Knots collective

Knotspopupshop_2
Hermienevandijk

It was over at Le Train Fantome's blog that I read about Knots pop up shop in London last weekend … oh how I wish I could have stopped by .. would have been so easy to do some early Christmas shopping. But a bit more research online brought me to this link … and voila … all the products that I like so much are available right here

I am deeply in love with the pouches by Hermine van Dijk, but wouldn't say no to any of the cute ceramics by Mamzelle Titoo and the gorgeous handmade mobiles from Renilde de Peuter from at swim two-birds ………. [READ MORE]

Aswimattwobirds

Knotspopupshop


RenildeDePeuter

Knotspopupshop_3

 

Alessandra from La Casita founded Knots … a group of 5 artists who all share Alessandra's passion for knitting, sewing, crochet, anything that involves the process of knotting. 

 ..Knots online shop

 Images via Le Train Fantome flickr, Knots and La Casita

Movie: Wilkinson Eyre Architects on winning World Building of the Year

World Architecture Festival 2012: Dezeen editor-in-chief Marcus Fairs talks to Wilkinson Eyre Architects‘ Paul Baker in this interview filmed just moments after the firm’s Cooled Conservatories for the Gardens by the Bay tropical gardens in Singapore was named World Building of the Year at the World Architecture Festival today.

Wilkinson Eyre Architects on winning World Building of the Year

In the movie, Baker explains that to build cooling greenhouses in the tropics was “an extraordinarily tough thing to do” and required “proper collaboration, not the genius idea”. The two structures are the largest climate-controlled greenhouses in the world and include a 30-metre-high man-made waterfall – read more in our earlier story.

Wilkinson Eyre Architects on winning World Building of the Year

The winners were announced at the Marina Bay Sands hotel and conference centre, which is situated next to the Gardens by the Bay. See category winners from days one and two plus the Landscape of the Year and Future Project of the Year in our special category.

Wilkinson Eyre Architects on winning World Building of the Year

Dezeen is media partner for the festival and we’ll be publishing a series on interviews with selected winners soon.

Wilkinson Eyre Architects on winning World Building of the Year

Photography is by Craig Sheppard.

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Landscape of the Year announced at World Architecture Festival

World Architecture Festival 2012: the Kallang River Bishan Park in Singapore by landscape designers Atelier Dreiseitl has been given the title Landscape of the Year at the World Architecture Festival (+ slideshow).

Kallang River Bishan Park by Atelier Dreiseitl

A river winds through the centre of the park, replacing a concrete-sided canal, and features bio-engineered edges created with a variety of different plants.

Kallang River Bishan Park by Atelier Dreiseitl

This river also forms a flood plan during heavy rain, helping water to drain away naturally and preventing the grassy areas from becoming waterlogged.

Kallang River Bishan Park by Atelier Dreiseitl

A new bridge connects the park with the residential area beyond.

Kallang River Bishan Park by Atelier Dreiseitl

We’ve also announced winners for World Building of the Year and Future Project of the Year, as well as all the category winners from day one and day two.

Kallang River Bishan Park by Atelier Dreiseitl

Dezeen is media partner for the World Architecture Festival, which is taking place at the Marina Bay Sands hotel and conference centre in Singapore. You can follow all our coverage of the event here, including a series of movies we filmed with programme director Paul Finch.

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The Pool Shophouse by FARM and KD Architects

Architecture studios FARM and KD Architects have converted a 1920s shophouse in Singapore into a residence with a swimming pool stretched along the ground floor.

The Pool Shophouse by FARM and KD Architects

Long, narrow shophouses are a typical building typology in Southeast Asia and the Pool Shophouse is one of eight renovated properties in the Lorong 24A Shophouse Series, for which various architects were asked to adapt and extend properties in the Geylang neighbourhood.

