Pollen Street Social by Neri&Hu (NHDRO)

Pollen Street Social by Neri&Hu (NHDRO)

Clustered pendant lights are suspended over one of the open food and drink preparation areas of this London restaurant by Chinese designers Neri&Hu.

Pollen Street Social by Neri&Hu (NHDRO)

The open-plan Pollen Street Social restaurant bridges together two previously separate buildings, spread out across the ground floor and basement.

Pollen Street Social by Neri&Hu (NHDRO)

Dining areas are furnished with wood panelled tables and booths, Chesterfield-inspired leather sofas and green glass lamps.

Pollen Street Social by Neri&Hu (NHDRO)

On the basement level, diners can see into the kitchen through a long horizontal slot window.

Pollen Street Social by Neri&Hu (NHDRO)

More restaurants and bars on Dezeen »

Pollen Street Social by Neri&Hu (NHDRO)

Photographs are by Pedro Pegenaute.

The following information is from Neri & Hu (NHDRO):


Recently completed: Pollen Street Social

Pollen Street Social, located in the prestigious Mayfair district of London, is the first independent restaurant by Jason Atherton, the Former Executive Chef at Gordon Ramsay’s Michelin starred Maze. Shanghai-based architectural firm Neri&Hu are the designers for the restaurant and Pollen Street Social represents their first completed project in London.

Pollen Street Social by Neri&Hu (NHDRO)

The term Social always refers to the interaction of organisms with other organisms and to their collective co-existence, irrespective of whether they are aware of it or not, and irrespective of whether the interaction is voluntary or involuntary. –Wiktionary

Pollen Street Social by Neri&Hu (NHDRO)

Neri & Hu’s design concept for Pollen Street Social examines the notion of “social” as a reorganization of the dynamic energies of human interaction.

Pollen Street Social by Neri&Hu (NHDRO)

Like navigating a conversation, the architectural spaces steer and negotiate the social relationships not only amongst guests, but also between diners and their food as it is prepared and served.

Pollen Street Social by Neri&Hu (NHDRO)

Within the confined basement and ground floor spaces of two disjointed historic buildings, the architects have woven a series of these social spatial experiences, from the Bar to the Main Dining Room or Private Dining Room to Atherton’s signature Dessert Bar. Placing those other functions such as the Show Kitchen, Service Station, and Back of House into strategic containers, the guests occupy the space in-between, a fluid zone celebrating the theatrics of eating, drinking, and socializing.

Pollen Street Social by Neri&Hu (NHDRO)

As with the start of any conversation, it is appropriate to begin with a gesture of courtesy, and Neri & Hu’s design for the restaurant’s façade is indeed a nod towards the historic structures surrounding the site. A series of blackened bronze metal frames act as a stitching strategy, redefining the restaurant’s threshold with a modern touch while maintaining the proportions and details of the existing façade. Within these frames, a combination of transparent and translucent glass ensures visual continuity between diners and the life of the street beyond.

Pollen Street Social by Neri&Hu (NHDRO)

Within the restaurant’s ground floor spaces the inviting atmosphere is reminiscent of entering the chef’s own home, and feels as easy as falling into familiar dialogue with an old friend. Through contemporary and abstracted re-interpretations of Old English details—the continuous wood wainscot wrapping each space, the Chesterfield-inspired banquettes, or the green glass P-Lamps at the bar—Neri & Hu has crafted an ambiance that is at once casually domestic yet still retaining the elegance of fine dining.

Pollen Street Social by Neri&Hu (NHDRO)

Dramatic ceiling openings above flood the spaces with light and mark special dining areas, while jeweled pendant lights scattered throughout captivate the eye as food delights the palate.

Pollen Street Social by Neri&Hu (NHDRO)

There is just the slightest pause in the flow of drinks and conversation as dining guests notice, through carefully carved apertures and aligned views, the stage that has been set in this theatrical dining experience. Through the architects’ willful juxtaposition of the disparate realms of food preparation and food consumption, such as the Finishing Kitchen just behind the Dessert Bar or the Service Station placed front and center in the Main Dining Room, these various spaces come alive as contradictions abound. The actions before them—the carving of an Iberico ham, the dabbing of sauce upon a plate, the practiced swirl of decanting wine—are initially, silently performed for their voyeuristic gaze, but then, with the first bite, the tables are turned and it is the diner that is now practicing a slow and deliberate choreography.

Pollen Street Social by Neri&Hu (NHDRO)

Like a chance encounter, the basement level is a pleasant discovery with its distinctive material palette of weathered brick floors and glass display cases. The Private Dining Room features wine fridges enveloping its perimeter, providing an enclosed yet visually open environment for intimate gatherings. A slotted view across the corridor into the Working Kitchen deliberately frames the hands of the chefs and pays homage to their skillful mastery of fine cuisine.

