Rinee Shah Puts ‘Faces’ to the Made-Up Words We Grew Up With

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Every family has their own lingo that’s only understood within the doors of their abode. Some of my fondest memories growing up involve fighting my younger brother over the dobber in an attempt to nix the constant stream of college football that graced our home’s living room and the never-ending injury-inducing dobber tosses from my mom to my dad. After a few confused looks from visiting friends, I eventually realized that not everyone referred to their television’s remote control like we did. In fact, we were probably the only ones in the world to call it a dobber—which made it that much more special. No one in my family knows where the term came from or when we started using it, but we never skipped a beat using it in conversation—and every time I make the trek back home, it slips right back into my vocabulary. Luckily for families like mine (and yours, I’d be willing to bet), San Francisco-based illustrator Rinee Shah is compiling a collection of niche neologisms and creating illustrations to go with their descriptions in a series called “The Made-Up Words Project.”

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Urban Matter’s ‘Silent Lights’ Turns New York City Traffic Noise Into Color

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Trying to find some sort of beauty in the noisy traffic of a busy city street probably isn’t your first thought as you’re walking down an overstimulating sidewalk. In fact, if you’re anything like me, you’ll do anything you can to mentally take yourself away from the bustling environment—starting with plugging in to your headphones and creating some high-decibel eardrum damage. Urban Matter, Inc. is taking a different approach that present itself as such a blow to your hearing.

You can find your own personal moment of tranquility underneath the Brooklyn-Queens Expressway (BQE) in the most populous borough thanks to the Brooklyn-based design studio. Like many places in New York City, the traffic noise never stops and it gets quite dark, so the team took on the challenge of turning the noise into an interactive light exhibit. Enter “Silent Lights,” a series of gates housing 1,400 LEDs located in a Brooklyn hotspot.

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At the intersection of Park Avenue and Navy St., you’ll find a series of square arches that slowly transition through a rainbow of colors according to the level of traffic noise in the area. Check out this behind-the-scenes video on what it took to create the installation:

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NPR’s Globetrotting T-Shirt Tale: A Journey from Cotton to Consumer, from Crowdfunding Campaign to Multimedia Journalism

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Earlier this week, we were wowed by an elaborate parody of a certain purveyor of anachronistic Americana: Remade Co. cleaved its supposedly superlative subject like an axe splitting a cord of firewood. Today, we’d like to share another brilliantly conceived and produced multimedia project from NPR, one that expresses the opposite sentiment, supplanting the thickly-laid irony with earnest, beautiful reporting from Mississippi, Indonesia, Bangladesh and Colombia. Planet Money Makes a T-Shirt was originally Kickstarted six months ago, bringing in over ten times its $50,000 goal, and the meta-level T-shirt reward tier (the only one available) was both the means to support and the premise of the investigative journalism project.

That $590K most certainly paid off: A custom web experience drives the compelling narrative, which presents an incredible amount of quantitative and qualitative information in an easily digestible format: tightly-edited video complemented by just the right amount of text, stills and archival photography.

NPR has been supporting the self-contained website with additional content & broadcasts this week; here’s a brief synopsis (spoiler alert?) and the introduction below, but you should really just check it out for yourself…

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A New Line of Bamboo Bike Accessories for Ghana’s Yonso Project, by Mathieu Turpault

core_bike.jpgPhotos by Sarah Rottenberg, Yilin Lu, Yoshi Araki and Anna Couturier

By Mathieu Turpault, Director of Design, Bresslergroup

Last summer, we got to live vicariously through a group of Integrated Product Design students at the University of Pennsylvania who traveled to Ghana.

They were conducting ethnographic research at the Yonso Project, a Ghanaian rural organization that provides educational and economic resources to help people in the region break the cycle of poverty. In 2009, Yonso added a bamboo bicycle workshop to their roster of empowerment programs. The workshop builds skills by training locals to make beautiful bamboo bike frames that are sold internationally. It creates jobs, leverages local production from the bamboo plantation, and helps fund Yonso’s educational initiatives.

