The Big 4 Breathes

Photographs: Dave King

The new commission for the Big 4, Channel 4’s public art project that can be found outside the broadcaster’s Horseferry Road headquarters in London, has been unveiled. The latest iteration of the project sees artist Hannah Gourlay turn the giant Channel 4 logo into a living sculpture, which appears to breathe slowly in and out…

The Big 4 was originally constructed by FreeState (who continue to manage the platform) with Mike Smith Studio in 2007, to celebrate Channel 4’s 25th anniversary year. It consists of a 50-foot-high steel naked frame that can be customised with ‘skins’ designed by artists. Previous designs have been created by internationally renowned artists, including Nick Knight and Mark Titchner, but more recently the space has been given over to art and design students and graduates who can apply with ideas for dressing the logo.

Early sketch for the project

Gourlay graduated from the Fashion Design BA course at Kingston University in 2008, and has since worked as a multidisciplinary designer across fashion, product design, graphic design and illustration. The piece she created for the Big 4 breathes slowly in and out, at a similar pace to yogic breathing. “I wanted to create a brief moment of calm for passers-by and Channel 4 staff, a moment to pause for relaxation, reflection and renewal,” she says.

To create the installation, Gourlay and FreeState collaborated with structural engineers Atelier One and Architen Landrell, a tensile architecture specialist. Each section of the Big 4 has been wrapped in a fabric from Dartex Coatings Ltd, which is more commonly used for NHS bed mattresses but chosen here for its ability to stretch sufficiently and then revert to its natural shape. The breathing effect is created by electric fans, which draw in air from the outside. These are then turned off and the pre-tension of the fabric pushes the air out. At night, the 4 will be lit from within to give a golden glow.

“The Big 4 blends in with the glass and steel surroundings of the striking Channel 4 building and then it gently transmogrifies into playful balloon shapes, which reveal its fabric qualities,” continues Gourlay. “Working with Channel 4, FreeState, Atelier One and Architen and seeing the idea develop from my small, rubber-covered model, which I got my housemate to breathe in and out of, was so exciting! The process of having to comprehend the considerable technical and logistical challenges involved in making a 50ft structure ‘breathe’ has been invaluable.”

More info on the Big 4 can be found here, and on Hannah Gourlay’s work, here. Gourlay’s Big 4 piece will be on show until April 2012.

Perspective Lyrique

Une installation interactive avec le dispositif “Perspective Lyrique” interagissant avec les voix et chants du public. Un mapping et des déformations sur la façade du théatre des Célestins à l’occasion de la Fête des Lumières de Lyon, par la branche d’Exyzt : 1024 Architecture.



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Back Room – Adults Only by Mike Meiré

Back Room - Adults Only by Mike Meire

Cologne 2011: designer Mike Meiré invited visitors to a fetish club furnished with customised design classics at his Cologne factory during the imm cologne trade fair last week

Back Room - Adults Only by Mike Meire

At the end of a winding corridor visitors found chairs by designers including Marcel Breuer and Eileen Gray, draped with chains, straps, surveillance equipment and masks, intended to contrast with the trade fair’s sleek product presentations.

Back Room - Adults Only by Mike Meire

imm cologne took place 18-23 January. See all our coverage of the event here »

Back Room - Adults Only by Mike Meire

More furniture stories »

Back Room - Adults Only by Mike Meire

The information that follows is from Mike Meiré:


As part of the Passagen for the imm cologne furniture trade fair, Mike Meiré presents his installation “Back Room – adults only” in his Factory in Cologne Ehrenfeld.

Back Room - Adults Only by Mike Meire

The exhibition confronts us with the bewildering notion that furniture could have its own life, a dark alter-ego that questions the supposed certainties of marketing and the design staples of the good, the beautiful and the true which the trade fair presents year after year with great pomp and circumstance.

Back Room - Adults Only by Mike Meire

Mike Meiré transforms his Cologne Factory into a difficult to access back room which can only be reached along a labyrinthine corridor.

Back Room - Adults Only by Mike Meire

The spatial deconstruction of the corridor is an artistic coup which maximises the effect of the passage as a portal to a recessed, forbidden world.

Back Room - Adults Only by Mike Meire

With this mental preparation, one enters the “Back Room” which quickly reveals itself to be a dark room with clear sexual connotations and where icons of design history such as the Wassily Chair by Marcel Breuer or the Day Bed by Eileen Gray discard their bourgeois innocence and reservedness.

Back Room - Adults Only by Mike Meire


See also:

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Global Street Food
by Mike Meiré
Jean Nouvel at
Cologne 2011
Frederik Roijé
at Cologne 2011

Rima Desk Lamp by Dreipuls

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Having been on show at imm Cologne over the last week, the web has been all aflutter with talk of the red dot award-winning Rima desk lamp by Dreipuls. Just incase you’ve missed out on this ridiculously clever contraption, we thought it well worth another write up.

The strip lamp is in fact a series of 65 LEDs controlled by—what can perhaps best be described as—a curtain rail ring system; the rings being detected by optical sensors as they are slid along the rail. Most impressively the user has the option of one or two light sources depending on the situation. There’s also definitely a touch of futuristic wonder and delight in extruding light between your fingers.