Pollen Street Social by Neri&Hu (NHDRO)

The restrooms on this level are contained within a frosted-glass enclosure with varying degrees of transparency, allowing glimpses of shadowy silhouettes and providing a moment of thrill and audacity. And as a final twist, the restrooms stalls themselves, clad solidly in wood, offer a chance to escape completely and disconnect entirely, should the anxieties of socializing overwhelm.

Pollen Street Social by Neri&Hu (NHDRO)

With their masterful manipulation of spatial elements and materiality, architects Neri & Hu have captured the vibrancy of a social dining atmosphere as envisioned by Chef Atherton—it flows with comfort and familiarity, while occasionally improvisational and unexpected, but which ever direction the conversation turns, Pollen Street Social is sure to be the talk of town.

Pollen Street Social by Neri&Hu (NHDRO)

The custom furniture and accessories pieces featured in the interiors are from neri&hu, a product brand spin-off from the architectural firm.


See also:

.

Nottingdale Cafe by
Found Associates
Restaurant at the RA
by Tom Dixon
What Happens When
by The Metrics

Dalston Rose by House of Hackney

Dalston Rose by House of Hackney

London brand (and near-neighbours of Dezeen) House of Hackney have created a range of floral wallpapers and fabrics that turn black at the edges.

Dalston Rose by House of Hackney

Above and top images are by David Dunan

The Dalston Rose range features English-style navy blue roses printed across a nude-coloured background that fades to black to give a room the appearance of a vintage photograph.

Dalston Rose by House of Hackney

More stories about wallpaper on Dezeen »

Dalston Rose by House of Hackney

Photography is by Sean Myers apart from where otherwise stated.

Here is some further explanation from House of Hackney:


House of Hackney

Launched in London in April 2011 House of Hackney is the new luxury wallpaper, bed linen and home furnishings label which reworks the concept of traditional British home wares for a new generation.

Dalston Rose by House of Hackney

Described as a ’’Colefax and Fowler on acid’’ House of Hackney takes classic British shapes in bed linen, wallpaper, lamps, cushions, fine bone china and furniture and subverts them with beauty and humour.

Dalston Rose by House of Hackney

House of Hackney is about creating product that will stand the test of time working with and supporting the best traditional British manufacturers in their fields.

Dalston Rose by House of Hackney

Dalston Rose

Dalston Rose features a wedgewood style navy blue English rose against an antiqued nude background with a gradient (ombre) effect across the base of the wall. Traditionally gravure printed on FSC paper made from sustainable forests.

Dalston Rose by House of Hackney

To achieve the same ombre effect as photography there are 2 parts to the wallpaper.

Cool Hunting Video Presents: Plymouth Gin

A video visit to the oldest gin distillery in the United Kingdom

For our latest video we took a trip to Plymouth, England to pay a visit to Plymouth Gin. Master distiller Sean Harrison showed us around the 213 year-old facility where we gained some insight into the history, recipe and process that goes into producing the fine spirit. The oldest operating distillery in England, Plymouth has stayed true to their recipe throughout their long history, the guiding hand of each successive master distiller keeping the character alive by maintaining the flavors that define the liquor.


London 2012 Basketball Arena by Sinclair Knight Merz

London-2012-Basketball-Arena-by-Sinclair-Knight-Merz-Wilkinson-Eyre-and-KSS

The latest completed venue for the London 2012 Olympics is the Basketball Arena, a PVC tent designed by Sinclair Knight Merz with Wilkinson Eyre and KSS.

London-2012-Basketball-Arena-by-Sinclair-Knight-Merz-Wilkinson-Eyre-and-KSS

A patterned surface is created on the exterior where the skin stretches over arched frames.

London-2012-Basketball-Arena-by-Sinclair-Knight-Merz-Wilkinson-Eyre-and-KSS

The arena will host handball and basketball during the Olympics next year, and wheelchair rugby and basketball for the Paralympics.

London-2012-Basketball-Arena-by-Sinclair-Knight-Merz-Wilkinson-Eyre-and-KSS

Two thirds of the structure will be reusable after the games are over, when the building will be completely dismantled.

London-2012-Basketball-Arena-by-Sinclair-Knight-Merz-Wilkinson-Eyre-and-KSS

More about the 2012 London Olympic Games on Dezeen »
More buildings for sport on Dezeen »

The following information is from the Olympic Delivery Authority:


Basketball Arena becomes fourth Olympic Park venue completed

The London 2012 Basketball Arena has become the fourth Olympic Park venue completed, more than a year ahead of the Games and is one of the quickest venues to finish construction, the Olympic Delivery Authority (ODA) announced today.

