Basia Irland Brings Attention to Global Warming with a Melting Book Design

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There’s no doubt that we’re much more likely to Google a question than grab the nearest encyclopedia (let’s be real—there are a fine few who even own one nowadays) and thumb through its pages until we find the answer we’re looking for. The Internet has given us a relatively anonymous way to interact with our inquiries that requires only milliseconds of our time in return. In response, it seems that books are wiggling their way into a spotlight within the world of sustainable design—which is a little silly, considering their paper guzzling construction. Or maybe designers are just picking up on the irony that comes with educating the masses through a clever little book design that has nothing to do with reading, perusing pages or putting it on a shelf. One great example: Our recent write-up on the Drinkable Book—a publication whose folio are actual water filters. Next up on the list of do-good books is Basia Irland‘s project Ice Receding/Books Reseeding.

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By embedding seeds from a region’s local fauna into frozen blocks of river water, Irland hopes to bring attention to impending climate change, glacial melting and the important of our local water sources. Irland put together a video—it’s a bit dated, but the information is all there—on the project and how the books are made. Check it out:

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Holy Cow: NASA Says Pollution from Asia is Affecting North American Weather

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Had the Industrial Revolution never happened, there’d still be doctors, lawyers, farmers and merchants—but there darn sure wouldn’t be any industrial designers. It’s a bit of a shame that the event that enabled our very profession caused such widespread pollution, but we didn’t understand the environmental effects back then, and even if we did it wouldn’t have stopped men like Carnegie and Loewy.

Now that we are grasping the environmental effects of pollution, what we’re learning is staggering. A new study published this week posits that pollution from Asia’s industrial boom is affecting the weather in North America. The study, performed by NASA’s Jet Propulsion Laboratory and reported by Live Science, finds that “Pollution from China’s coal-burning power plants is pumping up winter storms over the northwest Pacific Ocean and changing North America’s weather.”

“The increasing pollution in Asian countries is not just a local problem, it can affect other parts of the world,” [lead study author and atmospheric scientist at NASA’s Jet Propulsion Laboratory Yuan] Wang told Live Science. …Wang and his co-authors examined how the tiny pollution particles in Asia play a role in cloud formation and the storms that spin up each winter east of Japan, in a cyclone breeding ground north of 30 degrees latitude. Monsoon winds carry aerosols from Asia to this storm nursery in the winter.

…The new study finds that sulfate aerosols are among the most important drivers of Pacific storms, by encouraging more moisture to condense in clouds, Wang said.

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Aspiring to Improve the World by Crafting a Career in Sustainable Design, Part 3: Learning from Nature

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In this three-part mini-series, Stefanie Koehler shares her experiences in bringing a sustainability focus into her work.

Part 1: A New Way of Thinking
· Part 2: Putting Theory into Practice
· Part 3: Learning from Nature

During the 2012–13 Biomimicry Student Design Challenge (BSDC) competition, I discovered that solving humanity’s biggest design challenges requires new skills applied within a comprehensive framework that integrates sustainability. I gained a deeper understanding of the Buckminster Fuller Institute‘s tenet of what Fuller described as “comprehensive anticipatory design scientists.” (Fuller, 1999)

Learning from nature

Biomimicry, the practice of emulating models and strategies found in nature, provides designers with tools for seeing and learning from nature in new ways (Biomimicry 3.8 Institute), serving to both embed an ethos of sustainability and potentially inspire radical thinking.

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For the competition, I explored the use of biomimicry as a process for creating a sustainable product as well as a scalable social enterprise idea. Under the inspirational guidance of Denise Deluca, co-founder and director of Biomimicry for Creative Innovation (BCI), this work ultimately grew from my Master’s thesis project.

My design concept was a water treatment system called SolDrop. My team went on to become the only US finalists in the global 2013 BSDC and I had the honor of presenting at the Biomimicry Education Summit and Global Conference in Boston that year.

Koehler-3-BSDC_880.jpgSolDrop Solar Still concept by Stefanie Koehler (competition entry for the Biomimicry Student Design Challenge)

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Aspiring to Improve the World by Crafting a Career in Sustainable Design, Part 2: Putting Theory into Practice

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In this three-part mini-series, Stefanie Koehler shares her experiences in bringing a sustainability focus into her work.

