more than 160 photographers, Mountain starts out like any other coffee-table book, full of stunning landscape images by such renowned photographers as Ansel Adams and Eadweard Muybridge. This expansive section of awe-inspiring imagery transitions, without skipping a beat, to documents of humans in the mountainous environment. Ant-like mountain dwellers as the focal point brings the enormity of the natural surroundings into perspective.

Mountain-sheep.jpg

The final portion of the book shifts again to study man-made creations in contrast to the mountains nearby where they’re built. A testament to human ingenuity, these intricate architectural and agricultural feats still seem out of place nestled on lowland flats or perched atop craggy peaks.

Mountain-Afghanistan.jpg

Peppered among the vivid imagery, numerous brief autobiographical tales detail the familiar love-hate struggle between man and mountain. These short stories demand a deeper look, as each brings the reader closer to comprehending the tempestuous relationship that most climbers share.

Mountain-lights.jpg

All of the proceeds from the book’s sales will be donated to the American Alpine Club Library. With a suggested price of $85, Mountain will be available 11 October 2011. You can pre-order now through Amazon.


dottie angel’s world

dottie angel from UPPERCASE gallery on Vimeo.

 

Book launch tonight!

Friday September 30, 6-9pm

Assemble Gallery & Studio
7406 Greenwood Avenue North
Seattle, Washington
206.913.2470

(If you can’t make it, you can order the book online here.)

The New York Rangers is seeking a Art Director/Graphic Designer in New York, New York

coroflot-joboftheday.jpg

Art Director/Graphic Designer
The New York Rangers/Madison Square Garden Company

New York, New York

The primary role of the Art Director is to help lead with the development and design of all advertising and design needs for the New York Rangers as it supports collateral for Marketing Partnerships, Corporate Hospitality / Suite sales, Merchandise and Food & Beverage Departments. As a member of the design team, the art director will be involved with the development and design of all needs as they relate to their accounts; including collateral design, logo development, print advertising, outdoor, display, packaging, web development and more.

» view

The best design jobs and portfolios hang out at Coroflot.

(more…)


Tsujita LA by SWeeT

Tsujita LA by SWeeT

Swirling clouds of drumsticks cover the ceiling of a Los Angeles noodle restaurant by Japanese architects SWeeT.

Tsujita LA by SWeeT

The 2500 wooden sticks are each cut to different lengths to create the cloud patterns at Tsujita LA.

Tsujita LA by SWeeT

Wavy-edged tiles give the interior walls the appearance of a woven basket, while plain clay tiles surround an open kitchen.

Tsujita LA by SWeeT

The dining room features leather sofas, timber chairs and cylindrical lamps.

Tsujita LA by SWeeT

Rectangular lanterns decorated with the restaurant’s flower motif fill the shelves of a timber bookshelf at the entrance.

Tsujita LA by SWeeT

Other restaurants with textured ceilings to have been featured on Dezeen include one where curved walls are lined with wooden blocks coated in gold leaf, and another with an undulating cave-like ceiling.

Tsujita LA by SWeeT

Photography by Takeshi Nakasa.

The following text is from SWeeT:


Tsujita LA
2057 Sawtelle Blvd, Los Angeles

I put 25000 of wooden sticks, which was shaped like drum stick on the ceiling.

Tsujita LA by SWeeT

In order to increase a reality of clouds, I calculate the focal length between eye line and wooden sticks and use that length for the stick length.

Tsujita LA by SWeeT

Also I made difference on the distance between stick each other so that to make a stereoscopic effect to wooden cloud.

Tsujita LA by SWeeT

Not only for this project. I’m always challenging to create a space that coexist art and interior.

Tsujita LA by SWeeT

At the same time, I’d like people to feel the delicate of beauty, which Japanese have, and Japanese atmosphere when they visit here so that they will think that they want to visit Japan.

Tsujita LA by SWeeT

I’d like to make this restaurant as one of an element for Japanese reconstruction.

Tsujita LA by SWeeT

Click above for larger image.


See also:

.

Kurogane
by Maker
Silencio by
David Lynch
Tree Restaurant by
Koichi Takada Architects

Time lapse of Ford Explorer being built out of Legos

Core77 Design Award 2011: Chilote House Shoe, Notable for Design for Social Impact

core77_design_awards_logo-BANNER.jpg

Over the next months we will be highlighting award-winning projects and ideas from this year’s Core77 Design Awards! For full details on the project, jury commenting and more information about the awards program, go to Core77DesignAwards.com

Chilote1.jpg

Stiven-Kerestegian-webshot.jpgDesigner: Stiven Kerestegian in co-creation with artisans in the Patagonia
Location: Puerto Varas, Chile
Category: Design for Social Impact
Award: Notable



Chilote House Shoe

This simple, noble, extremely comfortable and highly sustainable indoor shoe redefines the concepts of inclusive design and conscious consumption through the synergy created by three valuable assets; design guided craftsmanship, noble renewable materials from the Patagonia, and a disruptive collaboration and manufacturing process.