London-2012-Basketball-Arena-by-Sinclair-Knight-Merz-Wilkinson-Eyre-and-KSS

The Basketball Arena is one of the largest temporary venues ever used for an Olympic and Paralympic Games and will be dismantled after the Games to be reused elsewhere. Initial works on site began in October 2009, with work to erect the 1,000-tonne steel frame starting in March 2010. The venue has now been completed on budget, making it one of the quickest Olympic Park venues to finish construction.

London-2012-Basketball-Arena-by-Sinclair-Knight-Merz-Wilkinson-Eyre-and-KSS

With the ODA’s construction works completed, the venue will now be handed over to the London 2012 Organising Committee (LOCOG) to carry out overlay works to get the venue ready for the first Olympic Park test event in August – the venue will host the London International Basketball Invitational to be held from the 16th-21st August which will see six top men’s teams from around the world come to London to compete (Great Britain, Australia, China, Croatia, France and Serbia).

London-2012-Basketball-Arena-by-Sinclair-Knight-Merz-Wilkinson-Eyre-and-KSS

During the 2012 Games, Basketball preliminary matches and Women’s quarter finals will be staged at the Arena, in addition to the Handball men’s quarter finals, all semi finals and medal matches. It will also host Wheelchair Basketball and Wheelchair Rugby during the Paralympic Games.

London-2012-Basketball-Arena-by-Sinclair-Knight-Merz-Wilkinson-Eyre-and-KSS

ODA Chief Executive Dennis Hone said: ‘Completing construction on the Basketball Arena delivers another striking Games-time venue for the Olympic Park and an innovative structure that can be re-used elsewhere after 2012. As the fourth Olympic Park venue completed and one of the quickest to finish construction, the Basketball Arena is another milestone for the Olympic Park ‘Big Build’ and a tribute to the companies from across the UK involved in its delivery.’

London-2012-Basketball-Arena-by-Sinclair-Knight-Merz-Wilkinson-Eyre-and-KSS

Hugh Robertson, Minister for Sport and the Olympics, said: ‘Basketball is one of the most atmospheric competitions of the Games and this has been captured by the artistic design of the Arena. The speed with which this venue has been constructed is a tribute to the ODA and the architect whose design means this facility can be re-used after the Games.’

London 2012 Organising Committee Chair Seb Coe said: ‘Basketball is one of the most popular Olympic sports and spectators will be able to see the game played out in spectacular surroundings. It is a superb venue which will be the centre of some of the best team action during the London 2012 Olympic and Paralympic Games.’

Venue factfile:

Venue design and facilities and design:

  • 12,000 seats – black and orange seating designed to represent the colours of a basketball
  • Venue is 35 metres high (as high as the Tate Modern) and longer than a football pitch at 115 metres long
  • 1,000-tonne steel frame wrapped in 20,000sqm of recyclable white PVC membrane, stretched over three different variations of arched panels.
  • During the Games the exterior will act as a canvas for an artistic and innovative lighting design.
  • Venue facilities including lifts, toilet blocks, corridors and VIP access rooms installed beneath venue seating frame
  • After the Games the venue will be dismantled by the contractors which built and own the temporary elements, with the option of potentially using elements of the arena at other UK and overseas events.

Construction

The Basketball Arena design team was lead by Sinclair Knight Merz together with Wilkinson Eyre and KSS

The venue was constructed by companies from across the UK, including:

  • Scotland: Barr Construction in Glasgow built the structure.
  • West Midlands: Slick Seating in Redditch is providing the temporary seating.
  • South West: Base from Bristol provided the membrane cladding for the outside of the Arena and Mitie from Bristol carried out mechanical and electrical works.
  • South East: Envirowrap from Tenterden in Kent is providing the wrapping for the seats; Sevenoaks-based Volker Fitzpatrick is erecting the steelwork, building the toilet blocks and internal fit-out, including lifts.
  • Northern Ireland: McAvoy from Dungannon is building the temporary accommodation.
  • Yorkshire: Fullflow Group Ltd in Sheffield is a sub-contractor to Barr Construction and will be installing the syphonic drainage.

Sports:

Sports to be staged at the Basketball Arena include:

  • Basketball: The Olympic Basketball competition will have 288 athletes competing for two gold medals – 144 men and 144 women, and 12 teams of 12 players in each competition.
  • Handball: Two teams of seven players pass and dribble a small synthetic or leather ball using only their hands. The aim is to score a goal by throwing the ball past the defending goalkeeper. The team with the most goals wins.
  • Wheelchair Basketball: As in Basketball, played by two teams of five players on the court. It is similar to the Olympic game, with same size court, basket height and near-identical rules.
  • Wheelchair Rugby: Played indoors on a regulation size basketball court using a white ball identical in size and shape to a volleyball. Teams have four players on the court and the object of the game is to carry the ball across the opposition’s goal line.

