Quirky Lamps Your Cup of Tea? "Nata" vs "Pagoda"

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We’ve seen drinking vessels re/upcycled into lighting before, but I’m amazed that the simple idea (or brief) to “turn a teacup into a lamp” can yield two wildly disparate results, as in these two recent designs. (Perhaps it is only fitting that one is a glazed white ceramic and the other is a strange yet organic matte black.)

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First up is a lamp by Portuguese designer Gonçalo Campos, who creates minimal yet whimsical housewares “in a process that starts from inside of the object towards the outside.” I was quite taken with his latest design, the “Nata” lamp, a tabletop ambient light that resembles a tipped teacup (a third handle serves to prop it up).

A ceramic lamp, with gentle curves and a classical look, borrowed from the shapes of table top ceramic wear. It is actually made from a rehabilitated mold, only rearranged… The result is this gentle and familiar shape, that only with slight changes now serves a whole new purpose.

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Twins Houses

Un beau projet par l’architecte de Boston, William O’Brien Jr avec cette maison située dans l’État de New York. Ces 2 résidences sont disposées dans un plan hexagonal avec des structures géométriques. Les maisons partagent un domaine agricole, le tout situé en pleine forêt.



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Chris Piascik’s Typography-a-Day

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We’re really enjoying Chris Piascik’s daily typographical drawings. Piascik, whose Sharpie-d BMX frame was part of the Fourthwall opening we covered, is an award-winning graphic designer in New England.

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Piascik incorporates elements of his daily life, whether it’s quotes that inspire him or music on his playlist, into the drawings. Even mundanity can be truly beautiful when viewed through a different lens.

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Sticky Tiki

Removable fabric wall decals designed to help kids get crafty
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Kids are fickle. Keeping them entertained is a never-ending problem for parents. Enter Sticky Tiki, a creative solution in the form of reusable wall decals, originally hand-painted and printed by a crafty couple in Napier, New Zealand. Made from rip- and wrinkle-proof fabric, the graphics are backed with a low-tack adhesive for easy transfer— either to reconfigure the shape, apply them outdoors or to take them with you if you move.

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The printed fabric is also washable, so they not only encourage cognitive thinking through creative application, but allow for messy kids to go wild with them—perfect for interactive storytelling.

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Sticky Tiki wall graphics last three to five years, and have been tested for long-lasting strength after repositioning, which work up to around 140 moves. Leaving no marks on the walls when moved, if your little one outgrows the design, there is no need to repaint the room.

The decals come in a variety of styles and range in price, typically spanning $25-150. Pick them up online from the official website or Etsy shop, where you can also contact the makers about customization.


Core77 Design Award 2011: Common Sense, Student Notable for Design for Social Impact

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Over the next months we will be highlighting award-winning projects and ideas from this year’s Core77 Design Awards! For full details on the project, jury commenting and more information about the awards program, go to Core77DesignAwards.com

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Craig_and_Karl_2.jpgDesigner: Craig Stover & Karl Sluis
Location: Chicago, Illinois, USA
Category: Design for Social Impact
Award: Student Notable


Common Sense

Common Sense is an art exhibit consisting of 13 installations that examine the past, present, and future state of the American Dream.

We set out to explore how we might make information more compelling—how we might make topics like history and statistics exciting—and what influence the tangible had on the spectacle. We experimented with and explored the idea of socially discursive design, design that addressed not the needs of one, or some, but the needs of all. Clearly, we were very excited to work on this project—it was experimental, intellectual, risky, and above all else, fun.

We’re both from southern Michigan and have seen some of the best and worst of the American Dream. What was once a land of promise and optimism is now a place crippled by the short-sighted decisions of the past thirty years. Make no mistake: we acknowledge a biased perspective. This does not mean that we cannot be agnostic and fair in our treatment of the facts that inform this perspective. We see no need to sing to the choir, to congratulate ourselves for our knowledge and understanding—we would much rather explore the facts and share what we’ve learned. If our biases are undermined, we’ll share that discovery. If our beliefs are supported by history, we won’t retreat from sharing the same.

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Core77: What’s the latest news or development with your project?

After our exhibit in Detroit last year, we fielded a number of adoption inquiries for children’s museum. Craig and Karl could think of no better opportunity than to mold fertile, young minds and excite children about the ins and outs of Federal budget priorities and negotiations. Seriously.

What is one quick anecdote about your project?

Our Chinese-born champagne flutes in no way fit together upon arrival. Craig and Karl spent the better part of one playful and productive evening hacking away at plastic champagne flutes to ensure proper fit, all in the name of beauty and design.