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Strategy and Research

While the folks at Yonso are incredibly knowledgeable about their core initiatives, they’re not as experienced in product development. They approached UPenn for help in 2012 when they wanted to expand their bamboo product line. In turn, Sarah Rottenberg, Associate Director at the Integrated Product Design program, asked Bresslergroup to help mentor the students who were going.

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Sarah and the team of IPD students, Yoshi Araki, Yilin Lu and Anna Couturier, visited our offices last spring for a couple of strategy and ideation sessions with our designers and engineers. We guided them through brainstorming and ideation exercises, talked about how we prepare for conducting ethnographic research and brand language development, and suggested strategies for narrowing and choosing product categories that could be pursued most successfully. We’ve gone through this process many times before, for many different types of products, so we’ve run into walls and we know how to avoid pitfalls.

core_brainstorm.jpgRead more in our blog post about brainstorming about how we structure this phase of the design process.

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‘Doing Time’ Gives Inmates a Creative Outlet that Doesn’t Include Tattoos or Making License Plates

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Inmates at Rebibbia, a prison in Rome, are getting access to a new kind of creative outlet—one that doesn’t include crude prison tats and wall scratchitti: Wall clocks made from the product waste from leather producers that signify a literal translation of “doing time.” Designer Sara Ferrari was invited by Artwo gallery to work with the institution’s inmates to create a new creative outlet.

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Back to the tattoo mention (it was strategically placed there, you know). Many prison tattoos you may come across feature a clock with no hands, which has come to represent several things. One being the seemingly neverending prison sentence and another the different way in which an inmate views and passes time in comparison to someone who isn’t locked up. But once they leave their cells and jump back into the real world, the tattoos are still there. The designer wanted to give inmates another way to express themselves.

“With this project I would like to give prisoners the possibility to ‘mark’ a different kind of skin, a canvas to use as a carrier pigeon where to express their thoughts and ideas and send them outside. Wastes generated in the leather products industry will become the new skin to mark, a new precious surface where the prisoners’ thoughts will become decorations of a furnishing object such a wall clock. Like this, the ‘doing time’ will gain a different meaning and it will be transformed from simply ‘serving time’ to ‘making and thinking time.'”

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The five dots aren’t just decoration, either. “The dots, sometimes known as the quincunx, represent time done in prison,” Ferrari says. “The four dots on the outside are seen as the four walls, and the dot on the inside represents the prisoner.”

This design will be a part of the RECUPERO exhibition at the Triennale in Milan, through December 15th.

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‘Roadless’: Ackeem Ngwenya’s Amazing All-Terrain Shape-Shifting Wheel Design

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The phrase goes that one oughtn’t reinvent the wheel, yet we’ve seen countless examples of people trying, from square to hubless to powered. The latest wheel reinvention to make the, er, rounds comes from Ackeem Ngwenya, a student of Innovation Design Engineering at London’s RCA. Ngwenya’s designed something that looks simultaneously nutty and completely feasible: A shape-shifting wheel he’s calling “Roadless.”

The “Why” of it is pretty simple. Ngwenya grew up in rural Africa, where “head-loading” remains the most practical way to transport goods, as arduous and inefficient as it is. He reckons that a shape-shifting wheel could adapt to different terrains, thus providing a one-size-fits-all solution for load-carrying carts, bikes or vehicles in areas with no infrastructure.

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The “How” of it is both simple and fascinating. By using the principle of a scissor jack, and arraying a series of them around a circle, the wheel would either grow shorter and wider, or taller and more narrow, as the mechanism is manipulated.

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Coca-Cola and Dean Kamen Team-Up Will Provide Fresh Drinking Water for Millions Via Kiosk

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Coca-Cola is known the world over for producing its sugary (or fructose-y) namesake beverage. But in keeping with the ever-greening times, they now hope to form a secondary reputation as a provider of safe, clean drinking water. In Heidelberg, South Africa, Coke recently launched their first EKOCENTER, a 20-foot shipping container meant to serve as a retail kiosk, community center and social hub in impoverished rural areas. To draw bodies, each EKOCENTER is loaded up with a Slingshot, a water purification machine invented by Dean Kamen.

