The thoughtfully designed Coop line of toys brings us back to a simpler time and place when handcrafted perfection (not mass production) was the method of choice. The rideable bike and 2 trikes are an ecological alternative that combine reclaimed wood with premium hardware – easily constructed right out of the box with a simple allen wrench. Better yet, after the toy has outlived its life, you can send it back to be reclaimed again to build new toys and receive a 10% reimbursement!
If you’ve ever tried to brush your dogs teeth then you’re familiar with the awkwardness that ensues. If they only knew you were trying to help! Here’s a clever way to trick stubborn pups into cleaning their teeth. The Q-Ring is like any other pull/chew toy but features a squishy bristled end that removes plaque, reduces gingivitis and stimulates gums. Simply twist the tactile, soft grip handle inside-out and it doubles as a frisbee!
Mi era scappata questa opera di Toykyo x Steven Harrington in ceramica, prodotta in soli 25 esemplari, alcuni dei quali in vendita da Colette ad un prezzo da collezione.
I’m sure that, like me, the vast majority of our readers grew up playing with LEGOs without a second thought about the origin of the beloved building toy. It so happens that 2012 marks the 80th anniversary of the Danish company, and they’ve produced an animated history of the company, which hit the web over the weekend.
The LEGO Group can look back onto an impressive success story: in 1932 Ole Kirk Christiansen founded a production company for wooden toys in the Danish city of Billund. His central idea was, “Only the best is good enough.” The motto stayed, but other than that, a lot changed. The company has moved from the originally small workshop back in 1932, to become the third largest producer of play materials in the world. It is currently represented in more than 130 countries with approx. 10,000 employees. The name “LEGO” comes from the two Danish words “leg” and “godt,” which translates to “play well”…
The triumph of the LEGO Group started almost fifteen years after the foundation of the company, when Ole Kirk Christiansen discovered that plastic was the ideal material for toy production. At the end of the 1940s, the first bricks hit the market, which resemble the modern classic of today. In 1958 Christiansen perfected the LEGO brick with the familiar knobs-and-tubes-connecting-system, which is what the now 3120 different LEGO elements are still based on. LEGO bricks can be combined in an endless variety of combinations in continuously new ways. For six bricks of the same color with 2×4 studs alone, there are 915 million combination possibilities. The imagination has therefore no boundaries.
The 17-minute short, narrated by founder Ole Kirk Kristiansen’s grandson Kjeld, is dense with LEGO’s backstory, yet easy to watch as the animated Christiansen family perseveres through trials and tribulations over the years to build a successful company (IDers might also be interested to see the accurately depicted mid-century machinery).
Fort Standard’s Balancing Blocks are a perennial favorite in the NYC’s ever-growing pop-up design store scene (including the Herman Miller co-sign): the faceted oblong blocks are jewel-like yet abstract a modernist take on nostalgia for play. The polychromatic polyhedra aptly encapsulate the Brooklyn duo’s minimalist approach to form and materials.
The clever promo video gives new meaning to ‘block party’:
The painted oak blocks, which are sold in sets of ten, are also available year-’round through Areaware (though they’re currently out of stock til October).
A lot has been done in an effort to make hospitals less of a scary and bewildering place for young children. Remember Jeff Koons’ Balloon Dog makeover of a radiology exam room in the Advocate Hope Children’s Hospital in Oak Lawn, IL (below)? That was part of a program sponsored by Kiehls and the nonprofit organization RxArt to make children’s hospitals a little bit friendlier. Personally, I have a hunch that all this hospital room dress-up signifies a more serious flaw in the initial phases of hospital design, and we’d be better served by addressing children’s needs from the very start instead of adding colorful, cartoony band aids long after construction has already been completed.
There are other solutions too, of course. One of the best and simplest approaches comes from Hikaru Imamura, a recent Eindhoven grad who was featured on Fast Co. Design as a notable entry in their Innovation Awards program. Since sick children still have to spend hours, days, weeks etc. being ferried in and out of hospital rooms and from one contraption to the next, Imamura thought it was better to quell their fear by helping them understand what all the big scary machines do, especially since Koons can’t put his balloons dogs in every hospital in the world. Imamura’s solution is a charming and rather refined set of wooden toys that replicate CT scan rooms, X-ray machines and echocardiographs, all staffed by friendly bears.
