GE Engineers Soup Up Santa’s Sleigh, Reindeer Rejoice

Amidst the fruitless efforts of a nine-member entity known only as “R. Deer LLC” to swap out Santa‘s rickety old sleigh with a Tesla Model S, engineers at GE have taken it upon themselves to reimagine the jolly old elf’s ride. The souped-up sleigh draws upon a range of technologies to offer a greener, faster, and more efficient Christmas Eve journey. Among the new features are a thin cooling solution that can improve jet engine aerodynamics, air traffic management technology to help Santa and the reindeer steer clear of planes, 3-D-printed sleigh blades for greater lift and maneuverability, and a rugged new battery that can function under extreme conditions.

The sleigh frame, sprayed with water- and ice-repellant coatings, has been upgraded with GE’s high-temperature ceramic composites–enabling flight into outer space and back. Santa is on board with the extraterrestrial upgrade. “I am looking forward to flying into outer space,” he said in a statement issued by GE. “This will really save time by helping me get to destinations in different parts of the world much faster.” And the reindeer couldn’t be more pleased with the redesign, which features an electric traction motor that can take over when Dasher, Dancer, and the gang need a breather. Noted Rudolph, “Covering the entire globe can be pretty exhausting, and having the opportunity to rest along the way will help us remain in peak condition.”
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Laurence King’s Twelve Desks of Christmas

You can keep your five golden rings and arboreally ensconced partridge. We’ll take eleven exotic writing utensils, ten action figures a-leaping, and a Sesame Street screen saver. All of these wonders and more await you in Laurence King‘s “Twelve Desks of Christmas.” The London-based publisher behind covetable and creative titles such as Angus Hyland and Steven Bateman‘s Symbol and 100 Ideas that Changed Graphic Design by Steven Heller and Veronique Vienne engaged in a little office voyeurism this holiday season, posting photos of 12 mystery desks and inviting the world to guess whose was whose. Here are a few (recently de-identified) highlights, from our desk to yours:


See those books? He wrote all of them! This is the desk of Steve Heller.
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Name a Planet! Spacey Startup Uwingu Creating ‘Baby Book of Planet Names’

This week a team of sharp-eyed astrophysicists announced their discovery of a new planet: a young, cold, and roguish type that refuses to orbit any star. They’ve named the sunless planet…CFBDSIR2149. While this is an improvement over “Uranus,” it doesn’t exactly roll off the tongue. An astronomy- and space-focused startup is seeking to end this squandering of planet-naming opportunities with its first commercial project. Uwingu–”sky” in Swahili–is challenging the people of Earth to create a “baby book of planet names” for the 160 billion or more planets astronomers now estimate inhabit our galaxy, the Milky Way (cut to image of delicious candy bars).

“You can nominate planet names for your favorite town, state, or country, your favorite sports team, music artist, or hero, your favorite author or book, your school, your company, for your loved ones and friends, or even for yourself,” suggests Uwingu founder and CEO Alan Stern, an aerospace consultant and researcher who formerly directed all science program and missions at NASA. Each nomination costs 99 cents, with proceeds going to create a private sector fund for space projects. Names can be up to 50 characters (latin letters only), from any language or culture, and “can be anything the average grandmother would be proud to hear her grandchild say.” A contest will determine the 1,000 most popular planet names in the database, which will be communicated to planet-hunting astronomers for consideration. Voting is now open (votes also cost 99 cents each). Among the early leaders are “Pale Blue Dot,” “Heinlein,” and “Ron Paul.”

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Graphic Homage: John Cage Meets Offset Printing in Project by Nicholas Blechman and Friends

In 1948, John Cage paid a visit to the anechoic chamber at Harvard University, an echo-free room that had recently been built for the purpose of physics research. Surrounded by foot-thick concrete walls that bristled with sound-absorbing wedges, he had an epiphany: “I heard that silence was not the absence of sound but was the unintended operation of my nervous system and the circulation of my blood,” wrote Cage. He credited that experience, along with the white paintings of his Black Mountain College chum Robert Rauschenberg, with leading him to compose 4’33”. The composition, divided into three sections, consists of four minutes and thirty-three seconds in which the performer plays nothing. On the occasion of Cage’s 100th birthday, his most famous work gets a graphic design twist from Nicholas Blechman (art director of The New York Times Book Review), Irene Bacchi, and Leonardo Sonnoli. The trio created “Heidelberg Speedmaster” (below), an offset print interpretation of 4’33” and named for the industrial printing machine at work in the video, recorded last Friday at La Pieve Poligrafica in Rimini, Italy. Each of the composition’s three parts are also interpreted in posters designed by Blechman, Bacchi, and Sonnoli (two of the posters are pictured above). And now, your moment(s) of Zen:

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Ten Things to Read Over Labor Day Weekend

With precious little summertime left and that daunting stack of books still awaiting your “summer reading” attention, we’ve compiled this list of ten quick yet delightful online reads that will keep you busy while we spend the holiday weekend in Fashion Week prep mode (i.e., napping, binge-watching obscure documentaries, and multiple visits to the Reed Krakoff store). Until Tuesday, design fans!

♦ Whimsically grim storylines? Check. Dour yet dancerly protagonists? Yup. Eve Bowen examines “A Treasure Trove of Edward Gorey” and lives to tell about it. (New York Review of Books)

♦ Galliera, the Paris Museum of Fashion, is closed for renovation until the fall of 2013. That didn’t stop Lynn Yaeger from paying a visit. (T: The New York Times Style Magazine)

♦ LACMA’s plan to open a show featuring Robert Mapplethorpe’s gay sadomasochistic photographs two weeks before Election Day proves we’ve come a long way—maybe, writes Robin Cembalest. (ARTnews)

♦ Meanwhile, LA cops have declared war on street artists. (LA Weekly)

♦ With his first solo exhibition in 12 years opening next week, Futura gets reflective. (Interview)

♦ Whatever happened to digital art? Claire Bishop discerns the “subterranean presence” of the digital in the analog-loving art world. (Artforum)

♦ “I prefer buying things and figuring out where to put them later than regretting not buying them,” says designer Christian Louboutin. Peek inside his barn-cum-shoe archive, which houses 8,000 pairs and counting. (WSJ. Magazine)
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CreativeMornings Partners with RISD to Explore Intersection of Arts, Technology

Guzzle some creativity with your coffee by starting the day with CreativeMornings, a free breakfast lecture series for creative types. Founded in 2009 by New York-based designer and blogger Tina Roth Eisenberg, this “TED for the rest of us” takes place monthly in 29 cities around the globe, from Atlanta to Zurich. Throughout June, all CreativeMornings chapters are partnering with the Rhode Island School of Design to host events under a common theme: the intersection of arts and technology. “We’re honored to partner with RISD on this new effort to recognize the vital importance of art and design in the global economy,” says Eisenberg. “I am interested in the magic that happens when arts and technology come together.” Jessica Hische was a crowd-pleaser in Vancouver, and Rick Valicenti recently wowed ‘em in Chicago. Many chapters will convene tomorrow: San Francisco has nabbed Nathan Shedroff, who describes himself as an “Earth-based designer, educator, entrepreneur, author, and air-breather,” while Portland will hear from Nelson Lowry, winner of the National Society of Film Critics Award for Best Production Design for his work on Fantastic Mr. Fox. Get the latest information on CreativeMorning around the globe and watch past talks at any time of day here.

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What Do We Want? Megaphones! Wright Offers Spirited Collection


Three cheers for 22 vintage megaphones, which go on the block tomorrow at Wright in Chicago.

You don’t hear much about megaphone collecting. A cruel irony at a time when the world needs a bit of the old-fashioned boosterism that comes from holding a large cone to one’s mouth and yelling “Go Team!” Those that grimace at the sight of foam fingers (vulgar, shoddily made, soundless) won’t want to miss the rare opportunity to acquire an instant collection of megaphones that goes on the block tomorrow at Chicago’s Wright auction house as part of its Living Contemporary sale. Estimated to sell for between $3,000 and $5,000, the lot of 22 vintage bullhorns includes several handsome models designed to cheer on various mid-century squads of Spiders, Indians, and Macon Whoopies (“Georgia’s Finest”). The names of their original owners—Diane, Susan, Joan, Nancy, Lucy—are preserved in an interesting range of typefaces, while a wee brown one reads “Die Schnitzel Bunk Jug Band.” Set for speaking-trumpets? Cheer yourself with a few of the other offerings from tomorrow’s sale: Paco Rabanne space curtains, a delightful dozen of Dorothy Draper chairs, or a set of “Inflammatory Essays” by Jenny Holzer, who we suspect enjoys a good megaphone.