Segway inventor Kamen’s Slingshot is amazing. Taking up as much space as a small refrigerator, the thing can run on cow poop and uses no filters, yet can turn any water source into potable water–cranking out up to 1,000 liters a day. And it can run for five years without even requiring any maintenance!

The Slingshot was more than a decade in the making, and with Coca-Cola’s backing and global distribution network, is well-positioned to make a significant impact on global health through the EKOCENTER. And in addition to the Slingshot functionality, each container contains solar cells that can be used to power charging points or refrigeration for medicine. Following the South African launch, Coke plans to get the containers into 20 countries in need by 2015, getting safe drinking water into the mouths of millions.

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The Fastest Way to Deliver Relief Goods: Decommissioned Nuclear Missiles

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Overnight delivery is amazing. The thought that I can finish a drawing here in New York, drop it off at a FedEx office at 5pm and have it show up first thing tomorrow in L.A. is pretty neat.

A far superior delivery system is the Intercontinental Ballistic Missile. It takes about five minutes to boost itself into suborbital flight, where it then cruises for less than a half-hour, and then spends just two minutes plummeting down to its target more than 7,000 miles away. And even small ICBMs can carry half a ton of cargo. Of course, since that cargo is usually a nuclear device, we think of ICBMs as deliverers of death.

Huai-Chien “Bill” Chang, a doctoral candidate in Space Architecture at the University of Tokyo, however, has a different idea for what ICBMs could be used for: Long-range disaster relief. Should a natural calamity strike in a region of the globe that’s difficult to access, Chang posits, an ICBM somehow modified for a soft landing could be loaded up with supplies, and quickly delivered where it is needed. And with the dearmaments following the end of the Cold War, there’s no shortage of mothballed missiles.

“These rocket engines are still functioning. If we could use these engines, the cost would be very much reduced,” Chang told science and astronomy enthusiast website SPACE.com, following a recent presentation of his idea at the American Institute of Aeronautics and Astronautics’ Space 2013 conference. “I’d like to see something like this happen before the next big disaster hits.”

Here’s Chang himself explaining the concept at a TEDxTokyo “audition:”

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Banksy’s Tagging NYC For An October “Residency”

Banksy-Day-1.jpgOctober 1st, 2013

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Yesterday, Banksy’s website announced a month-long “show” on the streets of New York. Each one of his street art pieces will come with a painted phone number (that’s probably been covered up by the time you read this—let’s be real). If you’re lucky enough to catch the digits before they’re gone, you’ll get an in-depth look into what the pieces signify and are trying to say in true Banksy fashion. Or should I say, Ban Sky—the artist’s moniker for the month of October.

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This residency, titled “Better Out Than In,” will feature a new painting every day in a different part of New York City. Follow the project’s Instagram account to see where the paintings show up. Let us know your favorites as the month goes on!

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A Crowdfunding Site for Cities

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In some way or another, we all pay taxes to the cities we live in, and we benefit regularly from city services. But few of us are aware of how exactly our money is spent on municipal projects. Also, while the structures of democracy ensure town halls and the ability to petition our representatives, even fewer of us feel a sense of agency in guiding the decision-making process.

I recently learned about Citizinvestor, a site that attempts to bring crowdfunding to city projects in the United States. Unlike most crowdfunding sites, not just anyone can join: they have to be city officials, and the project has to be approved for moving forward. Citizinvestor steps in with the funding side—city officials can go directly to their constituencies to seek funding. The city gets the funds it needs, and citizens know exactly how their dollars are being spent. As with Kickstarter, projects are only funded if they meet 100% of their goal.

In a recent TEDx talk, co-founder Jordan Raymor introduced the notion of the government as a vending machine, where citizens can choose what projects they want to pay for and engage with. This has dangers, of course—a project like this could detract from the sort of systemic change that many cities require to provide more equitable services for all citizens, not just those who have access to credit cards and the time to check a crowdfunding campaign. But Citizinvestor isn’t mean to replace regular government functions. It does, however, provide a platform for accountability.

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