Read on for full details on the project and jury comments.

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DSLR Slate App for Digital Shooters

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Even with the WYSIWYG nature of digital photography, setting up lighting for a shoot can be a pain; during the few high-volume projects I shot, I started by photographing the subject under different lighting setups, with a piece of paper in-frame that had notes (aperture, shutter, lighting settings) scribbled on it for reference. That way the art director could later pick a lighting/shooting set-up they liked and I would have a reference for how to precisely recreate it, even weeks later during a re-shoot.

DSLR Slate is a brilliant iDevice app with paper-replacing functionality both for still photography shoots and video; as its name suggests, it can take the place of the old-school clacker-style slate.

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Great MCM Resource: Mid-Century Modern Maven Pam Kueber’s "Retro Renovation"

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Today’s Times has a profile piece up on Pam Kueber, the Mid-Century Modern maven who runs RetroRenovation.com, a blog dedicated to helping fellow fanatics restore their houses to the period’s style.

Whether you own a small “mid-century modest” ranch or not, Kueber’s site provides a fascinating and comprehensive look at the styles of the era, coupled with helpful tips on how to find, select, fix, and maintain those fixtures. Articles like “28 places to shop for an affordable midcentury modern style sofa,” “200 or so vintage Nutone doorbells” and “How I restored my vintage [Saarinen] tulip table and shell chairs” will keep MCM fans busy and engaged.

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Celeb Poll – Short and Sweet?

imageThere’s a short hair epidemic sweeping through Hollywood and frankly, we love it!


Whether for a change in coiffure or a daring movie role, it takes a confident woman to chop off long locks and sport a new, spunky short ‘do.


We’ve got three of the hottest young starlets that are leading the way in the short hair trend and we want to know … who do you think wears her short hair the best?


Hayden Panettiere‘s new short locks really frame her face and let her green eyes pop!


Vanessa Hudgens debuts a new pixie cut that makes her look more edgy and sophisticated!


Scarlet Johansson wears her shorn style with attitude, the deep red hue adding to her sex appeal!


Who get’s your vote? Let us know by taking the poll below!

The Sea Chair by Alexander Groves, Azusa Murakami and Kieren Jones

The Sea Chair by Alexander Groves, Azusa Murakami and Kieren Jones

What if plastic polluting the seas could be harvested by a retired fishing trawler, then transformed into chairs by an onboard factory?

The Sea Chair by Alexander Groves, Azusa Murakami and Kieren Jones

The Sea Chair project by Royal College of Art graduates Alexander Groves, Azusa Murakami and Kieren Jones proposes just that – sorting through the plastic debris for tiny pellets used in injection moulding machines.

The Sea Chair by Alexander Groves, Azusa Murakami and Kieren Jones

The designers claim that 13,000 of these pieces of virgin material are floating in every square mile of ocean, spilled in transit or leaked from factory storage.

The Sea Chair by Alexander Groves, Azusa Murakami and Kieren Jones

They’ve built a machine to scoop along the shoreline and sort the debris by size, using a floatation tank to separate out other, denser materials, and trialled it on the beach at Porthtowan, England.

The Sea Chair by Alexander Groves, Azusa Murakami and Kieren Jones

Their work has been nominated for the Victorinox Time To Care Award and you can vote for it here. “If the project gets enough votes to take us into their top three, we would secure enough money to see our project fully funded,” says Kieren Jones. If successful the designers intend to show a set of chairs made by the trawler in Milan next April.

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They presented the project at Show RCA earlier this summer and it will be on show at Sustain RCA during the London Design Festival next month.

The Sea Chair by Alexander Groves, Azusa Murakami and Kieren Jones

This isn’t the first project on Dezeen to tackle plastic pollution: last summer the Plastiki boat made of plastic bottles sailed from across the Pacific Ocean from San Francisco to Sydney to raise awareness of the problem and at DMY Berlin this year Dirk Vander Kooij presented a robot that prints plastic chairs made of recycled refrigerators.

The Sea Chair by Alexander Groves, Azusa Murakami and Kieren Jones

The information that follows is from the designers:

 


 

London designers Alexander Groves, Kieren Jones and Azusa Murakami are proposing to turn a retired fishing trawler into a plastic chair factory, fishing plastic from the polluted seas and beaches around the South West of the UK. Their ‘Sea Chair’ project has been shortlisted for the Victorinox Time To Care Award, -to support the project, please cast your vote by visiting and help make the project a reality.

The Sea Chair project proposes to turn a retired fishing trawler into a plastic chair factory, fishing the plastic from the polluted seas and beaches around the South West coast of the UK.