See also:

.

2012 London Olympic Stadium
by Populous
ArcelorMittal Orbit
by Anish Kapoor
London 2012 Velodrome
by Hopkins Architects

Rogers Stirk Harbour + Partners propose a bridge over the O2 Arena


Dezeen Wire:
UK architects Rogers Stirk Harbour + Partners have submitted proposals to Greenwich Council for a walkway spanning the roof of London’s O2 Arena, which was completed by Richard Rogers Partnership back in 1999 – Greenwich.co.uk

See the proposals here »

See all our stories on Rogers Stirk Harbour + Partners »

Barnacre Equilibrium Tanks by Ian Simpson Architects

Barnacre Equilibrium Tanks by Ian Simpson Architects

Manchester firm Ian Simpson Architects have won a competition to design houses inside redundant water tanks in Lancashire, UK.

Barnacre Equilibrium Tanks by Ian Simpson Architects

The proposals will transform the Barnacre Equilibrium Tanks into two houses with green roofs, roof lights and fully glazed front elevations.

Barnacre Equilibrium Tanks by Ian Simpson Architects

More projects in the UK on Dezeen »

Here are some more details from Ian Simpson Architects:


Barnacre Equilibrium Tanks – Press Release
6th June 2011

Exciting plans for the conversion of redundant utility buildings into an exemplar, low-carbon family home will be submitted later this week by Bishopsrock Properties.

Barnacre Equilibrium Tanks by Ian Simpson Architects

Above: proposed site

As winners of a design competition, Ian Simpson Architects developed proposals for the conversion of two disused, adjacent water reservoir tanks located on an elevated site in Barnacre-with-bonds, near Garstang in North Lancashire.

The project will see a large former water tank converted to provide a stunning, contemporary interpretation of the country home containing 6 bedrooms, whilst a smaller tank will be converted to form a 2-bedroom holiday cottage, aiming to stimulate tourism and the local economy.

Barnacre Equilibrium Tanks by Ian Simpson Architects

Above: existing site

The views out from the site are breathtaking with the sea and the AONB highlight of Nicky Nook both being clearly visible. Daylight will flood into the main building via a series of roof lights and new glazed areas which frame inspiring views towards the sea and surrounding pastures.

The proposals will include a sweeping green roof, supporting native grass and sedum species, as part of ambitions to increase biodiversity in the area and visually enhance the setting of the building within the surrounding landscape.

Barnacre Equilibrium Tanks by Ian Simpson Architects

Above: existing site

The completed building’s environmental credentials will include exceptional levels of thermal insulation and the use of low-energy systems to reduce energy demand, whilst ground source heat pumps and photovoltaic panels form the basis for renewable energy provision.

The main tank was originally designed to hold 1 million gallons of water and was built of high-grade concrete. Borehole tests and laboratory testing concluded that the reservoir tank was in “as new” condition, even after 40 years of service.

One of the environmental impacts of concrete is that its main constituent ingredient, cement, could be considered as one of the most polluting building materials in the world. As such, it was clear that not bringing these structures back into some sort of beneficial use would have been a missed opportunity. By careful intervention, Ian Simpson Architects demonstrate that it is possible to retain large parts of the concrete structure therefore significantly reducing the constructional impact of the scheme.

This development will be an exemplar of low-carbon family home design, offering credentials that stand up as sustainable at every level of scrutiny.


See also:

.

Sky Garden House
by Guz Architects
Passive Houses
by Kjellgren Kaminsky
Sunnyside Up
by SO-IL

The Rothschild Foundation by Stephen Marshall Architects

Rothschild Foundation by Stephen Marshall Architects

These archival buildings in Aylesbury, England, by London studio Stephen Marshall Architects are screened by a uniform line of oak beams.

Rothschild Foundation by Stephen Marshall Architects

Containing a collection of records for charity The Rothschild Foundation, the series of buildings around two courtyards also include meeting rooms and open-plan offices.

Rothschild Foundation by Stephen Marshall Architects

An existing red-brick farmhouse is retained, while the adjacent new buildings are each clad in varying compositions of timber panels, white render and glass.

Rothschild Foundation by Stephen Marshall Architects

Internally, an oak gridshell roof structure creates a column-free reading room, overlooking the more formal of the two courtyards at the entrance to the site.