From the very beginning we understood that we needed to deliver more than just a highly desirable and commercially viable product, we needed to create value for everyone involved in the products complete life cycle.

We set out to design a model that truly contributed by creating measurable positive social impact in the lives of the artisans that provide the craftsmanship, it being the soul of the product.

From this point of view, a great design would not be enough, we needed a highly innovative ecosystem around it that was not only highly inclusive socially but also completely environmentally benign. We wanted to focus on the less addressed and more challenging aspects of sustainability.

The product addresses the interest of all the individuals involved in synergy; the intended market and it’s consumers, the local and global environment and all the individuals who are involved in it’s manufacturing model.

Chilote3.jpg

Core77: How did you learn that you had been recognized by the jury?

I learned that I had been recognized by Core77 from my colleagues from the Innovation Center of Un Techo para Chile. It’s just a coincidence, but they received the same Core recognition with their “Safe Agua” project in collaboration with Art Center’s Designmatters.

What’s the latest news or development with your project?

The product is creating much unexpected buzz at a local level here in the south of Chile, we are contacted almost daily by artisans from all the surrounding areas wanting to participate in the production model. Same at the opposite side of our operation with our target retailers; museum stores, eco-premium boutiques and on-line sales. Quite a bit of buzz all around… things are pretty crazy right now.

Also we had an amazing launch in NYC at the NYIGF where we received several recognitions among tens of thousands of products at the show including winning the “Eco-Choice Award for most sensitive use of Material” a visitor voted award…

We have sold most of our production capacity (limited to just 1000 units per month due to our highly inclusive [far beyond fair trade] production methodology). We plan to duplicate the production in the next 6 months…

We just launched a great new website www.chiloteshoes.com: another nice upgrade is our inclusion of QR codes with each pair of Chilotes—when scanned, the code leads to a mini-site that features the personal and geographical information of the actual artisans that crafted that piece.

What is 1 quick anecdote about your project?

Interesting fact: I designed the Chilote Shoe in about 1/2 an hour (with many iterations since but the concept itself came out pretty fast). Of course, all the insights, material research, cultural learnings, etc. that came before and lead to the design was a very long process.

Everything that came after was even more laborious and challenging including the most important aspects such as the inclusive manufacturing process and especially all the social interaction elements, the relationships that are inherently developed are truly rewarding. We had to create a socially sustainable model from scratch, a model designed to meet the local socio-cultural reality and at the same time address and deliver on the global consumer trends and desires.

It’s extremely difficult to think globally and act locally especially in a location so remote as the Patagonia. It is also very challenging to create a product and brand eco-system without a large company (and the associated resources) behind you. We basically started from scratch in every aspect.

It’s been a long 2-3 years of work leading up to the US launch last weeks, but the actual product design was a breeze and very enjoyable.

When asked about the Chilote, I always talk more about what is around the product (it’s ecosystem), the people and places and materials involved more that the product itself asI feel it speaks for itself. Sure it’s cute, super comfortable and sports highly innovative materials in a functional and useful product, but I believe that the most interesting quality of the design is the “story” around it. Not to sound overly artsie but I do really think it’s a conversation piece!

Read on for full details on the project and jury comments.

Martina.jpg

Chilote4.jpg

Odete.jpg

Sandra-&-Mali.jpg

Chilote-Shoe-process.jpg

(more…)


“Wearing a Philanthropic Heart on Their Designs” – The Wall Street Journal

Dezeen Wire: design critic Nicole Swengley writes about the increasing number of designers engaging in socially responsible or philanthropic projects, including Yves Behar’s See Better to Learn Better reading glasses (see our previous story here) and Max Fraser’s Joy of Living exhibition (see the story here and an interview with Max here) – The Wall Street Journal

Screen Time

David Shrigley tattoo parlour

If you’re in the mood for a new, or indeed first, tattoo then David Shrigley is offering to indelibly ink your body with his art at the Abandon Normal Devices festival…

Shrigley already has quite a following of tattooed fans who have used his visual musings to illustrate various parts of their bodies. There’s a rather sweet quality about many of the examples, collected here on Shrigley’s website, while some are just, well, clearly quite bizarre additions to be sporting on one’s arm/leg/buttock.

Shrigley’s tattoo parlour will be open from 11am to 6pm this Saturday October 1 at Utility, 60 Bold Street, Liverpool L1 4EA, with studio Dermagraffiti on hand to commit ink to skin.

Shrigley tatts are available by prior appointment only and will be allocated on a first come first served basis. You can book a session via tattoo@andfestival.org.uk. The event is part of the Abandon Normal Devices (AND) Festival of new cinema, art and digital culture, which in on now in Liverpool until October 2.

All photos taken from Shrigley’s Tattoo page at davidshrigley.com/tattoos.