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Maarten De Ceulaer’s ‘Mutation’ Furniture Bubbles Up in Milan


(Photos: Nico Neefs)

Bound for the Milan Furniture Fair yet short on time? Focus on the work of designers named Maarten! That will keep you plenty busy. Start at Ventura Lambrate, where Maarten Baas will have a bunch of new projects on display beginning tomorrow. Among them are spidery clay stools that Louise Bourgeois would have loved, a massive tablecloth woven—in a typeface called “Font of the Loom”—with the names of the inhabitants of Amsterdam (all 780,559 of them), and a still-under-wraps “kinetic object” for Laikingland. Also on view will be his Martin Puryear-esque “Empty Chair,” a 16-foot tall ladder-back seat created for Amnesty International in honor of Nobel Peace Prize winner Liu Xiaobo.

The other Eindhoven-educated must-see Maarten is Maarten De Ceulaer, who’ll be exhibiting at three locations during the Salone del Mobile. Head to Rossana Orlandi and the Triennale di Milano to be charmed by his “Mutations” series (pictured). “The pieces in this series look like they weren’t made by hands, but have grown to their present form organically,” says the Brussels-based designer. “They might be the result of a mutation in cells, or the result of a chemical or nuclear reaction. Perhaps it’s a virus or bacteria that has grown dramatically out of scale.” In fact, De Ceulaer created the molecularly marvelous seating, a kind of deep-buttoned upholstery run amok, by carefully composing patterns with sections of foam spheres that are then applied to a structure. The final step is coating the entire piece in a rubbery or velvet-like finish. “It is largely impossible to ever recreate such a specific pattern,” he says, “so every piece is completely unique.”

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Safety First: George Nelson Explains It All!


(Photo: Wright)

“They communicate fast. And with style and wit,” noted the circa-1965 promotional copy for Howard Miller’s Pronto Posters, designed by the George Nelson & Associates team of Bill Cannan, Lance Wyman, and Irving Harper. Screenprinted onto sturdy masonite(“treated so as to stay new-looking and be used and re-used for years”), the set of 24 placards tackled a range of freshly minted workplace safety regulations and best practices, from the strategically bandaged figures of “Wear Your Helmet” and “Use Your Safety Guards” to pseudocharred “Flammable” and “Think,” in which our magenta man has forgotten his pants. An original trio of Pronto Posters (pictured) is among a stellar line-up of Nelsonian lots—don’t even get us started on the 1954-55 Carousel Weather Vane (so Crying of Lot 49!)—that will go on the block at Wright’s Modern Design sale on March 29. “They add flair and humor to the surroundings, improve morale, reduce accidents, and aid efficiency,” promised Miller. At an estimated price of $1,500 to $2,000 for the set of three, how you can afford not to buy them?

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Commercials Get Colorful: Target’s Traceurs, Free-Flowing Paint Pack a Pigmented Punch

Perhaps it’s the proliferation of crystal-clear HD televisions, the ascendance of 2012 Colors of the Year Tangerine Tango (Pantone’s pick) and Terracotta Rose (the ruddier hue favored by AkzoNobel), or simply a sign of the coming apocalypse, but companies of all kinds are suddenly enamored with the same vibrant pitchman: Roy G. Biv. Fresh from the “full spectrum”-themed TED Conference, we can’t help but notice that it’s color, color, everywhere on TV commercials, whether they’re touting pricey accessories, cheap n’ cheerful throw pillows, or the newest services of a big-box retailer. In these three rainbow-rific spots, color gets downright aggressive: running amok as a boldly costumed Parkour troupe for Target (“Color Changes Everything”), as “Sans Cans” paint flowing freely in the streets for Lowe’s, and slapping unassuming headphone-wearers upside the head for Beats by Dr. Dre. The take-home message: resistance is futile, color is coming for you, probably in the form of a limber European gentleman dressed in head-to-toe cyan.
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