Rothschild Foundation by Stephen Marshall Architects

Photography is by Richard Bryant/arcaidimages.com

Rothschild Foundation by Stephen Marshall Architects

More projects in the UK on Dezeen »

Rothschild Foundation by Stephen Marshall Architects

The following details are from the architects:


The Rothschild Foundation

Brief

The brief for the project comprises space for the Rothschild Foundation Archive and office space for the charity investment organisation. The archive space includes the main reading room, offices for archive staff and the archive stores themselves which are naturally cooled to reduce energy use.

Rothschild Foundation by Stephen Marshall Architects

The building is open to the public by appointment and will provide access to one of the most comprehensive family collections in Europe.

Rothschild Foundation by Stephen Marshall Architects

The charity investment offices are within a two-story space across the courtyard garden from the reading room. This building contains meeting rooms and open plan office space set within a building similar in appearance to the archive group.

Rothschild Foundation by Stephen Marshall Architects

Between the office building and the archive group is situated the courtyard. This space provides a formally landscaped garden that serves as the arrival courtyard to the whole project.

Rothschild Foundation by Stephen Marshall Architects

It is very much seen as a large outdoor room and is planted with Alemanchier trees and hedges.

Rothschild Foundation by Stephen Marshall Architects

Programme

Draft planning permission was obtained in July 2008. Works on site started in June 2009 with completion in February 2011.

Rothschild Foundation by Stephen Marshall Architects

Design

The solution to the Rothschild Archive is very much tied up in the name of the site, Windmill Hill. The Hill is one of the few elevated vantage points in South Bucks and as such is fortunate in having huge views over the surrounding countryside.

Rothschild Foundation by Stephen Marshall Architects

The site has three principle views, directly south, to the southwest and to the west. The archive building and courtyard spaces are set out to bring these views into the building and courtyard. The western view in particular is “trapped” within the large opening defined by the 25m beam.

Rothschild Foundation by Stephen Marshall Architects

Significant changes were made to the Estate access road to bring in spectacular views out to the north and west. The approach road was diverted north of the great wood allowing distant views of the manor house, the historic heart of the estate, and then a gradual curve was formed taking in the surrounding countryside until finally dropping to the formal arrival courtyard adjacent to the archive group. From here the visitor walks up the steps into the arrival courtyard and on turning at the top experiences the view to the west. This is the framed view, made more dramatic by the reflecting views on either side. Also within this arrival courtyard is the free standing oak screen to the reading room that offers shade and privacy.

Rothschild Foundation by Stephen Marshall Architects

Click above for larger image

There was always the intention to bring the existing red brick farmhouse into the composition of the new project. Indeed at one time the intention was to re-use many of the agricultural outbuildings as the new archive but this proved impractical due to their bad condition. The proportion of new building compared to the farmhouse was such that a method had to be found to re-dress the balance; hence the archive offices and archive store are conceived to an extent as continuations of the farmhouse.

Rothschild Foundation by Stephen Marshall Architects

Click above for larger image

The same roof tile and details are used and the buildings are clad in “louvered” timber, similar to the barns and sheds of the diary farm previously on the site. This move allows the reading room; courtyard and office building to take on a contemporary expression with rendered walls, zinc roofs and minimal landscape.

Rothschild Foundation by Stephen Marshall Architects

Click above for larger image

Materials and Method of Construction

The previous agricultural use of the site is strongly echoed in the materials and details. The principal materials are stone, oak, glass and render. Doors are formed in ledged braces and walls are rendered with simple openings. Windows have oak shutters. Cladding is installed over a steel frame with metsec infill.

Rothschild Foundation by Stephen Marshall Architects

Click above for larger image

The reading room and gallery roof structure takes the form of an oak gridshell. This structure has no steel and is formed from a geometric structure grid. Lights are recessed up into structure to form a simple wooden fabric.

Rothschild Foundation by Stephen Marshall Architects

Click above for larger image

NB. The project is exhibited at the Stables Buildings in the Waddesdon Estate. It is possible to view the Windmill Hill Archive by joining one of Waddesdon’s free Architectural Tours on the following dates: 2 & 4 June, 7 & 9 July, 4 & 6 August, 1 & 3 September or 6 & 8 October. Please visit the Waddesdon website for further information.

Rothschild Foundation by Stephen Marshall Architect

Click above for larger image

Project Location: Windmill Hill, Waddesdon Estate, Aylesbury
Architect: Stephen Marshall Architects LLP

Rothschild Foundation by Stephen Marshall Architects

Click above for larger image

Project Team:

Client: Alice Trust
Architect: Stephen Marshall Architects LLP
Structural Engineer: Thornton Tomasetti
Services Engineer: Max Fordham
Lighting Consultant: Speirs and Major Associates
QS: Selway Joyce
Landscape Designer : Mary Keen


See also:

.