“I thought it’s more important to make things that attract children’s interest as stuff to play with. As a result, I made toys that had simple devices such as light or sound, instead of representing the details of machines or having high-tech devices.”
There’s an old adage for anyone who has kids (and/or cats). You spend all the money on a new toy or technology, but what does the gift recipient end up playing with most? The box.
But never fear. Tube Toys, designed by London designer Oscar Diaz for NPW, makes the packaging a part of the toy. From a car to a tractor to a fire truck, the toys are simple vehicles with all the parts inside for assembly, including the wheels, axles and stickers for labels. The tube part comes in when you start putting the toy together by using the tube for the vehicle’s body.
The only wasted parts? The label wrapping, which doubles as instructions, and the sticker paper, after the stickers are removed. That’s part of the value statement of Tube Toys, which emphasizes the green part of its toys, noting that the packages reduces “considerably the amount of material discarded after purchase, and the added cost that traditional packaging involves.” What’s more, Diaz notes that the materials themselves are made of “recycled and/or recyclable” materials.
As a designed object, Tube Toys represent a creative way to incorporate the packaging. I got a chance to play with the train and it was easy enough to assemble the pieces and then disassemble them at the end of the toys. The tubes could easily be stacked end to end in a special box, making storage at the end of the day a cinch as well. It will be interesting to see if Diaz can expand his concept further, with other toys that incorporate the packaging.
Vancouver-based Wendy Tsao started Child’s Own Studio, a home-based toy design studio with a twist: Tsao doesn’t design the toys. Children do. Tsao’s brilliant insight was to create one-off toys for a child modeled exactly on a drawing done by that child.
[Children’s drawings are] a wonderful expression of childhood [and] the starting point of the collaborative project. Details and color choices are reproduced as closely as possible so that the stuffed toy that arrives in the mail is immediately recognizable to the child who designed it. It’s a fun, rewarding process, and kids love seeing their drawings come alive.
While you can see how it’s do-able enough to create a toy from a drawing by an artistically-gifted child, like these…
…you’ve gotta be impressed when Tsao pulls off the more abstract drawings, like these:
Seeing those latter three makes me reflect, with shame, on times in the past when I received a less-than-clear sketch from the head designer on the job and privately complained about being asked to realize it in CAD. It looks as if Tsao could probably pull off plush Picassos. And with a few hundred creations under her belt and counting, she won’t be running out of business anytime soon.
Kids playing with their Clump-O-Lumps creations. All images courtesy Knock Knock.
Mix and match, design and customize. We can do it cars, with phones, with outfits. Why not with stuffed toys? Clump-O-Lumps, a new line toys out of gift and stationery company Knock Knock, features mix-and-match plush dolls designed for kids and kids at heart.
Start with, say, Tig-o the Tiger, a smiling tiger with an overbite, and then put Tig-o together with bucktoothed Bee-o the Bee. Zip off the head of Bee-o, and place it on Tig-o’s head. Suddenly, Tig-o has the head of a bee, literally.
“While the animals each have their own unique identities,” states Knock Knock in their release, “their insides are the same—red with a white circle running through the center that one could call Bone-o the Bone. Each child will have the ability to use his or her imagination to create new creatures by mixing and matching Clump-o-Lumps and making up original stories about them.”
Design Max Knecht with his creations at the New York International Gift Fair.
The adorable designs are the brainchild of Max Knecht, an industrial designer and graduate of Art Center College of Design in Pasadena. Knock Knock’s head, Jen Bilik, fell in love with Knecht’s prototypes immediately upon seeing them, and they mixed and matched heart, brain and business sense to bring the products into the real world.
“To zip and match,” suggests the release, “the intended age range is five to ten years old, though children younger than five love to hug their Clump-o-Lumps and take them apart.” But the dolls are so irresistible that I suspect kids older than ten will be zipping and mixing and matching in no time (hint hint, anyone shopping early for a Christmas gift for me).
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