The Pool Shophouse by FARM and KD Architects

Architects Tiah Nan Chyuan and Lee Hui Lian explain how they wanted to create “an insertion” rather than “an extension” to the building. “One experiences the continuity of space through a series of stairs that loop through the shophouse,” they say.

The Pool Shophouse by FARM and KD Architects

The staircases they refer to zigzag back and forth through the house to connect the three existing floors with the four-storey extension, which contains bedrooms within its upper storeys.

The Pool Shophouse by FARM and KD Architects

Narrow strips of lighting highlight the gaps between these new staircases and the exposed brick walls of the original building.

The Pool Shophouse by FARM and KD Architects

Light filters into the house through a skylight at the centre, which is screened behind a louvred ceiling.

The Pool Shophouse by FARM and KD Architects

We’ve published a couple of stories about shophouses, including two converted into live-work units in Bangkok and an office shaped like a giant periscope.

The Pool Shophouse by FARM and KD Architects

Photographer Peter Nitsch also documented shophouses in a series of images from 2010.

The Pool Shophouse by FARM and KD Architects

See more projects from Singapore »

The Pool Shophouse by FARM and KD Architects

Photography is by Jeremy San.

The Pool Shophouse by FARM and KD Architects

Here’s some project details from FARM:


The Pool Shophouse

Location: Lorong 24A Geylang, Singapore

The Pool Shophouse by FARM and KD Architects

Design Consultants: FARM in collaboration with KD Architects
Design team: Kurjanto Slamet, Tiah Nan Chyuan, Lee Hui Lian

The Pool Shophouse by FARM and KD Architects

Land area: (in m2) 143.30 sqm
Built-in GFA: (in m2) 366.94 sqm
Project Year: 2012

The Pool Shophouse by FARM and KD Architects

Ground floor plan – click above for larger image

The Pool Shophouse by FARM and KD Architects

First floor plan – click above for larger image

The Pool Shophouse by FARM and KD Architects

Second floor plan – click above for larger image

The Pool Shophouse by FARM and KD Architects

Third floor plan – click above for larger image

The Pool Shophouse by FARM and KD Architects

Roof plan – click above for larger image

The Pool Shophouse by FARM and KD Architects

Long section 1 – click above for larger image

The Pool Shophouse by FARM and KD Architects

Long section 2 – click above for larger image

The Pool Shophouse by FARM and KD Architects

Front and rear elevations – click above for larger image

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Wu Residence by Neri&Hu

A large glass vitrine holds rooms like exhibits at the centre of this apartment in Singapore by Chinese architects Neri&Hu.

Only the kitchen meets the walls of the Wu Residence, while other rooms are surrounded by a single corridor that lines the perimeter.

“The client was provoked by his kids that he was not cool enough,” Lyndon Neri told Dezeen. “So he selected the craziest scheme.”

Behind the layer of glass, Chinese stone defines the walls and surfaces of the study, the bathroom is lined with copper and the master bedroom is positioned in front of a single wooden wall.

Translucent curtains are all that screen the rooms from the surrounding corridor.

“By having this transparency the entire flat felt bigger,” said Neri.

See more stories about Neri&Hu here, including our interview with Lyndon Neri about the hotel they completed inside a former army headquarters.

See more stories about apartments »

Photography is by Pedro Pegenaute.

Plan – click above for larger image

Here’s a design statement from Neri&Hu:


Wu Residence: Design Statement

Shanghai-based architects Neri&Hu recently completed a 250 square-meter private residence in a high rise tower in the heart of Singapore. The client’s mandate was simple: “Give me three bedrooms and a project that will challenge the conventional notion of what a flat should be.” Rising up to this challenge, Neri&Hu initiated the project by questioning the fundamentals of the “house” typology itself, asking themselves: How can we free up the plan and make it feel light and loft-like? What is the relationship between the communal and private? When and how should privacy be maintained, if at all? What are the essential and non-essential program components that make a “home”? What is domesticity?

