MNML’s sweet Nano wristwatch is up for pledges

0mnmlnano001.jpg

Industrial designers are definitely catching the Kickstarter bug, and we’re excited to see some of the independently-produced products that may come of this. For an ID’er to not have to convince a cautious corporate client and to be able to design whatever the heck they want is sure to be a liberating experience.

One project we’re hoping makes the cut is Scott Wilson/MNML’s wristband watches for iPod Nanos. With clients like Alessi, Herman Miller and Nike, it’s not surprising that MNML doesn’t want to turn out some cheapie afterthought wristband, and has instead come up with two well-designed variants that look like they could have come from Apple itself.

0mnmlnano002.jpg
0mnmlnano003.jpg

The TikTok is designed for those who want to be able to easily snap their Nano in and out for non-watch use; the LunaTik is a more permanent solution for those willing to dedicate a Nano for full-time watch use. Check out the explanatory vid:

Want one? Pledge here!

(more…)


New Era XC

Oggi inaugura a Milano c/o Spazioriginale di via Savona 55A la una mostra New Era XC, organizzata in occasione del 90° anniversario del brand. Saranno esposti 90 progetti selezionati tra i 90 diplomati più promettenti scelti tra gli istituti di design più famosi d’Europa. La mostra poi andrà da Venerdì e Sabato (19 – 20 novembre) dalle 10 alle 18.

NEW ERA XC
Opening Party: Giovedì 18 Novembre 18 – 22
Exhibition: 19, 20 21 Novembre 10-18
Spazi Originale – Via Savona 55A
Milano

Philadelphia Museum of Art Acquires 3,000 Paul Strand Photos


Paul Strand’s “Blind Woman” (negative 1916, print c. 1920s), “Mlle. Pogany, New York (Brancusi)” (1922), and “Man Carving Chair II, Mr. Bolster, Vermont” (1943) are among the more than 3,000 works acquired by the Philadelphia Museum of Art.

It’s turning out to be a very good week for the photography holdings of major museums. Right on the heels of the Art Institute of Chicago’s announcement that it will receive more than 15,000 items from the collection of Richard Nickel comes word that the Philadelphia Museum of Art has acquired the core collection of photographs by Paul Strand (1890–1976). The museum announced today that it has received—as partial and promised gifts—1,422 images from the Paul Strand Archive at the Aperture Foundation, as well as 566 master prints from Strand’s negatives by the artist Richard Benson. The museum has also agreed to purchase an additional 1,276 photographs from the Aperture Foundation. By our calculations, that makes 3,264 works by Strand, who studied with Lewis Hine and palled around with Alfred Stieglitz in New York before hitting the road to document regional life (and the occasional fern) in communities from Quebec to Ghana. “The Paul Strand Collection at the Philadelphia Museum of Art will rank among the finest and most significant groups of works by key figures in the history of photography held by any museum in this country” said Timothy Rub, the museum’s George D. Widener director and CEO, in a statement announcing the acquisition. Planning is underway for a major Strand retrospective at the museum in 2014.

New Career Opportunities Daily: The best jobs in media.

A Coloring Book with All White Crayons

polar-coloring-book.jpg

For those of you who can tell the difference between eggshell and ecru, here is the perfect coloring book for you. The Polar Bears Coloring and Activity Book boasts 20 wintry wonderland spreads and five crayon colors that you’ll never see inside a Crayola box: snowball white, polar white, frost white, igloo white, and Arctic white.

You can find this little treat online at the Toronto Zoo. Just don’t drop it in the snow, or you may never find it again.

(more…)


Pact Festive Holiday Collection

Philanthropy is sexy this season with Pact’s new underwear that gives back.
pactholiday1.jpg

The new Festive Holiday Underwear Collection from Pact brings light not just to your skivvies but to those who need it most. Featuring three festive patterns designed by Yves Behar and his team at Fuseproject , with every purchase the brand donates a handheld, solar LED lantern to Haitian earthquake victims in Port Au Prince.

Over half of Port-au-Prince’s inhabitants report that they feel unsafe at night, in part a result of Haiti’s lack of streetlights and general energy scarcity. Pact’s lantern donations will increase the security of Haitian families, especially women living in the city’s more vulnerable areas.

pact-holiday1.jpg

“We could not imagine a more worthwhile cause this holiday season than helping provide access to a basic resource—like light—to the people in Haiti,” said Jason Kibbey, CEO of Pact. “The fact that a Pact underwear purchase can directly provide a family in Haiti with a solar lantern, and all the benefits light provides, is an honor.”

The Holiday Collection is the result of a partnership between Pact and the non-profit Earthspark and Citizen Effect’s Light Up Haiti Campaign.

The collection ranges from $18-$26 on their Pact’s site.


Need some big-ass cutting mats?