EDF Archives Centre
by LAN Architecture
Apprentice Store
by Threefold Architects
Ty Pren by Feilden Fowles

Topman personal shopping suite by Lee Broom

Topman personal shopping suite by Lee Broom

A personal shopping suite created by London designer Lee Broom has opened at fashion retailer Topman‘s flagship store in London.

Topman personal shopping suite by Lee Broom

Sections of the walls are clad in herringbone parquet while clothes are displayed against trompe l’oeil-printed panels.

Topman personal shopping suite by Lee Broom

The room is furnished with two semi-circular sofas in blue leather, another corner sofa in white and Broom’s hexagonal Parquetry coffee tables.

Topman personal shopping suite by Lee Broom

Gold lamps from his One Light Only collection (see our earlier story) hang in clusters from the ceiling.

Topman personal shopping suite by Lee Broom

See also: Twister by 42 Architects for Topshop

Topman personal shopping suite by Lee Broom

More about Lee Broom on Dezeen »

Topman personal shopping suite by Lee Broom

More retail design on Dezeen »

Topman personal shopping suite by Lee Broom

The information below is from Lee Broom:


Critically acclaimed interior and product designer, Lee Broom has curated and designed a new Personal Shopping Suite for TOPMAN‟s Oxford Street flagship store. The state of the art suite launches on May 24th 2011 to meet with the growing demand for men‟s personal shopping appointments.

Having previously worked with the legendary fashion designer Vivienne Westwood, Lee Broom was able to apply his fashion know-how to create a new shopping experience, which echoes the mood of a contemporary gentleman’s club. The space features signature pieces from his own collection, such as The One Light Only collection which dresses the ceiling, and the Cathode Console which acts as the neon lined concierge desk.

Sumptuous half-moon booths wrap around Lee’s hexagonal parquetry coffee tables, with traditional herringbone patterns lining the walls.

The clothes are presented in non-conventional ways through the use of trompe l’oeil printed wall panels, which can be easily adapted for seasonal changes. Materials such as wenge, oak and walnut feature throughout, with a hint of retro in the colour palette through the use of rich teals and earthy browns, with decadent gold highlights adding an exclusive air.

“Coming from a fashion background, it’s been exciting to work with TOPMAN to create their personal shopping suite. The suite has a grand, yet youthful, feel to it as it was important to ensure that men felt comfortable within the space. This space was designed to engage, inspire and give men a personal chill-out zone as they step through their shopping choices.” Lee Broom

The welcoming space features a Microsoft innovation and XBOX gaming area as well as three bespoke consultation areas complete with an Asahi „honesty bar‟ and a changing exhibition space which will launch with artworks from Scream and Whisper Galleries, owned by Tyrone Wood.

The Personal Shoppers will offer a revolutionary new service giving slick sartorial advice within the TOPMAN environment. The service which will be based on the new second floor of the Oxford Circus Flagship, will aim to simplify the time spent shopping and provide maximum choice to the client through a simple appointment menu which includes a 30 minute Express service, a 1 hour Edit for key style updates and a 2 hour ultimate wardrobe over-haul with the Experience session.

“While the trend for Personal Shopping amongst men has almost exclusively been at designer boutique and department store level, the current growth in interest in men’s fashion – at a high street level – has proven the need to invest in the launch of a dedicated Personal Shopping service at TOPMAN. We will offer all types of guys access to the latest trends and styles to suit their particular needs – totally complimentary with no obligation to buy…” Giles Farnham, Personal Shopping Assistant Manager – TOPMAN Oxford Circus


See also:

.

Twister by 42 Architects
for Topshop
Hermès store
by CuldeSac
Harrods Shoe Salon
by Shed

Edison House by Adjaye Associates

The Edison by Adjaye Associates

Architect David Adjaye has completed the renovation of this Art Deco building in London, providing six storeys of office accommodation.

The Edison by Adjaye Associates

The original brick and render facade of Edison House has been retained, as have the exposed concrete floors, columns and ceilings.

The Edison by Adjaye Associates

The refurbishment includes a new reception area that contains built-in red leather seating and a reception desk made from stacked planes of marble.

The Edison by Adjaye Associates

The developers, Manhattan Loft Corporation, now use part of the building as their headquarters.

The Edison by Adjaye Associates

More stories about David Adjaye on Dezeen »
More stories about offices on Dezeen »

The Edison by Adjaye Associates

Here are some further details from Manhattan Loft Corporation and Adjaye Associates:


The Edison is a recently completed 6 storey office development on Old Marylebone Road, by Manhattan Loft Corporation and architect Adjaye Associates.