The resulting parti breaks though all conventions of the standard apartment layout by placing the rooms away from the building edge, reserving a continuous corridor along the entire perimeter. Rather than enter into the center and then radiate outwards towards individual rooms, a configuration often taken for granted as the ideal condition in high rise residences, here, the private zone forms the core of the space, while the public circulation zone envelops and ties everything together. The strategic insertion of three free floating volumes, clad in wood, stone, and copper, adds to the depth of the spatial layers, enclosing within them the most private and intimate rooms of all—the study and the two bathrooms. The remaining space is kept transparent, pushing the boundaries of how open and extroverted a room can be, while still maintaining privacy. The project rejects the parcelization of spaces found typically in apartment layouts, creating an openness and expansiveness that is more conducive to the contemporary lifestyle.

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by Neri&Hu
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Gallery House by Lekker Design

Gallery House by Lekker Design

This combined house and gallery in Singapore by architecture studio Lekker Design comprises a single rectilinear building with another twisted inside it.

Gallery House by Lekker Design

The twisted inner volume towers up through the roof to house the bedrooms and other private spaces of the residence, keeping them separate from the triple-height gallery on the ground floor.

Gallery House by Lekker Design

A boxy staircase leads up from the gallery to the floor above and passes by a perforated metal screen that shields a window to the bathroom.

Gallery House by Lekker Design

The narrow building forms part of an existing row of houses, located in the red light district to the north-east of the city centre.

Gallery House by Lekker Design

Other combined houses and galleries we’ve featured include a residence for Australian artists in Japan and a gallery beneath a pool of water in South Korea.

Gallery House by Lekker Design

Above: photograph is by Eugene Goh/Light Works Photography

Photography is by Darren Soh/FullframePhotos, apart from where otherwise stated.

Gallery House by Lekker Design

The text below is from the architects:


This is a small building, with two programs – a house and an art gallery – squeezed into a very dense envelope, in the midst of Singapore’s red light district.

Gallery House by Lekker Design

The design attempted to balance this programmatic double-life through a play of two volumes. The lower volume contains a triple-height gallery and kitchen.

Gallery House by Lekker Design

Above is a rotated tower, which appears to be partially suspended below the ceiling of the gallery; this holds the bedrooms and private spaces. The building has been designed such that the client may open the gallery to the public, via a separate access.

Gallery House by Lekker Design

The Gallery House is sited in a typical Singaporean lot, between two very long party walls. In order to bring natural light deep into the interior, a series of small gardens have been extracted from the facade and roofline.

Gallery House by Lekker Design

This creates a complex series of nested spaces, merging the interior with tropical landscape.

Gallery House by Lekker Design

Ground floor plan – click above for larger image

Rooms are unexpectedly located and strangely formed, partially overlapping with others or sharing views of interior canyon spaces. The largest of these contains the main stair, which winds informally between rooms at front and back.

Gallery House by Lekker Design

Upper floor plan – click above for larger image

Project title: Gallery House
Architects: Lekker Design
Location: Singapore
Size: 3,500 ft sq.
Project year: 2012
Design Team: Ong Ker-Shing, Joshua Comaroff, Germain Goh, Sio Lim, Peter Then, Joshua Feldman

Gallery House by Lekker Design

Section – click above for larger image

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Hatched at Holland Avenue by Outofstock

Birds’ nests inspired the facade of this Singapore cafe by designers Outofstock, where eggs are served all day.

Hatched at Holland Avenue by Outofstock

The bright yellow web of rope matches the colour of seats outside, as well as the handle of the wooden door.

Hatched at Holland Avenue by Outofstock

Floorboard offcuts are stacked up to create a bar on the ground floor and other surfaces are picked out in chunky chipboard.

Hatched at Holland Avenue by Outofstock

Irregularly shaped lighting fixtures decorate the walls on the upstairs floor, which the architects liken to hatching eggs or peeled potatoes.