0rbanq038.jpg

Up above are the little coffee tables I built for the photography studio I rent out. The tabletops are white melamine from Ikea. Alas, as of late the renters have been thoughtfully using the tabletops as a cutting mat:

0bumats001.jpg

My first thought was to replace the tabletops, but a) Ikea has discontinued the square ones, b) even if they didn’t, it’s wasteful to throw those out just because the surface is ruined and c) even if I replace them, someone is bound to repeat this thoughtless act down the line and ruin another pair.

It makes sense to resurface the tables with self-healing cutting mats, but the largest size my local art store carries is the common 24×36. Then someone pointed me towards DraftingSteals.com, an online retailer that sells big-ass cutting mats (and judging by the photo, has been since 1979):

0bumats002.jpg

A bit too expensive for me, but nice to know where I can buy huge cutting mats, for future reference. What’s in the picture is the 4-feet by 8-feet, which goes for 245 bucks, or $239 if you don’t want the grid printed on it. The 4×6 is a more manageable $90. But their big-daddy mat is the 6-foot by 12-foot, which comes in at a whopping $325.80, and since it doesn’t roll up I’m guessing the shipping ain’t cheap.

They also sell these Safety Rulers, a metal extrusion with a guard built in for klutzes, up to 100″ in length. I haven’t needed to use one of these…yet. (Fingers crossed.)

0bumats003.jpg

(more…)


The roots of clutter — external, behavioral, and internal

There are innumerable reasons people are plagued by clutter. Most reasons, however, fall into one of three categories:

  1. External: This clutter might be from living with a cluttered parent/roommate/spouse, physical disability, or inherited clutter
  2. Behavioral: This clutter might be from mediocre decision-making skills, lack of energy, or poor categorization and classification skills
  3. Internal: This clutter might be from grief, depression, anxiety, distrust, or being overly sentimental

Clutter rooted in external causes can be tricky to overcome. Since you can’t transform someone else into an unclutterer, you may be continually plagued with clutter as long as you live in the same space as your parent/roommate/spouse. If you’re struggling with inherited clutter, the situation may be stressful as you take the time to sort through the property you’ve acquired, but the clutter will likely be temporary. It can be difficult to predict or solve external causes of clutter, but there are often ways to manage it, and sometimes even solve it.

Clutter resulting from behavioral causes can be more manageable than the other categories of clutter. You can learn and/or improve skill sets, change habits, and find ways to increase energy levels. It can take awhile to overcome these behaviors, but it is possible for people of sound mind and body to do so within a reasonable amount of time.

Internal clutter is similar to external clutter in that its solution varies greatly from situation to situation. In many cases, treatment from a licensed mental health practitioner or a doctor can be a positive first step in the process. For people who are overly sentimental, uncluttering assistance from a professional organizer or trusted friend might be all someone might need. Again, similar to external clutter, it can be difficult to solve internal causes of clutter, but there are often ways to manage it, and sometimes even solve it. Seeking help from an outside source is almost always a good idea, but the source and duration of help can vary widely.

If you’re like me, you might see your clutter issues stemming from more than one of these three categories — or even from a cause that isn’t external, behavioral, or internal. Clutter is a complex issue, but knowing why it is in your life can go a long way to helping you find a solution.

Like this site? Buy Erin Rooney Doland’s Unclutter Your Life in One Week from Amazon.com today.

Drawing Fashion at The Design Museum by Carmody Groarke

Drawing Fashion by Carmody Groarke

Here are some pictures of Carmody Groarke’s exhibition design for Drawing Fashion, which opened at the Design Museum in London earlier this month.

Drawing Fashion by Carmody Groarke

The design comprises a series of interlinked curved partitions, backlit to resemble paper lanterns and provide ambient lighting throughout the space.

Drawing Fashion by Carmody Groarke

The exhibition displays fashion illustrations collected by Joelle Chariau of Galerie Bartsch & Chariau over the past 30 years, and includes work from fashion houses such as Chanel, Dior and Viktor & Rolf.

Drawing Fashion by Carmody Groarke

Design studio A Practice For Everyday Life (APFEL) created the graphics for the space.

Drawing Fashion by Carmody Groarke

Drawing Fashion is show at The Design Museum until 6 March 2011.

Drawing Fashion by Carmody Groarke

Photographs are by Richard Davies.

Drawing Fashion by Carmody Groarke

Here’s some more information about the exhibition:


Drawing Fashion opens at Design Museum

‘Drawing Fashion’, an exhibition charting the work of the most important fashion illustrators from the 1920s to the present day, opens at The Design Museum. Carmody Groarke have collaborated with A Practice For Everyday Life (APFEL) to create a unique exhibition experience, transforming the existing space into a series of interlinked, curved ‘lantern’ forms, on which the series of drawings are presented.