Part 1: A New Way of Thinking
· Part 2: Putting Theory into Practice · Part 3: Learning from Nature

Practicing sustainability-focused design, like any art form, is a skill that requires craft and sensitivity. As designers, we are tasked to skillfully create consumable goods, services and systems that inevitably make an impact on many levels, many of which are not well understood or even measurable. By learning and then practicing various approaches, I have begun to understand design from a whole-systems perspective, considering both the micro and macro scale. This way of thinking has led me to consider the trade-offs—from materials to process to business strategy—that I make with every design decision.

Doing is Believing

Many people think that sustainability-focused design is a burden—futile, depressing and difficult. Some don’t even believe it is possible. Designing with sustainable outcomes in mind may have these pitfalls but I have been able to debunk these negative opinions by studying sustainability theory and putting it into practice.

To become efficient and ultimately more effective at anything, one needs to practice—a lot—and sustainability-focused design is no exception. By applying comprehensive sustainability approaches to different design challenges, I have not only learned that sustainable outcomes are achievable but also that it is rewarding, both personally and professionally.

In Jeremy Faludi’s Collaborative Product Design course, offered by the fully online Sustainable Design graduate program at the Minneapolis College of Art and Design (MCAD), I was able to practice sustainability-focused approaches such as energy effectiveness, design for appropriate lifetime, biomimicry and responsible materials, to name a few. We directly applied these solutions to new solutions for existing products with real companies; I had the pleasure of practicing a collaborative redesign for Steelcase’s Circa Chair.

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Aspiring to Improve the World by Crafting a Career in Sustainable Design, Part 1: A New Way of Thinking

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In this three-part mini-series, Stefanie Koehler shares her experiences in bringing a sustainability focus into her work.


We all know the plight of the typical industrial designer: make (more) stuff; repeat. But with the nexus of vast technical abilities and support systems to deliver ideas, where does responsibility and “design sensitivity” come into play? How will we be able to design with an understanding that every design decision is connected in some way to everything else (either directly or indirectly) and will inevitably have a social and environmental impact (intended or not)? Is it even our responsibility as designers to think about the impact of our designs? Do we need to worry about what happens up or downstream of our products, or is that someone else’s job?

Where I Was

In 2009, armed with a traditional industrial design degree, I entered the workforce and immediately began to struggle with the paradox of wanting to use my newly-honed design skills yet feeling like I needed to make crap to get paid. At the time, I did not grasp my role as a young designer, but I did know that continuing to design harmful, and sometimes pointless, products was not going to fulfill me. I decided I did not want to participate in a cycle that turns everything into a consumable or everyone into a consumer.

Following my undergrad, I initially tried to get my foot in the door, only to question why I was trying to get in the door in the first place. I ended up not taking the prescribed path of working for a conventional design firm, taking on freelance projects instead, ranging from corporate product design and branding to gritty consulting for start-ups and training dogs on the side. I wondered if could I turn my (perceived) inability to get a “real job” into an opportunity to engage in a career path that makes me happy? Luckily, I found that the answer was “yes,” and that sustainability-focused design has filled this void for me, both personally and professionally.

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GM’s Green Strides, Part 1: Turning Garbage Fumes Into Electricity

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General Motors has quietly been making strides in greening their operations. What’s most encouraging is that GM isn’t doing it for the publicity; they’re doing it simply because technological advances in sustainability are increasingly making good business sense.

In 1999, GM began experimenting with turning landfill gas—those otherwise worthless fumes that do nothing but stink and fill the atmosphere—into energy. By using landfill gas to heat a portion of their paint shop in Orion, Michigan, they discovered they had reduced their energy costs by half per vehicle. In 2002, GM then started using this LFGTE (LandFill Gas to Energy) technology to power parts of their Fort Wayne, Indiana, assembly facility.

Presumably having worked out the kinks, now they’re taking bigger steps. This month GM invested $24 million in LFGTE machinery. The Fort Wayne facility’s LFGTE percentage will quadruple from 10% to 40%, and the Orion plant will draw a whopping 54% of its juice from the stuff. This will cut 89,000 metric tons of CO2 emissions per year, about the equivalent of what 18,500 cars put out. The total LFGTE yield between the two plants will be 14 megawatts; if they repeat this nine times with other facilities by 2020, they will hit their self-imposed goal of using 125 renewable-energy megawatts.