Hatched at Holland Avenue by Outofstock

This is the second Hatched restaurant that Outofstock have created, following one with egg-shaped holes in the walls from 2010.

Hatched at Holland Avenue by Outofstock

See more projects by Outofstock »

Hatched at Holland Avenue by Outofstock

Photography is by Kim Jung Eun.

Here’s some more information from Outofstock:


Hatched at Holland Avenue by Outofstock

Following the popularity of the first Hatched restaurant, Singapore and Barcelona based design collective Outofstock was recently commissioned to design a second restaurant at 267 Holland Avenue, Singapore.

Hatched at Holland Avenue by Outofstock

Located in a two-storey historical shophouse in Holland Village, the design of this egg-themed, all-day breakfast restaurant is based on the concept of a nest. The intention behind the design was to inject more colour and playful elements into the new restaurant, building upon the warm and cozy barn house atmosphere of the original establishment, also designed by Outofstock.

Hatched at Holland Avenue by Outofstock

The nest facade was realized with yellow braided rope woven around a steel frame with laser-cut holes. This steel frame also holds up the glass panels and a floor-sprung rough-sawn timber door.

Hatched at Holland Avenue by Outofstock

The restaurant uses mostly original lighting and furniture designed by Outofstock, such as the Naked chair, produced by Bolia and the Biscuit stool and table, produced by Environment.

Hatched at Holland Avenue by Outofstock

The bar counter is composed of offcuts from teak wood floorboards. The floorboards were used to compose a herring bone pattern, hence the almost perfect triangular offcuts.

Hatched at Holland Avenue by Outofstock

Abstract wall lighting fixtures which could be interpreted as hatching eggs or peeled potatoes act as conversation pieces on the upper floor of the restaurant.

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V on Shenton by UNStudio

Dutch architecture firm UNStudio has designed a skyscraper for Singapore that looks like a cactus.

V on Shenton by UNStudio

Located within Singapore’s business district, the V on Shenton building for property developers UIC will replace an existing tower block that has housed the company since the 1970s.

V on Shenton by UNStudio

The building will comprise a 23-storey office tower that matches the height of surrounding buildings, as well as a 53-storey residential tower that rises above.

V on Shenton by UNStudio

Glass hexagons will be arranged in patterns across the facades of both towers, creating angled surfaces that will reflect light and provide shade. Its chamfered edges will glow blue at night.

V on Shenton by UNStudio

Another recent proposal for Singapore by UNStudio is a tower with chunks missing from its facade.

V on Shenton by UNStudio

See more stories about UNStudio »

V on Shenton by UNStudio

Here’s some more information from UNStudio:


V on Shenton, Singapore, 2010-2016

Ben van Berkel / UNStudio have designed the new UIC building, ‘V on Shenton’, in the heart of Singapore’s Central Business District.

The former UIC Building dominated the city skyline as Singapore’s tallest building for many years since its completion in 1973 and was part of an important collection of towers located along Shenton Way in the heart of Singapore’s Central Business District.

V on Shenton by UNStudio

Today, the area is undergoing rejuvenation and transformation and ‘V on Shenton’, the new UIC building, forms part of this redevelopment. The dual programming of ‘V on Shenton’, comprising office and residential, presents a unique situation in this area of the city.

V on Shenton by UNStudio

The twin tower of ‘V on Shenton’ is comprised of a 23-storey office building and a 53-storey residential tower, with the dual programming of the building highlighted through its massing.

The office tower corresponds to the scale of the surrounding buildings and the street, while the residential tower rises up to distinguish itself from the neighbouring buildings. Above the third sky lobby the unit mix of the residential tower changes with a subtle display of its split core.

V on Shenton by UNStudio

Facade

Just as the office and residential towers are of the same family of forms, so do their facades originate from the same family of patterns. The basic shape of the hexagon is used to create patterns that increase the performance of the facades with angles and shading devices that are responsive to the climatic conditions of Singapore. Along with systematic material variations, these geometric panels add texture and cohesion to the building, whilst reflecting light and pocketing shade. The texture and volume of the facade are important to maintaining the comfort of those living and working in the residential and office buildings. Shading devices and high-performance glass are important for developing a sustainable and liveable facade.