The Edison by Adjaye Associates

Both the external and internal structuring represents such a strong, constructive Art Deco style that this has been maintained throughout. The existing concrete floors, columns and ceilings have been retained, as has the original brick and render frontage.

The Edison by Adjaye Associates

The constructive design of the reception area is a reminder of the buildings industrial past. The stark combination of concrete flooring with fibre cement ceiling and walls heighten this essence, but the red marble desktop, red leather banquette and sunken mirrors give a modern, even feminine touch.

The Edison by Adjaye Associates

These sharp juxtapositions between original and modern, industrial and comforting, are found throughout the building and indeed in the contrast of the surrounding architecture.

The Edison by Adjaye Associates

“On first seeing the site, it was immediately obvious that this seemingly ordinary building could be converted in to something more modern and exciting: a stylish, contemporary loft development. I wanted to create an alternative in what has become a very fashionable area: something grittier, more urban” – Harry Handelsman, CEO, Manhattan Loft Corporation

The Edison by Adjaye Associates

“I have taken the theme of concrete and asked questions about how it is expressed now in its new hybrid forms. This is the playful design palette for the reception and core space” – David Adjaye – Adjaye Associates

The Edison by Adjaye Associates

Click above for larger image

The Edison by Adjaye Associates

Click above for larger image


See also:

.

Moroso headquarters
by David Adjaye
Rivington Place
by David Adjaye
Housing for New Orleans
by David Adjaye & others

The Hepworth Wakefield by David Chipperfield Architects

The Hepworth Wakefield by David Chipperfield

The Hepworth Wakefield gallery designed by David Chipperfield Architects opens to the public this Saturday.

The Hepworth Wakefield by David Chipperfield

With 10 naturally-lit exhibition rooms, the gallery in Yorkshire is the largest purpose-built space for art in the UK and will display over 40 works by sculptor Barbara Hepworth (1903-1975), who lived locally.

The Hepworth Wakefield by David Chipperfield

The building is composed of a grouping of trapezoidal blocks and also contains learning studios, an auditorium, an archive, and a café and shop.

The Hepworth Wakefield by David Chipperfield

The gallery is accessed via a new pedestrian bridge across the River Calder, next to which the building is situated.

The Hepworth Wakefield by David Chipperfield

Photography is by Iwan Bann.

The Hepworth Wakefield by David Chipperfield

See all of our stories about David Chipperfield on Dezeen »

Below is the full press release:


The Hepworth Wakefield confirms Yorkshire as a centre for sculpture

The Hepworth Wakefield, designed by David Chipperfield Architects, opens to the public on Saturday 21 May 2011, putting the spotlight on Yorkshire as a world centre for sculpture, together with Yorkshire Sculpture Park, Henry Moore Institute and Leeds Art Gallery.

Named after Barbara Hepworth, who was born in Wakefield in 1903 and lived there with her family until the age of 18, with 5,000 square metres of gallery space, The Hepworth Wakefield is the largest purpose-built art gallery to open in Britain since the Hayward on London’s Southbank in 1968, and provides a permanent public legacy for the artist in her home city.

The gallery site has been developed at a cost of £35 million as part of the £100 million regeneration of Waterfront Wakefield. It includes the restoration of former mill and warehouse buildings, the development of new residential, office and leisure facilities, and outdoor landscaping with a new pedestrian bridge. The gallery is funded by founding partners Wakefield Council and The Hepworth Estate; major funders Arts Council England and Heritage Lottery Fund with additional funding from European Regional Development Fund, Homes and Communities Agency and Yorkshire Forward.

The highlight of The Hepworth Wakefield’s permanent collection is a group of over forty works given by her family that provides a unique insight into Barbara Hepworth’s working methods and creativity. The Hepworth Family Gift, donated through a special scheme facilitated by the Art Fund, comprises a unique collection of prototypes and models in plaster, aluminium and wood, from which casts were made in bronze or aluminium at the foundry. The majority are original plasters on which Hepworth worked with her own hands. Shown alongside the plasters will be tools and materials from Hepworth’s studio. The installation, spread over two dedicated gallery spaces, includes the full-size prototype made by Hepworth of perhaps one of her best- known sculptures, Winged Figure, commissioned for the John Lewis Partnership building in Oxford Street London and installed in 1963.

The Hepworth Wakefield has forged partnerships with the nation’s leading arts organisations including Tate, the Arts Council Collection and the British Council, to secure a programme of key loans that put the focus on Wakefield and Yorkshire as a centre for modern and contemporary art. The opening displays include works such as Danaïde by Constantin Brancusi c. 1918 and Composition C (No.III) with Red, Yellow and Blue by Piet Mondrian, 1935 from the Tate; The Snowstorm: Spiral Motif in Black and White by Victor Pasmore, 1950-51 from the Arts Council Collection; 1935 (white relief) by Ben Nicholson from the British Council Collection and J.M.W. Turner’s Wakefield Bridge (c.1798) from the British Museum.