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(Via Unplggd/Mocoloco)

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Beer and other nice publications

Three very different books to share, including the latest self-published zine by Kid Acne, and a collection of photographs of weddings that never happened by Judith Erwes. First up, though, is Beer: A Genuine Collection of Cans (Chronicle, £12.99)…

Beer is a 352 page, approximately A5 size book by Dan Becker and Lance Wilson which boasts over 500 photos of beer cans – all from the collection of one man, Josh Russo. The book runs through by brand alphabetically showcasing a huge variety of branding and packaging approaches from the 1930s to the present day, from the wonderfully simple black type on a white background cans shown in the spread below (all from the 80s) – through to more graphic and illustrative approaches…

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More info about the book can be found at chroniclebooks.com

Kid Acne‘s latest self-published zine, When The Smoke Clears, is 52 page, A5, book, litho printed in black on fuschia paper. The cover is screenprinted. 150 copies, each numbered and embossed by the artist are available at £10 from kidacne.com/

Imitation of Lives is a collection of photographs by Judith Erwes of fictitious weddings, created as a homage to wedding photos of the late 70s and early 80s. The 32 page book is 205mm square and has been designed and published by Duke Press and printed in a numbered edition of 500. £12 from dukepress.co.uk

See more of Erwes’ work at unpatient.com

 

NAIAS 2011 :: Q+A Adrian Van Hooydonk, BMW Design

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This is the final entry of a series of Q+As contributor Tamara Warren conducted with designers from the NAIAS 2011 show.

Adrian Van Hooydonk is head of BMW Design Group. He was responsible for the new 6-Series Cabriolet, the 1-Series M Coupe and the MINI Paceman concept on display at the North American International Auto Show. Hooydonk speaks to the future of design, which he says will include lightweight materials, sustainable materials and well-designed user interfaces.

C77: Is it more difficult to work with lighter-weight materials?
Adrian Van Hooydonk: Actually, no we find new materials very inspiring. Carbon fiber is a material that allows you to do any shape you would like. If you look at racing cars, they have very complex shapes, so it’s possible with carbon fiber. In that sense, there was no restraint. The only thing with carbon fiber is that it’s lighter than steel. To get the same stiffness you need a cross section that is bigger than on a steel beam. It’s more an engineering problem than a design problem. For us in design, it was not that difficult.

It opened up new possibilities then?
Yes, it did. But we’re used to working with different materials. For example on the 6-series if you look at the exterior we were working with aluminum, steel, and plastic all in the same body shape. When you work with three different materials in one car that is more of a challenge for a designer. Because each of these materials has different properties and allows you to create different types of shapes or different types of radii, as a designer you have to think a little bit harder about how to make sure this becomes something that looks like one car even though we use these different materials. We’re using these different materials to make sure that the weight distribution of the car is right. In the interior we use many different types of materials all the time. In fact, we’re constantly looking for new materials. BMW is one of the first and the only cars that use bamboo in a car interior as a new type of wood. It is actually very sustainable, because it grows very quickly.

You mention mobile technology, are you looking for people who have that kind of background for the design studio?
We draw people out of other businesses for sure. Almost every product in the future will have a user interface, a screen that allows you to interact with the product. We can draw from people from other industries, and we are. But we also always have to be aware that our car is a mobile environment. There is the aspect of driver distraction that we want to be aware of so our challenge is greater than a designer for a mobile phone.

Another trend is that luxury is in the detail. We operate in a segment that is highly competitive and our customers are well informed about what makes the product good or luxurious, both in the exterior and interior. Our current designs are thought of in much greater detail. If you look at a headlamp now, compared to 20 years ago, it’s a different world. Today a headlamp consists of 60 pieces. The same is true for interiors. Every little detail is designed to a much higher level than it used to be. It gives us a bit more work to do, but in the end it becomes a far more pleasing.

[Ed: For more on BMW design culture, check out this video interview with Chris Bangle, former BMW Chief of Design!]

Tamara Warren, a Motor City native, is co-founder/editor of the car and culture blog Gotryke.com. Her articles have appeared in over 80 publications covering culture, music, the arts, automobiles and design. She has written for The New York Times, Rolling Stone, Delta Sky, Nylon, Vibe, Automobile and Forbes Autos. Check out her work and Gotryke.com and her clips on Tamarawarren.com.

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Abandoned WWII Bunker series by Jonathan Andrew

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We’re in awe of the chilling beauty of the “WWII Bunkers” photo series by English photography Jonathan Andrew, currently doing the rounds on photography blogs.

Jonathan’s treatment of these stunningly functionalist concrete structures—that appear as is from another world—are a poignant reminder of the scars left by war.

Check out Mr. Andrew’s site for more photo wizardry

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Mustache Tee, Now Available

Ils sont arrivés!!! Le nuove e profumate mustache tee, le trovate qui.

Mustache Tee, Now Available

Mustache Tee, Now Available

Mustache Tee, Now Available

Face Mug

Cappuccio e ciambelle? La trovate qui.
{Via}

Face Mug

imm cologne 2011 :: Jerszy Seymours Workshop Furniture at Hallmackenreuther

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Before leaving London, a friend who studied in Cologne recommended a visit to cafe bar institution – Hallmackenreuther.

The bar is rumoured to be furnished with the original furniture from Cologne Airport, so we expected to see lots of ’50s and ’60s classics of German design but…it wasn’t so. For the duration of the festival, the vintage furniture has been replaced with the experimental ‘Workshop’ series by Jerszy Seymour — a curious collection of coat stands, armchairs, bar stools and table, with structures built from common wooden batons joined together with an unusually hard-curing wax. Although they look fragile, the pieces are standing up well to the heavy parties the bar is famous for and will remain a functional part of the interior until the end of the festival on Monday.

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