The exhibition design takes its idea from making a strong material reference to paper, which is backlit giving a sensuous ambient lighting effect to the overall space whilst giving subdued definition to the silhouette of the supporting structure and to the elegant exhibition lettering, designed especially for the show. A sequence of spaces has been designed to bring intimate emphasis to clusters of work (categorised by each illustrator), as well as to the particular subtle and beautiful qualities of individual drawings in the collection.
For the graphics, APFEL adapted the font designed for Vogue in the early twentieth century, which had never been digitised. As the entire exhibition was backlit it was the ideal opportunity to use reverse cut vinyl and apply all the lettering to the back of the paper. The letter forms are ‘white on white’ (white vinyl on white paper walls) but legibility is achieved from the careful lighting and shadowing of the type. The result is a very seamless, tonal use of typography which compliments the delicate works on paper.

Drawing Fashion by Carmody Groarke

Click for larger image

From The Design Museum:
“Drawing Fashion celebrates a unique collection of some of the most remarkable fashion illustrations from the 20th and 21st Century. These original illustrations reflect not only the spirit and style of the decades, but also evoke a sense of elegance and glamour long associated with the world of couture and high fashion. Drawings from the collections of Chanel, Dior, Comme des Garcons, Poiret, Lacroix, McQueen and Viktor & Rolf amongst others, will feature in the exhibition, which charts the changing perception of fashion drawings from its origins as an advertising tool used prior to the advancements of photography, through to its establishment as a unique representation of collections which has endured through to today’s leading designers.

This exhibition showcases the creativity and skills of a unique artistic approach, celebrating the art and artists of fashion illustration whose exquisite images gave each collection an emotive and stylistic sense of direction. The drawings reflect the spirit of the time, through Art Nouveau, Art Deco, Pop Art and beyond with each era resonating with flare and style. This exhibition, co curated by fashion historian and writer Colin McDowell, celebrates key artists at the height of their careers: Lepape at the beginning of the century, Gruau the 40s and 50s, Antonio throughout the 60s, 70s and 80s, to current artists Aurore de La Morinerie, Mats Gustafson and Francois Berthoud. Film-clips, news reels, music and photography will sit alongside the original illustrations, allowing the visitor to reflect on the wider social and cultural changes of the century. Films of the artists at work will be displayed alongside examples and projections of the couture clothes shown in the illustrations.
This collection, regarded as one of the most exceptional collections of fashion illustration in the world, has been put together over 30 years by Joelle Chariau, one of the very few experts on fashion drawings. This is the first time the collection has been displayed.”


See also:

.

The Surreal House by
Carmody Groarke
Studio East by
Carmody Groarke
Regent’s Place Pavilion by Carmody Groarke

Candy Girl: Will Cotton’s Nude Portrait of Katy Perry Makes Cover of ARTnews

After W‘s “Art Issue” cover matchup of Kim Kardashian and Barbara Kruger left readers feeling flummoxed and sleazy, ARTnews gives us a celebrity-artist alliance we can believe in: kooky songstress Katy Perry captured by the ever-confectionary Will Cotton. The painting, which you may recall as the cover art for Perry’s recent “Teenage Dream” album (Cotton also art-directed her “California Gurls” video), is the cotton candy-clad welcome to the December ARTnews—a special issue devoted to the nude. Get ready to disrobe so as to best appreciate critic Lilly Wei‘s consideration of the dearth of male genitalia in contemporary art and Gail Gregg’s article on drawing from life models. Meanwhile, a vigorous round of naked calisthenics is recommended before delving into painter Philip Pearlstein suggestive essay on late-19th-century nude motion studies by Thomas Eakins and Eadweard Muybridge (we can’t get enough of him). The December issue of ARTnews hits newsstands November 30.

New Career Opportunities Daily: The best jobs in media.

Type for tattoos

Argentinian type designer Alejandro Paul‘s latest face, Piel Script (piel, pronounced pee-yell, is the Spanish word for skin) has been specially developed for use by tattoo artists…

The typeface has a huge number of alternate characters (there are 41 different uppercase As to choose from) and plenty of ligatures and swashes to personalise your tattoo text designs.

“I have received a lot of requests to typeset and modify tattoos using other scripts I’ve designed like Burgues Script or Adios,” says Paul. “At first the whole idea was amusing to me. I had worked in corporate branding for a few years before becoming a type designer, and suddenly, I was being asked to get involved in personal branding, as literally ‘personal’ and ‘branding’ as the expression can get.”

“In a way, Piel Script is a removed cousin of Burgues Script,” Paul continues. “Although the initial sketches were infused with some 1930s showcard lettering ideas (particularly those of B. Boley, whose amazing work was shown in Sign of the Times magazine), most of the important decisions about letter shapes and connectivity were reached by observing whatever strengths and weaknesses can be seen in tattoos using Burgues. Tattoos using Adios also provided some minor input. In retrospect, I suppose Affair exercised some influence as well, albeit in a minor way. I guess what I’m trying to say is there is as much of me in Piel Script as there is in any of the other major scripts I designed, even though the driving vision for it is entirely different from anything else I have ever done.”

More info on Piel Script can be found at veer.com – where it is available exclusively, for the sum of £60, as part of the Umbrella Type collection.