The Sea Chair project looks to address the problem of accumulating plastic in our oceans by raising awareness and removing plastic that will continue to circulate for thousands of years.

With increasing EU quotas, competition from large commercial trawlers and not to mention depleting fish stocks, Britain’s fishing industry really is in crisis.

Further afield, a ‘plastic soup’ of waste floats in the Pacific Ocean. Growing at an alarming rate it is already double the area of the United States. The ‘Pacific Garbage Patch’ as it’s known, stretches from the coastlines of California to the shores of Japan.

Since the discovery of ‘The Pacific Garbage Patch’ 5 more have been found across the World’s Oceans with the Atlantic gyre predicted by many scientist to be even larger. This plastic waste doesn’t sink and takes thousands of years to degrade, remaining in the environment to be broken up into ever-smaller fragments by ocean currents. As our society’s consumption grows the concentration of this plastic soup increases.

These fragments include a large amount of nurdles or ‘mermaids tears’, which are the plastic pellets that are the virgin raw material for injection moulding. These nurdles can be found littered on almost every shoreline in the world.

During our research trip to Porthtowan beach we discovered the most prevalent marine litter was plastic pellets, known in the plastics industry as ‘nurdles’. These pellets are around 2mm in diameter & represent an estimated 10% of all marine litter worldwide, their small size means they aren’t picked up by waste systems and being buoyant they will float on the sea surface taking over a thousand years to biodegrade.

These Nurdles haven’t been injection molded yet, but rather have been lost through spillage in transit and poor storage at factories.

The nurdles act as a sponge for harmful chemicals such as polychlorinated biphenyls (PCBs) in concentrations up to a million times greater than the surrounding seawater. Resembling fish eggs they enter the food chain raising the toxicity of our fish.

More than 250 quadrillion nurdles will be made this year and The United Nations (UN) states 13,000 nurdles are floating in every square mile of the ocean, however the concentration of these varies greatly according to currents and weather conditions.

Porthtowen Beach has been identified as one of the most polluted beaches in the UK for micro plastic due to it being a deposit shoreline that through its unique topography collects great amounts of sea plastic and makes it an ideal place to pan for nurdles.

Currently beach cleaning tractors remove the large plastic debris from the beach but micro plastic remains quite elusive. We have been developing methods and tools for collecting and separating the micro plastic from the other debris to be used again.

During the early part of the century, Britain’s coastline was a flourish of industrial activity, and beaches like Porthtowan were not just trawled for fish but also mined for precious metals.

Much like the early miners, we have taken inspiration from this rich heritage and produced a sluice-like contraption that has allowed us to sort vast quantities of marine debris quickly and efficiently.

The Nurdler consists of a hand powered water pump, and sorts the micro plastic from the stradline grading the particulates by size and using a floatation tank to separate the denser materials from plastic.

Alongside this contraption, and with the help of the local fisherman, we would like to fabricate plastic chairs that support their community and make use of their rich and diverse skill sets. With the E.U unveiling plans to pay fisherman for plastic by-catch, advances in the development of nets for collecting plastics with minimal damage to marine wildlife and by collecting washed up plastic on shore we have designed a floating factory ship that recycles this marine waste into sea chairs.

Please support this on-going project and help make the ‘Sea Chair’ a reality by voting for it here.


See also:

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Recycled plastic chairs
made by a robot
Plastiki boat made
of plastic bottles
Chairs made of injection
moulding remnants

Becoming an Antarctican: Open Canvas, by Arturo Pelayo

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After almost 30 hours sailing through The Drake Passage, the Sea Spirit arrived to the Southern Ocean. In the early hours of March 8th, amidst the strong wind and heavy cloud coverage in the sky, we got our first glance at the magic continent: glaciers in the distance as far as the eye could see.

Through the morning we began to see small icebergs as we approached Melchor Island. Since we had arrived earlier than expected, we were in for a treat and took our first zodiac excursion here.

In preparation for our landing we received a briefing about the wildlife on the island as well as instructions on how to conduct ourselves if, say, a leopard seal approached you. In tandem with the precautions we had to take, we were also assigned teams named after Antarctic explorers like Scott, Amundsen and Shackleton. This came after a previous briefing during the crossing of the Drake Passage when we were introduced to the history of these explorers who risked it all.

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As we neared Melchor Island, we had to go through a bio-security check to remove all dust, debris and possible seeds from our clothing and make sure every single piece of equipment that we took was clean so that we wouldn’t introduce foreign particles in the pristine environment of Antarctica. All vessels that come to Antarctica have to take strong measures to ensure that no harm is done to the wildlife and the historical sites.

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