V on Shenton by UNStudio

Ben van Berkel: “The pattern of the façade comprises four to five different textures, each varying depending on the programme. At times the glass of the façade creates texture through the relief effect and the coloured side lighting, whilst the volumetric balconies of the residences create a deep texture in the total volume of the building.“

V on Shenton by UNStudio

Each tower is framed by “chamfers”; a line that unifies the composition of the residential tower, the office tower and the plinth. During daytime the chamfer appears smooth in contrast to the textured surfaces of the towers. At night the chamfer lights up as a continuous line framing building.

V on Shenton by UNStudio

Ben van Berkel: “’V on Shenton’ will have an incredible presence within the whole organisation of the city and is in that respect a very public project. But we see it also as a sculptural object, where the continuous line of the chamfer highlights the form and where the different textures are not purely related to programme, but also ‘dress’ the building”

V on Shenton by UNStudio

Lobbies

On the ground floor of the development stainless steel lines are inlaid into the floors and lines of light are traced across the ceiling, guiding pedestrians to their destination.

V on Shenton by UNStudio

The office lobby is divided into a reception area and a large café which extends along the view corridor to create a lively atmosphere in the public areas.

V on Shenton by UNStudio

Sky Gardens

The sky lobbies and the sky garden are an integral part of ‘V on Shenton’ and provide 360 degree views of Singapore. The most ample and diverse of the three sky gardens covers the entire 8th storey of the development. Here residents are able to take full advantage of the amenities while still having privacy to train or entertain guests.

V on Shenton by UNStudio

Along with the facades, the sky gardens are an integral part of developing the sustainable lifestyle of ‘V on Shenton’. These lush green spaces provide a refuge from the city with the climate and vegetation naturally providing fresher, cleaner air.

V on Shenton by UNStudio

At the two sky lobbies in the heart of the residential tower, residents are given even greater privacy combined with views of the city or the ocean. The residents of the penthouse levels will also have exclusive access to the outdoor roof terraces.

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by UNStudio
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The Edge Gallery by Ministry of Design

Narrow glass openings provide glimpses through the rampart-like facade of this property showroom in Singapore by architects Ministry of Design (+ slideshow).

Edge Gallery by Ministry of Design

Named the Edge Gallery, the building contains a double-height sales gallery and two show apartments for developer UOL, who are constructing three residential towers on a former hotel and theatre site nearby.

Edge Gallery by Ministry of Design

The walls of the two-storey building comprise a series of L-shaped columns that wrap over the roof, while doors and windows fill the gaps between.

Edge Gallery by Ministry of Design

Unlike most showrooms, there are no signs or advertisements on the exterior of the building at all.

Edge Gallery by Ministry of Design

Other projects we’ve featured by Ministry of Design include a monochrome hotel and an extremely pointy pavilion.

Edge Gallery by Ministry of Design

See all our stories about Singapore »

Edge Gallery by Ministry of Design

Photography is by CI&A Photography.

Here’s some text from the architects:


The Edge Gallery
Architecture + Interiors + Furniture Design
910 sqm | Singapore | Completed 2012

Scope

The Edge Gallery explores and redefines the typology of the Singaporean condominium show gallery on several fronts.

Edge Gallery by Ministry of Design

Commissioned by a reputed Singaporean developer, the project for the design of a sales gallery and two show flats of a 244 unit residential development is located at a major intersection along Singapore’s eastern city fringe.

Edge Gallery by Ministry of Design

Explorations

Firstly, the design synthesizes unique characteristics of the site context with the client’s programmatic requirements.

Edge Gallery by Ministry of Design

Key site issues included the unique semi-circle shaped site, noisy surroundings and a distant vehicular drop off point.

