Hasta La Ideas

Photographer Robert Landau started documenting the billboards of LA’s Sunset Strip in the 1970s, and has published a book collecting together images of some of the most iconic LA billboards of the 70s and 80s.

In his latest publication photographer Robert Landau recalls a time when rock ‘n’ roll billboards dominated LA’s Sunset Strip. Moving from the early 70s and into the late 80s, the book collects together images from some of the greats, including The Beatles, Jimi Hendrix and The Rolling Stones.

Landau emphasises the level of craftsmanship that went into creating such huge billboards, with a team of illustrators, typographers, retouchers and painters – amongst others – responsible for getting the billboards ready for final installation. Outdoor advertising companies often employed artists to hand paint billboards, which were referred to as ‘spectaculars’. The book also documents some of the more extravagant creations, including ELO’s $50,000 billboard from 1977, which featured a custom-made neon space station.

Rock ‘n’ Roll Billboards of the Sunset Strip is published by Angel City Press, and can be purchased online here.

The Rolling Stones, 1977, by Robert Landau

Joe Cocker, 1969, by Robert Landau

Smokey Robinson, 1978, by Robert Landau

The Band, 1970, by Robert Landau

The Knack, 1981, by Robert Landau

This Electric Light Orchestra billboard, seen below, included a custom-made Plexiglas and neon space station, which was based on designer John Kosh’s logo for the band, and carried a price tag of $50,000.

ELO, 1977, by Robert Landau

Linda Ronstadt, 1978, by Robert Landau

Donna Summer, 1978, by Robert Landau

UFO, 1978, by Robert Landau

10CC, 1977, by Robert Landau

Joni Mitchell, 1971, by Robert Landau

This Beatles billboard, designed by Roland Young, used a cut-out extension of the band’s heads, which prompted a bit of thievery from an overeager Paul McCartney fan.

The Beatles, 1969, by Robert Landau

John Lennon, 1971, by Robert Landau

John Lennon, 1971, by Robert Landau

Blue Note Records, 1972, by Robert Landau

Pink Floyd, 1979, by Robert Landau

Pink Floyd, 1979, by Robert Landau

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CR In print

In our November issue we look at ad agency Wieden + Kennedy in a major feature as it celebrates its 30th anniversary; examine the practice of and a new monograph on M/M (Paris); investigate GOV.UK, the first major project from the Government Digital Service; explore why Kraftwerk appeals so much to designers; and ponder the future of Instagram. Rick Poynor reviews the Phaidon Archive of Graphic Design; Jeremy Leslie takes in a new exhibition at the Whitechapel Gallery dedicated to experimental magazine, Aspen; Mark Sinclair explores Birmingham’s Ikon Gallery show of work by the late graphic designer, Tony Arefin; while Daniel Benneworth-Gray writes about going freelance; and Michael Evamy looks at new telecommunications brand EE’s identity. Plus, subscribers also receive Monograph in which Tim Sumner of tohave-and-tohold.co.uk dips into Preston Polytechnic’s ephemera archive to pick out a selection of printed paper retail bags from the 70s and 80s.

The issue also doubles up as the Photography Annual 2012 – our showcase of the best images in commercial photography produced over the last year. The work selected is as strong as ever, with photographs by the likes of Tim Flach (whose image of a hairless chimp adorns the front cover of the issue, above); Nadav Kander (whose shot of actor Mark Rylance is our Photography Annual cover); Martin Usborne; Peter Lippmann; Giles Revell and more.

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