Here’s a local news affiliate’s overview of the project:

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Grant Thompson’s Insane ‘Solar Scorcher’

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Today is Thanksgiving here in the U.S., when we all give thanks that the heavens have provided us with the Kardashians, a bitterly bifurcated government and wildly diverging views on firearms. We celebrate these things by cooking lots of food, most of it in ovens. But if more of us were like Grant Thompson, a.k.a. The King of Random, we could heat our meals by harnessing the sun’s power.

Inveterate tinkerer Thompson has 46 million hits on YouTube for good reason: Because he does crazy shit like snagging a free projection TV on Craigslist and turning the screen—which is essentially an enormous magnifiying glass—into an absurdly powerful, eco-friendly death ray capable of heating things to 2000 degrees Farenheit. Observe:

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Eden’s (Plantable) Paper Takes the Cake When it Comes to Holiday Gift Wrapping Must-Haves

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Half of the fun of the holidays is ripping into presents from family and friends or watching someone else do it. We might feel just a twinge or two of guilt as we crumple shreds of once-pristine paper waste into a trash bag and toss it to the curb for garbage collection, but what the hell, you’re on much-needed vacation and you left all of your cares at the office.

Wrong.

The facts: In 2011, Great Britain alone racked up 227,000 miles of wasted paper after the holiday season. (That’s enough paper to wrap the world nine times over around the equator.) And according to a study done by Stanford, if every American wrapped three presents in reused materials, the saved paper would cover 45,000 football fields.

The upshot of the guilt trip is that it leads to solutions like wrapping your gifts in the comics section and recycle it when the present party is done, or, say, reusable packaging. UK-based agency BEAF does the DIYers one better with Eden Paper, wrapping paper for the rest of us that you can plant once you’re finished tearing into those gifts.

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It’s simple: By planting the used paper in some soil and watering it like a regular potted plant, you’ll see sprouts in no time. As with Democratech’s sprouting pencil and plantable OAT Shoes, the gift wrap is produced with the seeds embedded right into the paper. The brand is currently offering the paper in five flavors—chili peppers, onions, carrots, tomatoes and broccoli—but looks to include various flowers and herbs in the future. The gift wrap looks good, too—as good as it tastes, I’m sure. Design-wise, it’s a much-needed upgrade from a lot of the holiday wrap you see around the time of year. There’s only so much you can take when it comes to iridescent snowflakes and glittery ornaments.

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Hangbags Give Shopping Bags Another Use (Aside from Taking Up Too Much Space Post Shopping Spree)

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Paper shopping bags are one of those we unintentionally collect in our homes, reuse one or two times to transport lunch to work and toss when the recyclable pile gets in our way. The reminders to recycle the bag after use are helpful, but they aren’t as effective as anyone would like them to be (read: they won’t spring legs and walk themselves to the recycling bin). But a team of designers from India has designed a kind of paper shopping bag you won’t want to toss to the trash.

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Hangbags are paper bags that are transformed into hangers with a few twists and folds in an attempt to replace plastic versions. The video below shares some shocking facts: Over 1 billion paper shopping bags are used every year and only 1% end up in the recycle bin where they rightly belong. On the flip side, over 8 billion hangers are left to the landfills each year—with each hanger taking over 100 years to break down. After that guilt trip, how could you not want to take it down a notch on your plastic hanger use?

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Study Reveals the Look and Size of a Product Design Affects Consumers’ Perception of Its Recyclability

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Trash is a big problem for the environment. Unsurprisingly, the U.S. is the worst (or best, depending on how you look at it) in the world for producing garbage, throwing away two billion tons annually. And while recycled materials have come a long way in helping us to reduce our garbage, there is something else that can be done and this includes an interesting insight into product design.

Turns out that how consumers decide if something is trash or recyclable isn’t based on whether the product is, in fact, recyclable. It has more to do with the appearance and size of the product. If it looks like trash, then it will be less likely to be recycled.

Products change during their use. Paper is torn, cans are crumpled. And how form or size changes impacts the likelihood of a product being recycled or just tossed in the garbage. This is the finding from a recent study in the Journal of Consumer Research [PDF].

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