Edge Gallery by Ministry of Design

On another front, the design also sought to challenge conventional Singaporean show gallery precedents which seem to ignore the potential for unique architectural solutions as a valid and powerful marketing device.

Edge Gallery by Ministry of Design

In contrast to this, the Edge Gallery departs from the formulaic combination of staid glass boxes and over-sized billboards.

Edge Gallery by Ministry of Design

Click image above for larger image

Relying instead on the inherent branding value of an iconic architectural statement as a more relevant, subtle & sophisticated form of advertisement.

Edge Gallery by Ministry of Design

Click image above for larger image

Incidentally, the project met with significant sales success within its first week and has established a possible new alternative model for the Singaporean show gallery.

Edge Gallery by Ministry of Design

Click image above for larger image

Solution

The building can be understood as a series of white L-shaped walls paired with interstitial vertical glass strips contouring in harmony with the shape of the site to form the overall building.

Edge Gallery by Ministry of Design

Click image above for larger image

The glass strips are intentionally turned away from the oncoming traffic flow but allow for views ports and entry portals.

Click image above for larger image

The alternating rhythm of wall and glass is continued in the building’s section, peaking at over 7m to form a double-height internal space into which the show flats and balconies face, simulating high-rise living.

Edge Gallery by Ministry of Design

Click image above for larger image

The interior design takes its cues from the overarching design language, applying it to floor and wall patterns or finishes.

Edge Gallery by Ministry of Design

Click image above for larger image

The show flats question the notion of contemporary luxury, eschewing typical elements of ostentation for more understated luxury and authentic material richness.

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Ministry of Design
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The Park House by Formwerkz Architects

The Park House by Formwerkz Architects

The elevated garden of this Singapore house by architects Formwerkz creates a huge canopy to shelter bedrooms beneath.

The Park House by Formwerkz Architects

Creating a figure of eight at first-floor level, the garden wraps around and divides a double-height living room from a kitchen and dining area with a study above.

The Park House by Formwerkz Architects

A black scissor staircase climbs up through the canopy to provide exterior access to these first-floor rooms, while a white spiral staircase leads up from the raised garden to the attic study.

The Park House by Formwerkz Architects

Large areas of glazing let natural daylight into the house, which filters in through thin vertical louvers.

The Park House by Formwerkz Architects

If you’re interested in projects from Singapore you can check out a few more here.

The Park House by Formwerkz Architects

Photography is by Jeremy San.

The Park House by Formwerkz Architects

The text below was provided by Formwerkz Architects:


The Park House

Sited in the northeastern corner of the Singapore, the 2-1/2 storey house sits on a sunken piece of land facing a huge park next to the sea.

The Park House by Formwerkz Architects

It is a house designed for a middle-age couple that entertains frequently.

The Park House by Formwerkz Architects

The house is set low to the ground and all the bedrooms are placed on grade while the living spaces on the upper floors.

The Park House by Formwerkz Architects

The bedrooms on the lower floors gets the shade and privacy from the garden and the boundary walls while the communal space on top, connects with the park across the street.

The Park House by Formwerkz Architects

Click above for larger image

Capitalizing on the planning guidelines on Roof Eaves Setbacks, created a 2m wide apron all round the upper floor that stretches to form the car porch canopy.

The Park House by Formwerkz Architects

Click above for larger image

The band of cantilevered concrete is planted on top, elevating the garden to the upper floor while shading the bedrooms on the ground.

The Park House by Formwerkz Architects

Click above for larger image

Site area – 415 sqm
Built-up area – 250 sqm

The Park House by Formwerkz Architects

Click above for larger image

Architect – Formwerkz Architects
Design Team – Gwen Tan, Berlin Lee, Stephen Lim, RuiLin

The Park House by Formwerkz Architects

Click above for larger image

Structural – TEP Consultants Pte Ltd
Builder – PLC (2006) Pte Ltd