The city’s own collection, including over 6,000 works, built up over 80 years, includes important works by Barbara Hepworth and Yorkshire’s other internationally celebrated artist, Henry Moore, alongside pieces by other leading British artists including David Bomberg, Harold Gilman, Roger Fry, Duncan Grant, Ben Nicholson, William Scott, Patrick Heron and Lucie Rie. The opening displays concentrate on Barbara Hepworth, placing her work in a local, national and international context.

Complementing the collection displays, The Hepworth Wakefield will present an ambitious programme of temporary exhibitions. The inaugural exhibition Hot Touch will present the work of internationally acclaimed sculptor, Eva Rothschild, running from 21 May – 9 October 2011 and will feature over 16 new works created by the artist specifically for the gallery spaces. It will be Rothschild’s first major solo show in a UK public gallery for four years.

The Hepworth Wakefield, set in the historic waterfront area of Wakefield on a landmark site on the banks of the River Calder, has been designed by the internationally acclaimed David Chipperfield Architects. Spread over 5,000 square metres, the visitor can explore 10 light-filled galleries and learning studios; an auditorium; an archive; café and shop with an outdoor terrace and gardens. These can all be accessed via a new pedestrian bridge over the River Calder, leading to The Hepworth Wakefield.

The opening of The Hepworth Wakefield is a highlight of Art in Yorkshire, a region-wide project supported by Tate. This year-long celebration of the visual arts across 19 galleries in Yorkshire is led by York Museums Trust in association with Arts Council England, MLA and Welcome to Yorkshire.

Councillor Peter Box, Leader, Wakefield Council:
“I passionately believe that the opening of the Hepworth Wakefield will lead to real benefits to our community, encouraging more investment in the future of our city and placing Wakefield on the world stage as a major centre for visitors from all over the country and abroad.”

Simon Wallis, Director, The Hepworth Wakefield, said:
“This is a moment to savour for so many people who have worked together over the last decade to see the dream of the Hepworth Wakefield realised. We are proud to present the work of Barbara Hepworth, a daughter of this city, in this superbly designed gallery and to develop an international centre for the visual arts, which will attract artists and visitors from all over the world.”

Alan Davey, Chief Executive, Arts Council England, said:
“The Arts Council is proud to be a major supporter of The Hepworth Wakefield, investing £5.5 million of National Lottery funds to help create this world-class gallery. We are delighted that they will also be funded as part of our national portfolio from 2012 -15.

The opening is one of the cultural highlights of 2011 and will cement the increasing national and international profile of Yorkshire as a centre for the presentation and understanding of sculpture. We hope that the gallery, like the ground-breaking work of Barbara Hepworth, will inspire visitors from far and wide and become a creative centre for the people and communities of Wakefield and beyond”.

Dr Sophie Bowness, granddaughter of Barbara Hepworth, said:
“On behalf of our family, I would like to thank all those who have contributed to making this remarkable gallery a reality. Our gift is a unique group of Barbara Hepworth’s surviving prototypes, the majority in plaster, from which editions of bronzes were cast, and we hope it will greatly enhance understanding of her working methods. We have found the ideal home for the plasters in Wakefield, the city in which Barbara was born and grew up. We would particularly like to thank the Art Fund, through whom we have made this gift.”

Dame Jenny Abramsky, Chair of the Heritage Lottery Fund said: “Barbara Hepworth’s sculptures have left a legacy of artistic genius which continues to inspire us well into the 21st century. The opening of this much-anticipated gallery, funded with a £5m Heritage Lottery Fund grant, will be a fitting celebration of Hepworth’s life and work as well as putting her home town of Wakefield on the cultural tourist map.”
Sir Nicholas Serota, Director of Tate said:
“The Hepworth Wakefield is one of the most exciting and beautiful galleries in the United Kingdom. Its opening in May 2011 will bring tens of thousands of people to Wakefield, similarly to when Tate Modern opened, which brought hundreds of thousands of people to London. I think The Hepworth is a great building and it will offer a wonderful day out for people to come and experience Wakefield in a new way.”

Antony Gormley, artist said:
“The Hepworth Wakefield will become a place of pilgrimage for all lovers of sculpture and now with the Henry Moore Institute in Leeds and Yorkshire Sculpture Park in West Bretton, Yorkshire will be a place of inspiration for all.”


See also:

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Turner Contemporary
by David Chipperfield
Museum Folkwang
by David Chipperfield
Liangzhu Culture Museum
by David Chipperfield